Graham Greene
Page 10
14 North Side, Clapham Common, S.W.4. | August 1 [1935]
Dear Mr Narayan Swami,
My friend Kit Purna84 sent me your novel the other day to read, and I should like to tell you as a fellow novelist how much I admired it. I took the liberty of sending it with a covering letter to a publisher, Hamish Hamilton, and I have heard from him to-day that he wishes to publish it. You couldn’t, I think, have a better publisher. His is a young firm with a very good literary reputation and his connexion with the American publishers, Harper’s, may make it possible to find a publisher for it too in the U.S.A. He also advertises well. With this book published too we may find it easier to place your short stories, for some of which I felt an almost equal admiration. It is a real joy to be of use to a new writer of your quality.
There are a few things I should like to ask you. Have you any objection to a few alterations in the English? It’s very good on the whole, but at times the grammar and sense need tightening. Then it will need a simpler and more taking title than the one you have given it. Last as to terms. I am seeing Hamish Hamilton on Tuesday, Aug. 6, to discuss them. You can rely on me to get you the best possible terms, but with a first novel I’m afraid you won’t get a large advance on royalties. But if the advance has to be small, I hope and believe that the book will sell well enough to earn you a satisfactory amount in royalties.
Of course the proposed contract will be sent to you for your approval and signature.
I hope this will be only the first of a long series of books.
I wonder if you have come across the books of my friend Dennis Kincaid85 in India?
Yours sincerely,
Graham Greene
TO R. K. NARAYAN
14 North Side, Clapham Common, S.W.4. | Aug. 23 [1935]
Dear Mr Narayan Swami,
Many thanks for your letter. The pleasure is all mine in having read your book. I daresay the contract may already have reached you. Hamilton will pay 10% on the published price on all copies sold up to 2,000 and after that 12½%, with an advance of £20 on publication. These, I’m afraid, are not princely terms, but if this first book is a success you will be able to command better terms for your next book. He intends to publish it this autumn at 6/-as it’s rather a short book. The title he wants to put on it is Swami and Friends. Another point (I consulted Purna on it): your name. Have you any objection to the Swami being left out and your being styled R. K. Narayan?86 It’s a silly thing to have to say, but in this country a name which it is difficult for the old ladies in libraries to remember materially affects a book’s sales. I saw an excellent novel by a German completely fail because of the supposed difficulty of his name: Erik von Kuhnelt-Leddihn!87 But, of course, if R. K. Narayan is absurdly incorrect in Indian eyes, we won’t dream of using it.
I have been through the book a second time, making a very few alterations in words (your style is admirable and I can promise you the alterations are verbal and negligible in number) and I enjoyed it at a second reading quite as much as I did at the first. I hope you will presently give me news of a second novel. When this one is published I hope we shall be able to do something with your short stories, though the market for good short stories here is absurdly limited.
I look forward one day not too far ahead to meeting you.
Yours sincerely,
Graham Greene
TO DENYSE CLAIROUIN
14 North Side, Clapham Common, S.W.4. | Oct. 25 [1935]
Dear Denyse,
Many thanks for your letter, dated Oct. 11 & for the cheque. I love that kind of letter!
By the way I suppose they sent you my last novel, England Made Me? Liberia won’t be out till March or April. The title so far is ‘Journey Without Maps’. Then I’m going to have ready for the spring a thriller, opus one of the works of Hilary Trench:88 proposed title: ‘A Gun for Sale.’ This is in the Stamboul Train vein, only even more melodramatic!
If the riots come on, I’ll be over. I want a few days holiday badly.
Yours in haste,
Graham Greene
TO HUGH GREENE
14 North Side, Clapham Common, S.W.4. | Jan. 28 [1936]
Dear Hugh,
Many thanks for your letter. I believe I only thanked you both by proxy for the book token. I loved the account of the sexual detective; he would be of admirable use to me, so I hope he turns up.
I’m having sherry at the Camerons next week and will mention what you say, but I’m surprised. I thought you were permanently wedded to journalism. I’m getting deep into films, so deep that Grierson sounded me the other day on whether I should be interested in a producing job.89 I hope he is picturing me as the head of the proposed B.B.C. Film Unit! I’m on a kind of advisory committee on television as it is! Altogether I seem to have cut into the racket at the right angle. Last night we were at quite an amusing party given for Lotte Reiniger90 with a programme of trick films.
But I’m hellishly busy; two books of my own coming out in the next few months (great enthusiasm on Heinemann’s part for the shocker)91 and I’m doing things for three symposiums. I’ve never written so much in my life.
If Cameron says anything enlightening I’ll let you know.
I suppose you get the news of Mumma. She seems to be making very good progress, but it must be the hell of a dull time, lying flat on the back with nothing to do. The operation too must have been pretty ghastly with only a local anaesthetic. I think I’d almost rather lose the sight of an eye.
Love,
Graham
Did you see my sob stuff in the Mail? They suddenly rang up on lunch time & asked whether I’d go along that afternoon & do it: 15 guineas for about 700 words!92
TO NANCY PEARN
H. R. Westwood, associate editor of The Fortnightly Review and an admirer of Greene’s film criticism, invited him to write an article on censorship for the magazine. Although no article appeared, the letter makes clear what his views are.
14 North Side, Clapham Common, S.W.4. | April 10 [1936]
Dear Nancy,
Many thanks. I wonder if I could trouble your office to give Westwood a ring to say that I left for Dartmouth for ten days on Easter Monday and will give him a ring directly I return. I think an article could be made which would be by no means stale. I shouldn’t hinge it on the Peace Film.93 What I propose to do (if he commissions it) is really to go in to its constitution, its record of foolish acts, and its personnel. I should like to interview several of the censors, the old ladies and the retired colonels, and give their views on films quite untouched up. Then there’s the curious anomaly in their treatment of the big American companies and the small British companies: the question why they should allow the attractive, but wildly sexual and lascivious dance in the new Cantor film 94 and insist on cutting scenes from the G.P.O. film, Citizens of the Future, which was urging cleanliness and washing on the people! I think a really amusing article could be made, which would not need a topical peg.
Yours,
Graham
TO R. K. NARAYAN
The Royal Castle Hotel, | Dartmouth. | April 20 [1936].
Dear Narayan,
This is just a hasty note to say that Hamish Hamilton hasn’t yet sent me your novel.95 I’m away here on holiday, until the end of the week, but as soon as I get back to town I will phone him & let you know the result.
I doubt whether any more money will come due to you on Swami: it didn’t, I think, sell very well, (you’ll get the account of sales soon), but the next novel should earn you at least an equal advance. And should sell better. (I am assuming that it’s equally good). Everyone to whom I show Swami is enthusiastic: I lent a copy to Malcolm Muggeridge96 – you may have heard of him in connexion with the Calcutta Statesman – he is one of the most promising young writers here – & he was elated by it & said that he was writing a letter to the editor of the Statesman about it. I lent it a few days ago too to Margaret Wilson whose novels you may know & expect the same enthusiasm from her.97
I still look forward to the day when your books bring you to England, so that we may meet. If you are writing to Purna do send mine & my wife’s best wishes.
Yours sincerely,
Graham Greene
P.S. If all is well about the novel I’ll get them to send a cheque as quickly as possible without waiting for your signature on the contract.
TO BASIL DEAN
Greene worked with the theatre and film producer Basil Dean (1888–1978) on a script of John Galsworthy’s ‘The First and the Last’, a story ‘“peculiarly unsuited for film adaptation, as its whole point lay in a double suicide (forbidden by the censor), a burned confession and an innocent man’s conviction for murder (forbidden by the great public)”’98 The film was released in 1940 as Twenty-One Days, with Laurence Olivier and Vivien Leigh playing the leads. At the time Greene promised never to write another screenplay.
14 North Side, Clapham Common, S.W.4 [May? 1936]
Dear Basil Dean,
About The First and the Last: I should very much enjoy working on this with you. I think it has immense film possibilities. I don’t, frankly, like Berkman’s99 treatment at all: both the opening and the ending seem to me wholly undramatic. I think I see, too, a way to avoid the double suicide without in any way altering the characters. I should be inclined to build up the elder brother into a figure of more complete selfishness and self-righteousness, so that he could be sacrificed at the end and leave a moderately happy ending for the more sympathetic figures. I haven’t worked out a treatment in detail as I’ve been very busy this last week, and I should like first to see you and find your reaction to my preliminary ideas. I feel strongly against B’s introduction of a second girl, and the whole party scene seems to me so banal that it could only be saved by the dialogue – and should a film need saving by its dialogue? It doesn’t give a chance to the director.
Then again the introduction of the actual murder, at any rate as Berkman places it. One loses entirely the fine dramatic surprise of Larry’s confession and gains – a piece of action which one has seen over and over again on the screen. But I think there’s a way of introducing the most dramatic part, the carrying of the body, after the confession. The story anyway has got me!
Yours sincerely,
Graham Greene
TO R. K. NARAYAN
14 North Side | Clapham Common | SW4 | Aug. 19 [1936]
Dear Narayan,
A hasty note of congratulation. Pearn, Pollinger & Higham have just telephoned to say that Nelson’s want to publish ‘Chandran’, & I’ve sent you off a cable to that effect. The terms & the contract have to wait a short while until the managing director returns from his holiday, but I think you may count at any rate on an advance of the same amount as last time. They wish me to write an introductory note: I hope you won’t mind this. As for Nelson’s, they are an older, larger & more old-fashioned firm than Hamish Hamilton. Until about two years ago they published little fiction, but recently they have been going ahead with this. L.A.G. Strong, whose work I expect you know, is their chief fiction advisor.100
I’m overjoyed about this. Nothing could be more depressing than your set-back, but now I feel it was all for the best. Nelson’s is a firm which would be far readier to nurse talent than snatch-&-grab Hamilton. I hope to hear that you are on a new book. I corrected the proof of your story for The Spectator some weeks ago, so I hope it will soon appear.101 I feel sure your star is in the ascendant now!
Ever yours,
Graham Greene
1 Ways of Escape, 14.
2 Clemence Dane (Winifred Ashton), 1888–1965, novelist and playwright. Graham first met her through Kenneth Richmond in 1921 (West, 13).
3 F. Tennyson Jesse, 1888–1958, novelist and crime writer.
4 Greene’s interest in Haiti began more thirty years before he wrote The Comedians (1966).
5 This novel about American oilmen in Mexico, published in 1926, probably influenced The Power and the Glory. It opens in a seaport, and its main character, Bradier, is a brutal business man with a capacity for personal loyalty; like the whisky priest, he excites both sympathy and revulsion in the reader. At the end of the book, Bradier is a self-described ‘fugitive’. It is worth noting, however, that the novel is not theological and that Bradier survives his ordeal.
6 The letter is addressed to Hugh Greene in Marburg an der Lahn. After leaving Oxford in 1933, Hugh worked as a journalist in Germany until 1939. As a first-hand observer, he kept Graham informed about the Nazis.
7 Henry Major Tomlinson (1873–1958) often wrote about the sea. His novel Gallion’s Reach (1927) was a success in Britain and America. Greene’s arrangement lasted for three years and was not a simple salary. As a series of large advances against royalties, Greene’s debt was not paid off until the publication of Brighton Rock in 1938. (St John, 295).
8 The opening of ‘Elegy IX. The Autumnal’.
9 Two films from 1929, Atlantic told the story of the Titanic, and Hallelujah portrayed a bad gambler becoming a good preacher.
10 An earlier novel by Joseph Hergesheimer.
11 Cream.
12 A fortress built c. 1000 on a cliff overlooking the Rhine at Coblenz.
13 Michael Sadleir (1888–1957) was a novelist and bibliographer.
14 Charles Fenby (1905–74), a friend of Raymond Greene’s, was editor of the Oxford Mail 1928–40.
15 Ways of Escape, 28.
16 Ways of Escape, 14.
17 Ways of Escape, 15.
18 Graham and Vivien rented for £1 per week a house without electricity and inhabited by rats (A Sort of Life, 145–6).
19 John Middleton Murry accused Maritain of sharply dividing mankind into his party and the devil’s (TLS, 23 April 1931).
20 Ways of Escape, 15.
21 A Sort of Life, 140–1. The letters, which I have examined, are in the possession of Francis Greene.
22 Kenneth Bell had been Graham’s tutor.
23 A Sort of Life, 145.
24 Greene treasured his copy of de la Mare’s poems inscribed by the poet ‘Christmas 1921’. The librarians at Boston College have found in its pages fragile clippings of two more poems by de la Mare, ‘Horse in a Field’ and ‘The Strange Spirit’.
25 George Borrow (1803–81) was an English novelist who often wrote about Gypsies.
26 An invented author.
27 Paying guests.
28 Raymond.
29 A film in which a young marquis endeavours not to marry.
30 A musical starring Jack Hulbert.
31 René Clair (1898–1981) was a French director known for witty and stylish productions. Greene found ‘happy lyrical absurdity’ in his work (Journey Without Maps, 33).
32 A Sort of Life, 155.
33 Stamboul Train.
34 NS 1: 476.
35 Vivian Green-Armytage was a gynaecologist and obstetrician.
36 The review of Walter Greenwood’s Love on the Dole appeared in the Spectator (30 June 1933).
37 Graham and Hugh conducted a ‘harmless flirtation’ with the daughters, sixteen and twenty years old, of an English writer named Schelling. Once, when Hugh and Ursula were slow returning from a walk, the mother thought they had drowned in a canal. Later in Stockholm, Graham got his faced slapped by the elder sister in the same circumstances as Loo slapped Anthony’s in England Made Me (Ways of Escape, 30; see NS 1: 488).
38 A trial position in the Berlin office of the Daily Telegraph (Tracey, 36).
39 Graham’s friend Alan Charles Cameron (1893–1952), the husband of Elizabeth Bowen, was one of the founders of the British Film Institute.
40 The essayist and travel writer Peter Fleming (1907–71) shared with Graham a long association with the Spectator. His younger brother was the Bond-creator Ian Fleming.
41 Graham’s review of After Strange Gods appeared in the April issue. In it, he makes a memorable, if unch
aracteristic, claim for the superiority of moral over aesthetic criticism: ‘To be a Catholic (in Mr Eliot’s case an Anglo-Catholic) is to believe in the Devil, and why, if the Devil exists, should he not work through contemporary literature, it is hard to understand.’ Twenty years later he found himself at the wrong end of such an argument when the Holy Office sought to suppress The Power and the Glory (see pp. 203–6).
42 Greene edited this book of memoirs of school life, to which prominent authors including Auden, Powell and Greenwood contributed. In his own essay on Berkhamsted (247–56), he said the book was an effort to understand why a man ‘should feel more loyal to a school which is paid to teach than to a butcher who is paid to feed him’.
43 Bede Jarrett (1881–1934) was Prior Provincial of the English Province of the Benedictines 1916–32 and a well-known preacher and author; he had had a strong influence on Vivien.
44 Birds in Spring, The Three Little Pigs and The China Shop, were all Disney cartoons, to which Greene had a mild addiction (see p. 114). Ukrainian-born Anna Sten (1908–93) starred in Nana, released in February 1934. Whither Germany, written by Bertolt Brecht, was a melodrama concerned with unemployment in Germany; it was banned under the Nazis. In The Mayor of Hell, James Cagney is a former gangster who becomes a reforming administrator in a prison.
45 Graham’s mixed review of I, Claudius, praising the character but not the prose style, appeared in the Spectator (4 May 1934).
46 Probably, Graham’s American literary agent Mary Leonard (later Pritchett). Graham’s devotion to her deserves notice. Mitch Douglas of International Creative Management recalls that after she had retired and Graham had retained Monica McCall, he continued to pay her a separate commission: ‘I know this for a fact because I personally processed the checks. When Mary died after I joined the firm in 1974, Greene insisted on continuing to pay her Estate a commission. However, Mary’s Estate lawyers begged him not to do that, as Mary left her Estate to around 17 entities, and the division and processing of checks would be an extraordinary task. Therefore, Greene asked if Mary had a church. She did. He decided to pay the church a commission in Mary’s memory.’ (E-mail to RG, 6 January 2006).