The Bards of Bone Plain

by Patricia A. Mckillip

  Jonah shook his head. He shifted, started to say something, stopped and started again. “That supper,” he managed finally. “When is it?”

  Phelan stared at him, amazed. “Why do you care? Anyway, how did you know about it? You never pay attention to those things.”

  “Don’t give me grief, boy, just tell me.”

  “I would if I knew.” He paused, studying his father, found the words finally, for what he saw. “You look like you’ve seen a ghost.”

  “I may have,” Jonah breathed. “I may have, indeed.”

  Phelan started to sit, caught the manuscripts sliding off his chest. Jonah raised a brow at them; he said quickly, “I hid them under my school robe; nobody saw me take them.”

  “Don’t try to be noble; it only makes you sound unctuous,” Jonah said with so little bite that Phelan frowned. He sat up, still gazing at his father, laying the manuscripts carefully on the sofa beside him.

  “Whose ghost?”

  Jonah shook his head irritably, but the subject haunting the air between them refused to go away. “A particularly noisome bit of past,” he said finally. He held up a hand as Phelan opened his mouth. “Just leave it. It’s mine; I’ll deal with it.”

  “But where did you see it?” Phelan demanded. “Him. Her.”

  “Riding through the river park in Lord Grishold’s entourage. I was just stepping into the Arms of Antiquity, after checking some things in the Royal Museum. I looked back and there it was, the ghost behind Grishold, all in black and grinning like the sun. When is that supper again?” he added restively.

  “A day or two—Does this mean I won’t have to roam all over the city searching for you?”

  “I’ll be there,” Jonah promised, his voice so thin and dry that a dozen questions leaped to life in Phelan’s brain, all clamoring together. He gazed, fascinated, at his father, suddenly looking forward to what had sounded like a long and tedious evening. Jonah, forestalling his curiosity, shifted the subject adroitly, reaching for the manuscripts. “Are these of any help?”

  “They may be,” Phelan answered with no great hope. “I’ve read nearly everything else.”

  “I told you—”

  “I know, I know.”

  “Your heart’s not in it,” Jonah said, carefully turning pages. “How can you find Bone Plain when nothing in you wants anything to do with it?”

  “It’s only a paper,” Phelan said with unaccustomed sharpness. “Of course, I don’t want to go there. That’s got nothing to do with anything. It’s what I want to leave that’s everything to me.” Jonah sniffed but otherwise refrained from comment. “Anyway, I haven’t read the piece about Nairn, yet. It might inspire an idea.”

  “It’s hard to imagine that damp squib inspiring anything,” his father muttered. He sat back, brooding at the work in question but did not open it. Phelan watched him, wondering, as always, in what torturous labyrinths of Jonah’s brain his father continually lost himself. Jonah rose abruptly under Phelan’s scrutiny, gave a wrench to a sturdy bell rope.

  “Where is Sagan? I sent him to the cellar an eon ago.”

  “I beg your pardon, sir,” the butler said, gliding like a phantom across the carpet, his hair and the tray upon which the bottle stood glowing silver in the sunlight. “I had to search the racks for this one.”

  “Thank you, Sagan.” He glanced a question at Phelan, who shook his head.

  “I’m working,” he said shortly, and stretched out on the sofa to read about Nairn while his father and the dusty amber bottle vanished somewhere into the depths of the house.

  “Nairn,” the essayist had begun without preamble some three or four centuries earlier, “the Wandering Bard to whom the solace of death had been long forbidden by his abject and unforgiven failure at the Three Trials of Bone Plain, was seen at the Bardic School at Caerau, as was cited in the school records by Argot Renne thusly: ‘This day: Accounts paid to Colley Dale for three wheels of cheese, five crocks of butter, and ten gallons of milk. Accounts paid to Merlee Craven for nine wool blankets and two lambs. Accounts settled by one guest, a stranger, who paid for his supper by his dishwashing afterwards. Though he carried a harp, he would not play it, claiming that the last thing we needed in this place was another harper. Nor would he give his name. But considering this steward’s daughter’s description of the boulder inside the ring of stones on the hill turning abruptly into a man carrying a harp, and considering the craggy agelessness of his face, the unremitting dark of his eyes, and that he knew my name, Renne, though he had been stone all our lives, and considering above all, his astonishing question concerning the existence of the ancient Circle of Days, the secret conclave that vanished from history centuries before, I believe him to be the bard in search of his death: Nairn. By my hand, Argot Renne, School Steward.’ This being,” the essayist continued dryly, “by far the wordiest entry of any of the stewards heretofore on record.”

  Phelan blinked. The raw silk of the sofa beneath him seemed to breathe beneath his nape, along his backbone, like something quickening unexpectedly to life.

  “Circle of Days,” he whispered, and saw in his mind’s eye the path out of the interminable years at the school: the Wandering Bard, the Unforgiven, who once had a secret, been included in a mystery.

  Phelan moved before he realized it, gathered the manuscripts, and stood for the journey back to the school archives. Something tugged at him before he took a step: his father with his head cluttered like a museum basement with brilliant facts and fantastic shards of past that rarely if ever emerged into the light of day.

  What might he know about such mysteries?

  Then Phelan laughed, which was all Jonah would do at the question, tell him he wasted his time; it was nonsense, a figment, and anyway, it had all been investigated, answered, written down centuries before Phelan drew his first breath, bellowed his first opinion at the world.

  He left his father in the company he most preferred, and went to track a bard who was neither living nor dead, and to find where a circle began.

  Chapter Eight

  The winter that killed the bard who replaced Declan at King Oroh’s court seems to have been one of the harshest on record. The Stirl froze nearly all the way from the sea to the tiny village on the plain, which had grown enough to become a coherent entity, and which named itself Caerau. Court records of nobles all over Belden are filled with the sufferings of high and low. Even the king, who liked to keep his court in restless motion in order to exhaust the hospitality and the coffers of potential rebels, hunkered down for the season in the slightly milder climate of Estmere with Lord Deste, whose ample fields and woods provided food, game, and firewood enough even for the king’s entourage. His household books record the deaths of the very old and the very young; most succumbed to what was only known then as “fever.” The king’s own records also list the illnesses and deaths of aged courtiers as well as assorted riding and hunting accidents in the icy fields and woods. The death of his bard, Loyce, was listed among the hunting accidents: he was vigorously sounding the hunting horn when his galloping horse slipped on an icy patch buried under the snow. “Both horse and rider there died,” the records say tersely, disguising what must have been a poignant incident. Other sources across Belden record a “rain of birds frozen in their flight,” tree limbs overburdened with snow cracking and falling on hapless travelers and rooftops, bodies discovered frozen beneath the ice in rivers, ponds, and wells, bands of the poor, the outcast, and the outlawed living in caves and converging on the unwary “like a great swarm of crows upon the dead.” References to children stolen from their cradles by hungry animals are common; on rare occasions, but very likely true, they are eaten by their desperate neighbors.

  For every death recorded, a dozen or a hundred probably went unnoticed by history, from the rough northern fishing villages and mountain clans who had little use for writing and kept everything in memory, to the isolated villages in the western crags, and in the southern marshlands of what was
once known as Waverlea. As for the school, records list three students who fled the stark life to return to their more comfortable homes. There are accounts payable to a local healer for poultices and herbal remedies, as well as for a futile visit to a student who was struck by an icicle that plunged down from the tower. His death passed with perhaps untimely swiftness from a matter of household record into the speculations and wild surmises of ballad.

  What the household records do not divulge is how a couple dozen students spending a deadly winter surrounded by snowcovered plain and cold stone, inadequately washed, living on monotonous winter fare, constantly in one another’s company, managed to deal with one another without a continual drain of “accounts rendered to Salix of Caerau, healer ...”

  This day at sunrise:

  we make bread.

  At noon by the river

  we clean the clothes and pots.

  Until the waning light of day

  we weave our baskets

  and bead the hunters’ armbands.

  At the rising moon

  we speak our dreams,

  we sing to the dead.

  We sleep.

  We dream.

  FROM “CIRCLE OF DAYS” TRANSLATED FROM THE ANCIENT RUNIC BY HERMIA CREELEY-CORBIN

  Nairn, opening his eyes the morning after his moonlit conversation with Declan, drew his first waking breath and did not think of Odelet. He pulled on his boots without thinking of her. In the kitchen, he took a bowl of porridge from her hand so absently that even she was startled. Her widening eyes, her faint, delicate flush penetrated his distant thoughts; he gazed back at her, perplexed, as one who has been spellbound might remember his enchantment like a sweet, strange, fading dream.

  He was still ensorcelled; only the spell had changed.

  Now the words that haunted him were fashioned of twigs and meant mysteries. He breathed them in; he drew them in dirt, scratched them on stone, traced them with a forefinger whenever he touched the outward face of one: “egg,” “grass,” “hill,” “knife,” “bread.” They took fire in his mind as once Odelet’s name had burned, relentlessly bright, feeding on an inexhaustible fuel of possibilities. What lay beneath the prosaic images of language might lie dormant within the world itself: the busy egg within its shell, the seeded earth. Somehow music could bridge that great, hidden power between a word and what it truly meant. But Declan had not yet explained the method.

  The Circle of Days, he called his lists of ancient language. Indeed, it seemed that commonplace, like someone’s early household records. “Sun” and “moon,” they learned, “wash,” “arrow,” “king,” “owl,” “smock,” “fish,” and “hook,” “needle,” and “eye.” Nairn had no idea who among the students belonged to the enchanted circle destined to learn such wonders. They would know one another, Declan said, when they were ready.

  Oddly enough, distracted from his humiliating passion by the fascinating otherness weighing in his brain, Nairn finally learned to talk to Odelet. The magic had left her, invaded other things. She still caught his eyes at every movement, charmed his heart with her voice and music. But, no longer spell-ridden, he could finally see her more clearly: the highborn lady who had learned to boil an egg and keep the fire burning under a cauldron of lentils for the sake of her music.

  Nairn lingered in the kitchen now instead of sneaking through it; he chopped carrots and onions just to listen to her, stayed to scrub pots after a meal. He was awed by her courage in coming to that isolated hillock on the plain, and he wondered if she, too, had been drawn there by more than music.

  He drew an ancient word in spilled flour one morning while she was making bread: three twigs that she brushed away without a glance, so he guessed that she was not a part of Declan’s secret group. But they did have one thing in common: both had run away from home.

  “I had a horse, and I knew where I was going,” she observed wryly. “You had nothing but your feet.”

  They had gone outside after supper to sit on the hillside and play songs of Estmere and the Marches to one another, she on her harp, he on a pipe. The long summer had drawn to an end; the oak leaves were turning. Somewhere in the dark, Declan played, down by the river maybe, like them watching a full moon as golden as his eyes detach itself from the earth and drift. A tangle of music and voices within the walls behind them seemed engulfed by the vast, cloud-streaked dark.

  “It’s easier doing something when you’re that young and don’t know what you’re doing,” Nairn answered. “And look what you chose to leave: wealth, servants, a loving family, a soft bed, to come here where you cook for everyone and sleep on a pallet on a makeshift floor. All I left was a crusty father with a backhand like the wallop of an iron shovel, and brothers who would toss me into the pigsty as soon as look at me.”

  “I left to follow the music. So did you.”

  “Declan’s music,” he said softly, with a latent touch of bitterness.

  “Yes. All the beauty of it. We both came to learn that from him.”

  He glanced at her, found her eyes full of that rich moonlight. “I didn’t follow him,” he said softly. “But in the end I found him.”

  She pulled her fine cloak close around her against the chill night wind just beginning to rouse and send the yellow leaves spinning out of the oak boughs.

  “I have no illusions about my talents,” she said simply. “I’ll return home when I’m ready, marry, and teach my children what I learned. I know that my father is tearing his hair over me; my brother Berwin has come here twice to tell me that. They are angry with me for so many things, not the least for preferring the company of the usurper’s bard to theirs. But I am angry, too, at my father. He loves me, I know. I also know that I’m worth more to him now than I will be again. I might as well be sitting on a scale he looks at every day to weigh the gold I’ll bring him, calculate the property. My mother told me that he can’t help it; fathers are made that way. No matter how they start out, one day they look at you despite themselves and only see what they can get for you.”

  “I think you would be worth a great deal to someone who truly loves you,” Nairn said soberly. He saw her eyes flash toward him in the dark, felt the question in them. But he stayed silent, for once in his self-indulgent life, for his only true hope of her lay at the end of a long and complex road. And he knew that Declan had told him one true thing at least: he had no idea what love meant.

  He took his harp up to the tower roof to play late one night, when most of the students had gone to bed. Leaning against the battlements, he played back at the gusty winds, the brilliant, icy stars, the owls, the dry, chattering leaves that the winds gathered and tossed and let fall again like some largesse from the dead. He was naming and remembering as he played, envisioning the twigs in his mind for “owl,” “leaf,” “wind.” They burned brightly in his head, but they did not sound; no one knew how to say them anymore. They would not open, either, not even to his harping, though he coaxed them as sweetly, as passionately as he could. They remained mute instruments. He let his harp fall silent finally except for one note under his thumb that he stroked softly, absently like a slow heartbeat while he pondered how to hear a language spoken, for so many centuries, only by stone.

  A dark figure took shape against the stars across the roof. He started, his thumb careening across the strings, wondering what he had summoned out of the night. Then he recognized the tall, cloaked, wind-blurred form.

  “I heard you playing,” Declan said. “I came up to listen to you. You didn’t notice.”

  “I was thinking about the words,” Nairn told him after a moment. “About how to waken them. Hear them.”

  “I know. I heard you.”

  Nairn stared at him across the dark. “What else can you do besides hear my thoughts?” he asked, his voice harsh with uncertainty, “and blind a king’s army with a fog until it slaughters itself? What else does it take to become a Royal Bard in your country?”

  “It took a great deal more than a simple
fog,” Declan answered slowly. “Anstan’s army was neither that blind nor that inexperienced. What it took, I did: I blurred minds, I roused ghosts, made memories real ... They fought with courage and skill, those warriors. Not all the dead were on your side. Belden is at peace, now. It’s unlikely that King Oroh’s bard will be asked to do such things for some time. The bard who took my place in his court is a fine musician, but not so adept in other ways. We hope he will not need to be, now that Belden is united and all King Oroh’s determination is bent toward peace. A Royal Bard in peaceful times opens the king’s court to the finest music and musicians, uses other arts only to keep the peace.”

  Nairn was silent, trying to hear what Declan wasn’t saying, what might lie within his words. He gave up. The bard was too subtle and he too ignorant to understand much more than his own seedling ambitions.

  He said finally, haltingly, “And learning these simple words might—”

  “Yes,” the bard said intensely. “Yes. Their power will open your path to King Oroh’s court. The language you are learning is rooted in his land; that power was born here, belongs here. You will use it, in his court, as you see best.”

  “How can you possibly think—”

  “I don’t think. I know. You have no idea of your own powers. Even King Oroh, who has few abilities in that direction, recognized yours. We let you flee that day on the Welde because I knew that you would find your own way back to me. Power recognizes itself, even in those most oblivious to it. You recognized what, beyond music, I have to give you.”

  Nairn stood wordlessly again, unable to summon any argument, only wonder at where the path out of the pigsty had led. The harp spoke for him, his thumb picking at the single string again as he mused. When he looked up finally, Declan had gone.

  Winter howled across the plain and stripped it bare. Along the dark, sluggish river, stone cottages seemed to huddle in the snow among the leafless trees. Declan, who said he felt the cruel season coming in his aging bones, had raided his coffers, gifts from the king, and laid in supplies and firewood for a siege. The world shrank daily, lost its far horizons. Days began and ended in the dark. Tempers grew short; noses ran; nerves frayed. Lovers quarreled by day and tangled again in the night for warmth. Nothing existed, it seemed, beyond the plain; its blanched earth, its vast silence, ringed the tiny island upon the hill like an eternally frozen sea.