Time Dancers tm-2

by Steve Cash

  He lifted the candle and stiffened his posture. He began reciting dramatically. “These roses are for you, two of three, and for the rest, go seek the one who waits for thee, the one who wears the other of the three.”

  His face relaxed. He winked and said, “These ain’t easy to find in April,” then leaned over the foot of the bed and presented the roses to Opari. “I want both of y’all to wear those on your person when you show up tonight. Then look for someone wearin’ a rose just like ’em. There’s a message waitin’ for you. I don’t know what it is.” He paused. “All right, man, that’s everything I was told to tell, so I did. Now, I’m real busy, Z, and I know you understand, so I’m cuttin’ out of here. I got places to go yet.” He started toward the door, then stopped and turned. “Miss Opari,” he said, “I will see you this evening.” He blew out the candle and shut the door behind him in silence. I thought I heard him talking low to someone at the end of the hall, probably Owen, then he was down the stairs and gone. Dawn was still ten minutes away.

  Even for Mitchell Ithaca Coates, that was a strange and theatrical visit, which Opari thought was also charming. After she stared at the roses for a moment, she asked, “What do you think of these…and the speech…and the instructions?”

  I picked up one of the beautiful and delicate roses. “I don’t understand it, but there’s only one way to get the answer.”

  It was clear why Opari trusted Mitch just as she trusted Skylark. I felt the same. He might surprise you, but he will never betray you. Whatever Mitch was asking us to do, I would be there and follow instructions. We were safe from the “unexpected,” which I’d promised to try to avoid.

  By midmorning the temperature climbed into the sixties and the sky was a bright light blue, dotted with a few ragged puffs of clouds. The breeze blew warm out of the south and I had baseball fever. I knew I had to play catch with someone, at the very least. Baseball fever appears in the late winter or early spring and is only contracted by lovers and players of the game. Playing catch will usually scratch the itch.

  I found Mama’s glove and rubbed it down with oil. I wiped my fingers clean, then shoved my hand inside and pounded the pocket with my other hand. The glove was broken in well and felt perfect. Opari watched me in silence, dumbfounded. Finally, she chose to ignore me altogether and asked, “Why have we not been called to breakfast? Are we late?”

  I stopped pounding and thought about it. “You’re right. We must be late.” I glanced at the clock on the small table next to our bed. The time read at least an hour later than it should have. Almost on cue, the alarm bell sounded and Opari jumped back, shrieking something in a strange language. Opari was completely unfamiliar with alarm clocks. I knew we had never set the alarm, so I knew someone else had staged this, but I had no idea who or why until we hurried downstairs to find everyone already gathered in the big kitchen. Breakfast was well under way.

  Each face turned to watch us enter. Each wore a blank expression, except for Carolina, who rolled her eyes, and Jack, who was barely able to contain himself from laughing, but managed to ask, “Hey, where have you been, Z?”

  Opari began to apologize and try to explain the mysteries of the alarm clock.

  “Hey, Z, your shoe’s untied!” Jack interrupted.

  I looked down. Jack finally burst out laughing. “April Fool’s! April Fool’s!” he shouted.

  I realized immediately who was responsible for the alarm. “That one is older than I am,” I said. But he knew he’d got me, and I knew it, too. “Let’s play some catch, Jack. What do you say?”

  “I can’t until later, Z,” he said. “But I’d love to then.”

  I was disappointed almost as much as a real kid. Still, later was better than not at all. “Deal,” I said.

  “Deal,” Jack answered.

  Carolina was well aware of baseball fever and understood why I needed to play catch. “Why don’t you have Jack show you his magazines and newspapers,” she said, “so you can catch up. Jack saves everything.”

  And that’s what I did. After breakfast and for the next several hours I was oblivious to everyone else. I sat in the long living room and read about the state of the game, the new players, the new teams, trades, rumors, and anything to do with the Cardinals, who had finished dead last in 1918, I was to find out, with a won-loss record of 51–78. In the American League the Browns had not fared much better. I found out good old Ty Cobb was still playing and tearing it up on the base paths. Branch Rickey, a man who seemed to have a lot of new ideas about everything, had been named the new manager of the Cardinals in January, replacing Jack Hendricks. I read all the articles, every statistic, every team roster, every opinion and prediction from every sportswriter in St. Louis. Opening Day for the season was April 23 and I couldn’t wait. There is nothing like a real professional baseball game. Whether the outcome is a pitching duel, a slugfest, or something in between, you will disappear into the experience for however long the game lasts. It is physical chess. Carolina and Owen Bramley had box seats and season tickets, so I was looking forward to seeing as many games as possible.

  Late in the afternoon with the sun low in the sky, and in a fresh breeze and freckled light, Jack and I finally played catch. Mama’s glove made a familiar pop when Jack threw a hard strike. We tossed the ball back and forth, mostly in silence, until we were having trouble seeing the ball. That’s when every kid wishes the sun would never set. Our arms were dog tired, and yet, only Jack and I knew how good it felt. We walked into the house talking nonstop about the art of pitching and the relevance of baseball to anything good. The itch had been scratched.

  Opari, Geaxi, Nova, Star and the baby Caine, Willie, Carolina, everyone else in the house, even Ciela, spent the late afternoon in Forest Park helping Owen Bramley fly his Chinese kites. They each returned in high spirits, and along with Jack and me, we ate every morsel of food that Ciela had prepared earlier in the day. The whole meal was waiting for us, some in the oven and some in the icebox. It was delicious.

  Then we all retired to our rooms to change into the tuxedos Mitch had sent over that afternoon. Each was tailored and made to fit all of us who were Meq, but since I was the only male among us, I couldn’t figure why he’d sent them.

  I knew he was sending his two Packard touring cars to pick us up and he had closed his club to the general public. It was to be a private party and there was no reason not to trust his judgment. We had been posing as refugees and relatives of Nova and Eder, but still, to see a group of twelve-year-old children, dressed in tuxedos, possibly sipping champagne or drinking beer, late at night in the roughest part of town, well, I had to wonder if that was wise.

  Geaxi said she wanted to experience the culture and music of Mitch’s world, so she thought it would be worth it. Also, she had no problem with the tuxedo. Nor did Opari, which surprised me until I remembered that they both had donned “boys’” clothing many times in many places for many reasons. Both were anxious to wear the tuxedos and Nova thought it was not only a good idea, but said she might start dressing that way in the future.

  Once she was dressed, Opari added red lipstick to her lips, a red silk bow tie, and the white rose from Mitch in her lapel. The effect was stunning. She was a child-woman of uncommon beauty and presence. I understood in an instant why centuries of princes and kings, even the Empress Dowager of China, found her irresistible.

  Star left Caine with Ciela and Willie helped her, along with the rest of us, into the touring cars. It was well after dark and once we’d gone a few blocks east, the trip downtown was busy and filled with the sound and lights of automobiles.

  Mitch’s nightclub was just off Market, near all the neighborhoods of his youth, yet I also remember never knowing exactly where he lived in those days. The entrance was a simple glass door with “Mitch’s Café” painted in an arc across the glass. It was a narrow entrance, squeezed between two other businesses, a pawnshop and a barbershop, both of which Mitch also owned. The café was for real—a few tables in
the front, then a counter with stools where you could order chili, barbecue sandwiches, and beer. But if you were led, as we were, around the counter and down a long, high-ceilinged hall, you would enter a room the size of a warehouse, which is exactly what it had been. The room was now transformed into a nightclub, complete with a large stage at one end, two full bars along opposite walls, tables with white linen tablecloths, and a spacious semicircular dance floor in front of the stage. Factory lights muted with green filters hung from a forty-foot gabled ceiling, and two dozen waiters in long aprons stood at the ready throughout. The music coming from the stage was the best I’d heard in years, going back to what Ray and I listened to in New Orleans. But this music had something else, a swing and syncopation I’d never heard before. People were dancing new steps and there was a raw and raucous joy everywhere in the room.

  Mitch greeted us from behind the bar as soon as we emerged from the long hall. Even in his tuxedo, he leaped easily over the bar while waving to us, then motioned us toward a corner section of the big room where several tables had been pulled together to become one large table-in-the-round, covered with a banquet-sized white tablecloth. Champagne and bottles of beer sat in iced buckets placed around the table. At least six waiters stood in line, ready to act as our personal staff. Mitch made it to the table and escorted Carolina to her chair, making sure she was seated first.

  “Why, thank you, Mitchell,” Carolina said, sitting down and pushing up on the long formal gloves she wore on her hands and forearms. The gloves were a dark green, the same color as her dress and shoes. She was beautiful, elegant, and graceful, still commanding stares from strangers. It was hard to imagine the skinny, stringy-haired kid she had been when I first saw her, standing with her sister outside Sportsman’s Park. She was now a woman completely comfortable in her own life and her own skin.

  “It’s my pleasure, Miss C.,” Mitch said. “I want you at the head of the table. After all, you’re the reason I’m able to do this.”

  “Nonsense,” Carolina said. “And don’t be modest, Mitchell. You have done what you’ve done on your own. I had nothing to do with it.”

  “Oh, yes you did. You’re the one who talked to Mr. Joplin in the first place. You know what that meant to me? It meant just about everything, that’s what it meant. Everything in this world started for me right then, Miss C., and I want to say thank you, thank you for everything.” Mitch signaled one of the waiters, who brought a tray of glasses filled with champagne. Each glass was served and everyone but Carolina held a glass in the air. Mitch shouted, “To Miss C. and Mr. J.! May one live on and the other not be forgotten.”

  “Here! Here!” Owen Bramley said.

  “Second that!” Willie added.

  Geaxi and Opari made high-pitched trilling noises and clicked their tongues.

  I looked at Mitch. “Do you mean Scott Joplin is…dead?”

  “Yeah, Z. Mr. Joplin passed away two years ago, on the first of April.” Mitch took a sip of champagne and looked around, waving his hand toward the stage. “That’s why we’re here tonight, Z, and I plan on doin’ this every year from now on. I owe so much to the man. He taught me more than how to appreciate good music—he taught me how to appreciate life. He was a great man, Z.”

  “Indeed he was, Mitchell,” Carolina said. “He will be missed.” She raised her own glass to join in the toast. “And I’ve still got the opera packed away, Mitchell—you know where.”

  “Keep it safe, Miss C. Just keep it safe,” Mitch said with a wink. Then he was off again, to the kitchen this time, laughing and saying over his shoulder, “I got some oysters for you. Wait until you taste ’em. They’re straight from the Gulf—Apalachicola. If you need anything, these fellas in the aprons are here to get it for you. We got some other acts comin’—and the chorus line. Wait until you see that, Z,” he said to me and winked again, then pointed to the lapel of his tuxedo, the buttonhole where the white rose was pinned to my tuxedo. He turned and made his way through the crowd, shaking hands and making toasts along the way. I glanced at Opari and she nodded, acknowledging she’d seen the same thing.

  To our wonder and delight, both on and off the stage, it was the dancing that most fascinated all of us, especially Geaxi and Opari. Geaxi leaned over the table and asked Opari, “Have you ever seen such freedom and rhythm of movement? When you crossed through Persia, perhaps?”

  “No, no,” Opari said. “Never have I seen such passion and grace together. They are…trebe?”

  “Skilled,” Geaxi translated.

  “Yes, skilled. They are skilled and still exploring.”

  Willie was absorbed by the sheer energy in the music and the dancers. “Bloody damn good, Z,” he blared across the table more than once.

  Star surprised everyone by not only listening and watching, but also joining in. Several times she jumped out of her seat and ran to the dance floor, mimicking the moves and dancing alongside the black women, who clapped and shouted and helped Star learn the steps.

  During a slow blues song, even Owen Bramley and Carolina made their way to the dance floor. I must say Owen stood out in the crowd like some sort of animated carrot, dancing and enjoying himself, but definitely to his own beat.

  Nova was enjoying the music as well, and yet she seemed more distracted than usual, constantly staring in a kind of trance at the stage curtains hanging behind the band. At one point, I happened to catch her unconsciously grabbing for her Stone, which she was wearing under her starched shirt. I’d never seen her do anything like that before.

  After two hours of continuous music and dancing, Mitch himself took the stage. He gave a short speech and tribute to Scott Joplin, then announced a break after the next tune, in honor of Mr. J., “Maple Leaf Rag.” He sat down and started playing the best ragtime piano I’d ever heard, leading the band through the whole tune. By the end of the first chorus, a line of eight showgirls, dressed in matching black tuxedos, black top hats, and black masks hiding their eyes, came dancing across the stage twirling canes and kicking up their legs. They each had a rose in their lapel. Seven of the girls wore red roses, but the last one, the girl nearest us, wore a white rose streaked with orange and red. They danced a choreographed routine with the music, all pretending to be gentlemen on the town. Mitch joined them during the last chorus and the crowd went wild with jeers, whistles, and catcalls. As the song ended, the chorus line strutted with their canes back across the stage and into the wings on our side of the room. The girl with the white rose stared directly at me just before she disappeared from view, whispering two words. Then she nodded toward the door leading backstage, not ten feet from where I sat.

  I turned immediately to see if Opari was watching. She was. “Did you hear that?”

  “Hear what? I heard nothing but the music, then the clapping and shouting.”

  “Did you see her nod toward the door?”

  “Yes.”

  “Well, before she did that she whispered something to me. I guess she was aware no one but me would hear it. But how would she know that?”

  “Z, what did she whisper?”

  “She said the ancient words of greeting, the formal ones—‘Egibizirik bilatu.’”

  Opari fell silent for several moments. Then I noticed Nova quietly take a seat next to mine. She leaned forward, anxious to hear what we had to say. Across the table, Geaxi was talking with Carolina while still paying close attention to everything and everyone.

  “What does it signify?” I asked. “That is the Meq’s most secret exchange, isn’t it?”

  “It means the message comes from an old one, a truly old one. Only an old one would know of this. My guess could be but one—Mowsel. The greeting was used in the Time of Ice when the element of ‘time’ was involved and complete trust was required. A Giza was always used to deliver the message. By telling the messenger to utter our oldest exchange of greeting and farewell, the sender is ensuring the truth of the message and the messenger. The ritual is called the ‘beharrezko,’ the nece
ssity. It is necessary because in this exchange there is no written document. The message is the messenger.”

  “I saw something, I…felt something,” Nova said suddenly. There was fear in her voice. “I felt something coming from the stage…from the girl. I don’t know what it is.”

  I glanced at Opari. She shrugged her shoulders and nodded toward the stage door the girl had indicated. I looked around the room. No one seemed to be paying much attention to us. I rose out of my chair and walked to the door and slipped inside.

  The girl was standing alone on the top step of a small stairwell. She’d taken off her mask and was leaning against the brick wall. Above and behind her, a single red light burned over the backstage exit to the street. I couldn’t see her face completely, but she seemed to be in her early twenties with distinctive dark eyes and straight dark hair, cut at the shoulder. There was a small scar high on her left cheek. She was pretty, and she was Basque, I was sure of it. Between long, slender fingers, she held the white rose. I could see the veins standing out on the back of her hand. I took a few steps toward the stairwell and stopped in front of her.

  “You were looking for me?” I asked.

  “Yes, señor. I apologize for this drama and mystery. Mowsel said it was a necessity.”

  That proved Opari was right. It was Trumoi-Meq. “What is your name?” I asked.

  “I apologize again, señor.” For the first time, she turned and looked behind her. There were a few dimly lit dressing rooms in the distance. I could hear conversation inside one of them, but no one was visible. She turned back and continued. Her accent was slight and she spoke clearly. “My name is Arrosa Arginzoniz and I was sent by Mowsel to give you a message and a warning. There are three who are in danger, three of you. One is the one who wears the star sapphire on his forefinger. Mowsel said you would know who this is.”