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Classic Crime Collection

Page 29

by Edgar Allan Poe


  Their sad waters, sad and chilly

  With the snows of the lolling lily,—

  By the mountains—near the river

  Murmuring lowly, murmuring ever,—

  By the gray woods,—by the swamp

  Where the toad and the newt encamp,—

  By the dismal tarns and pools

  Where dwell the Ghouls,—

  By each spot the most unholy—

  In each nook most melancholy,—

  There the traveller meets aghast

  Sheeted Memories of the Past—

  Shrouded forms that start and sigh

  As they pass the wanderer by—

  White-robed forms of friends long given,

  In agony, to the Earth—and Heaven.

  For the heart whose woes are legion

  ’Tis a peaceful, soothing region—

  For the spirit that walks in shadow

  ’Tis—oh, ’tis an Eldorado!5

  But the traveller, travelling through it,

  May not—dare not openly view it;

  Never its mysteries are exposed

  To the weak human eye unclosed;

  So wills its King, who hath forbid

  The uplifting of the fringed lid;

  And thus the sad Soul that here passes

  Beholds it but through darkened glasses.6

  By a route obscure and lonely,

  Haunted by ill angels only,

  Where an Eidolon, named NIGHT,

  On a black throne reigns upright,

  I have wandered home but newly

  From this ultimate dim Thule.

  DREAMS1

  Oh! that my young life were a lasting dream!

  My spirit not awakening, till the beam

  Of an Eternity should bring the morrow.

  Yes! though that long dream were of hopeless sorrow,

  ’Twere better than the cold reality

  Of waking life, to him whose heart must be,

  And hath been still, upon the lovely earth,

  A chaos of deep passion, from his birth.

  But should it be—that dream eternally

  Continuing—as dreams have been to me

  In my young boyhood—should it thus be given,

  ’Twere folly still to hope for higher Heaven.

  For I have revelled when the sun was bright

  I’ the summer sky, in dreams of living light

  And loveliness—have left my very heart

  In climes of mine imagining, apart

  From mine own home, with beings that have been

  Of mine own thought—what more could I have seen?

  ’Twas once—and only once—and the wild hour

  From my remembrance shall not pass—some power

  Or spell had bound me—’twas the chilly wind

  Came o’er me in the night, and left behind

  Its image on my spirit—or the moon

  Shone on my slumbers in her lofty noon

  Too coldly—or the stars—howe’er it was

  That dream was as that night-wind—let it pass.

  I have been happy, though in a dream.

  I have been happy—and I love the theme

  Dreams! in their vivid coloring of life

  As in that fleeting, shadowy, misty strife

  Of semblance with reality which brings

  To the delirious eye, more lovely things

  Of Paradise and Love—and all my own!—

  Than young Hope in his sunniest hour hath known.

  SILENCE1

  There are some qualities—some incorporate things,

  That have a double life, which thus is made

  A type of that twin entity which springs

  From matter and light, evinced in solid and shade.

  There is a twofold Silence—sea and shore—

  Body and soul. One dwells in lonely places,

  Newly with grass o’ergrown; some solemn graces,

  Some human memories and tearful lore,

  Render him terrorless; his name’s “No More.”

  He is the corporate2 Silence: dread him not!

  No power hath he of evil in himself;

  But should some urgent fate (untimely lot!)

  Bring thee to meet his shadow (nameless elf,

  That haunteth the lone regions where hath trod

  No foot of man), commend thyself to God!

  ELDORADO1

  Gaily bedight,

  A gallant knight,

  In sunshine and in shadow,

  Had journeyed long,

  Singing a song,

  In search of Eldorado.

  But he grew old—

  This knight so bold—

  And o’er his heart a shadow

  Fell as he found

  No spot of ground

  That looked like Eldorado.

  And, as his strength

  Failed him at length,

  He met a pilgrim shadow—

  “Shadow,” said he,

  “Where can it be—

  This land of Eldorado?”

  “Over the Mountains

  Of the Moon,2

  Down the Valley of the Shadow,3

  Ride, boldly ride,”

  The shade replied,—

  “If you seek for Eldorado!”

  ISRAFEL*1

  In Heaven a spirit doth dwell

  “Whose heart-strings are a lute”;

  None sing so wildly well

  As the angel Israfel,

  And the giddy stars (so legends tell)

  Ceasing their hymns, attend the spell

  Of his voice, all mute.

  Tottering above

  In her highest noon,

  The enamored moon

  Blushes with love,

  While, to listen, the red levin2

  (With the rapid Pleiads,3 even,

  Which were seven)

  Pauses in Heaven.

  And they say (the starry choir

  And the other listening things)

  That Israfeli’s fire

  Is owing to that lyre

  By which he sits and sings—

  The trembling living wire

  Of those unusual strings.

  But the skies that angel trod,

  Where deep thoughts are a duty—

  Where Love’s a grown-up God4—

  Where the Houri5 glances are

  Imbued with all the beauty

  Which we worship in a star.

  Therefore, thou art not wrong,

  Israfeli, who despisest

  An unimpassioned song;

  To thee the laurels belong,

  Best bard, because the wisest!

  Merrily live, and long!

  The ecstasies above

  With thy burning measures suit—

  Thy grief, thy joy, thy hate, thy love,

  With the fervor of thy lute—

  Well may the stars be mute!

  Yes, Heaven is thine; but this

  Is a world of sweets and sours;

  Our flowers are merely—flowers,

  And the shadow of thy perfect bliss

  Is the sunshine of ours.

  If I could dwell

  Where Israfel

  Hath dwelt, and he where I,

  He might not sing so wildly well

  A mortal melody,

  While a bolder note than this might swell

  From my lyre within the sky.

  FOR ANNIE1

  Thank Heaven! the crisis—

  The danger is past,

  And the lingering illness

  Is over at last—

  And the fever called “Living”

  Is conquered at last.

  Sadly I know

  I am shorn of my strength,

  And no muscle I move

  As I lie at full length—

  But no matter!—I feel

  I am better at length.

  And I rest so composed,

  Now, in
my bed,

  That any beholder

  Might fancy me dead—

  Might start at beholding me,

  Thinking me dead.

  The moaning and groaning,

  The sighing and sobbing,

  Are quieted now,

  With that horrible throbbing

  At heart:—ah, that horrible,

  Horrible throbbing!

  The sickness—the nausea—

  The pitiless pain—

  Have ceased, with the fever

  That maddened my brain—

  With the fever called “Living”

  That burned in my brain.

  And oh! of all tortures

  That torture the worst

  Has abated—the terrible

  Torture of thirst

  For the naphthaline2 river

  Of Passion accurst:—

  I have drunk of a water

  That quenches all thirst:—

  Of a water that flows,

  With a lullaby sound,

  From a spring but a very few

  Feet under ground—

  From a cavern not very far

  Down under ground.

  And ah! let it never

  Be foolishly said

  That my room it is gloomy

  And narrow my bed;

  For man never slept

  In a different bed—

  And, to sleep, you must slumber

  In just such a bed.

  My tantalized3 spirit

  Here blandly reposes,

  Forgetting, or never

  Regretting, its roses—

  Its old agitations

  Of myrtles and roses:

  For now, while so quietly

  Lying, it fancies

  A holier odor

  About it, of pansies—

  A rosemary odor,

  Commingled with pansies—

  With rue4 and the beautiful

  Puritan pansies.

  And so it lies happily,

  Bathing in many

  A dream of the truth

  And the beauty of Annie—

  Drowned in a bath

  Of the tresses of Annie.

  She tenderly kissed me,

  She fondly caressed,

  And then I fell gently

  To sleep on her breast—

  Deeply to sleep

  From the heaven of her breast.

  When the light was extinguished

  She covered me warm,

  And she prayed to the angels

  To keep me from harm—

  To the queen of the angels5

  To shield me from harm.

  And I lie so composedly,

  Now in my bed,

  (Knowing her love,)

  That you fancy me dead—

  And I rest so contentedly,

  Now in my bed,

  (With her love at my breast,)

  That you fancy me dead—

  That you shudder to look at me,

  Thinking me dead:—

  But my heart is brighter

  Than all of the many

  Stars in the sky,

  For it sparkles with Annie—

  It glows with the light

  Of the love of my Annie—

  With the thought of the light

  Of the eyes of my Annie.

  SONNET—TO SCIENCE1

  Science! true daughter of Old Time thou art!

  Who alterest all things with thy peering eyes.

  Why preyest thou thus upon the poet’s heart,

  Vulture, whose wings are dull realities?

  How should he love thee? or how deem thee wise?

  Who wouldst not leave him in his wandering

  To seek for treasure in the jewelled skies,

  Albeit he soared with an undaunted wing?

  Hast thou not dragged Diana from her car?2

  And driven the Hamadryad3 from the wood

  To seek a shelter in some happier star?

  Hast thou not torn the Naiad4 from her flood,

  The Elfin from the green grass, and from me

  The summer dream beneath the tamarind tree?

  A DREAM1

  In visions of the dark night

  I have dreamed of joy departed;

  But a waking dream of life and light

  Hath left me broken-hearted.

  Ah! what is not a dream by day

  To him whose eyes are cast

  On things around him, with a ray

  Turned back upon the past?

  That holy dream, that holy dream,

  While all the world were chiding,

  Hath cheered me as a lovely beam

  A lonely spirit guiding.

  What though that light, thro’ storm and night,

  So trembled from afar—

  What could there be more purely bright

  In Truth’s day-star?2

  TO ————1

  The bowers whereat, in dreams, I see

  The wantonest singing birds,

  Are lips—and all thy melody

  Of lip-begotten words—

  Thine eyes, in Heaven of heart enshrined

  Then desolately fall,

  O God! on my funereal mind

  Like starlight on a pall—

  Thy heart—thy heart!—I wake and sigh,

  And sleep to dream till day

  Of the truth that gold can never buy—

  Of the baubles that it may.

  ROMANCE1

  Romance, who loves to nod and sing,

  With drowsy head and folded wing,

  Among the green leaves as they shake

  Far down within some shadowy lake

  To me a painted paroquet2

  Hath been—a most familiar bird—

  Taught me my alphabet to say,

  To lisp my very earliest word

  While in the wild wood I did lie,

  A child—with a most knowing eye.

  Of late, eternal Condor years

  So shake the very Heaven on high

  With tumult as they thunder by,

  I have no time for idle cares

  Through gazing on the unquiet sky.

  And when an hour with calmer wings

  Its down upon my spirit flings—

  That little time with lyre and rhyme

  To while away—forbidden things!

  My heart would feel to be a crime

  Unless it trembled with the strings.

  SPIRITS OF THE DEAD1

  Thy soul shall find itself alone

  ’Mid dark thoughts of the gray tombstone—

  Not one, of all the crowd, to pry

  Into thine hour of secrecy.

  Be silent in that solitude

  Which is not loneliness, for then

  The spirits of the dead who stood

  In life before thee are again

  In death around thee, and their will

  Shall overshadow thee: be still.

  The night, tho’ clear, shall frown,

  And the stars shall not look down

  From their high thrones in the Heaven

  With light like Hope to mortals given;

  But their red orbs, without beam,

  To thy weariness shall seem

  As a burning and a fever

  Which would cling to thee forever.

  Now are thoughts thou shalt not banish—

  Now are visions ne’er to vanish;

  From thy spirit shall they pass

  No more—like dew-drops from the grass.

  The breeze—the breath of God—is still,

  And the mist upon the hill

  Shadowy—shadowy—yet unbroken,

  Is a symbol and a token,—

  How it hangs upon the trees,

  A mystery of mysteries!

  TO HELEN1

  Helen, thy beauty is to me

  Like those Nicean2 barks of yore,

  That gently, o’er a perfumed sea,


  The weary, way-worn wanderer bore

  To his own native shore.

  On desperate seas long wont to roam,

  Thy hyacinth hair, thy classic face,

  Thy Naiad3 airs have brought me home

  To the glory that was Greece

  And the grandeur that was Rome.

  Lo! in yon brilliant window-niche

  How statue-like I see thee stand!

  The agate4 lamp within thy hand,

  Ah! Psyche,5 from the regions which

  Are Holy Land!

  EVENING STAR1

  ’Twas noontide of summer,

  And midtime of night,

  And stars, in their orbits,

  Shone pale, through the light

  Of the brighter, cold moon,

  ’Mid planets her slaves,

  Herself in the Heavens,

  Her beam on the waves.

  I gazed awhile

  On her cold smile;

  Too cold—too cold for me—

  There passed, as a shroud,

  A fleecy cloud,

  And I turned away to thee,

  Proud Evening Star,

  In thy glory afar

  And dearer thy beam shall be;

  For joy to my heart

  Is the proud part

  Thou bearest in Heaven at night,

  And more I admire

  Thy distant fire,

  Than that colder, lowly light.

  ALONE1

  From childhood’s hour I have not been

  As others were—I have not seen

  As others saw—I could not bring

  My passions from a common spring.

  From the same source I have not taken

  My sorrow; I could not awaken

  My heart to joy at the same tone;

  And all I lov’d, I lov’d alone.

  Then—in my childhood—in the dawn

  Of a most stormy life—was drawn

  From ev’ry depth of good and ill

  The mystery which binds me still:

  From the torrent, or the fountain,

  From the red cliff of the mountain,

  From the sun that ’round me roll’d

  In its autumn tint of gold—

  From the lightning in the sky

  As it pass’d me flying by—

  From the thunder and the storm,

  And the cloud that took the form

  (When the rest of Heaven was blue)

  Of a demon in my view.

  NOTES

  TALES

  The Tell-Tale Heart

  1. The Tell-Tale Heart: Originally published in January 1843 in The Pioneer magazine; Poe revised the tale and published it again in The Broadway Journal, August 23, 1845.

  2. death watches: A species of beetle, so called because their presence in walls (they can be heard gnawing on wood) is taken to be an omen of impending death.

 

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