grass and clouds and trees,
Anthony,
trees and grass and clouds.
Why did you follow
that beloved body
with your ships at Actium?
I hope it was because
you knew her inch by inch
from slanting feet upward
to the roots of her hair
and down again and that
you saw her
above the battle’s fury
reflecting—
clouds and trees and grass
for then
you are listening in heaven.
SOURCE: The Little Review. January 1920.
To Waken an Old Lady (1921)
Old age is
a flight of small
cheeping birds
skimming
bare trees
above a snow glaze.
Gaining and failing
they are buffetted
by a dark wind—
But what?
On harsh weedstalks
the flock has rested,
the snow
is covered with broken
seedhusks
and the wind tempered
by a shrill
piping of plenty.
SOURCE: William Carlos Williams. Sour Grapes. Boston: The Four Seas Company, 1921.
Complaint (1921)
They call me and I go
It is a frozen road
past midnight, a dust
of snow caught
in the rigid wheeltracks.
The door opens.
I smile, enter and
shake off the cold.
Here is a great woman
on her side in the bed.
She is sick,
perhaps vomiting,
perhaps laboring
to give birth to
a tenth child. Joy! Joy!
Night is a room
darkened for lovers,
through the jalousies the sun
has sent one gold needle!
I pick the hair from her eyes
and watch her misery
with compassion.
SOURCE: William Carlos Williams. Sour Grapes. Boston: The Four Seas Company, 1921.
Complete Destruction (1921)
It was an icy day.
We buried the cat,
then took her box
and set fire to it
in the back yard.
Those fleas that escaped
earth and fire
died by the cold.
SOURCE: William Carlos Williams. Sour Grapes. Boston: The Four Seas Company, 1921.
The Widow’s Lament in Springtime (1921)
Sorrow is my own yard
where the new grass
flames as it has flamed
often before but not
with the cold fire
that closes round me this year.
Thirtyfive years
I lived with my husband.
The plumtree is white today
with masses of flowers.
Masses of flowers
load the cherry branches
and color some bushes
yellow and some red
but the grief in my heart
is stronger than they
for though they were my joy
formerly, today I notice them
and turn away forgetting.
Today my son told me
that in the meadows,
at the edge of the heavy woods
in the distance, he saw
trees of white flowers.
I feel that I would like
to go there
and fall into those flowers
and sink into the marsh near them.
SOURCE: William Carlos Williams. Sour Grapes. Boston: The Four Seas Company, 1921.
The Lonely Street (1921)
School is over. It is too hot
to walk at ease. At ease
in light frocks they walk the streets
to while the time away.
They have grown tall. They hold
pink flames in their right hands.
In white from head to foot,
with sidelong, idle look—
in yellow, floating stuff,
black sash and stockings—
touching their avid mouths
with pink sugar on a stick—
like a carnation each holds in her hand—
they mount the lonely street.
SOURCE: William Carlos Williams. Sour Grapes. Boston: The Four Seas 560
The Great Figure (1921)
Among the rain
and lights
I saw the figure 5
in gold
on a red
firetruck
moving
with weight and urgency
tense
unheeded
to gong clangs
siren howls
and wheels rumbling
through the dark city.
SOURCE: William Carlos Williams. Sour Grapes. Boston: The Four Seas Company, 1921.
THEODORE DREISER
In this story, Theodore Dreiser (1871–1945), famous for his naturalistic novels Sister Carrie and An American Tragedy, describes the touching, pathetic hallucinations of a widower.
The Lost Phœbe (1916)
THEY LIVED TOGETHER in a part of the country which was not so prosperous as it had once been, about three miles from one of those small towns that, instead of increasing in population, is steadily decreasing. The territory was not very thickly settled; perhaps a house every other mile or so, with large areas of corn- and wheat-land and fallow fields that at odd seasons had been sown to timothy and clover. Their particular house was part log and part frame, the log portion being the old original home of Henry’s grandfather. The new portion, of now rain-beaten, time-worn slabs, through which the wind squeaked in the chinks at times, and which several overshadowing elms and a butternut-tree made picturesque and reminiscently pathetic, but a little damp, was erected by Henry when he was twenty-one and just married.
That was forty-eight years before. The furniture inside, like the house outside, was old and mildewy and reminiscent of an earlier day. You have seen the what-not of cherry wood, perhaps, with spiral legs and fluted top. It was there. The old-fashioned four poster bed, with its ball-like protuberances and deep curving incisions, was there also, a sadly alienated descendant of an early Jacobean ancestor. The bureau of cherry was also high and wide and solidly built, but faded-looking, and with a musty odor. The rag carpet that underlay all these sturdy examples of enduring furniture was a weak, faded, lead-and-pink-colored affair woven by Phœbe Ann’s own hands, when she was fifteen years younger than she was when she died. The creaky wooden loom on which it had been done now stood like a dusty, bony skeleton, along with a broken rocking-chair, a worm-eaten clothes-press—Heaven knows how old—a lime-stained bench that had once been used to keep flowers on outside the door, and other decrepit factors of household utility, in an east room that was a lean-to against this so-called main portion. All sorts of other broken-down furniture were about this place; an antiquated clothes-horse, cracked in two of its ribs; a broken mirror in an old cherry frame, which had fallen from a nail and cracked itself three days before their youngest son, Jerry, died; an extension hat-rack, which once had had porcelain knobs on the ends of its pegs; and a sewing-machine, long since outdone in its clumsy mechanism by rivals of a newer generation.
The orchard to the east of the house was full of gnarled old apple-trees, worm-eaten as to trunks and branches, and fully ornamented with green and white lichens, so that it had a sad, greenish-white, silvery effect in moonlight. The low outhouses, which had once housed chickens, a horse or two, a cow, and several pigs, were covered with patches of moss as to their roof, and the sides had been free of paint for so long that they were blackish gray as to color, and a little spongy. The picket-fe
nce in front, with its gate squeaky and askew, and the side fences of the stake-and-rider type were in an equally run-down condition. As a matter of fact, they had aged synchronously with the persons who lived here, old Henry Reifsneider and his wife Phœbe Ann.
They had lived here, these two, ever since their marriage, forty-eight years before, and Henry had lived here before that from his childhood up. His father and mother, well along in years when he was a boy, had invited him to bring his wife here when he had first fallen in love and decided to marry; and he had done so. His father and mother were the companions of himself and his wife for ten years after they were married, when both died; and then Henry and Phœbe were left with their five children growing lustily apace. But all sorts of things had happened since then. Of the seven children, all told, that had been born to them, three had died; one girl had gone to Kansas; one boy had gone to Sioux Falls, never even to be heard of after; another boy had gone to Washington; and the last girl lived five counties away in the same State, but was so burdened with cares of her own that she rarely gave them a thought. Time and a commonplace home life that had never been attractive had weaned them thoroughly, so that, wherever they were, they gave little thought as to how it might be with their father and mother.
Old Henry Reifsneider and his wife Phœbe were a loving couple. You perhaps know how it is with simple natures that fasten themselves like lichens on the stones of circumstance and weather their days to a crumbling conclusion. The great world sounds widely, but it has no call for them. They have no soaring intellect. The orchard, the meadow, the corn-field, the pig-pen, and the chicken-lot measure the range of their human activities. When the wheat is headed it is reaped and threshed; when the corn is browned and frosted it is cut and shocked; when the timothy is in full head it is cut, and the hay-cock erected. After that comes winter, with the hauling of grain to market, the sawing and splitting of wood, the simple chores of fire-building, meal-getting, occasional repairing, and visiting. Beyond these and the changes of weather—the snows, the rains, and the fair days—there are no immediate, significant things. All the rest of life is a far-off, clamorous phantasmagoria, flickering like Northern lights in the night, and sounding as faintly as cow-bells tinkling in the distance.
Old Henry and his wife Phœbe were as fond of each other as it is possible for two old people to be who have nothing else in this life to be fond of. He was a thin old man, seventy when she died, a queer, crotchety person with coarse gray-black hair and beard, quite straggly and unkempt. He looked at you out of dull, fishy, watery eyes that had deep-brown crow’s-feet at the sides. His clothes, like the clothes of many farmers, were aged and angular and baggy, standing out at the pockets, not fitting about the neck, protuberant and worn at elbow and knee. Phœbe Ann was thin and shapeless, a very umbrella of a woman, clad in shabby black, and with a black bonnet for her best wear. As time had passed, and they had only themselves to look after, their movements had become slower and slower, their activities fewer and fewer. The annual keep of pigs had been reduced from five to one grunting porker, and the single horse which Henry now retained was a sleepy animal, not over-nourished and not very clean. The chickens, of which formerly there was a large flock, had almost disappeared, owing to ferrets, foxes, and the lack of proper care, which produces disease. The former healthy garden was now a straggling memory of itself, and the vines and flower-beds that formerly ornamented the windows and dooryard had now become choking thickets. A will had been made which divided the small tax-eaten property equally among the remaining four, so that it was really of no interest to any of them. Yet these two lived together in peace and sympathy, only that now and then old Henry would become unduly cranky, complaining almost invariably that something had been neglected or mislaid which was of no importance at all.
“Phœbe, where’s my corn-knife? You ain’t never minded to let my things alone no more.”
“Now you hush, Henry,” his wife would caution him in a cracked and squeaky voice. “If you don’t, I’ll leave yuh. I’ll git up and walk out of here some day, and then where would y’ be? Y’ ain’t got anybody but me to look after yuh, so yuh just behave yourself. Your corn-knife’s on the mantel where it’s allus been unless you’ve gone an’ put it summers else.”
Old Henry, who knew his wife would never leave him in any circumstances, used to speculate at times as to what he would do if she were to die. That was the one leaving that he really feared. As he climbed on the chair at night to wind the old, long-pendulumed, double-weighted clock, or went finally to the front and the back door to see that they were safely shut in, it was a comfort to know that Phœbe was there, properly ensconced on her side of the bed, and that if he stirred restlessly in the night, she would be there to ask what he wanted.
“Now, Henry, do lie still! You’re as restless as a chicken.”
“Well, I can’t sleep, Phœbe.”
“Well, yuh needn’t roll so, anyhow. Yuh kin let me sleep.”
This usually reduced him to a state of somnolent ease. If she wanted a pail of water, it was a grumbling pleasure for him to get it; and if she did rise first to build the fires, he saw that the wood was cut and placed within easy reach. They divided this simple world nicely between them.
As the years had gone on, however, fewer and fewer people had called. They were well-known for a distance of as much as ten square miles as old Mr. and Mrs. Reifsneider, honest, moderately Christian, but too old to be really interesting any longer. The writing of letters had become an almost impossible burden too difficult to continue or even negotiate via others, although an occasional letter still did arrive from the daughter in Pemberton County. Now and then some old friend stopped with a pie or cake or a roasted chicken or duck, or merely to see that they were well; but even these kindly minded visits were no longer frequent.
One day in the early spring of her sixty-fourth year Mrs. Reifsneider took sick, and from a low fever passed into some indefinable ailment which, because of her age, was no longer curable. Old Henry drove to Swinnerton, the neighboring town, and procured a doctor. Some friends called, and the immediate care of her was taken off his hands. Then one chill spring night she died, and old Henry, in a fog of sorrow and uncertainty, followed her body to the nearest graveyard, an unattractive space with a few pines growing in it. Although he might have gone to the daughter in Pemberton or sent for her, it was really too much trouble and he was too weary and fixed. It was suggested to him at once by one friend and another that he come to stay with them awhile, but he did not see fit. He was so old and so fixed in his notions and so accustomed to the exact surroundings he had known all his days, that he could not think of leaving. He wanted to remain near where they had put his Phœbe; and the fact that he would have to live alone did not trouble him in the least. The living children were notified and the care of him offered if he would leave, but he would not.
“I kin make a shift for myself,” he continually announced to old Dr. Morrow, who had attended his wife in this case. “I kin cook a little, and, besides, it don’t take much more’n coffee an’ bread in the mornin’s to satisfy me. I’ll get along now well enough. Yuh just let me be.” And after many pleadings and proffers of advice, with supplies of coffee and bacon and baked bread duly offered and accepted, he was left to himself. For a while he sat idly outside his door brooding in the spring sun. He tried to revive his interest in farming, and to keep himself busy and free from thought by looking after the fields, which of late had been much neglected. It was a gloomy thing to come in of an evening, however, or in the afternoon and find no shadow of Phœbe where everything suggested her. By degrees he put a few of her things away. At night he sat beside his lamp and read in the papers that were left him occasionally or in a Bible that he had neglected for years, but he could get little solace from these things. Mostly he held his hand over his mouth and looked at the floor as he sat and thought of what had become of her, and how soon he himself would die. He made a great business of making his coffee in the
morning and frying himself a little bacon at night; but his appetite was gone. The shell in which he had been housed so long seemed vacant, and its shadows were suggestive of immedicable griefs. So he lived quite dolefully for five long months, and then a change began.
It was one night, after he had looked after the front and the back door, wound the clock, blown out the light, and gone through all the selfsame motions that he had indulged in for years, that he went to bed not so much to sleep as to think. It was a moonlight night. The green-lichen-covered orchard just outside and to be seen from his bed where he now lay was a silvery affair, sweetly spectral. The moon shone through the east windows, throwing the pattern of the panes on the wooden floor, and making the old furniture, to which he was accustomed, stand out dimly in the room. As usual he had been thinking of Phœbe and the years when they had been young together, and of the children who had gone, and the poor shift he was making of his present days. The house was coming to be in a very bad state indeed. The bed-clothes were in disorder and not clean, for he made a wretched shift of washing. It was a terror to him. The roof leaked, causing things, some of them, to remain damp for weeks at a time, but he was getting into that brooding state where he would accept anything rather than exert himself. He preferred to pace slowly to and fro or to sit and think.
By twelve o’clock of this particular night he was asleep, however, and by two had waked again. The moon by this time had shifted to a position on the western side of the house, and it now shone in through the windows of the living-room and those of the kitchen beyond. A certain combination of furniture—a chair near a table, with his coat on it, the half-open kitchen door casting a shadow, and the position of a lamp near a paper—gave him an exact representation of Phœbe leaning over the table as he had often seen her do in life. It gave him a great start. Could it be she—or her ghost? He had scarcely ever believed in spirits; and still—He looked her fixedly in the feeble half-light, his old hair tingling oddly at the roots, and then sat up. The figure did not move. He put this thin legs out of the bed and sat looking at her, wondering if this could really be Phœbe. They had talked of ghosts often in their lifetime, of apparitions and omens; but they had never agreed that such things could be. It had never been a part of his wife’s creed that she could have a spirit that could return to walk the earth. Her after-world was quite a different affair, a vague heaven, no less, from which the righteous did not trouble to return. Yet here she was now, bending over the table in her black skirt and gray shawl, her pale profile outlined against the moonlight.
The Dover Anthology of American Literature Volume II Page 66
