The House That Jack Built

by Robert Asprin

  "How do you know that?" Kaederman demanded.

  Skeeter shrugged. "I've tracked quarry through broken country before. Look," he dismounted and crouched down alongside the trail, pointing to a mishmash grouping of hoofprints. "These are the oldest prints. They're nearly a blur from the wind filling them in and the mud's completely dried out. And look how far apart the stride is." He paced off the distance between hoof prints. "They were moving at a fast canter or a slow gallop, depending on the height of their ponies. Given the weight their pack horses are carrying, that's a gruelling pace to keep up. These other prints, the fresher ones from the search party, are a lot closer together. They're trotting, at best. They'll never catch up if Marcus and Armstrong keep up the pace they've been holding, pushing their ponies that fast."

  "But they'll wear out their horses in no time!"

  "Not if they're smart and careful," Skeeter disagreed. "I've been studying these prints all morning. They slow to a walk periodically to give the horses a breather, probably more for the pack animals' sake than the riding mounts. And I've spotted a couple of places where they dismounted and let the animals rest and graze. But when they're in the saddle, they're moving fast. Judging from those photos Ellen Danvers took, Armstrong can't weigh much more than one-thirty, one-forty, and Marcus is slender, too. He and Ianira never had the money to indulge overeating. Even with the children, he's probably lighter for a pony to carry than I am and I'm not exactly massive, myself. Armstrong is obviously no fool. I'd say he knows exactly what he's doing. As long as they're careful with the pack animals, or don't care about abandoning their baggage, they won't founder those horses. And wherever they're going, they'll get there a lot sooner than any of us will."

  The big question Skeeter couldn't answer from these tracks, however, was whether or not any of the Time Tours guides or drovers searching ahead of them might be in the pay of the Ansar Majlis. If he'd been part of a terrorist cult dedicated to murdering someone like Marcus and Ianira, he would've sent more than one hit man through the Wild West Gate. Which left Skeeter wondering just how many killers they might yet run into on this trail—or how much use Sid Kaederman would be, if they did. He kept his eyes and ears open and hoped they didn't stumble into an ambush somewhere along the way.

  By their third day of hard riding, they'd swung around the north flank of Pikes Peak and were moving east toward the rail line again. They had to call a brief halt when Kaederman's pony pulled up lame. The detective dismounted stiffly and watched unhappily as Meinrad showed him how to check his pony's hooves for stones, lifting each foot in turn to check the soft pad known as the frog. They were prying loose a sharp rock from his near forefoot when Skeeter heard it: a faint, sharp report that echoed off the mountains. Another distant crack reached them, like a frozen tree splitting wide open, then a third, followed by a whole volley. The sound fell into an abruptly familiar pattern.

  "Gunfire!"

  Lots of it.

  Kit jerked around in the saddle. "Jeezus Christ! There's a war breaking loose out there! Kurt, we don't have time to wait, nursemaid him when you've got that pony's hoof cleared! Skeeter, move it!" Kit clattered off at a gallop just as Skeeter jerked his shotgun out of its scabbard. Skeeter put heels to flanks and sent his mount racing after Kit's. He leaned low over his horse's neck, his double-barrel clutched in one hand like a war spear, and snarled into the teeth of the wind. Even above the thunder of hooves, he could still hear gunfire popping ominously ahead. He couldn't imagine locals producing that much gunfire. But the Ansar Majlis easily could. Had the Time Tours guides found Marcus and the girls after all, bringing them back toward camp, only to ride into the fusillade of an ambush?

  Kit crouched so close above his horse's neck, he looked like a fluid statue cut from the same flesh as the racing animal. The retired scout surged ahead, splashing through a shallow, rocky creek and switching with consumate skill around outcroppings, tumbled boulders and loose piles of scree. Skeeter's horse slipped and slid through the jumbled heaps of weather-fractured stones, then drew up nose to tail behind Kit's, nostrils distended and running flat out. This was bad country for a full-bore charge. If either nag put a foot wrong at this speed . . .

  A sudden silence ahead robbed him of breath. Then the staccato pop of gunfire rattled again in the harsh sunlight, sporadic but closer than before. Somebody had to reload. Several somebodies. Both sides, maybe. Which meant there was a chance the Ansar Majlis were using period firearms, rather than modern stuff smuggled through the gate. Against black-powder guns, even replica models, his friends might stand a halfway decent chance. Given the sound of that shooting, whoever was under attack was firing back, giving at least as good as they were getting.

  Then Kit was reining in and Skeeter pulled up hard to slither to a halt beside him, both horses blowing from the run. Kit held up a warning hand, then pointed down into a narrow little arroyo. Two riderless horses pawed the dusty ground uncertainly, skittish and laying their ears back each time gunfire tore through the hot sunlight. Their riders lay pinned between an outcropping of stone and a jumble of boulders, firing up toward a knife-edge ridgeline that lay to Skeeter and Kit's left. Skeeter dragged his field glasses out of his saddle bag, the brass warm with the scent of hot leather, and peered toward the ridgeline while Kit studied the riders pinned below.

  "That's a Time Tours guide," Kit muttered. "And Paula Booker!"

  "Shalig!" Skeeter snarled under his breath. "There's at least six gunmen up there." He pointed toward the narrow ridgeline. "Counting puffs of smoke, at least six, maybe more."

  "Six?" Kit shot back, brows diving toward his nose. "That's too many for Armstrong's crew."

  "Maybe. How many guys did he plant with those drovers?"

  Kit swore. "Shalig is right. Let's get around the back side of that ridge, come at them from behind."

  They had to abandon the horses halfway up, the slope was so sharp. Skeeter panted for breath and scrambled for handholds, climbing steadily, shotgun gripped awkwardly in one hand. Kurt Meinrad and Sid Kaederman, arriving late, struggled to climb the same slope in their wake. Skeeter gained the top and bellied forward, lying flat so he wouldn't skyline himself and make a visible target above the ridge. Kit slithered out beside him, grunting softly and peering through his own field glasses. Kurt Meinrad arrived just as Kit began surveying the scene below. Skeeter handed the guide his own field glasses and jerked Kaederman down when the idiot just stood there, standing out like a neon sign flashing "shoot me." Skeeter waited in a swivet, using the naked eye to mark spots where gunmen lay hidden in the rocky outcroppings of the ridge. Meinrad gave a sudden grunt.

  "Huh. That's no pack of terrorists, Carson."

  Kit swung a sharp look on the Time Tours guide. "Oh?"

  "That's the Flanagan brothers. With a couple of their low-life pals. Irish railroad men who took to holding up trains after they finished laying track. Small-time thugs, temporal natives. We've had trouble with them before, roughing up a couple of the tours. They like holding up stage coaches, too, and robbing campsites."

  "They may be small time, but they've got your guide and Paula Booker pinned down neat as any trap I've ever seen," Kit shot back. "And if they're down-timers, we don't have any guarantee they can be killed, even if we shoot amongst 'em."

  "Maybe not," Skeeter said, misquoting a favorite mid-twentieth century television show he'd watched endlessly in reruns, "but I'll bet you credits to navy beans I can put the fear of God into 'em."

  Before Kit could reply, Skeeter let out a war whoop and charged down the precipitous slope, yelling and cursing in twelfth-century Mongolian and loosing off rounds as fast as he could jam shells into his scattergun. Six astonished faces swung up toward him. Skeeter let fly another round of buckshot and heard Kit scrambling down the slope after him, yelling in some unknown, bloodcurdling language that left Skeeter's hair standing on end. Kit's Model 73 barked with a roar like thunder. Lead whined off rock so close to a Flanagan brother's ear, the man jumped six
inches straight up and landed running.

  When Kurt Meinrad joined the insane plunge, shooting and shouting on Kit's heels, it was too much for the Flanagans. They all broke and ran, heading for ponies concealed in the brush. A clatter of hooves rattled away in a boiling swirl of dust, then Skeeter slithered to a halt, panting and sweating and wondering if he'd completely lost his mind, pulling a stunt like that. But he hadn't felt this alive since returning to civilization at the age of thirteen—with the possible exception of fighting for his life in the Circus Maximus.

  Kit Carson, hair dishevelled, jaw unshaven, pale eyes alight with an unholy look that might've been fury or glee, stalked toward him. "Skeeter, you lunatic! What possessed you to pull a bone-headed piece of insanity like that?"

  Skeeter grinned. "Got rid of 'em, didn't it?"

  Kit's mouth thinned. "Yes. And I could be piling rocks over what was left of you, too."

  "Well, hell's bells, Kit, I never yet met a bully who wouldn't back down when confronted."

  One corner of Kit's lips twitched. "Next time, wait for instructions."

  Skeeter sketched a sloppy salute. "Yessir!"

  "Huh. Thank God you were never in the army, Skeeter, you'd have ended in Leavenworth inside a week. All right, let's go find out what that Time Tours guide is doing out here by himself with Paula Booker. Besides playing bait for every outlaw in the territory."

  Wordlessly, they headed down into the rocky defile.

  Chapter Six

  Time Scout in-training Margo Smith was so keyed up she was very nearly shaking as she and her fiancé—freelance time guide Malcolm Moore—eased open the gate beside the International Workingmen's Association. A lively concert was underway, spilling Russian music out into the streets. Malcolm held the gate as Margo slipped into the long alleyway leading back to Dutfield's Yard. The Ripper Watch Team followed silently, carrying miniaturized equipment they would use to film Long Liz Stride's brutal murder. Their satchels were heavy, carrying three times the equipment needed for the previous two murders. This was only the first stop of three the team would make tonight, placing low-light cameras and microphone systems in Dutfield's Yard, on a certain stairway landing in Goulston Street, and in Mitre Square.

  While Margo and Malcolm stood guard, the team members placed their tiny cameras, hiding them where they would not be discovered by the police, some at the entrance to the alley and others back in the yard. Margo glanced every few moments at the windows of the crowded hall, convinced someone would spot them and demand to know what they were doing down here, but no one noticed. It gave Margo an insight into how the Ripper had been able to strike so frequently in the heart of a crowded slum. The people of Whitechapel, like those in many another overpopulated city, turned their attention inward to their own business and feared to pry too directly into the business of neighbors, particularly with a deranged killer walking the streets.

  Margo drew a deep breath of relief when the Ripper Watch Team finally finished and she was able to lead them all back to the street once more.

  "Very good," Malcolm said quietly, easing the wicker pedestrian gate closed, "that's the first one. Now, Mitre Square is this way."

  Malcolm led the way toward the soon-to-be infamous site that Margo and Shahdi Feroz had first visited only two weeks previously. They had noticed, during their study of the killing zone, that the Ripper had left his fourth victim within sight of both a policeman's house and a Jewish synagogue. Tonight, Catharine Eddowes would walk straight into that killing zone, where her life would end violently. Margo shivered in the darkness and thrust away memories of her own mother's brutal murder, concentrating instead on their surroundings and her primary task of guarding the Ripper Scholars from footpads and gangs.

  The overwhelming sense of Whitechapel by night was a region of utter darkness punctuated randomly by brightly lit pubs which drew residents like moths. Their attraction was due as much, Margo suspected, to the cheerfulness of the light and the sense of safety it gave, as to the gin and ale. They walked down entire city blocks without passing a single working gas lamp, skirted past alleyways and side streets which loomed like black caverns in the night, inhabited by God alone knew what. Sounds came drifting to them, scuffles and muffled arguments. Children lurked underfoot by the hundreds, crowding into doorways and open landings of stairwells, their eyes following the Ripper Watch team with hungry intent.

  Pubs were packed with rough workmen and drab women carrying hungry-eyed children, all swilling alcohol and talking uproariously, faces puffed and reddened from drink. Outside the pubs, women walked endlessly up and down, pausing only briefly in the doorways, drifting from one pub to another soliciting customers at the Britannia, the Princess Alice, The City Darts and the Alma, at King Stores and the infamous Ten Bells, Mary Kelly's favorite haunt for plying her trade.

  Stepping out onto Commercial Road was a shock, by comparison. From where they stood on the corner, all the way down to Mile End highway, stretched a raucous hive of bright-lit pubs, shops with dim gaslights still flickering, street preachers surrounded by heckling crowds, a waxworks displaying reproductions of the latest Whitechapel murder victims—children with pennies clutched in grubby fingers struggling to gain admittance—a suit salesman pitching the quality of his wares to a crowd of avid listeners, and drifts of sailors up from the docks, swilling gin and ogling the women. Despite the lateness of the hour, the Saturday night street stunned Margo with its noise and throngs of merrymakers, intent on forgetting the horror stalking the lightless roads nearby.

  One of the Watch Team's experts, Dr. Shahdi Feroz, studied the street carefully as they pushed their way west, toward the border with The City of London and Mitre Square. Margo edged closer to her. "Is it usual for people to pretend like nothing's happening?"

  Shahdi flicked her gaze up to meet Margo's. A slight vertical line appeared between her brows. "It is not surprising. It has been two weeks since the last killing, after all. People with no choice but to stay in this place persuade themselves the terror is over, or at least they drink and pretend it is. You have noticed the darker streets are nearly empty?"

  "Yes, I was just thinking about that. Frightened people are drawn to the light and bustle." She nodded down the roaring thoroughfare. "I guess they're hoping to find safety in numbers. Not that it will do any good."

  "For most, it will. Very few of these people will be up and about between one and two A.M., when the murders will occur. And even the prostitutes are trying to be cautious," she motioned with one slim, Persian hand, "staying near the lighted pubs or Saint Botolph's Church."

  Margo shivered. "Not even buying a knife will help poor Liz."

  "No."

  They pushed past the end of Commercial Road, gaining Adgate, and turned off for Mitre Square. Once again Margo and Malcolm stood watch at each of the two ways into the secluded little square, while the Ripper Watch Team rigged their miniaturized equipment behind a temporary construction fence which closed off one interior corner of the square. Catharine Eddowes would die just outside that fence. Margo watched closely through the dark alleyway known as Church Passage, which ran beneath an overhanging building, turning the little lane into a tunnel between Mitre Square and the street beyond. Rough workingmen could be heard laughing and singing at pubs. Women's voices drifted past, some openly brazen, accosting potential customers. Others were hushed with fear as they whispered about the killer, wondering what to do to protect themselves and their families.

  Most of the women in the East End weren't prostitutes, any more than most of the men were pickpockets and thieves; but these women had no way of knowing the killer loose amongst them wouldn't be attacking "honest women." They were all frightened, as unaware as the police of the psychology that drove psychotic serial killers like James Maybrick and his unknown accomplice. Who that man was, the team hoped to learn tonight. They also hoped to discover which of the killers was the rabid anti-Semite.

  As soon as the equipment was in place, Malcolm led the way
once more, moving north and east again, across Houndsditch and past Middlesex Street, over to Goulston Street and the landing of the Wentworth Model Buildings. The tenement was noisily occupied, which made the installation hazardous. Malcolm slipped up the dark staircase past the landing and stood guard above while Inspector Conroy Melvyn worked alone to fix the tiny, button-sized camera and transmitter in the upper corner of the landing. A raucous burst of voices from above sent both the up-time police inspector and Malcolm plunging back down to street level, sweating profusely.

  "Got it," Melvyn gasped out, voice shaking slightly.

  "I would suggest we leave the area at once," Malcolm said urgently, glancing back as several men and women burst from the staircase, locked in a bitter argument that threatened to turn violent momentarily.

  "Agreed," Melvyn nodded, heading back for Middlesex Street at a brisk walk.

  A clock from one of the many breweries in the district, Margo wasn't sure which one, tolled the hour. Midnight. An hour before the first murder, plus another forty minutes until the second one. Moving in utter silence, the Ripper Watch Team headed for Leadenhall Street and the Bank of England, where their carriage would be waiting to take them back to Spaldergate. Margo glanced once over her shoulder into the dark maze of alleys that formed the Ripper's killing ground and held back a shudder.

  Jack the Ripper had already posted his first letter to the editor.

  Tomorrow morning, the Daily News would publish it.