Complete Works of F Marion Crawford

by F. Marion Crawford

  There was something grand and tragic in her suffering, in her realisation of all that he had taken from her by his distrust. She sank back on her couch, clasping her hands together so tightly that the veins showed clearly beneath the olive skin. As she tried to overcome her emotion, the magnificent outline of her face was ennobled by her pain, the lids closed over her dark eyes, and the beautiful lips set themselves sternly together, as though resolved that no syllable should pass them which could hurt him, even though they could not formulate the words he would have given his soul to hear.

  Giovanni knelt beside her, and gazed into her face. He knew she had not fainted, and he was almost glad that for a moment he could not see her eyes. Tenderly, timidly, he put out his hand and laid it on her clasped fingers, then drew it back again very quickly, as though suddenly remembering that the action might pain her. Her heavy hair was plaited into a thick black coil that fell upon the arm of the couch. He bent lower and pressed his lips upon the silken tress, noiselessly, fearing to disturb her, fearing lest she should even notice it. He had lost all his pride and strength and dominating power of character and he felt himself unworthy to touch her.

  But he was too strong a man to continue long in such a state. Before Corona opened her eyes, he had risen to his feet and stood at some distance from her, resting his arm upon the chimney-piece, watching her still, but with an expression which showed that a change had taken place in him, and that his resolute will had once more asserted itself.

  “Corona!” he said at last, in a voice that was almost calm.

  Without changing her position she looked up at him. She had been conscious that he had left her side, and she experienced a physical sensation of relief.

  “Corona,” he repeated, when he saw that she heard him, “I do not complain. It is all my fault and my doing. Only, let it not be hate, dear. I will not touch you, I will not molest you. I will pray that you may love me again. I will try and do such things as may make you love me as you did once. Forgive me, if my kisses hurt you. I did not know they would, but I have seen it. I am not a brute. If I were, you would put something of the human into my heart. It shall never happen again, that I forget. Our life must begin again. The old Giovanni was your husband, and is dead. It is for me to win another love from you. Shall it be so, dear? Is it not to be all different — even to my very name?”

  “All, all different,” repeated Corona in a low voice. “Oh, how could I be so unkind! How could I show you what I felt?”

  Suddenly, and without the least warning, she sprang to her feet and made two steps towards him. The impulse was there, but the reality was gone. Her arms were stretched out, and there was a look of supreme anguish in her eyes. She stopped short, then turned away once more, and as she sank upon the couch, burying her face in the cushions, the long restrained tears broke forth, and she sobbed as though her heart must break.

  Giovanni wished that his own suffering could find such an outlet, but there was no such relief possible for his hardy masculine nature. He could not bear the sight of her grief, and yet he knew that he could not comfort her, that to lay his hand upon her forehead would only add a new sting to the galling wound. He turned his face away and leaned against the heavy chimney-piece, longing to shut out the sound of her sobs from his ears, submitting to a torture that might well have expiated a greater misdeed than his. The time was past when he could feel that an unbroken chain of evidence had justified him in doubting and accusing Corona. He knew the woman he had injured better now than he had known her then, for he understood the whole depth and breadth of the love he had so ruthlessly destroyed. It was incredible to him, now, that he should ever have mistrusted a creature so noble, so infinitely grander than himself. Every tear she shed fell like molten fire upon his heart, every sob that echoed through the quiet room was a reproach that racked his heart-strings and penetrated to the secret depths of his soul. He could neither undo what he had done nor soothe the pain inflicted by his actions. He could only stand there, and submit patiently to the suffering of his expiation.

  The passionate outburst subsided at last, and Corona lay pale and silent upon her cushions. She knew what he felt, and pitied him more than herself.

  “It is foolish of me to cry,” she said presently. “It cannot help you.”

  “Help me?” exclaimed Giovanni, turning suddenly. “It is not I, it is you. I would have died to save you those tears.”

  “I know it — would I not give my life to spare you this? And I will. Come and sit beside me. Take my hand. Kiss me — be your own self. It is not true that your kisses hurt me — it shall not be true—”

  “You do not mean it, dear,” replied Giovanni, sadly. “I know how true it is.”

  “It shall not be true. Am I a devil to hurt you so? Was it all your fault? Was I not wrong too? Indeed—”

  “No, my beloved. There is nothing wrong in you. If you do not love me—”

  “I do. I will, in spite of myself.”

  “You mean it, darling — I know. You are good enough, even for that. But you cannot. It must be all my doing, now.”

  “I must,” cried Corona, passionately. “Unless I love you, I shall die. I was wrong, too, you shall let me say it. Was I not mad to do the things I did? What man would not have suspected? Would a man be a man at all, if he did not watch the woman he loves? Would love be love without jealousy when there seems to be cause for it? Should I have married you, had I thought that you would be so careless as to let me do such things without interfering? Was it not my fault when I came back that night and would not tell you what had happened? Was it not madness to ask you to trust me, instead of telling you all? And yet,” she turned her face away, “and yet, it hurt me so!”

  “You shall not blame yourself, Corona. It was all my fault.”

  “Come and sit here, beside me. There — take my hand. Does it tremble? Do I draw it away? Am I not glad that it should rest in yours? Look at me — am I not glad? Giovanni — dear husband — true love! Look into my eyes. Do you not see that I love you? Why do you shake your head and tremble? It is true, I tell you.”

  Suddenly the forced smile faded from her face, the artificial expression she tried so pathetically to make real, disappeared, and gave place to a look of horror and fear. She drew back her hand and turned desperately away.

  “I am lying, lying — and to you!” she moaned. “Oh God! have mercy, for I am the most miserable woman in the world!”

  Giovanni sat still, resting his chin upon his hand and staring at the fire. His hopes had risen for a moment, and had fallen again, if possible more completely than before. Every line of his strongly-marked face betrayed the despair that overwhelmed him. And yet he was no longer weak, as he had been the first time. He was wondering at the hidden depths of Corona’s nature which had so suddenly become visible. He comprehended the magnitude of a passion which in being extinguished could leave such emotions behind, and he saw with awful distinctness the beauty of what he had lost and the depth of the abyss by which he was separated from it. Only a woman who had loved to distraction could make such desperate efforts to revive an affection that was dead; only a woman capable of the most lofty devotion could sink her pride and her own agony, in the attempt to make the man she had loved forgive himself. He could have borne her reproaches more easily than the sight of her anguish, but she would not reproach him. He could have borne her hatred almost better than such unselfish forgiveness, and yet she had forgiven him. For the first time in his life he wished that he might die — he, who loved life so dearly. Perhaps it would be easier for her to see him dead at her feet than to feel that he must always be near her and that she could not love him.

  “It is of no use, dear,” he said, at last. “I was right. The old

  Giovanni is dead. We must begin our life again. Will you let me try?

  Will you let me do my best to live for you and to raise up a new love

  in your heart?”

  “Can you? Can we go back to the old times whe
n we first met? Can you?

  Can I?”

  “If you will—”

  “If I will? Is there anything I would not do to gain that?”

  “Our lives may become so different from what they now are, as to make it more easy,” said Giovanni. “Do you realise how everything will be changed when we have given up this house? Perhaps it is better that it should be so, after all.”

  “Yes — far better. Oh, I am so sorry for you!”

  “Who pities, may yet love,” he said in low tones.

  Corona did not make any answer, but for many minutes lay watching the dancing flames. Giovanni knew that it would be wiser to say nothing more which could recall the past, and when he spoke again it was to ask her opinion once more concerning the best course to pursue in regard to the property.

  “I still think,” answered Corona, “that you had better do nothing for the present. You will soon know what San Giacinto means to do. You may be sure that if he has any rights he will not forget to press them. If it comes to the worst and you are quite sure that he is the man you — that is to say, your father — can give up everything without a suit. It is useless to undertake the consequences of a misfortune which may never occur. It would be reckless to resign your inheritance without a struggle, when San Giacinto, if he is an honest man, would insist upon the case being tried in law.”

  “That is true. I will take your advice. I am so much disturbed about other things that I am inclined to go to all extremes at once. Will you dine with us this evening?”

  “I think not. Give me one more day. I shall be stronger to-morrow.”

  “I have tired you,” exclaimed Giovanni in a tone of self-reproach. Corona did not answer the remark, but held out her hand with a gentle smile.

  “Good-night, dear,” she said.

  An almost imperceptible expression of pain passed quickly over Giovanni’s face as he touched her fingers with his lips. Then he left the room without speaking again.

  In some respects he was glad that he had induced Corona to express herself. He had no illusions left, for he knew the worst and understood that if his wife was ever to love him again there must be a new wooing. It is not necessary to dwell upon what he felt, for in the course of the conversation he had not been able to conceal his feelings. Disappointment had come upon him very suddenly, and might have been followed by terrible consequences, had he not foreseen, as in a dream of the future, a possibility of winning back Corona’s love. The position in which they stood with regard to each other was only possible because they were exceptional people and had both loved so well that they were willing to do anything rather than forego the hope of loving again. Another man would have found it hard to own himself wholly in the wrong; a woman less generous would have either pretended successfully that she still loved, or would not have acknowledged that she suffered so keenly in finding her affection dead. Perhaps, too, if there had been less frankness there might have been less difficulty in reviving the old passion, for love has strange ways of hiding himself, and sometimes shows himself in ways even more unexpected.

  A profound student of human nature would have seen that a mere return to the habit of pleasant intercourse could not suffice to forge afresh such a bond as had been broken, where two such persons were concerned. Something more was necessary. It was indispensable that some new force should come into play, to soften Corona’s strong nature and to show Giovanni in his true light. Unfortunately for them such a happy conclusion was scarcely to be expected. Even if the question of the Saracinesca property were decided against them, an issue which, at such a time, was far from certain, they would still be rich. Poverty might have drawn them together again, but they could not be financially ruined. Corona would have all her own fortune, while Giovanni was more than well provided for by what his mother had left him. The blow would tell far more heavily upon Giovanni’s pride than upon his worldly wealth, severe as the loss must be in respect of the latter. It is impossible to say whether Corona might not have suffered as much as Giovanni himself, had the prospect of such a catastrophe presented itself a few weeks earlier. At present it affected her very little. The very name of Saracinesca was disagreeable to her hearing, and the house she lived in had lost all its old charm for her. She would willingly have left Rome to travel for a year or two rather than continue to inhabit a place so full of painful recollections; she would gladly have seen another name upon the cards she left at her friends’ houses — even the once detested name of Astrardente. When she had married Giovanni she had not been conscious that she became richer than before. When one had everything, what difference could a few millions more bring into life? It was almost a pity that they could not become poor and be obliged to bear together the struggles and privations of poverty.

  CHAPTER XVII.

  SAN GIACINTO AND Flavia were married on Saturday the thirtieth of November, thereby avoiding the necessity of paying a fee for being united during Advent, much to the satisfaction of Prince Montevarchi. The wedding was a brilliant affair, and if the old prince’s hospitality left something to be desired, the display of liveries, coaches and family silver was altogether worthy of so auspicious an occasion. Everybody was asked, and almost everybody went, from the Saracinesca to Anastase Gouache, from Valdarno to Arnoldo Meschini. Even Spicca was there, as melancholy as usual, but evidently interested in the proceedings. He chanced to find himself next to Gouache in the crowd.

  “I did not expect to see you here,” he remarked.

  “I have been preserved from a variety of dangers in order to assist at the ceremony,” answered the Zouave, with a laugh. “At one time I thought it more likely that I should be the person of importance at a funeral.”

  “So did I. However, it could not be helped.” Spicca did not smile.

  “You seem to regret it,” observed Gouache, who knew his companion’s eccentric nature.

  “Only on general principles. For the rest, I am delighted to see you. Come and breakfast with me when this affair is over. We will drink to the happiness of two people who will certainly be very unhappy before long.”

  “Ourselves?”

  “No. The bride and bridegroom. ‘Ye, who enter, leave all hope behind!’ How can people be so foolish as to enter into an engagement from which there is no issue? The fools are not all dead yet.”

  “I am one of them,” replied Gouache.

  “You will probably have your wish. Providence has evidently preserved you from sudden death in order to destroy you by lingering torture. Is the wedding day fixed?”

  “I wish it were.”

  “And the bride?”

  “How can I tell?”

  “Do you mean to say that, as an opinion, you would rather be married than not? The only excuse for the folly of marrying is the still greater folly of loving a woman enough to marry her. Of course, a man who is capable of that, is capable of anything. Here comes the bride with her father. Think of being tied to her until a merciful death part you. Think of being son-in-law to that old man, until heaven shall be pleased to remove him. Think of calling that stout English lady, mother-in-law, until she is at last overtaken by apoplexy. Think of calling all those relations brothers and sisters, Ascanio, Onorato, Andrea, Isabella, Bianca, Faustina! It is a day’s work to learn their names and titles. She wears a veil — to hide her satisfaction — a wreath of orange flowers, artificial, too, made of paper and paste and wire, symbols of innocence, of course, pliable and easily patched together. She looks down, lest the priest should see that her eyes are laughing. Her father is whispering words of comfort and encouragement into her ear. ‘Mind your expression,’ he is saying, no doubt— ‘you must not look as though you were being sacrificed, nor as though you were too glad to be married, for everybody is watching you. Do not say, I will, too loudly nor inaudibly either, and remember that you are my daughter.’ Very good advice. Now she kneels down and he crosses to the other side. She bends her head very low. She is looking under her elbow to see the folds of her train. You
see — she moves her heel to make the gown fall better — I told you so. A pretty figure, all in white, before the great altar with the lights, and the priest in his robes, and the organ playing, and that Hercules in a black coat for a husband. Now she looks up. The rings are there on the gold salver upon the altar. She has not seen hers, and is wondering whether it is of plain gold, or a band of diamonds, like the Princess Valdarno’s. Now then — ego conjungo vos — the devil, my friend, it is an awful sight!”

  “Cynic!” muttered Gouache, with a suppressed laugh.

  “There — it is done now, and she is already thinking what it will be like to dine alone with him this evening, and several thousand evenings hereafter. Cynic, you say? There are no more cynics. They are all married, and must turn stoics if they can. Let us be off. No — there is mass. Well then, go down on your knees and pray for their souls, for they are in a bad case. Marriage is Satan’s hot-house for poisonous weeds. If anything can make a devil of an innocent girl it is marriage. If anything can turn an honest man into a fiend it is matrimony. Pray for them, poor creatures, if there is any available praying power left in you, after attending to the wants of your own soul, which, considering your matrimonial intentions, I should think very improbable.”