The Island of Dr. Death and Other Stories and Other Stories

by Gene Wolfe

  “He’ll have to—you’re sure he’ll do it?”

  “He’ll love it,” Ardis said positively, and disappeared again.

  It seemed that “Terry” was the actor who played Mary Rose’s husband and lover, Simon; and I—who had never acted in so much as a school play—was to be pressed into the part. It was about half an hour before curtain time, so I had all of fifty minutes to learn my lines before my entrance at the end of the first act.

  Paul, the director, warned me that if my name were used, the audience would be hostile; and since the character (in the version of the play they were presenting) was supposed to be an American, they would see errors where none existed. A moment later, while I was still in frantic rehearsal, I heard him saying, “The part of Simon Blake will be taken by Ned Jefferson.”

  The act of stepping onto the stage for the first time was really the worst part of the entire affair. Fortunately I had the advantage of playing a nervous young man come to ask for the hand of his sweetheart, so that my shaky laughter and stammer became “acting.”

  My second scene—with Mary Rose and Cameron on the magic island—ought by rights to have been much more difficult than the first. I had had only the intermission in which to study my lines, and the scene called for pessimistic apprehension rather than mere anxiety. But all the speeches were short, and Paul had been able by that time to get them lettered on large sheets of paper, which he and the stage manager held up in the wings. Several times I was forced to extemporize, but though I forgot the playwright’s words, I never lost my sense of the trend of the play, and was always able to contrive something to which Ardis and Cameron could adapt their replies.

  In comparison to the first and second acts, my brief appearance in the third was a holiday; yet I have seldom been so exhausted as I was tonight when the stage darkened for Ardis’s final confrontation with Kreton, and Cameron and I, and the middle-aged people who had played the Morelands, were able to creep away.

  We had to remain in costume until we had taken our bows, and it was nearly midnight before Ardis and I got something to eat at the same small, dirty bar outside which Kreton had tried to rob me. Over the steaming plates she asked me if I had enjoyed acting, and I had to nod.

  “I thought you would. Under all that solidity you’re a very dramatic person, I think.”

  I admitted it was true, and tried to explain why I feel that what I call the romance of life is the only thing worth seeking. She did not understand me, and so I passed it off as the result of having been brought up on the Shah Namah, of which I found she had never heard.

  We went to her apartment. I was determined to take her by force if necessary—not because I would have enjoyed brutalizing her, but because I felt she would inevitably think my love far less than it was if I permitted her to put me off a second time. She showed me about her quarters (two small rooms in great disorder), then, after we had lifted into place the heavy bar that is the sigil of every American dwelling, put her arms about me. Her breath was fragrant with the arrack I had bought for her a few minutes before. I feel sure now that for the rest of my life that scent will recall this evening to me.

  When we parted, I began to unloose the laces that closed her blouse, and she at once pinched out the candle. I pleaded that she was thus depriving me of half the joy I might have had of her love; but she would not permit me to relight it, and our caresses and the embraces of our couplings were exchanged in perfect darkness. I was in ecstasy. To have seen her, I would have blinded myself; yet nothing could have increased my delight.

  When we separated for the last time, both spent utterly, and she left to wash, I sought for matches. First in the drawer of the unsteady little table beside the bed, then among the disorder of my own clothes, which I had dropped to the floor and we had kicked about. I found some eventually, but could not find the candte—Ardis, I think, had hidden it. I struck a match; but she had covered herself with a robe. I said, “Am I never to see you?”

  “You will see me tomorrow. You’re going to take me boating, and we’ll picnic by the water, under the cherry trees. Tomorrow night the theater will be closed for Easter, and you can take me to a party. But now you are going home, and I am going to go to sleep.” When I was dressed and standing in her doorway, I asked her if she loved me; but she stopped my mouth with a kiss.

  I have already written about the rest—returning to find two eggs instead of three, and this book moved. I will not write of that again. But I have just—between this paragraph and the last—read over what I wrote earlier tonight, and it seems to me that one sentence should have had more weight than I gave it: when I said that in my role as Simon I never lost the trend of the play.

  What the fabled secret buried by the old Americans beneath their carved mountain may be I do not know; but I believe that if it is some key to the world of human life, it must be some form of that. Every great man, I am sure, consciously or not, in those terms or others, has grasped that secret—save that in the play that is our life we can grapple that trend and draw it to left or right if we have the will.

  So I am doing now. If the taking of the egg was not significant, yet I will make it so—indeed I already have, when I infused one egg with the drug. If the scheme in which Ardis is entangled—with Golam Gassem and Mr. Tallman if it be they—is not some affair of statecraft and dark treasure, yet I will make it so before the end. If our love is not a great love, destined to live forever in the hearts of the young and the mouths of the poets, it will be so before the end.

  Once again I am here; and in all truth I am beginning to wonder if I do not write this journal only to read it. No man was ever happier than I am now—so happy, indeed, that I was sorely tempted not to taste either of the two eggs that remain. What if the drug, in place of hallucination, self-knowledge, and euphoria, brings permanent and despairing madness? Yet I have eaten it nonetheless, swallowing the whole sweet lump in a few bites. I would rather risk whatever may come than think myself a coward. With equanimity I await the effects.

  The fact is that I am too happy for all the Faustian determination I penned last night. (How odd that Faust will be the company’s next production. Kreton will be Mephistopheles of course—Ardis said as much, and it would be certain in any case. Ardis herself will be Margaret. But who will play the Doctor?) Yet now, when all the teeth-gritting, table-pounding determination is gone, I know that I will carry out the essentials of the plan more surely than ever—with the ease, in fact, of an accomplished violinist sawing out some simple tune while his mind roves elsewhere. I have been looking at the ruins of the Jeff (as they call it), and it has turned my mind again to the fate of the old Americans. How often they, who chose their leaders for superficial appearances of strength, wisdom, and resolution, must have elected them only because they were as fatigued as I was last night.

  I had meant to buy a hamper of delicacies, and call for Ardis about one, but she came for me at eleven with a little basket already packed. We walked north along the bank of the channel until we reached the ruins of the old tomb to which I have already referred, and the nearly circular artificial lake the Americans call the Basin. It is rimmed with flowering trees—old and gnarled, but very beautiful in their robes of white blossom. For some little American coin we were given command of a bright blue boat with a sail twice or three times the size of my handkerchief, in which to dare the halcyon waters of the lake.

  When we were well away from the people on shore, Ardis asked me, rather suddenly, if I intended to spend all my time in America here in Washington.

  I told her that my original plan had been to stay here no more than a week, then make my way up the coast to Philadelphia and the other ancient cities before I returned home; but that now that I had met her I would stay here forever if she wished it.

  “Haven’t you ever wanted to see the interior? This strip of beach we live on is kept half alive by the ocean and the trade that crosses it; but a hundred miles inland lies the wreck of our entire civilization, waiti
ng to be plundered.”

  “Then why doesn’t someone plunder it?” I asked.

  “They do. A year never passes without someone bringing some great prize out—but it is so large …” I could see her looking beyond the lake and the fragrant trees. “So large that whole cities are lost in it. There was an arch of gold at the entrance to St. Louis—no one knows what became of it. Denver, the Mile High City, was nested in silver mines; no one can find them now.”

  “Many of the old maps must still be in existence.”

  Ardis nodded slowly, and I sensed that she wanted to say more than she had. For a few seconds there was no sound but the water lapping against the side of the boat.

  “I remember having seen some in the museum in Teheran—not only our maps, but some of your own from a hundred years ago.”

  “The courses of the rivers have changed,” she said. “And when they have not, no one can be sure of it.”

  “Many buildings must still be standing, as they are here, in the Silent City.”

  “That was built of stone—more solidly than anything else in the country. But yes, some, many, are still there.”

  “Then it would be possible to fly in, land somewhere, and pillage them.”

  “There are many dangers, and so much rubble to look through that anyone might search for a lifetime and only scratch the surface.”

  I saw that talking of all this only made her unhappy, and tired to change the subject. “Didn’t you say that I could escort you to a party tonight? What will that be like?”

  “Nadan, I have to trust someone. You’ve never met my father, but he lives close to the hotel where you are staying, and has a shop where he sells old books and maps.” (So I had visited the right house—almost—after all!) “When he was younger, he wanted to go into the interior. He made three or four trips, but never got farther than the Appalachian foothills. Eventually he married my mother and didn’t feel any longer that he could take the risks …”

  “I understand.”

  “The things he had sought to guide him to the wealth of the past became his stock in trade. Even today, people who live farther inland bring him old papers; he buys them and resells them. Some of those people are only a step better than the ones who dig up the cemeteries for the wedding rings of the dead women.”

  I recalled the rings I had bought in the shadow of the broken obelisk, and shuddered, though I do not believe Ardis observed it.

  “I said that some of them were hardly better than the grave robbers. The truth is that some are worse—there are people in the interior who are no longer people. Our bodies are poisoned—you know that, don’t you? All of us Americans. They have adapted—that’s what Father says—but they are no longer human. He made his peace with them long ago, and he trades with them still.”

  “You don’t have to tell me this.”

  “Yes I do—I must. Would you go into the interior, if I went with you? The government will try to stop us if they learn of it, and to confiscate anything we find.”

  I assured her with every oath I could remember that with her beside me I would cross the continent on foot if need be.

  “I told you about my father. I said that he sells the maps and records they bring him. What I did not tell you is that he reads them first. He has never given up, you see, in his heart.”

  “He has made a discovery?” I asked.

  “He’s made many—hundreds. Bobby and I have used them. You remember those men in the restaurant? Bobby went to each of them with a map and some of the old letters. He’s persuaded them to help finance an expedition into the interior, and made each of them believe that we’ll help him cheat the other—that keeps them from combining to cheat us, you see.”

  “And you want me to go with you?” I was beside myself with joy.

  “We weren’t going to go at all—Bobby was going to take the money, and go to Baghdad or Marrakesh, and take me with him. But, Nadan,” here she leaned forward, I remember, and took my hands in hers, “there really is a secret. There are many, but one better—more likely to be true, more likely to yield truly immense wealth than all the others. I know you would share fairly with me. We’ll divide everything, and I’ll go back to Teheran with you.”

  I know that I have never been more happy in my life than I was then, in that silly boat. We sat together in the stern, nearly sinking it, under the combined shade of the tiny sail and Ardis’s big straw hat, and kissed and stroked one another until we would have been pilloried a dozen times in Iran.

  At last, when I could bear no more unconsumrnated love, we ate the sandwiches Ardis had brought, and drank some warmish, fruit-flavored beverage, and returned to shore.

  When I took her home a few minutes ago, I very strongly urged her to let me come upstairs with her; I was on fire for her, sick to impale her upon my own flesh and pour myself into her as some mad god before the coming of the Prophet might have poured his golden blood into the sea. She would not permit it—I think because she feared that her apartment could not be darkened enough to suit her modesty. I am determined that I will yet see her.

  I have bathed and shaved to be ready for the party, and as there is still time I will insert here a description of the procession we passed on the way back from the lake. As you see, I have not yet completely abandoned the thought of a book of travels.

  A very old man—I suppose a priest—carried a cross on a long pole, using it as a staff, and almost as a crutch. A much younger one, fat and sweating, walked backward before him swinging a smoking censer. Two robed boys carrying large candles preceded them, and they were followed by more robed children, singing, who fought with nudges and pinches when they felt the fat man was not watching them.

  Like everyone else, I have seen this kind of thing done much better in Rome; but I was more affected by what I saw here. When the old priest was born, the greatness of America must have been a thing of such recent memory that few can have realized it had passed forever; and the entire procession—from the flickering candles in clear sunshine, to the dead leader lifted up, to his inattentive, bickering followers behind—seemed to me to incarnate the philosophy and the dilemma of these people. So I felt, at least, until I saw that they watched it as uncomprehendingly as they might if they themselves were only travelers abroad, and I realized that its ritualized plea for life renewed was more foreign to them than to me.

  It is very tate—three, my watch says.

  I resolved again not to write in this book. To burn it or tear it to pieces, or to give it to some beggar; but now I am writing once again because I cannot sleep. The room reeks of my vomit, though I have thrown open the shutters and let in the night.

  How could I have loved that? (And yet a few moments ago, when I tried to sleep, visions of Ellen pursued me back to wakefulness.)

  The party was a masque, and Ardis had obtained a costume for me—a fantastic gilded armor from the wardrobe of the theater. She wore the robes of an Egyptian princess, and a domino. At midnight we lifted our masks and kissed, and in my heart I swore that tonight the mask of darkness would be lifted too.

  When we left, I carried with me the bottle we had brought, still nearly half full; and before she pinched out the candle I persuaded her to pour out a final drink for us to share when the first frenzy of our desire was past. She—it—did as I asked, and set it on the little table near the bed. A long time afterward, when we lay gasping side by side, I found my pistol with one groping hand and fired the beam into the wide-bellied glass. Instantly it filled with blue fire from the burning alcohol. Ardis screamed, and sprang up.

  I ask myself now how I could have loved; but then, how could I in one week have come so near to loving this corpse-country? Its eagle is dead—Ardis is the proper symbol of its rule.

  One hope, one very small hope remains. It is possible that what I saw tonight was only an illusion, induced by the egg. I know now that the thing I killed before Ardis’s father’s house was real, and between this paragraph and the last I have eaten
the last egg. If hallucinations now begin, I will know that what I saw by the light of the blazing arrack was in truth a thing with which I have lain, and in one way or another will see to it that I never return to corrupt the clean wombs of the women of our enduring race. I might seek to claim the miniatures of our heritage after all, and allow the guards to kill me—but what if I were to succeed? I am not fit to touch them. Perhaps the best end for me would be to travel alone into this maggot-riddled continent; in that way I will die at fit hands.

  Later, Kreton is walking in the hall outside my door, and the tread of his twisted black shoes jars the building like an earthquake. I heard the word police as though it were thunder. My dead Ardis, very small and bright, has stepped out of the candle-flame, and there is a hairy face coming through the window.

  The old woman closed the notebook. The younger woman, who had been reading over her shoulder, moved to the other side of the small table and seated herself on a cushion, her feet politely positioned so that the soles could not be seen. “He is alive then,” she said.

  The older woman remained silent, her gray head bowed over the notebook, which she held in both hands.

  “He is certainly imprisoned, or ill; otherwise he would have been in touch with us.” The younger woman paused, smoothing the fabric of her chador with her right hand, while the left toyed with the gem simulator she wore on a thin chain. “It is possible that he has already tried, but his letters have miscarried.”

  “You think this is his writing?” the older woman asked, opening the notebook at random. When the younger did not answer she added, “Perhaps. Perhaps.”

  “The Island of Doctor Death and Other Stories,” copyright © 1970 by Gene Wolfe; first appeared in Orbit 7.