“A salesman … an executive with an international company, specializing in the Far East. That could be it. Or a teacher … of languages. In a university somewhere. That’s possible, too.”
“Fine. Choose one. Now!”
“I … I can’t.” The man’s eyes were on the edge of helplessness.
“Because you don’t believe either one.”
The man shook his head. “No. Do you?”
“No,” said Washburn. “For a specific reason. Those occupations are relatively sedentary and you have the body of a man who’s been subjected to physical stress. Oh, I don’t mean a trained athlete or anything like that; you’re no jock, as they say. But your muscle tone’s firm, your arms and hands used to strain and quite strong. Under other circumstances, I might judge you to be a laborer, accustomed to carrying heavy objects, or a fisherman, conditioned by hauling in nets all day long. But your range of knowledge, I daresay your intellect, rules out such things.”
“Why do I get the idea that you’re leading up to something? Something else.”
“Because we’ve worked together, closely and under pressure, for several weeks now. You spot a pattern.”
“I’m right then?”
“Yes. I had to see how you’d accept what I’ve just told you. The previous surgery, the hair, the contact lenses.”
“Did I pass?”
“With infuriating equilibrium. It’s time now; there’s no point in putting it off any longer. Frankly, I haven’t the patience. Come with me.” Washburn preceded the man through the living room to the door in the rear wall that led to the dispensary. Inside, he went to the corner and picked up an antiquated projector, the shell of its thick round lens rusted and cracked. “I had this brought in with the supplies from Marseilles,” he said, placing it on the small desk and inserting the plug into the wall socket. “It’s hardly the best equipment, but it serves the purpose. Pull the blinds, will you?”
The man with no name or memory went to the window and lowered the blind; the room was dark. Washburn snapped on the projector’s light; a bright square appeared on the white wall. He then inserted a small piece of celluloid behind the lens.
The square was abruptly filled with magnified letters.
GEMEINSCHAFT BANK BAHNHOFSTRASSE. ZURICH.
ZERO—SEVEN—SEVENTEEN—TWELVE—ZERO—
FOURTEEN—TWENTY-SIX—ZERO
“What is it?” asked the nameless man.
“Look at it. Study it. Think.”
“It’s a bank account of some kind.”
“Exactly. The printed letterhead and address is the bank, the handwritten numbers take the place of a name, but insofar as they are written out, they constitute the signature of the account holder. Standard procedure.”
“Where did you get it?”
“From you. This is a very small negative, my guess would be half the size of a thirty-five millimeter film. It was implanted—surgically implanted—beneath the skin above your right hip. The numbers are in your handwriting; it’s your signature. With it you can open a vault in Zurich.”
Bantam Books by Robert Ludlum
Ask your bookseller for the books you have missed
THE APOCALYPSE WATCH
THE AQUITAINE PROGRESSION
THE BOURNE IDENTITY
THE BOURNE SUPREMACY
THE BOURNE ULTIMATUM
THE CHANCELLOR MANUSCRIPT
THE CRY OF THE HALIDON
THE GEMINI CONTENDERS
THE HOLCROFT COVENANT
THE ICARUS AGENDA
THE MATARESE CIRCLE
THE MATARESE COUNTDOWN
THE MATLOCK PAPER
THE OSTERMAN WEEKEND
THE PARSIFAL MOSAIC
THE RHINEMANN EXCHANGE
THE ROAD TO GANDOLFO
THE ROAD TO OMAHA
THE SCARLATTI INHERITANCE
THE SCORPIO ILLUSION
TREVAYNE
Available wherever Bantam Books are sold
ABOUT THE AUTHOR
ROBERT LUDLUM was the author of twenty-one novels published in thirty-two languages and forty countries with worldwide sales in excess of two hundred million copies. His works include The Scarlatti Inheritance, The Osterman Weekend, The Matlock Paper, The Rhinemann Exchange, The Gemini Contenders, The Chancellor Manuscript, The Road to Gandolfo, The Holcroft Covenant, The Matarese Circle, The Bourne Identity, The Parsifal Mosaic, The Aquitaine Progression, The Bourne Supremacy, The Icarus Agenda, Trevayne, The Bourne Ultimatum, The Road to Omaha, The Scorpio Illusion, and The Apocalypse Watch.
The Rhinemann Exchange Page 49
