Ghostwritten

by Unknown

  ‘The power of the written word.’

  ‘Damn it, Satoru, I wish I was your age again. It was all so bloody simple back then! What have I done? Where does this myth come from?’

  ‘What myth?’

  ‘The one that plagues all men. The one that says a life without darkness and sex and mystery is only half a life. Why? And it was hardly like I’d been rooting Miss Celestial Beauty Incarnate. She was just some stupid slag of a nurse . . . Why?’

  I’m only nineteen. Graduated from high school last year. I don’t know.

  It was all pretty pathetic to listen to. Luckily at that moment Mama-san and Taro came in so I could leave Takeshi’s unanswerable questions unanswered.

  If Mama-san were a bird she would be a kind, white, crow.

  Taro would not be a bird. Taro would be a tank. For decades, long before I was on the scene, he has escorted Mama-san everywhere. Their relationship has depths to it that I’ve certainly never sussed. I’ve seen old photos of them from the sixties and seventies. They were a beautiful couple, in their way. Now they make me think of a frail mistress and a faithful bulldog. Taro, the rumours go, used to do odd jobs for the yakuza in his youth. Debt collection, and suchlike. He still has some versatile friends in that world, which is very useful when it comes to paying protection money on The Wild Orchid. Mama-san gets a sixty per cent discount. Another of those friends with connections at city hall managed to obtain my full Japanese citizenship.

  Mama-san brought me my lunch box. ‘I know you overslept this morning,’ she crackled, ‘because of all the bloody racket.’

  ‘Sorry. What time did the last guests leave last night?’

  ‘The Mitsubishi men: 3.30 a.m., or so . . . One of them has a real thing for Yumi-chan. He insisted on a date next Saturday.’

  ‘What did Yumi-chan say?’

  ‘The Mitsubishi men pay on time. They have a whacking entertainment budget they need to use up every month. I promised her a new outfit from somewhere plush if she said yes. Besides, the man’s married, so it won’t get complicated.’

  ‘Go out with Koji last night?’ Taro cased the joint like a bodyguard looking for escape routes.

  ‘Yes. I drank a bit too much. That’s why I overslept.’

  Taro guffawed. ‘He’s a good lad, that Koji. He’s got his shit together. Meet any chicks?’

  ‘Only ones who want to know whether your sportscar has tinted windows.’

  Taro harrumphed. ‘Brains aren’t everything in a woman. Ayaka was saying only this morning, a lad your age should be stoking the poker more, it’s not healthy to—’

  ‘Taro, put Satoru down.’ Mama-san smiled at me contentedly. ‘Aren’t the cherry blossoms outside a picture? Taro’s taking me on a shopping expedition, and then we’re going to see the blossoms in Ueno Park. Mrs Nakamori’s girls have invited ours along to a cherry-blossom party this afternoon, so we’re going along to make sure they don’t get up to too much mischief. Oh yes. That reminds me. Mrs Nakamori asked if you and Koji might be free to play in their cocktail lounge next Sunday. Apparently the trombonist in their regular band was involved in some sort of accident involving a bent pipe and some zoo animals. I thought it best not to pry. The poor man isn’t going to be able to unbend his arm until June, so the band has had to cancel their fixtures. I told Mrs Nakamori that I wasn’t sure when Koji started back at college. Maybe you could give her a ring today or tomorrow? Come along now, Taro. We must be off.’

  Taro picked up the book I was reading. ‘What’s this? Madame Bovary, eh? That French geezer? Wouldn’t you credit it, Mama-san? We couldn’t get him to study for six years of education, now he’s reading on the job.’ He read out a bit I’d underlined: ‘“One should be wary of touching one’s idols, for the gilt comes off on one’s fingers.”’ He thought about it for a moment. ‘Funny things, books. Yes, Mama-san. We’d better go.’

  ‘Thanks for bringing my lunch.’

  Mama-san nodded. ‘Ayaka made it. It’s broiled eel. She knows how much you like it. Remember to thank her later. Goodbye now.’

  The sky was brightening up. I ate my boxed lunch, wishing I was in Ueno Park too. Mama-san’s girls are fun. They treat me like a kid brother. They would have spread out a big blanket under a tree and would be singing old tunes with made-up words. I’ve seen foreigners get drunk in bars out in Shibuya and places, and they turn into animals. Japanese people never do that. The men might get friskier, but never violent. Alcohol lets off steam for Japanese. For foreigners, alcohol just seems to build steam up. And they kiss in public, too! I’ve seen them stick their tongues in and grope the girl’s breasts. In bars, where everyone can see! I can never get over that. Mama-san always tells Taro to tell them we’re full, or else she stings them for such a whopping cover charge that they never come back.

  The disc finished. I ate the last morsel of broiled eel, rice and pickle. Ayaka knew how to make a good boxed lunch.

  My back hurt. I’m too young for my back to hurt. This chair has become really uncomfortable lately, I can’t sit still. When Takeshi gets over his present financial crisis I’ll ask him about getting a new one. Looks like I’ll have to wait a long time, though. I wondered what to play next. I burrowed through a box full of unsorted discs that Takeshi had left on the floor behind the counter, but there was nothing I didn’t already know. Surely I could find something. We have twelve thousand discs in stock. I realised I was scared of not needing music any more.

  It turned out to be quite a busy afternoon. A lot of browsers, but a lot of buyers too. Seven o’clock came round quickly. I cashed up, put the takings in the safe in the tiny office, set the alarm and locked the office door. Put my lunch box and Madame Bovary in my bag, a Benny Goodman CD that I was going to borrow that night – a perk of the job – flicked off the lights, and locked the door.

  I was outside rolling down the shutter when I heard the phone ringing inside. Damn! My first impulse was to pretend I hadn’t heard it, but then I knew that I’d be spending the whole evening wondering who had been trying to ring. I’d probably have to start phoning round people just to see if they’d phoned me, and if I did that I’d have to explain why I hadn’t answered in the first place . . . damn it. It would be easier just to open up the shop again and answer it.

  I’ve thought about it many times since: if that phone hadn’t rung at that moment, and if I hadn’t taken the decision to go back and answer it, then everything that happened afterwards wouldn’t have happened.

  An unknown voice. Soft, worried. ‘It’s Quasar. The dog needs to be fed!’

  Excuse me? I listened for more. The static hiss sounded like the crashing of waves, or could it be the noise of a pachinko arcade? I didn’t say anything – it’s best not to encourage these crank callers. There was nothing more. As though he was waiting for something. So I waited a little longer, and then I hung up, puzzled. Oh well.

  I had my back to the door when it opened. The bell jingled, and I thought, ‘Oh no, let me out of here!’ I turned round, and when I looked up I almost fell backwards over a limited edition box set of Lester Young. The floor of Takeshi’s Jazz Hole swelled.

  It’s you! Peering into the dimness of my place.

  She was speaking to me. She was actually here. She’d come back alone. I’d imagined this scene so many times in my head, but each time it was I who started things. I almost didn’t catch what she was saying. She’d actually come back!

  ‘Are you still open?’

  ‘—yes!’

  ‘You don’t seem very open. The lights are off.’

  ‘—yes! Erm, I was getting ready to close, but until I close, I’m very completely open. Here!’ I switched the lights on again. ‘There.’ Wishing I sounded cooler. I must look like a junior high school kid.

  ‘Don’t let me stop you going home.’

  ‘Don’t let – no, you’re not. Erm, I. Take your time. Please. Come in.’

  ‘Thank you.’ The her that lived in her looked out through her eyes, through
my eyes and at the me that lives in me.

  ‘I—’ I began.

  ‘This—’ she began.

  ‘Go on,’ we both said.

  ‘No,’ I said. ‘You go on. You’re the lady.’

  ‘You’re going to think I’m a nutcase, but I came in about ten days ago, and,’ she was unconsciously rolling on the balls of her heels, ‘and there was this piece of music you were playing . . . I can’t get it out of my head. A piano and a saxophone. I mean, there’s no reason why you should have remembered it or me or anything . . .’ She trailed off. There was something odd about the way she spoke. Her accent swung this way and that. I loved it.

  ‘It was two weeks ago. Exactly. Plus a couple of hours.’

  She was pleased. ‘You remember me?’

  I didn’t quite recognise my own laugh. ‘Sure I do.’

  ‘I was with my revolting cousin and her friends. They treat me like an imbecile because I’m half-Chinese. My mother was Japanese, you see. Dad’s Hong Kong Chinese. My home’s in Hong Kong.’ Nothing apologetic about the way she spoke. I’m not pure Japanese and if you don’t like that you can stick it.

  I thought of Tony Williams’s drumming in ‘In a Silent Way’. No, I didn’t think of it. I felt it, somewhere inside.

  ‘Hey, that’s nothing! I’m half-Filipino. The music was “Left Alone” by Mal Waldron. Would you like to hear it again?’

  ‘Would you mind?’

  ‘’Course I wouldn’t mind . . . Mal Waldron’s one of my gods. I kneel down to him every time I go to the temple. What’s Hong Kong like, compared to Tokyo?’

  ‘Foreigners say it’s dirty, noisy and poky, but really, there’s nowhere like it. Not anywhere. And when Kowloon gets too much you can escape to the islands. On Lantau Island there’s a big buddha sitting on a hill . . .’

  For a moment I had an odd sensation of being in a story that someone was writing, but soon that sensation too was being swallowed up.

  The cherry blossoms had come and almost gone. New green leaves, still silky and floppy, were drying on the trees lining the back street. Living and light as mandolins and zithers. The commuters streamed by. Not a coat in sight. Some had come out without their jackets. No denying it, spring was old news.

  The phone rang. Koji, calling from the college canteen. ‘So. Who is she?’

  ‘Who?’

  ‘Stop it! You know perfectly well who! The girl at Mrs Nakamori’s last night who sat there swooning on your every note! Let me see . . . Her name began with “Tomo” and ended with “yo”. What was she called I wonder? Oh yes, that’s right. Tomoyo.’

  ‘Oh, her . . .’

  ‘Don’t give me that! I saw you two making eyes at each other.’

  ‘You imagined it.’

  ‘You were making eyes at each other! The whole bar saw. A sea-cucumber would have noticed. Her father definitely did. Taro noticed. He came up to me afterwards and asked me who she was. I’d hoped that he could tell me. He said to grill you. And what Taro wants he gets, so I’m grilling you.’

  ‘There’s not much to tell. She came into the shop four weeks ago. Then she came in again last week. We got talking, just about music, and we went out on a date or two last week. That’s all.’

  ‘A date or seven you mean.’

  ‘Well, you know how it goes.’

  ‘Not that I want to be nosey or anything, it’s just that I didn’t get the chance to interrogate her last night. But, er, so have you, y’know, snipped her ribbons and unwrapped her packaging yet?’

  ‘The girl’s a lady!’

  ‘Ah, yes, but every lady is a woman.’

  ‘No. We haven’t.’

  ‘You always were a slow worker, Satoru. Why not?’

  ‘Because . . .’ I remember her body wrapped inside my duffle-coat as we walked along, sharing the same umbrella. I remember spending the whole movie holding her hand. I remember her eyes scrunched up in laughter as we watched a street performer who stood motionless on a pedestal until you left a coin in his urn, when he changed his expression and pose until the next coin was dropped in. I remember her trying not to laugh at my bowling alley disasters. I remember lying on the blanket in Ueno Park as the cherry blossom fell onto our faces. I remember her in this room, in this chair, listening to my favourite music as she did her homework. I remember her face as she concentrated, and that strand of hair that fell down, almost touching her notebook. I remember kissing the nape of her neck in elevators between floors, and springing apart when the doors suddenly opened. I remember her telling me about her goldfish, and her mother, and life in Hong Kong. I remember her asleep on my shoulder on the night bus. I remember looking at her across the table. I remember her telling me about the ancient Jomon people who buried their kings in mounds, on the Tokyo plain. I remember her face at Mrs Nakamori’s when Koji and I did ‘Round Midnight’ better than we’ve ever played it before. I remember . . . ‘I dunno, Koji. Maybe we didn’t do it because we could have done it.’ Was that true? It would have been easy, just to slip into a love hotel. My body certainly wanted to. But . . . but what? ‘I really can’t say. Not because I’m being coy. I don’t know.’

  Koji made the sage noise that he always does on the rare occasions when he doesn’t understand something. ‘So, when do I get to see her again?’

  I swallowed. ‘Never, probably. She’s going back to international school in Hong Kong. She only comes to Tokyo every couple of years with her father to visit relatives for a few weeks. We have to be realistic.’

  Koji sounded more depressed about it than I did. ‘That’s terrible! When’s she going back this time?’

  I looked at my watch. ‘In about thirty minutes.’

  ‘Satoru! Stop her!’

  ‘I really think . . . I mean, I think that—’

  ‘Don’t think! Do something!’

  ‘What do you suggest? Kidnap her? She’s got her life to get on with. She’s going to study archaeology at university in Hong Kong. We met, we enjoyed each other’s company, very much, and now we’ve parted. It happens all the time. We can write. Anyway, it’s not like we’ve fallen longingly in love with each other, or anything like that—’

  ‘Beep beep beep.’

  ‘What’s that supposed to mean?’

  ‘Oh, I’m sorry, that was my bullshit alarm going off.’

  I dug out some old big band Duke Ellington. It reminds me of wind-up gramophones, silly moustaches and Hollywood musicals from before the war. It usually cheers me up. ‘Take the “A” Train’, rattling along on goofy optimism.

  I looked gloomily into the murky lake at the bottom of my teacup, and I thought about Tomoyo for the fiftieth time that day.

  The phone rang. I knew it was going to be Tomoyo. It was Tomoyo. I could hear aeroplanes and boarding announcements in the background.

  ‘Hello,’ she said.

  ‘Hello.’

  ‘I’m phoning from the airport.’

  ‘I can hear aeroplanes taking off in the background.’

  ‘Sorry I couldn’t say “goodbye” properly last night. I wanted to kiss you.’

  ‘So did I, but with everyone there, and everything . . .’

  ‘Thanks for inviting me and Dad to Mrs Nakamori’s last night. My dad says thanks too. I haven’t seen him nattering away like he did with your Mama-san and Taro for ages.’

  ‘I haven’t seen them nattering away like that for ages, either. What were they talking about?’

  ‘Business, I guess. You know Dad has a small stake in a night club. We both loved the show.’

  ‘It wasn’t a show! It was just me and Koji.’

  ‘You’re both really good musicians. Dad didn’t shut up about you.’

  ‘Nah . . . Koji’s good, he makes me sound passable. He phoned about twenty minutes ago. I hope we weren’t too gooey at the bar last night. Koji thought we were a bit obvious.’

  ‘Don’t worry about it. And hey! Dad even implied, in his roundabout way, you could visit during your holidays. He might
manage to find a bar for you to play sax in, if you wanted to.’

  ‘Does he know? About us?’

  ‘I don’t know.’

  ‘Takeshi doesn’t exactly give me holidays . . . At least, I’ve never asked for one.’

  ‘Oh . . .’ She changed the subject. ‘How long did it take you to get so good?’

  ‘I’m not good. John Coltrane is good ! Wait a sec—’ I grabbed a copy of John Coltrane and Duke Ellington, playing ‘In a Sentimental Mood’. Smoky and genuflective. We listened to it together for a while. So many things I wanted to say to her.

  There was a series of urgent rings. ‘I’m running of out money – there’s something – Oh, damn, ’Bye!’

  ‘’Bye!’

  ‘When I get back I’ll—’

  A lonely hum.

  At lunchtime Mr Fujimoto came in, saw me, and laughed. ‘Good afternoon, Satoru-kun!’ he jubilated. ‘Blue skies, just you wait and see! Tell me, what do you think of this little beaut?’ He put a little package of books on the counter, and straightened out his bow tie, arching his eyebrows and acting proud.

  A grotesque polka-dot frog-green bow tie. ‘Absolutely unique.’

  His whole body wobbled with mirth. ‘We’re having a disgusting tie competition in the office. I’ve got ’em licked, I think.’

  ‘How was Kyoto?’

  ‘Oh, Kyoto was Kyoto. Temples and shrines, meetings with printers. Uppity shopkeepers who think they have a monopoly on manners. It’s good to be back. Once a Tokyoite, always a Tokyoite.’

  I started my rehearsed speech. ‘Mr Fujimoto, when I told Mama-san about your kind offer to help me get an interview at your office she gave me this to give you. She thought you and your co-workers might enjoy it at a cherry-blossom party.’ I heaved the huge bottle of rice-wine onto the counter.

  ‘Sake! My word, that is a big boy! This will last awhile, even in an office full of publishers! How extraordinarily kind.’