Ziller, Ernst. Johann Heinrich Buttstedt (1666–1727). Halle, 1934.
Zimpel, Herbert. “Der Streit zwischen Reformierten und Lutheranern in Köthen während Bachs Amtszeit.” BJ1979: 97–106.
a Connecting versicles, canticles, collects, and other prayers are not specified; for the main service on high feast days, most German versicles, canticles, and collects were supplemented by Latin ones.
a Godparents of Maria Barbara, Johann Sebastian Bach’s wife.37
a Godparents of Maria Barbara, Johann Sebastian Bach’s wife.37
a Originally “in ogni tempo” (for any time); expanded version of an earlier composition.
b Originally without specific liturgical designation, i.e., for any time.
b Originally without specific liturgical designation, i.e., for any time.
b Originally without specific liturgical designation, i.e., for any time.
a Previously (until 1713) member of the Berlin court capelle of King Friedrich I of Prussia.
a Previously (until 1713) member of the Berlin court capelle of King Friedrich I of Prussia.
a Previously (until 1713) member of the Berlin court capelle of King Friedrich I of Prussia.
a Previously (until 1713) member of the Berlin court capelle of King Friedrich I of Prussia.
a Previously (until 1713) member of the Berlin court capelle of King Friedrich I of Prussia.
a Expenses in talers. Global budget of the princely chamber, 1716–26: average total annual income—58,179 talers; average total annual expense—54,884 talers.
a Documented voyages only, exclusive of family trips and short trips within the immediate vicinity of Leipzig.
a St. Paul’s schedule differed from that of St. Thomas’s, enabling organist and music director to serve both.
c The cantorei of the Latin school at St. Nicholas’s provided music outside the main services.
b Held four times per year: first day of Christmas, Easter, and Pentecost; Reformation Festival.
d Choir I (with town music) under Bach’s direction and choir II alternated between the two churches. The St. Thomas choirs I–IV and the town music company performed on all >Sundays and feast days.
e Regular supplement: town music apprentices, St. Thomas School students, and Collegium Musicum members.
b Held four times per year: first day of Christmas, Easter, and Pentecost; Reformation Festival.
f Singers from the lower classes of the St. Thomas School.
a F = festal seasons, R = regular Sundays, L = Lent. The service began at 7 A.M. and lasted for about three hours.
b With the exception of the pulpit parts, chanted in recitation tone.
c Figures in brackets refer to the “Order of the Divine Service…” (Bach’s note) above.
d Without Osanna, Benedictus, and Agnus Dei.
e Second part of cantata I, separate second cantata, or concerted piece of a different kind.
a F = festal seasons, R = regular Sunday, L = Lent. The service began at 1:30 P.M.
a Principal instrument (from Bach’s memorandum of August 23, 1730).
b Previously art fiddler.
b Previously art fiddler.
b Previously art fiddler.
b Previously art fiddler.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
* Soloist.
a indicates date taken from autograph score (s) or original text booklet (t).
* Re-performance of pre-Leipzig work, in some cases with minor changes.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
† New version of pre-Leipzig work.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
a a indicates date taken from autograph score (s) or original text booklet (t).
* Re-performance of pre-Leipzig work, in some cases with minor changes.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
† New version of pre-Leipzig work.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
‡ Parody. Brackets indicate works that were written by another composer or that are not extant.
‡ Parody. Brackets indicate works that were written by another composer or that are not extant.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
‡ Parody. Brackets indicate works that were written by another composer or that are not extant.
‡ Parody. Brackets indicate works that were written by another composer or that are not extant.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
* Re-performance of pre-Leipzig work, in some cases with minor changes.
‡ Parody. Brackets indicate works that were written by another composer or that are not extant.
* Re-performance;
§ Based on pure hymn texts, without paraphrased stanzas.
s (s) indicates date taken from autograph score.
§ Based on pure hymn texts, without paraphrased stanzas.
s (s) indicates date taken from autograph score.
§ Based on pure hymn texts, without paraphrased stanzas.
§ Based on pure hymn texts, without paraphrased stanzas.
§ Based on pure hymn texts, without paraphrased stanzas.
§ Based on pure hymn texts, without paraphrased stanzas.
§ Based on pure hymn texts, without paraphrased stanzas.
§ Based on pure hymn texts, without paraphrased stanzas.
s (s) indicates date taken from autograph score.
a Later integrated into cycle II.
b Added later (~1732) to cycle II, with Trinity Sunday as destination (Table 8.9).
b Added later (~1732) to cycle II, with Trinity Sunday as destination (Table 8.9).
c Later added to cycle IV.
‡ = Parody.
a Original score dated.
‡ = Parody.
‡ = Parody.
‡ = Parody.
a Original score dated.
‡ Parody.
‡ Parody.
‡ Parody.
a Original score dated.
a Possibly concert hall performances.
a Possibly concert hall performances.
a Possibly concert hall performances.
a Possibly concert hall performances.
* With chorale interpolated.
&
nbsp; * With chorale interpolated.
a Changed in 1736 to “O Mensch, bewein dein Sünde groß” (from St. John Passion, 1725 ver sion).
a New Year’s Fair (early January); Jubilate, or Easter, Fair (April/May); and Michaelmas Fair (September/October).
a Earliest copy of score dated 1748–49.
a Music lost.
a Music lost.
a Music lost.
a Music lost.
b Text and music lost.
c Originally prepared for January 17, 1734, but replaced by another (unknown) work.
d Originally prepared for October 7, 1734, but replaced by BWV 215.
a Music lost.
b Text and music lost.
e Second performance of BWV 206, with some changes.
a Movement sequence indicated by Roman numerals.
b Original edition: In addition to the later version, the earlier version is erroneously included.
c Original edition: The augmentation canon is erroneously placed at the beginning of canon group.
d Original edition: Incomplete (quadruple) fugue, followed by the chorale “Wenn wir in höchsten Nöthen sein.”
* In the year 1700, February 18 (Thursday after Sexagesimae Sunday) was followed immediately by March 1 (Monday before Reminiscere Sunday); Estomihi and Invocavit Sundays were skipped. In this Chronology, all dates through February 1700 are “old style” (Julian calendar); “new style” dates begin in March 1700, when Protestant Germany introduced the Gregorian calendar.
a Calendar dates for most feasts can vary, although their sequence remains constant. A few feasts, however, whose dates are fixed, can fall in different places in that sequence, depending on the year. For example, St. John’s Day can fall as early as four days after Trinity Sunday or as late as three days following the 5th Sunday after Trinity.
b In any given year, the church calendar may omit some or all of these Sundays.
b In any given year, the church calendar may omit some or all of these Sundays.
b In any given year, the church calendar may omit some or all of these Sundays.
c Annunciation may be celebrated on Palm Sunday in certain years to avoid conflicting with Holy Week and Easter.
b In any given year, the church calendar may omit some or all of these Sundays.
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