Phillipps left soon after, and Dyson, still despondent, took the tablet in his hand and carelessly turned it over. The label had so grimed that it seemed merely a dull stain, but as Dyson looked at it idly, and yet attentively, he could see pencil-marks, and he bent over it eagerly, with his glass to his eye. To his annoyance, he found that part of the paper had been torn away, and he could only with difficulty make out odd words and pieces of words. First he read something that looked like ‘inroad’, and then beneath, ‘stony-hearted step ——’ and a tear cut off the rest. But in an instant a solution suggested itself, and he chuckled with huge delight.
‘Certainly,’ he said out loud, ‘this is not only the most charming but the most convenient quarter in all London; here I am, allowing for the accidents of side streets, perched on a tower of observation.’
He glanced triumphant out of the window across the street to the gate of the British Museum. Sheltered by the boundary wall of that agreeable institution, a ‘screever’, or artist in chalks, displayed his brilliant impressions on the pavement, soliciting the approval and the coppers of the gay and serious.
‘This,’ said Dyson, ‘is more than delightful! An artist is provided to my hand.’
The Artist of the Pavement
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Mr. Phillipps, in spite of all disavowals — in spite of the wall of sense of whose enclosure and limit he was wont to make his boast — yet felt in his heart profoundly curious as to the case of Sir Thomas Vivian. Though he kept a brave face for his friend, his reason could not decently resist the conclusion that Dyson had enunciated, namely, that the whole affair had a look both ugly and mysterious. There was the weapon of a vanished race that had pierced the great arteries; the red hand, the symbol of a hideous faith, that pointed to the slain man; and then the tablet which Dyson declared he had expected to find, and had certainly found, bearing the ancient impress of the hand of malediction, and a legend written beneath in a character compared with which the most antique cuneiform was a thing of yesterday. Besides all this, there were other points that tortured and perplexed. How to account for the bare knife found unstained beneath the body? And the hint that the red hand upon the wall must have been drawn by some one whose life was passed in darkness thrilled him with a suggestion of dim and infinite horror. Hence he was in truth not a little curious as to what was to come, and some ten days after he had returned the tablet he again visited the ‘mystery-man’, as he privately named his friend.
Arrived in the grave and airy chambers in Great Russell Street, he found the moral atmosphere of the place had been transformed. All Dyson’s irritation had disappeared, his brow was smoothed with complacency, and he sat at a table by the window gazing out into the street with an expression of grim enjoyment, a pile of books and papers lying unheeded before him.
‘My dear Phillipps, I am delighted to see you! Pray excuse my moving. Draw your chair up here to the table, and try this admirable shag tobacco.’
‘Thank you,’ said Phillipps, ‘judging by the flavour of the smoke, I should think it is a little strong. But what on earth is all this? What are you looking at?’
‘I am on my watch-tower. I assure you that the time seems short while I contemplate this agreeable street and the classic grace of the Museum portico.’
‘Your capacity for nonsense is amazing,’ replied Phillipps, ‘but have you succeeded in deciphering the tablet? It interests me.’
‘I have not paid much attention to the tablet recently,’ said Dyson. ‘I believe the spiral character may wait.’
‘Really! And how about the Vivian murder?’
‘Ah, you do take an interest in that case? Well, after all, we cannot deny that it was a queer business. But is not “murder” rather a coarse word? It smacks a little, surely, of the police poster. Perhaps I am a trifle decadent, but I cannot help believing in the splendid word; “sacrifice”, for example, is surely far finer than “murder”.’
‘I am all in the dark,’ said Phillipps. ‘I cannot even imagine by what track you are moving in this labyrinth.’
‘I think that before very long the whole matter will be a good deal clearer for us both, but I doubt whether you will like hearing the story.’
Dyson lit his pipe afresh and leant back, not relaxing, however, in his scrutiny of the street. After a somewhat lengthy pause, he startled Phillipps by a loud breath of relief as he rose from the chair by the window and began to pace the floor.
‘It’s over for the day,’ he said, ‘and, after all, one gets a little tired.’
Phillipps looked with inquiry into the street. The evening was darkening, and the pile of the Museum was beginning to loom indistinct before the lighting of the lamps, but the pavements were thronged and busy. The artist in chalks across the way was gathering together his materials, and blurring all the brilliance of his designs, and a little lower down there was the clang of shutters being placed in position. Phillipps could see nothing to justify Mr. Dyson’s sudden abandonment of his attitude of surveillance, and grew a little irritated by all these thorny enigmas.
‘Do you know, Phillipps,’ said Dyson, as he strolled at ease up and down the room, ‘I will tell you how I work. I go upon the theory of improbability. The theory is unknown to you? I will explain. Suppose I stand on the steps of St. Paul’s and look out for a blind man lame of the left leg to pass me, it is evidently highly improbable that I shall see such a person by waiting for an hour. If I wait two hours the improbability is diminished, but is still enormous, and a watch of a whole day would give little expectation of success. But suppose I take up the same position day after day, and week after week, don’t you perceive that the improbability is lessening constantly — growing smaller day after day. Don’t you see that two lines which are not parallel are gradually approaching one another, drawing nearer and nearer to a point of meeting, till at last they do meet, and improbability has vanished altogether. That is how I found the black tablet: I acted on the theory of improbability. It is the only scientific principle I know of which can enable one to pick out an unknown man from amongst five million.’
‘And you expect to find the interpreter of the black tablet by this method?’
‘Certainly.’
‘And the murderer of Sir Thomas Vivian also?’
‘Yes, I expect to lay my hands on the person concerned in the death of Sir Thomas Vivian in exactly the same way.’
The rest of the evening after Phillipps had left was devoted by Dyson to sauntering in the streets, and afterwards, when the night grew late, to his literary labours, or the chase of the phrase, as he called it. The next morning the station by the window was again resumed. His meals were brought to him at the table, and he ate with his eyes on the street. With briefest intervals, snatched reluctantly from time to time, he persisted in his survey throughout the day, and only at dusk, when the shutters were put up and the ‘screever’ ruthlessly deleted all his labour of the day, just before the gas-lamps began to star the shadows, did he feel at liberty to quit his post. Day after day this ceaseless glance upon the street continued, till the landlady grew puzzled and aghast at such a profitless pertinacity.
But at last, one evening, when the play of lights and shadows was scarce beginning, and the clear cloudless air left all distinct and shining, there came the moment. A man of middle age, bearded and bowed, with a touch of grey about the ears, was strolling slowly along the northern pavement of Great Russell Street from the eastern end. He looked up at the Museum as he went by, and then glanced involuntarily at the art of the ‘screever’, and at the artist himself, who sat beside his pictures, hat in hand. The man with the beard stood still an instant, swaying slightly to and fro as if in thought, and Dyson saw his fists shut tight, and his back quivering, and the one side of his face in view twitched and grew contorted with the indescribable torment of approaching epilepsy. Dyson drew a soft hat from his pocket, and dashed the door open, taking the stair with a run.
When he reached the street,
the person he had seen so agitated had turned about, and, regardless of observation, was racing wildly towards Bloomsbury Square, with his back to his former course. Mr. Dyson went up to the artist of the pavement and gave him some money, observing quietly, ‘You needn’t trouble to draw that thing again.’
Then he, too, turned about, and strolled idly down the street in the opposite direction to that taken by the fugitive. So the distance between Dyson and the man with the bowed head grew steadily greater.
Story of the Treasure-house
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‘There are many reasons why I chose your rooms for the meeting in preference to my own. Chiefly, perhaps because I thought the man would be more at his ease on neutral ground.’
‘I confess, Dyson,’ said Phillipps, ‘that I feel both impatient and uneasy. You know my standpoint: hard matter of fact, materialism if you like, in its crudest form. But there is something about all this affair of Vivian that makes me a little restless. And how did you induce the man to come?’
‘He has an exaggerated opinion of my powers. You remember what I said about the doctrine of improbability? When it does work out, it gives results which seem very amazing to a person who is not in the secret. That is eight striking, isn’t it? And there goes the bell.’
They heard footsteps on the stair, and presently the door opened, and a middle-aged man, with a bowed head, bearded, and with a good deal of grizzling hair about his ears, came into the room. Phillipps glanced at his features, and recognised the lineaments of terror.
‘Come in, Mr. Selby,’ said Dyson. ‘This is Mr. Phillipps, my intimate friend and our host for this evening. Will you take anything? Then perhaps we had better hear your story — a very singular one, I am sure.’
The man spoke in a voice hollow and a little quavering, and a fixed stare that never left his eyes seemed directed to something awful that was to remain before him by day and night for the rest of his life.
‘You will, I am sure, excuse preliminaries,’ he began; ‘what I have to tell is best told quickly. I will say, then, that I was born in a remote part of the west of England, where the very outlines of the woods and hills, and the winding of the streams in the valleys, are apt to suggest the mystical to any one strongly gifted with imagination. When I was quite a boy there were certain huge and rounded hills, certain depths of hanging wood, and secret valleys bastioned round on every side that filled me with fancies beyond the bourne of rational expression, and as I grew older and began to dip into my father’s books, I went by instinct, like the bee, to all that would nourish fantasy. Thus, from a course of obsolete and occult reading, and from listening to certain wild legends in which the older people still secretly believed, I grew firmly convinced of the existence of treasure, the hoard of a race extinct for ages, still hidden beneath the hills, and my every thought was directed to the discovery of the golden heaps that lay, as I fancied within a few feet of the green turf. To one spot, in especial, I was drawn as if by enchantment; it was a tumulus, the domed memorial of some forgotten people, crowning the crest of a vast mountain range; and I have often lingered there on summer evenings, sitting on the great block of limestone at the summit, and looking out far over the yellow sea towards the Devonshire coast. One day as I dug heedlessly with the ferrule of my stick at the mosses and lichens which grew rank over the stone, my eye was caught by what seemed a pattern beneath the growth of green; there was a curving line, and marks that did not look altogether the work of nature. At first I thought I had bared some rarer fossil, and I took out my knife and scraped away at the moss till a square foot was uncovered. Then I saw two signs which startled me; first, a closed hand, pointing downwards, the thumb protruding between the fingers, and beneath the hand a whorl or spiral, traced with exquisite accuracy in the hard surface of the rock. Here I persuaded myself, was an index to the great secret, but I chilled at the recollection of the fact that some antiquarians had tunnelled the tumulus through and through, and had been a good deal surprised at not finding so much as an arrowhead within. Clearly, then, the signs on the limestone had no local significance; and I made up my mind that I must search abroad. By sheer accident I was in a measure successful in my quest. Strolling by a cottage, I saw some children playing by the roadside; one was holding up some object in his hand, and the rest were going through one of the many forms of elaborate pretence which make up a great part of the mystery of a child’s life. Something in the object held by the little boy attracted me, and I asked him to let me see it. The plaything of these children consisted of an oblong tablet of black stone; and on it was inscribed the hand pointing downwards, just as I had seen it on the rock, while beneath, spaced over the tablet, were a number of whorls and spirals, cut, as it seemed to me, with the utmost care and nicety. I bought the toy for a couple of shillings; the woman of the house told me it had been lying about for years; she thought her husband had found it one day in the brook which ran in front of the cottage: it was a very hot summer, and the stream was almost dry, and he saw it amongst the stones. That day I tracked the brook to a well of water gushing up cold and clear at the head of a lonely glen in the mountain. That was twenty years ago, and I only succeeded in deciphering the mysterious inscription last August. I must not trouble you with irrelevant details of my life; it is enough for me to say that I was forced, like many another man, to leave my old home and come to London. Of money I had very little, and I was glad to find a cheap room in a squalid street off the Gray’s Inn Road. The late Sir Thomas Vivian, then far poorer and more wretched than myself, had a garret in the same house, and before many months we became intimate friends, and I had confided to him the object of my life. I had at first great difficulty in persuading him that I was not giving my days and my nights to an inquiry altogether hopeless and chimerical; but when he was convinced he grew keener than myself, and glowed at the thought of the riches which were to be the prize of some ingenuity and patience. I liked the man intensely, and pitied his case; he had a strong desire to enter the medical profession, but he lacked the means to pay the smallest fees, and indeed he was, not once or twice, but often reduced to the very verge of starvation. I freely and solemnly promised, that under whatever chances, he should share in my heaped fortune when it came, and this promise to one who had always been poor, and yet thirsted for wealth and pleasure in a manner unknown to me, was the strongest incentive. He threw himself into the task with eager interest, and applied a very acute intellect and unwearied patience to the solution of the characters on the tablet. I, like other ingenious young men, was curious in the matter of handwriting, and I had invented or adapted a fantastic script which I used occasionally, and which took Vivian so strongly that he was at the pains to imitate it. It was arranged between us that if we were ever parted, and had occasion to write on the affair that was so close to our hearts, this queer hand of my invention was to be used, and we also contrived a semi-cypher for the same purpose. Meanwhile we exhausted ourselves in efforts to get at the heart of the mystery, and after a couple of years had gone by I could see that Vivian begall to sicken a little of the adventure, and one night he told me with some emotion that he feared both our lives were being passed away in idle and hopeless endeavour. Not many months afterwards he was so happy as to receive a considerable legacy from an aged and distant relative whose very existence had been almost forgotten by him; and with money at the bank, he became at once a stranger to me. He had passed his preliminary examination many years before, and forthwith decided to enter at St. Thomas’s Hospital, and he told me that he must look out for a more convenient lodging. As we said good-bye, I reminded him of the promise I had given, and solemnly renewed it; but Vivian laughed with something between pity and contempt in his voice and expression as he thanked me. I need not dwell on the long struggle and misery of my existence, now doubly lonely; I never wearied or despaired of final success, and every day saw me at work, the tablet before me, and only at dusk would I go out and take my daily walk along Oxford Street, which attra
cted me, I think, by the noise and motion and glitter of lamps.
‘This walk grew with me to a habit; every night, and in all weathers, I crossed the Gray’s Inn Road and struck westward, sometimes choosing a northern track, by the Euston Road and Tottenham Court Road, sometimes I went by Holborn, and I sometimes by way of Great Russell Street. Every night I walked for an hour to and fro on the northern pavement of Oxford Street, and the tale of De Quincey and his name for the Street, ‘Stony-hearted step mother’, often recurred to my memory. Then I would return to my grimy den and spend hours more in endless analysis of the riddle before me.
‘The answer came to me one night a few weeks; ago; it flashed into my brain in a moment, and I read the inscription, and saw that after all I had not wasted my days. ‘The place of the treasure-house of them that dwell below,’ were the first words I read, and then followed minute indications of the spot in my own country where the great works of gold were to be kept for ever. Such a track was to be followed, such a pitfall avoided; here the way narrowed almost to a fox’s hole, and there it broadened, and so at last the chamber would be reached. I determined to lose no time in verifying my discovery — not that I doubted at that great moment, but I would not risk even the smallest chance of disappointing my old friend Vivian, now a rich and prosperous man. I took the train for the West, and one night, with chart in hand, traced out the passage of the hills, and went so far that I saw the gleam of gold before me. I would not go on; I resolved that Vivian must be with me; and I only brought away a strange knife of flint which lay on the path, as confirmation of what I had to tell. I returned to London, and was a good deal vexed to find the stone tablet had disappeared from my rooms. My landlady, an inveterate drunkard, denied all knowledge of the fact, but I have little doubt she had stolen the thing for the sake of the glass of whisky it might fetch. However, I knew what was written on the tablet by heart, and I had also made an exact facsimile of the characters, so the loss was not severe. Only one thing annoyed me: when I first came into possession of the stone, I had pasted a piece of paper on the back and had written down the date and place of finding, and later on I had scribbled a word or two, a trivial sentiment, the name of my street, and such-like idle pencillings on the paper; and these memories of days that had seemed so hopeless were dear to me: I had thought they would help to remind me in the future of the hours when I had hoped against despair. However, I wrote at once to Sir Thomas Vivian, using the handwriting I have mentioned and also the quasi-cypher. I told him of my success, and after mentioning the loss of the tablet and the fact that I had a copy of the inscription, I reminded him once more of my promise, and asked him either to write or call. He replied that he would see me in a certain obscure passage in Clerkenwell well known to us both in the old days, and at seven o’clock one evening I went to meet him. At the corner of this by way, as I was walking to and fro, I noticed the blurred pictures of some street artist, and I picked up a piece of chalk he had left behind him, not much thinking what I was doing. I paced up and down the passage, wondering a good deal, as you may imagine, as to what manner of man I was to meet after so many years of parting, and the thoughts of the buried time coming thick upon me, I walked mechanically without raising my eyes from the ground. I was startled out of my reverie by an angry voice and a rough inquiry why I didn’t keep to the right side of the pavement, and looking up I found I had confronted a prosperous and important gentleman, who eyed my poor appearance with a look of great dislike and contempt. I knew directly it was my old comrade, and when I recalled myself to him, he apologized with some show of regret, and began to thank me for my kindness, doubtfully, as if he hesitated to commit himself, and, as I could see, with the hint of a suspicion as to my sanity. I would have engaged him at first in reminiscences of our friendship, but I found Sir Thomas viewed those days with a good deal of distaste, and replying politely to my remarks, continually edged in “business matters”, as he called them. I changed my topics, and told him in greater detail what I have told you. Then I saw his manner suddenly change; as I pulled out the flint knife to prove my journey “to the other side of the moon”, as we called it in our jargon, there came over him a kind of choking eagerness, his features were somewhat discomposed, and I thought I detected a shuddering horror, a clenched resolution, and the effort to keep quiet succeed one another in a manner that puzzled me. I had occasion to be a little precise in my particulars, and it being still light enough, I remembered the red chalk in my pocket, and drew the hand on the wall. “Here, you see, is the hand”, I said, as I explained its true meaning, “note where the thumb issues from between the first and second fingers”, and I would have gone on, and had applied the chalk to the wall to continue my diagram, when he struck my hand down much to my surprise. “No, no,” he said, “I do not want all that. And this place is not retired enough; let us walk on, and do you explain everything to me minutely.” I complied readily enough, and he led me away choosing the most unfrequented by-ways, while I drove in the plan of the hidden house word by word. Once or twice as I raised my eyes I caught Vivian looking strangely about him; he seemed to give a quick glint up and down, and glance at the houses; and there was a furtive and anxious air about him that displeased me. “Let us walk on to the north,” he said at length, “we shall come to some pleasant lanes where we can discuss these matters, quietly; my night’s rest is at your service.” I declined, on the pretext that I could not dispense with my visit to Oxford Street, and went on till he understood every turning and winding and the minutest detail as well as myself. We had returned on our footsteps, and stood again in the dark passage, just where I had drawn the red hand on the wall, for I recognized the vague shape of the trees whose branches hung above us. “We have come back to our starting-point,” I said; “I almost think I could put my finger on the wall where I drew the hand. And I am sure you could put your finger on the mystic hand in the hills as well as I. Remember between stream and stone.”
Arthur Machen Ultimate Collection Page 93
