Complete Works of F Marion Crawford

by F. Marion Crawford

  Just before him, after the Holy See had been vacant for two years and nearly four months, because the Conclave of Perugia could not agree upon a Pope, a humble southern hermit of the Abruzzi, Pietro da Morrone, had been suddenly elevated to the Pontificate, to his own inexpressible surprise and confusion, and after a few months of honest, but utterly fruitless, effort to understand and do what was required of him, he had taken the wholly unprecedented step of abdicating the papacy. He was succeeded by Benedict Caetani, Boniface the Eighth, keen, learned, brave, unforgiving and the mortal foe of the Colonna; ‘the magnanimous sinner,’ as Gibbon quotes from a chronicle, ‘who entered like a fox, reigned like a lion and died like a dog.’ Yet the judgment is harsh, for though his sins were great, the expiation was fearful, and he was brave as few men have been.

  Samson slew a lion with his hands, and the Philistines with the jaw-bone of an ass. Men have always accepted the Bible’s account of the slaughter. But when an ass, without the aid of any Samson, killed a lion in the courtyard of the Palazzo dei Priori, in Florence, the event was looked upon as of evil portent, exceeding the laws of nature. For Pope Boniface had presented the Commonwealth of Florence with a young and handsome lion, which was chained up and kept in the court of the palace aforesaid. A donkey laden with firewood was driven in, and ‘either from fear, or by a miracle,’ as the chronicle says, at once assailed the lion with the utmost ferocity, and kicked him to death, in spite of the efforts of a number of men to drag the beast of burden off. Of the two hypotheses, the wise men of the day preferred the supernatural explanation, and one of them found an ancient Sibylline prophecy to the effect that ‘when the tame beast should kill the king of beasts, the dissolution of the Church should begin.’ Which saying, adds Villani, was presently fulfilled in Pope Boniface.

  For the Pope had a mortal quarrel with Philip the Fair of France whom he had promised to make Emperor, and had then passed over in favour of Albert, son of Rudolph of Hapsburg; and Philip made a friend and ally of Stephen Colonna, the head of the great house, who was then in France, and drove Boniface’s legate out of his kingdom, and allowed the Count of Artois to burn the papal letters. The Pope retorted by a Major Excommunication, and the quarrel became furious. The Colonna being under his hand, Boniface vented his anger upon them, drove them from Rome, destroyed their houses, levelled Palestrina to the ground, and ploughed up the land where it had stood. The six brothers of the house were exiles and wanderers. Old Stephen, the idol of Petrarch, alone and wretched, was surrounded by highwaymen, who asked who he was. ‘Stephen Colonna,’ he answered, ‘a Roman citizen.’ And the thieves fell back at the sound of the great name. Again, someone asked him with a sneer where all his strongholds were, since Palestrina was gone. ‘Here,’ he answered, unmoved, and laying his hand upon his heart. Of such stuff were the Pope’s enemies.

  Nor could he crush them. Boniface was of Anagni, a city of prehistoric walls and ancient memories which belonged to the Caetani; and there, in the late summer, he was sojourning for rest and country air, with his cardinals and his court and his kinsmen about him. Among the cardinals was Napoleon Orsini.

  GRAND HALL OF THE COLONNA PALACE

  Then came William of Nogaret, sent by the King of France, and Sciarra Colonna, the boldest man of his day, and many other nobles, with three hundred knights and many footmen. For a long time they had secretly plotted a master-stroke of violence, spending money freely among the people, and using all persuasion to bring the country to their side, yet with such skill and caution that not the slightest warning reached the Pope’s ears. In calm security he rose early on the morning of the seventh of September. He believed his position assured, his friends loyal and the Colonna ruined for ever; and Colonna was at the gate.

  Suddenly, from below the walls, a cry of words came up to the palace windows; long drawn out, distinct in the still mountain air. ‘Long live the King of France! Death to Pope Boniface!’ It was taken up by hundreds of voices, and repeated, loud, long and terrible, by the people of the town, by men going out to their work in the hills, by women loitering on their doorsteps, by children peering out, half frightened, from behind their mothers’ scarlet woollen skirts, to see the armed men ride up the stony way. Cardinals, chamberlains, secretaries, men-at-arms, fled like sheep; and when Colonna reached the palace wall, only the Pope’s own kinsmen remained within to help him as they could, barring the great doors and posting themselves with crossbows at the grated window. For the Caetani were always brave men.

  But Boniface knew that he was lost, and calmly, courageously, even grandly, he prepared to face death. ‘Since I am betrayed,’ he said, ‘and am to die, I will at least die as a Pope should!’ So he put on the great pontifical chasuble, and set the tiara of Constantine upon his head, and, taking the keys and the crosier in his hands, sat down on the papal throne to await death.

  The palace gates were broken down, and then there was no more resistance, for the defenders were few. In a moment Colonna in his armour stood before the Pontiff in his robes; but he saw only the enemy of his race, who had driven out his great kinsmen, beggars and wanderers on the earth, and he lifted his visor and looked long at his victim, and then at last found words for his wrath, and bitter reproaches and taunts without end and savage curses in the broad-spoken Roman tongue. And William of Nogaret began to speak, too, and threatened to take Boniface to Lyons where a council of the Church should depose him and condemn him to ignominy. Boniface answered that he should expect nothing better than to be deposed and condemned by a man whose father and mother had been publicly burned for their crimes. And this was true of Nogaret, who was no gentleman. A legend says that Colonna struck the Pope in the face, and that he afterwards made him ride on an ass, sitting backwards, after the manner of the times. But no trustworthy chronicle tells of this. On the contrary, no one laid hands upon him while he was kept a prisoner under strict watch for three days, refusing to touch food; for even if he could have eaten he feared poison. And Colonna tried to force him to abdicate, as Pope Celestin had done before him, but he refused stoutly; and when the three days were over, Colonna went away, driven out, some say, by the people of Anagni who turned against him. But that is absurd, for Anagni is a little place and Colonna had a strong force of good soldiers with him. Possibly, seeing that the old man refused to eat, Sciarra feared lest he should be said to have starved the Pope to death. They went away and left him, carrying off his treasures with them, and he returned to Rome, half mad with anger, and fell into the hands of the Orsini cardinals, who judged him not sane and kept him a prisoner at the Vatican, where he died soon afterwards, consumed by his wrath. And before long the Colonna had their own again and rebuilt Palestrina and their palace in Rome.

  Twenty-five years later they were divided against each other, in the wild days when Lewis the Bavarian, excommunicated and at war with the Pope, was crowned and consecrated Emperor, by the efforts of an extraordinary man of genius, Castruccio degli Interminelli, known better as Castruccio Castracane, the Ghibelline lord of Lucca who made Italy ring with his deeds for twenty years, and died of a fever, in the height of his success and glory, at the age of forty-seven years. Sciarra Colonna was for him and for Lewis. Stephen, head of the house, was against them, and in those days when Rome was frantic for an Emperor, Stephen’s son Jacopo had the quiet courage to bring out the Bull of Excommunication against the chosen Emperor and nail it to the door of San Marcello, in the Corso, in the heart of Rome and in the sight of a thousand angry men, in protest against what they meant to do — against what was doing even at that moment. And he reached Palestrina in safety, shaking the dust of Rome from his feet.

  But on that bright winter’s day, Lewis of Bavaria and his queen rode down from Santa Maria Maggiore by the long and winding ways towards Saint Peter’s. The streets were all swept and strewn with yellow sand and box leaves and myrtle that made the air fragrant, and from every window and balcony gorgeous silks and tapestries were hung, and even ornaments of gold and silver and je
wels. Before the procession rode standard-bearers, four for each Region, on horses most richly caparisoned. There rode Sciarra Colonna, and beside him, for once in history, Orsino Orsini, and others, all dressed in cloth of gold, and Castruccio Castracane, wearing that famous sword which in our own times was offered by Italy to King Victor Emmanuel; and many other Barons rode there in splendid array, and there was great concourse of the people. So they came to Saint Peter’s; and because the Count of the Lateran should by right have been the Emperor’s sponsor at the anointing, and had left Rome in anger and disdain, Lewis made Castruccio a knight of the Empire and Count of the Lateran in his stead, and sponsor; and two excommunicated Bishops consecrated the Emperor, and anointed him, and Sciarra Colonna crowned him and his queen. After which they feasted in the evening at the Aracœli, and slept in the Capitol, because they were all weary with the long ceremony, and it was too late to go home. The chronicler’s comment is curious. ‘Note,’ he says, ‘what presumption was this, of the aforesaid damned Bavarian, such as thou shalt not find in any ancient or recent history; for never did any Christian Emperor cause himself to be crowned save by the Pope or his legate, even though opposed to the Church, neither before then nor since, except this Bavarian.’ But Sciarra and Castruccio had their way, and Lewis did what even Napoleon, master of the world by violent chance, would not do. And twenty years later, in the same chronicle, it is told how ‘Lewis of Bavaria, who called himself Emperor, fell with his horse, and was killed suddenly, without penitence, excommunicated and damned by Holy Church.’ It is a curious coincidence that Boniface the Eighth, Sciarra’s prisoner, and Lewis the Bavarian, whom he crowned Emperor, both died on the eleventh of October, according to most authorities.

  The Senate of Rome had dwindled to a pitiable office, held by one man. At or about this time, the Colonna and the Orsini agreed by a compromise that there should be two, chosen from their two houses. The Popes were in Avignon, and men who could make Emperors were more than able to do as they pleased with a town of twenty or thirty thousand inhabitants, so long as the latter had no leader. One may judge of what Rome was, when even pilgrims did not dare to go thither and visit the tomb of Saint Peter. The discord of the great houses made Rienzi’s life a career; the defection of the Orsini from the Pope’s party led to his flight; their battles suggested to the exiled Pope the idea of sending him back to Rome to break their power and restore a republic by which the Pope might restore himself; and the rage of their retainers expended itself in his violent death. For it was their retainers who fought for their masters, till the younger Stephen Colonna killed Bertoldo Orsini, the bravest man of his day, in an ambush, and the Orsini basely murdered a boy of the Colonna on the steps of a church. But Rienzi was of another Region, of the Regola by the Tiber, and it is not yet time to tell his story. And by and by, as the power of the Popes rose and they became again as the Cæsars had been, Colonna and Orsini forgot their feuds, and were glad to stand on the Pope’s right and left as hereditary ‘Assistants of the Holy See.’ In the petty ending of all old greatnesses in modern times, the result of the greatest feud that ever made two races mortal foes is merely that no prudent host dare ask the heads of the two houses to dinner together, lest a question of precedence should arise, such as no master of ceremonies would presume to settle. That is what it has come to. Once upon a time an Orsini quarrelled with a Colonna in the Corso, just where Aragno’s café is now situated, and ran him through with his rapier, wounding him almost to death. He was carried into the palace of the Theodoli, close by, and the records of that family tell that within the hour eight hundred of the Colonna’s retainers were in the house to guard him. In as short space, the Orsini called out three thousand men in arms, when Cæsar Borgia’s henchman claimed the payment of a tax.

  INTERIOR OF THE MAUSOLEUM OF AUGUSTUS

  From a print of the last century

  Times have changed since then. The Mausoleum of Augustus, once a fortress, has been an open air theatre in our time, and there the great Salvini and Ristori often acted in their early youth; it is a circus now. And in less violent contrast, but with change as great from what it was, the palace of the Colonna suggests no thought of defence nowadays, and the wide gates and courtyard recall rather the splendours of the Constable and of his wife, Maria Mancini, niece of Cardinal Mazarin, than the fiercer days when Castracane was Sciarra’s guest on the other side of the church.

  The Basilica of the Apostles is said to have been built by Pelagius the First, who was made Pope in the year 555, and who dedicated it to Saint Philip and Saint James. Recent advances in the study of archæology make it seem more than probable that he adapted for the purpose a part of the ancient barracks of the Vigiles, of which the central portion appears almost to coincide with the present church, at a somewhat different angle; and in the same way it is likely that the remains of the north wing were rebuilt at a later period by the Colonna as a fortified palace. In those times men would not have neglected to utilize the massive substructures and walls. However that may be, the Colonna dwelt there at a very early date, and in eight hundred years or more have only removed their headquarters from one side of the church to the other. The latter has been changed and rebuilt, and altered again, like most of the great Roman sanctuaries, till it bears no resemblance to the original building. The present church is distinctly ugly, with the worst defects of the early eighteenth century; and that age was as deficient in cultivated taste as it was abhorrent of natural beauty. Some fragments of the original frescos that adorned the apse are now preserved in a hall behind the main Sacristy of Saint Peter’s. Against the flat walls, under the inquisition of the crudest daylight, the fragments of Melozzo da Forli’s masterpiece are masterpieces still; the angelic faces, imprisoned in a place not theirs, reflect the sadness of art’s captivity; and the irretrievable destruction of an inimitable past excites the pity and resentment of thoughtful men. The attempt to outdo the works of the great has exhibited the contemptible imbecility of the little, and the coarse-grained vanity of Clement the Eleventh has parodied the poetry of art in the bombastic prose of a vulgar tongue. Pope Pelagius took for his church the pillars and marbles of Trajan’s Forum, in the belief that his acts were acceptable to God; but Clement had no such excuse, and the edifice which was a monument of faith has given place to the temple of a monumental vanity.

  FORUM OF TRAJAN

  It is remarkable that the Colonna rarely laid their dead in the Church of the Apostles, for it was virtually theirs by right of immediate neighbourhood, and during their domination they could easily have assumed actual possession of it as a private property. A very curious custom, which survived in the sixteenth century, and perhaps much later, bears witness to the close connection between their family and the church. At that time a gallery existed, accessible from the palace and looking down into the basilica, so that the family could assist at Mass without leaving their dwelling.

  On the afternoon of the first of May, which is the traditional feast of this church, the poor of the neighbourhood assembled within. The windows of the palace gallery were then thrown open and a great number of fat fowls were thrown alive to the crowd, turkeys, geese and the like, to flutter down to the pavement and be caught by the luckiest of the people in a tumultuous scramble. When this was over, a young pig was swung out and lowered in slings by a purchase of which the block was seized to a roof beam. When just out of reach the rope was made fast, and the most active of the men jumped for the animal from below, till one was fortunate enough to catch it with his hands, when the rope was let go, and he carried off the prize. The custom was evidently similar to that of climbing the May-pole, which was set up on the same day in the Campo Vaccino. May-day was one of the oldest festivals of the Romans, for it was sacred to the tutelary Lares, or spirits of ancestors, and was kept holy, both publicly by the whole city as the habitation of the Roman people, and by each family in its private dwelling. It is of Aryan origin and is remembered in one way or another by all Aryan races in our own ti
me, and it is not surprising that in the general conversion of Paganism to Christianity a new feast should have been intentionally made to coincide with an old one; but it is hard to understand the lack of all reverence for sacred places which could admit such a scene as the scrambling for live fowls and pigs in honour of the twelve Apostles, a pious exercise which is perhaps paralleled, though assuredly not equalled, in crudeness, by the old Highland custom of smoking tobacco in kirk throughout the sermon.

  At the very time when we have historical record of a Pope’s presence as an amused spectator of the proceedings, Michelangelo had lately painted the ceiling of the Sixtine chapel, and had not yet begun his Last Judgment; and ‘Diva’ Vittoria Colonna, not yet the friend of his later years, was perhaps even then composing those strangely passionate spiritual sonnets which appeal to the soul through the heart, by the womanly pride that strove to make the heart subject to the soul.

  The commonplace romance which has represented Vittoria Colonna and Michelangelo as in love with each other is as unworthy of both as it is wholly without foundation. They first met nine years before her death, when she was almost fifty and he was already sixty-four. She had then been widowed twelve years, and it was long since she had refused in Naples the princely suitors who made overtures for her hand. The true romance of her life was simpler, nobler and more enduring, for it began when she was a child, and it ended when she breathed her last in the house of Giuliano Cesarini, the kinsman of her people, whose descendant married her namesake in our own time.