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Classic Crime Collection

Page 27

by Edgar Allan Poe


  In an absolute frenzy of wrath, I turned at once upon him who had thus interrupted me, and seized him violently by the collar. He was attired, as I had expected, in a costume altogether similar to my own; wearing a Spanish cloak of blue velvet, begirt about the waist with a crimson belt sustaining a rapier. A mask of black silk entirely covered his face.

  “Scoundrel!” I said, in a voice husky with rage, while every syllable I uttered seemed as new fuel to my fury; “scoundrel! impostor! accursed villain! you shall not—you shall not dog me unto death! Follow me, or I stab you where you stand!”—and I broke my way from the ballroom into a small antechamber adjoining, dragging him unresistingly with me as I went.

  Upon entering, I thrust him furiously from me. He staggered against the wall, while I closed the door with an oath, and commanded him to draw. He hesitated but for an instant; then, with a slight sigh, drew in silence, and put himself upon his defence.

  The contest was brief indeed. I was frantic with every species of wild excitement, and felt within my single arm the energy and power of a multitude. In a few seconds I forced him by sheer strength against the wainscotting, and thus, getting him at mercy, plunged my sword, with brute ferocity, repeatedly through and through his bosom.

  At that instant some person tried the latch of the door. I hastened to prevent an intrusion, and then immediately returned to my dying antagonist. But what human language can adequately portray that astonishment, that horror which possessed me at the spectacle then presented to view? The brief moment in which I averted my eyes had been sufficient to produce, apparently, a material change in the arrangements at the upper or farther end of the room. A large mirror,—so at first it seemed to me in my confusion—now stood where none had been perceptible before; and as I stepped up to it in extremity of terror, mine own image, but with features all pale and dabbled in blood, advanced to meet me with a feeble and tottering gait.

  Thus it appeared, I say, but was not. It was my antagonist—it was Wilson, who then stood before me in the agonies of his dissolution. His mask and cloak lay, where he had thrown them, upon the floor. Not a thread in all his raiment—not a line in all the marked and singular lineaments of his face which was not, even in the most absolute identity, mine own!

  It was Wilson; but he spoke no longer in a whisper, and I could have fancied that I myself was speaking while he said:

  “You have conquered, and I yield. Yet henceforward art thou also dead—dead to the World, to Heaven, and to Hope! In me didst thou exist—and, in my death, see by this image, which is thine own, how utterly thou hast murdered thyself.”

  POEMS

  THE RAVEN1

  Once upon a midnight dreary, while I pondered, weak and weary,

  Over many a quaint and curious volume of forgotten lore—

  While I nodded, nearly napping, suddenly there came a tapping,

  As of some one gently rapping, rapping at my chamber door.

  “ ’Tis some visitor,” I muttered, “tapping at my chamber door—

  Only this and nothing more.”

  Ah, distinctly I remember it was in the bleak December,

  And each separate dying ember wrought its ghost upon the floor.

  Eagerly I wished the morrow;—vainly I had sought to borrow

  From my books surcease2 of sorrow—sorrow for the lost Lenore—

  For the rare and radiant maiden whom the angels name Lenore—

  Nameless here for evermore.

  And the silken sad uncertain rustling of each purple curtain

  Thrilled me—filled me with fantastic terrors never felt before;

  So that now, to still the beating of my heart, I stood repeating:

  “ ’Tis some visitor entreating entrance at my chamber door—

  Some late visitor entreating entrance at my chamber door;

  This it is and nothing more.”

  Presently my soul grew stronger; hesitating then no longer,

  “Sir,” said I, “or Madam, truly your forgiveness I implore;

  But the fact is I was napping, and so gently you came rapping,

  And so faintly you came tapping, tapping at my chamber door,

  That I scarce was sure I heard you”—here I opened wide the door;—

  Darkness there and nothing more.

  Deep into that darkness peering, long I stood there wondering, fearing,

  Doubting, dreaming dreams no mortals ever dared to dream before;

  But the silence was unbroken, and the stillness gave no token,

  And the only word there spoken was the whispered word, “Lenore!”

  This I whispered, and an echo murmured back the word, “Lenore!”—

  Merely this and nothing more.

  Back into the chamber turning, all my soul within me burning,

  Soon again I beard a tapping something louder than before.

  “Surely,” said I, “surely that is something at my window lattice;

  Let me see, then, what thereat is, and this mystery explore—

  Let my heart be still a moment, and this mystery explore;—

  ’Tis the wind and nothing more.”

  Open here I flung the shutter, when, with many a flirt and flutter,

  In there stepped a stately Raven of the saintly days of yore.

  Not the least obeisance made he; not a minute stopped or stayed he,

  But, with mien of lord or lady, perched above my chamber door—

  Perched upon a bust of Pallas3 just above my chamber door—

  Perched, and sat, and nothing more.

  Then this ebony bird beguiling my sad fancy into smiling,

  By the grave and stern decorum of the countenance it wore,

  “Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,4

  Ghastly grim and ancient Raven wandering from the Nightly shore—

  Tell me what thy lordly name is on the Night’s Plutonian5 shore!”

  Quoth the Raven, “Nevermore.”

  Much I marvelled this ungainly fowl to hear discourse so plainly,

  Though its answer little meaning—little relevancy bore;

  For we cannot help agreeing that no living human being

  Ever yet was blessed with seeing bird above his chamber door—

  Bird or beast upon the sculptured bust above his chamber door,

  With such name as “Nevermore.”

  But the Raven, sitting lonely on that placid bust, spoke only

  That one word, as if his soul in that one word he did outpour.

  Nothing farther then he uttered; not a feather then he fluttered—

  Till I scarcely more than muttered: “Other friends have flown before—

  On the morrow he will leave me as my Hopes have flown before.”

  Then the bird said, “Nevermore.”

  Startled at the stillness broken by reply so aptly spoken,

  “Doubtless,” said I, “what it utters is its only stock and store,

  Caught from some unhappy master whom unmerciful Disaster

  Followed fast and followed faster till his songs one burden bore—

  Till the dirges of his Hope that melancholy burden bore

  Of ‘Never—nevermore.’ ”

  But the Raven still beguiling all my sad soul into smiling,

  Straight I wheeled a cushioned seat in front of bird and bust and door;

  Then, upon the velvet sinking, I betook myself to linking

  Fancy unto fancy, thinking what this ominous bird of yore—

  What this grim, ungainly, ghastly, gaunt, and ominous bird of yore

  Meant in croaking “Nevermore.”

  This I sat engaged in guessing, but no syllable expressing

  To the fowl whose fiery eyes now burned into my bosom’s core;

  This and more I sat divining, with my head at ease reclining

  On the cushion’s velvet lining that the lamp-light gloated o’er,

  But whose velvet violet lining with the lamp-lig
ht gloating6 o’er

  She shall press, ah, nevermore!

  Then, methought, the air grew denser, perfumed from an unseen censer7

  Swung by Seraphim whose foot-falls tinkled on the tufted floor.

  “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee

  Respite—respite and nepenthe8 from thy memories of Lenore!

  Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”

  Quoth the Raven, “Nevermore.”

  “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—

  Whether Tempter sent, or whether tempest tossed thee here ashore,

  Desolate, yet all undaunted, on this desert land enchanted—

  On this home by Horror haunted,—tell me truly, I implore—

  Is there—is there balm in Gilead?9—tell me—tell me, I implore!”

  Quoth the Raven, “Nevermore.”

  “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!

  By that heaven that bends above us—by that God we both adore—

  Tell this soul with sorrow laden if, within the distant Aidenn,10

  It shall clasp a sainted maiden whom the angels name Lenore—

  Clasp a rare and radiant maiden whom the angels name Lenore.”

  Quoth the Raven, “Nevermore.”

  “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—

  “Get thee back into the tempest and the Night’s Plutonian shore!

  Leave no black plume as a token of that lie thy soul hath spoken!

  Leave my loneliness unbroken!—quit the bust above my door!

  Take thy beak from out my heart, and take thy form from off my door!”

  Quoth the Raven, “Nevermore.”

  And the Raven, never flitting, still is sitting, still is sitting

  On the pallid bust of Pallas just above my chamber door;

  And his eyes have all the seeming of a demon’s that is dreaming,

  And the lamp-light o’er him streaming throws his shadow on the floor;

  And my soul from out that shadow that lies floating on the floor

  Shall be lifted—nevermore!

  LENORE1

  Ah, broken is the golden bowl! the spirit flown forever!

  Let the bell toll!—a saintly soul floats on the Stygian2 river;

  And, Guy De Vere,3 hast thou no tear?—weep now or never more!

  See on yon drear and rigid bier low lies thy love, Lenore!

  Come! let the burial rite be read—the funeral song be sung!—

  An anthem for the queenliest dead that ever died so young—

  A dirge for her the doubly dead in that she died so young.

  “Wretches! ye loved her for her wealth and hated her for her pride,

  And when she fell in feeble health, ye blessed her—that she died!

  How shall the ritual, then, be read?—the requiem how be sung

  By you—by yours, the evil eye,—by yours, the slanderous tongue

  That did to death the innocence that died, and died so young?”

  Peccavimus;4 but rave not thus! and let a Sabbath song

  Go up to God so solemnly the dead may feel no wrong!

  The sweet Lenore hath “gone before,” with Hope, that flew beside,

  Leaving thee wild for the dear child that should have been thy bride—

  For her, the fair and debonnaire,5 that now so lowly lies,

  The life upon her yellow hair but not within her eyes—

  The life still there, upon her hair—the death upon her eyes.

  Avaunt! to-night my heart is light. No dirge will I upraise,

  But waft the angel on her flight with a pæan of old days!

  Let no bell toll!—lest her sweet soul, amid its hallowed mirth,

  Should catch the note, as it doth float up from the damnèd Earth.

  To friends above, from fiends below, the indignant ghost is riven—

  From Hell unto a high estate far up within the Heaven—

  From grief and groan, to a golden throne, beside the King of Heaven.

  TO HELEN1

  I saw thee once2—once only—years ago;

  I must not say how many—but not many.

  It was a July midnight; and from out

  A full-orbed moon, that, like thine own soul, soaring,

  Sought a precipitate pathway up through heaven,

  There fell a silvery-silken veil of light,

  With quietude, and sultriness, and slumber,

  Upon the upturn’d faces of a thousand

  Roses that grew in an enchanted garden,

  Where no wind dared to stir, unless on tiptoe—

  Fell on the upturn’d faces of these roses

  That gave out, in return for the love-light,

  Their odorous souls in an ecstatic death—

  Fell on the upturn’d faces of these roses

  That smiled and died in this parterre,3 enchanted

  By thee, and by the poetry of thy presence.

  Clad all in white, upon a violet bank

  I saw thee half reclining; while the moon

  Fell on the upturn’d faces of the roses,

  And on thine own, upturn’d—alas, in sorrow!

  Was it not Fate that, on this July midnight—

  Was it not Fate (whose name is also Sorrow),

  That bade me pause before that garden-gate,

  To breathe the incense of those slumbering roses?

  No footsteps stirred; the hated world all slept,

  Save only thee and me. (Oh, Heaven!—oh, God!

  How my heart beats in coupling those two words!)

  Save only thee and me. I paused—I looked—

  And in an instant all things disappeared.

  (Ah, bear in mind this garden was enchanted!)

  The pearly lustre of the moon went out;

  The mossy banks and the meandering paths,

  The happy flowers and the repining trees,

  Were seen no more: the very roses’ odors

  Died in the arms of the adoring airs.

  All—all expired save thee—save less than thou:

  Save only the divine light in thine eyes—

  Save but the soul in thine uplifted eyes.

  I saw but them—they were the world to me.

  I saw but them—saw only them for hours—

  Saw only them until the moon went down.

  What wild heart-histories seemed to lie enwritten

  Upon those crystalline, celestial spheres!

  How dark a woe! yet how sublime a hope!

  How silently serene a sea of pride!

  How daring an ambition! yet how deep—

  How fathomless a capacity for love!

  But now, at length dear Dian4 sank from sight,

  Into a western couch of thunder-cloud;

  And thou, a ghost, amid the entombing trees

  Didst glide away. Only thine eyes remained.

  They would not go—they never yet have gone.

  Lighting my lonely pathway home that night,

  They have not left me (as my hopes have) since.

  They follow me—they lead me through the years.

  They are my ministers—yet I their slave.

  Their office is to illumine and enkindle—

  My duty, to be saved by their bright light,

  And purified in their electric fire,

  And sanctified in their Elysian fire.5

  They fill my soul with Beauty (which is Hope),

  And are far up in heaven—the stars I kneel to

  In the sad, silent watches of my night;

  While even in the meridian glare of day

  I see them still—two sweetly scintillant

  Venuses, unextinguished by the sun!

  ULALUME1

  The skies they were ashen and sober;

  The leaves they were crisped and sere2—

  The
leaves they were withering and sere;

  It was night in the lonesome October

  Of my most immemorial year;

  It was hard by the dim lake of Auber,3

  In the misty mid region of Weir4—

  It was down by the dank tarn of Auber,

  In the ghoul-haunted woodland of Weir.

  Here once, through an alley Titanic,

  Of cypress, I roamed with my Soul—

  Of cypress, with Psyche,5 my Soul.

  These were days when my heart was volcanic

  As the scoriac6 rivers that roll—

  As the lavas that restlessly roll

  Their sulphurous currents down Yaanek7

  In the ultimate climes of the pole—

  That groan as they roll down Mount Yaanek

  In the realms of the boreal8 pole.

  Our talk had been serious and sober,

  But our thoughts they were palsied and sere—

  Our memories were treacherous and sere,—

  For we knew not the month was October,

  And we marked not the night of the year

  (Ah, night of all nights in the year!)—

  We noted not the dim lake of Auber

  (Though once we had journeyed down here)—

  Remembered not the dank tarn of Auber,

  Nor the ghoul-haunted woodland of Weir.

  And now, as the night was senescent

  And star-dials9 pointed to morn—

  As the star-dials hinted of morn—

  At the end of our path a liquescent

  And nebulous lustre was born,

  Out of which a miraculous crescent

  Arose with a duplicate horn—

  Astarte’s10 bediamonded crescent

  Distinct with its duplicate horn.

  And I said: “She is warmer than Dian:

  She rolls through an ether of sighs—

  She revels in a region of sighs:

 

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