‘Yes, quite so. And the flint knife?’
‘That is very simple. The man found the thing in Italy, or possibly stole it from some museum. Follow the line of least resistance, my dear fellow, and you will see there is no need to bring up primitive man from his secular grave beneath the hills.’
‘There is some justice in what you say,’ said Dyson. ‘As I understand you, then, you think that your Italian, having murdered, Vivian, kindly chalked up that hand as a guide to Scotland Yard?’
‘Why not? Remember a murderer is always a madman. He may plot and contrive nine-tenths of his scheme with the acuteness and the grasp of a chess-player or a pure mathematician; but somewhere or other his wits leave him and he behaves like a fool. Then you must take into account the insane pride or vanity of the criminal; he likes to leave his mark, as it were, upon his handiwork.’
‘Yes, it is all very ingenious; but have you read the reports of the inquest?’
‘No, not a word. I simply gave my evidence, left the court, and dismissed the subject from my mind.’
‘Quite so. Then if you don’t object I should like to give you an account of the case. I have studied it rather deeply, and I confess it interests me extremely.’
‘Very good. But I warn you I have done with mystery. We are to deal with facts now.’
‘Yes, it is fact that I wish to put before you. And this is fact the first. When the police moved Sir Thomas Vivian’s body they found an open knife beneath him. It was an ugly-looking thing such as sailors carry, with a blade that the mere opening rendered rigid, and there the blade was all ready, bare and gleaming, but without a trace of blood on it, and the knife was found to be quite new; it had never been used. Now, at the first glance it looks as if your imaginary Italian were just the man to have such a tool. But consider a moment. Would he be likely to buy a new knife expressly to commit murder? And, secondly, if he had such a knife, why didn’t he use it, instead of that very odd flint instrument?
‘And I want to put this to you. You think the murderer chalked up the hand after the murder as a sort of “melodramatic Italian assassin his mark” touch. Passing over the question as to whether the real criminal ever does such a thing, I would point out that, on the medical evidence, Sir Thomas Vivian hadn’t been dead for more than an hour; That would place the stroke at about a quarter to ten, and you know it was perfectly dark when we went out at 9.30. And that passage was singularly gloomy and ill-lighted, and the hand was drawn roughly, it is true, but correctly and without the bungling of strokes and the bad shots that are inevitable when one tries to draw in the dark or with shut eyes. Just try to draw such a simple figure as a square without looking at the paper, and then ask me to conceive that your Italian, with the rope waiting for his neck, could draw the hand on the wall so firmly and truly, in the black shadow of that alley. It is absurd. By consequence, then, the hand was drawn early in the evening, long before any murder was committed; or else — mark this, Phillipps — it was drawn by some one to whom darkness and gloom were familiar and habitual; by some one to whom the common dread of the rope was unknown!
‘Again: a curious note was found in Sir Thomas Vivian’s pocket. Envelope and paper were of a common make, and the stamp bore the West Central postmark. I will come to the nature of the contents later on, but it is the question of the handwriting that is so remarkable. The address on the outside was neatly written in a small clear hand, but the letter itself might have been written by a Persian who had learnt the English script. It was upright, and the letters were curiously contorted, with an affectation of dashes and backward curves which really reminded me of an Oriental manuscript, though it was all perfectly legible. But — and here comes the poser — on searching the dead man’s waistcoat pockets a small memorandum book was found; it was almost filled with pencil jottings. These memoranda related chiefly to matters of a private as distinct from a professional nature; there were appointments to meet friends, notes of theatrical first-nights, the address of a good hotel in Tours, and the title of a new novel — nothing in any way intimate. And the whole of these jottings were written in a hand nearly identical with the writing of the note found in the dead man’s coat pocket! There was just enough difference between them to enable the expert to swear that the two were not written by the same person. I will just read you so much of Lady Vivian’s evidence as bears on this point of the writing; I have the printed slip with me. Here you see she says: “I was married to my late husband seven years ago; I never saw any letter addressed to him in a hand at all resembling that on the envelope produced, nor have I ever seen writing like that in the letter before me. I never saw my late husband using the memorandum book, but I am sure he did write everything in it; I am certain of that because we stayed last May at the Hotel du Faisan, Rue Royale, Tours, the address of which is given in the book; I remember his getting the novel ‘A Sentinel’ about six weeks ago. Sir Thomas Vivian never liked to miss the first-nights at the theatres. His usual hand was perfectly different from that used in the note-book.”
‘And now, last of all, we come back to the note itself. Here it is in facsimile. My possession of it is due to the kindness of Inspector Cleeve, who is pleased to be amused at my amateur inquisitiveness. Read it, Phillipps; you tell me you are interested in obscure inscriptions; here is something for you to decipher.’
Mr. Phillipps, absorbed in spite of himself in the strange circumstances Dyson had related, took the piece of paper, and scrutinized it closely. The handwriting was indeed bizarre in the extreme, and, as Dyson had noted, not unlike the Persian character in its general effect, but it was perfectly legible.
‘Read it aloud,’ said Dyson, and Phillipps obeyed.
‘“Hand did not point in vain. The meaning of the stars is no longer obscure. Strangely enough, the black heaven vanished, or was stolen yesterday, but that does not matter in the least, as I have a celestial globe. Our old orbit remains unchanged; you have not forgotten the number of my sign, or will you appoint some other house? I have been on the other side of the moon, and can bring something to show you.”’
‘And what do you make of that?’ said Dyson.
‘It seems to me mere gibberish,’ said Phillipps; ‘you suppose it has a meaning?’
‘Oh, surely; it was posted three days before the murder; it was found in the murdered man’s pocket; it is written in a fantastic hand which the murdered man himself used for his private memoranda. There must be purpose under all this, and to my mind there is something ugly enough hidden under the circumstances of this case of Sir Thomas Vivian.’
‘But what theory have you formed?’
‘Oh, as to theories, I am still in a very early stage; it is too soon to state conclusions. But I think I have demolished your Italian. I tell you, Phillipps, again the whole thing has an ugly look to my eyes. I cannot do as you do, and fortify myself with cast-iron propositions to the effect that this or that doesn’t happen, and never has happened. You note that the first word in the letter is “hand”. That seems to me, taken with what we know about the hand on the wall, significant enough, and what you yourself told me of the history and meaning of the symbol, its connection with a world-old belief and faiths of dim far-off years, all this speaks of mischief, for me at all events. No; I stand pretty well to what I said to you half in joke that night before we went out. There are sacraments of evil as well as of good about us, and we live and move to my belief in an unknown world, a place where there are caves and shadows and dwellers in twilight. It is possible that man may sometimes return on the track of evolution, and it is my belief that an awful lore is not yet dead.’
‘I cannot follow you in all this,’ said Phillipps; ‘it seems to interest you strangely. What do you propose to do?’
‘My dear, Phillipps,’ replied Dyson, speaking in a lighter tone, ‘I am afraid I shall have to go down a little in the world. I have a prospect of visits to the pawnbrokers before me, and the publicans must not be neglected. I must cultivate a taste for fou
r ale; shag tobacco I already love and esteem with all my heart.’
Search for the Vanished Heaven
Table of Contents
For many days after the discussion with Phillipps. Mr. Dyson was resolute in the line of research he had marked out for himself. A fervent curiosity and an innate liking for the obscure were great incentives, but especially in this case of Sir Thomas Vivian’s death (for Dyson began to boggle a little at the word ‘murder’) there seemed to him an element that was more than curious. The sign of the red hand upon the wall, the tool of flint that had given death, the almost identity between the handwriting of the note and the fantastic script reserved religiously, as it appeared, by the doctor for trifling jottings, all these diverse and variegated threads joined to weave in his mind a strange and shadowy picture, with ghastly shapes dominant and deadly, and yet ill-defined, like the giant figures wavering in an ancient tapestry. He thought he had a clue to the meaning of the note, and in his resolute search for the ‘black heaven’, which had vanished, he beat furiously about the alleys and obscure streets of central London, making himself a familiar figure to the pawnbroker, and a frequent guest at the more squalid pot-houses.
For a long time he was unsuccessful, and he trembled at the thought that the ‘black heaven’ might be hid in the coy retirements of Peckham, or lurk perchance in distant Willesden, but finally, improbability, in which he put his trust, came to the rescue. It was a dark and rainy night, with something in the unquiet and stirring gusts that savoured of approaching winter, and Dyson, beating up a narrow street not far from the Gray’s Inn Road, took shelter in an extremely dirty ‘public’, and called for beer, forgetting for the moment his preoccupations, and only thinking of the sweep of the wind about the tiles and the hissing of the rain through the black and troubled air. At the bar there gathered the usual company: the frowsy women and the men in shiny black, those who appeared to mumble secretly together, others who wrangled in interminable argument, and a few shy drinkers who stood apart, each relishing his dose, and the rank and biting flavour of cheap spirit. Dyson was wondering at the enjoyment of it all, when suddenly there came a sharper accent. The folding-doors swayed open, and a middle-aged woman staggered towards the bar, and clutched the pewter rim as if she stepped a deck in a roaring gale. Dyson glanced at her attentively as a pleasing specimen of her class; she was decently dressed in black, and carried a black bag of somewhat rusty leather, and her intoxication was apparent and far advanced. As she swayed at the bar, it was evidently all she could do to stand upright, and the barman, who had iooked at her with disfavour, shook his head in reply to her thick-voiced demand for a drink. The woman glared at him, transformed in a moment to a fury, with bloodshot eyes, and poured forth a torrent of execration, a stream of blasphemies and early English phraseology.
‘Get out of this,’ said the man; ‘shut up and be off, or I’ll send for the police.’
‘Police, you ——’ bawled the woman ‘I’ll —— well give you something to fetch the police for!’ and with a rapid dive into her bag she pulled out some object which she hurled furiously at the barman’s head.
The man ducked down, and the missile flew over his head and smashed a bottle to fragments, while the woman with a peal of horrible laughter rushed to the door, and they could hear her steps pattering fast over the wet stones.
The barman looked ruefully about him.
‘Not much good going after her,’ he said, ‘and I’m afraid what she’s left won’t pay for that bottle of whisky.’ He fumbled amongst the fragments of broken glass, and drew out something dark, a kind of square stone it seemed, which he held up.
‘Valuable cur’osity,’ he said, ‘any gent like to bid?’
The habitues had scarcely turned from their pots and glasses during these exciting incidents; they gazed a moment, fishily, when the bottle smashed, and that was all, and the mumble of the confidential was resumed and the jangle of the quarrelsome, and the shy and solitary sucked in their lips and relished again the rank flavour of the spirit.
Dyson looked quickly at what the barman held before him.
‘Would you mind letting me see it?’ he said; ‘it’s a queer-looking old thing, isn’t it?’
It was a small black tablet, apparently of stone, about four inches long by two and a half broad, and as Dyson took it he felt rather than saw that he touched the secular with his flesh. There was some kind of carving on the surface, and, most conspicuous, a sign that made Dyson’s heart leap.
‘I don’t mind taking it,’ he said quietly. ‘Would two shillings be enough?’
‘Say half a dollar,’ said the man, and the bargain was concluded. Dyson drained his pot of beer, finding it delicious, and lit his pipe, and went out deliberately soon after. When he reached his apartment he locked the door, and placed the tablet on his desk, and then fixed himself in his chair, as resolute as an army in its trenches before a beleaguered city. The tablet was full under the light of the shaded candle, and scrutinizing it closely, Dyson saw first the sign of the hand with the thumb protruding between the fingers; it was cut finely and firmly on the dully black surface of the stone, and the thumb pointed downward to what was beneath.
‘It is mere ornament,’ said Dyson to himself, ‘perhaps symbolical ornament, but surely not an inscription, or the signs of any words ever spoken.’
The hand pointed at a series of fantastic figures, spirals and whorls of the finest, most delicate lines, spaced at intervals over the remaining surface of the tablet. The marks were as intricate and seemed almost as much without design as the pattern of a thumb impressed upon a pane of glass.
‘Is it some natural marking?’ thought Dyson; ‘there have been queer designs, likenesses of beasts and flowers, in stones with which man’s hand had nothing to do’; and he bent over the stone with a magnifier, only to be convinced that no hazard of nature could have delineated these varied labyrinths of line. The whorls were of different sizes; some were less than the twelfth of an inch in diameter, and the largest was a little smaller than a sixpence, and under the glass the regularity and accuracy of the cutting were evident, and in the smaller spirals the lines were graduated at intervals of a hundredth of an inch. The whole thing had a marvellous and fantastic look, and gazing at the mystic whorls beneath the hand, Dyson became subdued with an impression of vast and far-off ages, and of a living being that had touched the stone with enigmas before the hills were formed, when the hard rocks still boiled with fervent heat.
‘The ‘black heaven’ is found again,’ he said, ‘but the meaning of the stars is likely to be obscure for everlasting so far as I am concerned.’
London stilled without, and a chill breath came into the room as Dyson sat gazing at the tablet shining duskily under the candle-light; and at last as he closed the desk over the ancient stone, all his wonder at the case of Sir Thomas Vivian increased tenfold, and he thought of the well-dressed prosperous gentleman lying dead mystically beneath the sign of the hand, and the insupportable conviction seized him that between the death of this fashionable West End doctor and the weird spirals of the tablet there were most secret and unimaginable links.
For days he sat before his desk gazing at the tablet, unable to resist its lodestone fascination, and yet quite helpless, without even the hope of solving the symbols so secretly inscribed. At last, desperate he called in Mr. Phillipps in consultation, and told in brief the story of the finding the stone.
‘Dear me!’ said Phillipps, ‘this is extremely curious; you have had a find indeed. Why, it looks to me even more ancient than the Hittite seal. I confess the character, if it is a character, is entirely strange to me. These whorls are really very quaint.’ ‘Yes, but I want to know what they mean. You must remember this tablet is the ‘black heaven’ of the letter found in Sir Thomas Vivian’s pocket; it bears directly on his death.’
‘Oh, no, that is nonsense! This is, no doubt, an extremely ancient tablet, which has been stolen from some collection. Yes, the hand makes an odd
coincidence, but only a coincidence after all.’
‘My dear Phillipps, you are a living example of the truth of the axiom that extreme scepticism is mere credulity. But can you decipher the inscription?’
‘I undertake to decipher anything,’ said Phillipps. ‘I do not believe in the insoluble. These characters are curious, but I cannot fancy them to be inscrutable.’
‘Then take the thing away with you and make what you can of it. It has begun to haunt me; I feel as if I had gazed too long into the eyes of the Sphinx.’
Phillipps departed with the tablet in an inner pocket. He had not much doubt of success, for he had evolved thirty-seven rules for the solution of inscriptions. Yet when a week had passed and he called to see Dyson there was no vestige of triumph on his features. He found his friend in a state of extreme irritation, pacing up and down in the room like a man in a passion. He turned with a start as the door opened.
‘Well,’ said Dyson, ‘you have got it? What is it all about?’
‘My dear fellow, I am sorry to say I have completely failed. I have tried every known device in vain. I have even been so officious as to submit it to a friend at the Museum, but he, though a man of prime authority on the subject, tells me he is quite at fault. It must be some wreckage of a vanished race, almost, I think — a fragment of another world than ours. I am not a superstitious man, Dyson, and you know that I have no truck with even the noble delusions, but I confess I yearn to be rid of this small square of blackish stone. Frankly, it has given me an ill week; it seems to me troglodytic and abhorred.’
Phillipps drew out the tablet and laid it on the desk before Dyson.
‘By the way,’ he went on, ‘I was right at all events in one particular; it has formed part of some collection. There is a piece of grimy paper on the back that must have been a label.’
‘Yes, I noticed that,’ said Dyson, who had fallen into deepest disappointment; ‘no doubt the paper is a label. But as I don’t much care where the tablet originally came from, and only wish to know what the inscription means, I paid no attention to the paper. The thing is a hopeless riddle, I suppose, and yet it must surely be of the greatest importance.’
Arthur Machen Ultimate Collection Page 92
