Arthur Machen Ultimate Collection

by Arthur Machen

  Just look at that,

  Just look at this,

  Don't you think we're not amiss?

  A glance give here,

  A glance give there,

  Tell us if you think we're dear.

  And—not one of these girls looked as if she could have come from any conceivable rectory. Decidedly, "Les Cloches de Corneville" was the comic opera for my money. What a pleasing thrill the scene afforded when the entire village, for some reason that I cannot well remember, dressed up as Crusaders and Crusaderesses, and came suddenly into the room of Gaspard, the miser, and the big bell began to toll and the gold was poured out in a torrent on the ground. "When the heir returneth, then shall ring the bell, so the legend runneth, so the old men tell"; in some such words was this grand peripeteia announced in the text. So the heir no doubt returned and married the extra pretty girl whose name I have forgotten—she was not Serpolette, I know, for Serpolette was comic, delightfully, impudently comic, but still comic, and so no mate for the hero. Serpolette, I think, having regard to the Unities, ought to have married the thin but amusing assistant of the Bailie; but I do not know whether this were so. But I am sure everybody was happy ever after, and of "Les Cloches" and other comic operas like it I say, in the words of Coleridge's friend: "Them's the jockeys for me!"

  I have never been able to make up my mind as to the respective merits of "Les Cloches de Corneville" and "Madame Favart," which was running at the Strand. "Les Cloches" had the more coherent plot of the two, and the great scene of the miser and the crusaders was more effective in its stagey way than anything in "Madame Favart," but, then, Florence St. John was Madame Favart, and to old playgoers I need say no more. And Marius, a delightful French comedian, was in the cast; and there were those songs dear to memory: "Ave, my mother," "The Artless Thing," "To Age's Dull December," and

  Pair of lovers meet,

  Stolen vows are sweet,

  Sighs, etcetera.

  Love is all in all,

  On a garden wall,

  Never heed papa.

  This was sung by Marius, who had no voice in particular, but an infinite Gallic relish and unction and finish in everything that he did. The fourth piece that we went to in this wonderful week was "The Daughter of the Drum Major," at the Alhambra, then a theatre, with an extremely roomy, comfortable pit. This last piece made but little impression on me. From my recollection, it seems to have been more in the modern mode, that is, a mere excuse for showing off a "beauty chorus" without the little touch of thin, theatrical but pleasant romance that delighted me in the two other plays. But the poverty of the play was atoned for by the happy circumstance that before going to it we dined at the Cavour. And the Cavour in 1880 was exactly like the Cavour in 1915, save in this one matter, that on the earlier date there was included in the price of the dinner a bottle of violet wine.

  * * *

  Looking back through the years and comparing the London of the early 'eighties with the London of to-day, one circumstance emerges very clearly in my mind: that is, that the early London had an infinitely "smarter," wealthier air than the later. I say "air" advisedly, to make it clear that I knew nothing of the real interior life of the place, or of the resources of its rich inhabitants. I judged of London purely by its exterior aspects, as one may judge of a passing stranger in the street, and decide that he goes to an expensive tailor, without knowing anything of the condition of his banking account. So, I say that the outward show and lineaments of the London of 1880 were much more refulgent and splendid than those of the last few years. I was a good deal surprised when the truth of this first dawned on me some three or four years ago. For I believe that as a matter of fact the new London is a much wealthier, more luxurious, more extravagant place than the old. The rich people of to-day spend hundreds instead of tens, thousands for the hundreds of their fathers; the "pace" of the splendid has increased enormously in the last thirty-five years; and all the facilities for expending very large sums of money have also increased to a huge extent. So well was I convinced of all this when I fell to comparing the London of my boyhood with the London of my middle age that at first I thought that there must be a fallacy somewhere, and I was very willing to believe that those early impressions of mine were illusions, natural enough in a lad who had never seen any more splendid streets than those which the Newport and Cardiff of those days had to show, than the venerable, peaceful, ancient ways of Hereford, whose stillness was only broken by the deep, sweet chiming of the cathedral bells. But when, interested, I went into the facts of the question, I found that I had not been mistaken in my first view—i.e., that London was a smarter-looking place thirty years ago than at the present day, and this for several reasons.

  To begin with, there is the trifling matter of men's dress. I do not know whether we have yet realised the fact that the frock coat is rapidly becoming "costume," verging, that is, towards the status of levee dress. Already, I believe, it is only worn on occasions of semi-state, at functions where the King is expected, at smart weddings, and so forth. Before long it will probably attain the singular twofold state of "evening dress," which is worn all day long by waiters and by what are conveniently called gentlemen after seven o'clock in the evening. So very likely the frock coat will soon be seen on the backs of the maître d'hôtel, the hotel manager, the shopwalker, the major-domo—if there be any majores-domo left—as a kind of uniform or livery, while it will also be the afternoon wear of dukes at great social functions. And so with the silk hat; it has not gone so far on the road of obsolescence as the frock coat, but, unless I mistake, it has entered on that sad way.

  Here, then, is the point of contrast. Between 'eighty and 'ninety—and later still—practically every man in London went about his business and his pleasure with a high hat on his head. Every man, I say, above the rank of the mechanic; certainly all the clerkly class; Mr. Guppy and his friends were still faithful to this headdress; which, be it remembered, was once universal all over England, so that even smock-frocked farm labourers wore it. As for the London of pleasure, the West End, it would have been quite impossible to conceive a man of the faintest social pretensions being seen abroad in anything else. And now, I go up and down Piccadilly, Bond Street, the Row at the height of the London season, and see—a few silk hats and morning coats, it is true—but the majority of well-dressed men in "lounge" suits and grey soft hats and black and grey bowlers.

  Now let it be clearly understood that I have no passion for black coats and shiny hats myself, nor for the dazzling white linen which has largely given way to soft, unstarched stuffs. But it is not to be denied that all those habits had a "smart" appearance, and that a pavement crowded with shiny black hats, shiny white cuffs and collars, and long black frock coats made a much more imposing show than the pavement of to-day, on which the men's dress is very much as they please. The modern men look extremely comfortable and well at their ease; but they do not scintillate in the old style. A soft grey hat does not flash back the rays of the sun.

  Then, another point and a most important one: the coming of the motor. I suppose the kind of motor-impelled vehicle which one is likely to see in Hyde Park may very well have cost seven or eight or nine or ten times as much as the horse-drawn carriages which I remember going round and round so gay and so glorious. Well, I have watched the modern procession of motor-cars, and they are about as impressive as a career of light locomotive engines. It may indeed in course of time become fashionable to go up and down the Row in express locomotives capable of drawing their hundred coaches at a hundred miles an hour, but the effect would not be smart. Now, the old equipages were undeniably the last word of smartness; in themselves they were enough to tell the stranger that he had come to the very centre of the earth, of its riches and its splendours. There were the high-bred, high-spirited, high-stepping horses, in the first place, groomed to the last extreme of shiny, satiny perfection, tossing their heads proudly and champing their bits and doing the most wonderful things with their legs. The bri
ght sunlight of those past London summers shone on their glossy coats, shone in the patent leather of the harness, shone and glittered on the plated bolts and buckles and ornaments. And the carriages were of graceful form, and the servants of those days sometimes wore gorgeous liveries; and scores of those brilliant equipages followed on one another in an unending dazzling procession. That was the old way; now there are some "Snorting Billies" that choke and snarl and splutter as they dodge furtively and meanly in and out of the Park, like mechanical rabbits bolting for their burrows.

  While I contrast the London of my young days and the London of my old—or present—days, I would like it to be remembered that I am, so far, only contrasting the two cities from one point of view, the point of view of smartness. I have not been saying that 1880 London was more sensible than 1915 London; but merely that the former struck an outsider as a more brilliant place than the modern city. The fact is that I have the most cordial approval for all social pomps and splendours, so long as I am not required to take part therein. I hate wearing frock coats and silk hats and shiny shirts; but I am very well pleased to sit in the pit, as it were, and watch those exalted persons who are cast for the decorative parts going through their brilliant performances. And, after all, if a man finds that plate armour is uncomfortable, that is no reason why he should not delight in seeing other people wearing it, and wearing it with dignity. And in speaking of the Hyde Park and Rotten Row of the old days I mentioned that there were some gorgeous servants' liveries still left in 1880. And while we are on that matter, I may say that I have never sympathised at all with those persons who have found something mean and ridiculous in a manservant in purple and gold or in blue and crimson, unless, that is, the point be taken that only a splendid duty should be dignified with a splendid vestment, and in that objection I admit there is some force. Not that I agree for one moment that there is anything contemptible in "menial" service; but I am willing to allow that it may not be altogether seemly for a faithful fellow, whose business is to hold on behind a carriage and wait at dinner, to outshine a bishop in pontificals. But I suspect that the people who sneered at poor Jeames and his plush were not actuated by this reasonable motive, but rather by that vile "Liberal" objection to splendour as splendour. The man who found "Blazes" ridiculous would probably find the King in his Coronation robes equally ridiculous. And so you may go on, up the scale and down the scale; but the only logical alternative to splendour is Dr. Johnson's proposed suit of bull's hide—all beyond that is superfluity and vain show, according to the doctrine of the wretches who in times not long past sold antique civic ornaments, such as chains and maces, on the ground that the Mayor of Little Pedlington did not need such gauds to help him in his customary task of sentencing "drunks."

  There is one more point in connection with the Row. Twenty-five years ago the appointed hour was five o'clock in the afternoon. Then people sat in the chairs and walked up and down and looked at the carriages, and I remember a friend observing to me this singularity, that though the place was public and open to anybody, still only those persons who were dressed in the regulation costume—frock coat and silk hat for men—ever came near the sacred ground. The people in lounge suits and bowler hats stood apart, and watched the show from some distance. Well, the hour of the Row is now in the morning; but there is a greater change. There are still "smart" people there; but there are also people who cannot by any possibility be described as smart, not even if they be judged by the very lax standards of these days.

  In another matter the London of to-day is much less impressive in its outward show than the London of 1880; that is in the aspect of its principal streets. There are still excellent shops in Bond Street, Regent Street, and Piccadilly; but there is no longer in any of them that air of exclusiveness and expensiveness that I can remember, and this is particularly true of Regent Street. In 1880 you felt as soon as you turned up the Quadrant that anything you might buy therein would certainly be dear; the very stones and stucco exuded costliness and the essential attars of luxury. I feel convinced that the cigars of Regent Street were of a more curious aroma than cigars bought in any other street, that it was the very place wherein to purchase a great green flagon of rare scent as a present for a lady, that if you happened to want a Monte Cristo emerald this was the quarter wherein to search for it. That was my impression, but lest it should be mere fancy, a year or so ago I asked one of the older shopkeepers whether the street was quite what he and I remembered it. He said very emphatically it was not at all what it had been; and I feel sure that he was right, and that in a less degree the other principal shopping centres have declined from their former splendour.

  And this for two reasons; first, the curious modern tendency of the best and most luxurious shops to scatter and disperse themselves abroad about the side streets of the West End, leaving gaps which are filled in most cases by dealers in cheaper wares. And secondly, the coming of the popular tea-shop has, in my opinion, done a very great deal to "unsmarten" the streets of which I am speaking. Let it not be understood for one moment that I would speak despitefully of cheap tea-shops; that would indeed be vilely thankless in one who has often made the principal meal of the day at an A.B.C.—large coffee, threepence; milk cake, twopence; butter, a penny—and has been grateful that for once in a way he has dined. But, it cannot be pretended that a milk cake is a costly or a curious dish, or that a plate of cold meat for sixpence or eightpence is an opimian banquet; and so, when I pass a popular tea-shop or eating-house, I feel that my dream of luxury and expense is broken; and that something of glitter and splendour has passed away from the West End of London.

  * * *

  I spent the years from the summer of 1880 to the winter of 1886 in a singular sort of apprenticeship to life and London and letters and to most other things. Sometimes I was in London; then for months at a time I was out of it, back again in my old haunts of Gwent. I had hot fits of desire for the town when I was forced to stay in the country; and then, settled, or apparently settled, in the heart of London, its immensities and its solitudes overwhelmed me, the faint, hot breath of its streets sickened me, so that my heart ached for the thought of the green wood by the valley of the Soar, and for the thought of friendly faces.

  They say that in old Japan they had a wonderful and secret art of tempering their sword blades. Now the steel was placed in the white heat of the fire, now it was withdrawn and plunged into the water of an icy torrent; and then again the trial of the furnace. So heat and cold were alternated, according to an ancient and hidden tradition, till at last the craftsman obtained an exquisite and true and perfect blade, fit for the adorned scabbard of a great lord of Japan. When I think of those early years of mine I should be reminded of the process of the Japanese sword-craftsman—if only the heart were as tractable as steel. The Kabbalists, I believe, take the view—a gloomy one—that the innermost essence of man's spirit goes out from the world in much the same state as that in which it came into the world; and it is certainly true that some men seem incorrigible; neither fire nor ice will temper them aright.

  During these early years of my London experience I lived under very varying conditions. I lived with families, and I lived alone; I lived in the suburbs and in the centre; I had enough to eat, and then narrowly escaped starvation. My first habitat was in the High Street of a southern suburb. My memory holds a picture of an ancient street of dignified red-brick houses, a Georgian church, and a stream of quite inky blackness. The old houses had old gardens behind them, green enough, but with a certain grime upon them that made them strange to eyes unused to this combination of soot and leafage. But it was quite easy in those days to get from the suburb to the open country.

  Not that I desired any such excursions, for my notion of an ideal residence was then a lodging in one of the streets or courts or passages going down from the Strand to the Thames. This was a dream that I realised years afterwards, when many waters (not of the Thames) had passed over my head. It was well enough, and I used to go out
and get my breakfast at the "chocolate as in Spain" shop at the west end of the Strand, on the north side. It was well enough, I say, but it was not absolute paradise. And, furthermore, and in an interior parenthesis, let me say that the chocolate at the old Strand shop was not as in Spain, though very decent chocolate. The Spanish service of chocolate—I encountered it when I was in Gascony—consists in this, first that the chocolate is made extremely strong and thick, and secondly that with it comes a goblet of ice-cold well-water, to be drunk after the chocolate, on the principle, I suppose, of the Scots who drink water, not with whisky, but after it.

  Well, to return to the more or less—chiefly less—direct current of my tale, after my sojourn in the southern suburb came a return to the country, where I remained eight or nine months. It was during this exodus or hegira, I think, that I was excommunicated by old Mr. James, of Lansoar, because I was loafing at home instead of living on five shillings a week in London. But my long sojourn in Gwent was in fact due to a very dismal discovery having been made of me by certain persons called examiners. They found me utterly incapable of the simple rules of arithmetic; and hence I was debarred from the career which I had been contemplating. And here I would say that I am almost proud of myself for my quite extraordinary arithmetical incapacity. I am not merely dull and slow, but desperate. I am so wanting in the mere faculty of counting as to be curious, like those tribes of savages that can say "One, two, three, four, five ... many." There are people who make a living by exhibiting their arithmetical skill in the music-halls; someone writes on the blackboard a multiplication sum of fifteen figures multiplied by fifteen figures, and a second or two after the last figure is drawn the arithmetical artist utters the result. Well, I am at the opposite end of the scale, and I have sometimes wondered whether "Incompetent Machen" would not be quite a good turn. It would make anybody laugh to hear me doing a sum in simple addition. It is like "Forty-seven and nine, forty-seven and nine, forty-seven and nine." I ponder. Then a brilliant idea strikes me. I pretend the problem is "forty-seven and ten." I get the result, fifty-seven, deduct one and proceed.