The clouds were building now above the Lukachukai peaks and McKee thought there might be a thunder shower over Many Ruins Canyon by sundown. He and Canfield had camped well up off the floor of the canyon, safe from flash floods, but he had left most of his gear outside the tent. Canfield might be there to take care of things, or he might be out digging into the burial site at one of the ruins; when he was working, Canfield could not be depended upon to notice it was raining.
McKee butted out his cigarette and pushed himself to his feet, noticing the stiffness of his muscles and thinking ruefully that sitting behind a desk was poor conditioning for a field trip. It was then he noticed the smell.
It was a faint smell, borne on a sudden light breeze which had fanned up the arroyo past the hogans. McKee recognized it instantly. The smell of death and decaying flesh. He stood stockstill beside the truck, studying the silent hogans. If the odor had come from them, he would have noticed it earlier. He walked slowly down the slope. Beyond the brush arbor he stopped and stood silently again, listening. Behind the hogans, the arroyo curved sharply around a high outcropping of rock topped by a growth of juniper and pi¤on. Something behind this ridge was making a sound, a tuneless symphony of low notes which would not have been audible except for the otherwise eerie silence of the place. He walked slowly toward the trees, listening, feeling the tenseness of irrational nervousness. Then the sound explained itself.
A raven flapped out of one of the pi¤ons with a raucous caw. A second later a cloud of the black scavenger birds erupted from the arroyo in an explosion of flapping. McKee stood a moment feeling simultaneously weak from the sudden start and foolish at his skittishness. He trotted to the top of the ridge to see what had attracted the scavengers.
In the arroyo bend, against the perpendicular wall of eroded sandstone, Ben Yazzie had built a third pole sheep corral. In it were bodies of five rams with the heavy dark wool of Merinos. Looking directly down into the pen, McKee could see its floor was blackened in several places where blood had soaked into the sand. He could also see that the ravens, now raising a noisy clamor from the trees fifty yards down the arroyo, had been at work on the throats of the animals. That meant, McKee thought, they had been killed by a wolf, or coyotes, or perhaps by dogs.
It took almost exactly an hour for McKee to cover the nine miles of wagon road from the Yazzie hogans to the mouth of Many Ruins Canyon. Even before he left the place he had concluded that the dead rams, and the cause of their death, probably explained the origin of at least some of the witchcraft gossip. When he found Yazzie he would learn that Yazzie had lost many sheep to this "witch" and that he had decided to abandon his traditional grazing grounds and his hogan because a witch is, after all, more than a man can be expected to cope with. Yazzie would not be likely to admit, even to himself, that he could not deal with coyotes, or even with an unusually bold wolf of the natural, four-legged variety. When McKee found Afraid of His Horse, he would learn the coyotes were also active this season north of Many Ruins. Taken together, he thought, the two linked incidents would provide the first of the specific examples he needed to support his scapegoat thesis. He felt suddenly optimistic.
It was not until he had turned the truck up the sandy bottom of Many Ruins Canyon that McKee realized that he wasn't sure exactly how a coyote could have gotten into the rams' pen. The pen was built in a rough half-circle extending from the arroyo wall. McKee remembered he had not been able to look over the pen from the arroyo bed. That meant the pole wall was about six feet high-too high for a coyote, or even a wolf, to jump. It occurred to him then that Yazzie must surely have built the corral with coyotes or wolves much in mind and designed it to keep them out. The poles were wired together, top and bottom, and the bases had been buried in the sandy soil. The gate, a narrow door of poles held together by horizontal braces, had also been wired securely shut. McKee remembered this clearly because of the time it had taken him to unfasten the wires. If Yazzie had carelessly left the gate insecurely fastened the night the wolf got in, why would he have bothered to fasten it so securely after the damage was done?
McKee drove slowly along the hard-packed canyon floor. The cloud he had noticed earlier had built higher now and there had been a shower somewhere. The breeze was cool and smelled of wet pine. In places the going was slow and rocky. Here the canyon walls closed in, sheer smooth cliffs which funneled the water of the occasional flash floods into a narrow torrent. But generally the road was smooth and the canyon bottom broadened to a hundred yards or more. The runoff stream here required only a small portion of the canyon floor. Its bed wandered between tumbled hills of rocky debris and there were grass and even a few cottonwoods. Here the sandstone had been softer and more readily destroyed by wind and water. It was in places like these that the Anasazis had built on the talus slopes and high under the overhanging shelter of the canyon walls the cliff houses which gave the canyon its name. McKee passed three of these stone ruins on his way to the campsite without giving them more than a glance. He was, by then, thoroughly disgusted with himself for his oversight at the sheep pens-carelessness which meant he would have to return to the Yazzie hogans and find out exactly how the coyotes had gotten in. He was so immersed in this problem that it was not until he turned his truck up the slope to the campsite that he noticed Canfield's camper truck was gone.
McKee switched off the ignition and sat silently a moment. The exhaust noise echoed up and down the canyon and then died, leaving an utter stillness. The butane campstove was unlit, McKee noticed, and there was no sign that Canfield had started cooking supper, although it was his turn for the chore.
"Where in the devil could he have gone?" McKee said aloud. He was inside the tent when he saw the note, a sheet of typing paper on the folding table weighted by a turquoise frog-Canfield's proof against witches.
Bergen-
A Navajo dragged himself up here with a leg all swollen up with snakebite. I'm taking him to Teec Nos Pas. Be back tomorrow morning.
John
McKee reread the note and stared at the signature; Dr. J. R. Canfield's first name was Jeremy, not John.
Chapter 10
Sandoval squatted beside the sand painting and told Charley Tsosie to put his knees on the knees of the Corn Beetle. He showed him how to lean forward with one hand on each hand of the figure. When Tsosie was just right, Sandoval began singing the part about how the corn beetles called out to tell the Changing Woman that her Hero Twins, the Monster Slayer and the Water Child, were coming home again safely. His voice rose in pitch on the "lo-lo-loo" cry of the beetle, and then fell as he chanted the part about the Hero Twins visiting the sun, and slaughtering the monster Ye-i. It was stifling in the hogan and Tsosie's bare back was glistening with sweat. Even his loin cloth was discolored with it. That was good. The enemy was coming out. And now Sandoval was ready for the next part. He sprinkled a pinch of corn pollen on Tsosie's shoulders and had him stand up and step off the sand painting-carefully so that the pattern wouldn't be disturbed.
Sandoval felt good about the painting. He hadn't done an Enemy Way since just after the foreign war when the young men had come back from the Marines. He was afraid he might have forgotten how to do it. But it had worked out just right. The arroyo sand he had poured out on the hogan floor for the base was a little darker than he liked but he had known it was going to work all right when he poured out the colored sand to make the Encircling Guardian. He had made it in a square as his father had taught him, with the east side open to keep from trapping in any of the Holy People. The Guardian's head was at the north end, with his two arms inward, and his feet were at the south end. His body was four alternating lines of red and yellow sand, and at the opening Sandoval had drawn the elaborate figure of Thunder, wearing the three crooked arrows in his headdress and carrying the crooked arrows under his wings.
"Put Thunder there when you sing for a witching," his father had told him. "His lightning kills the witches."
Sandoval repaired the Corn Beetle de
ftly, sifting colored sand through his fingers to reform the lines where Tsosie's hands and knees had pressed. He added a tiny sprinkle of black sand to the single feather in the headdress of Big Fly.
Sandoval stood up then and looked into the pot where he had brewed the medicine. The water was still steaming and the juniper leaves he had mixed into it had turned the solution milky. It looked about right but Sandoval thought it would have been better if he had had a waterproof basket so it could have been done the old way. The People are losing too many of the old ways, Sandoval thought, and he thought it again when he had to tell Tsosie how to sit on the feet of Big Fly, and even had to remind him to face the east. When Sandoval was a boy learning the ways from his father, his father had not had to tell people how to sit. They knew.
Sandoval sang then the chant of the Big Fly, and how he had come to The People to tell them that Black God and the warriors were returning victorious from their war against the Taos Pueblo and how the two girls had been sent by the people to carry food to the war band. This was the last chant before the vomiting and Sandoval was glad of that. It was the second day of the Enemy Way. His voice was hoarse and he was tired and there was still much to be done, much ritual to be completed before this man was free of the witch trouble. His daughter had been right and he should have listened to her. He was eighty-one (or eighty-two by the white man's way of counting) and loaded with too many years to conduct a three-day Sing like an Enemy Way.
Sandoval dipped the ceremonial gourd into the pot, filling it with the hot, milky fluid, and handed the gourd to Tsosie.
"Drink all of it," he ordered, thinking you shouldn't have to tell a man that. And, while Tsosie drank, he sang the last two chants. He refilled the gourd and handed it to Agnes Tsosie and then to the two sons. Let the others get their own, Sandoval thought, and he ducked past the double curtains hung over the hogan doorway to see if the time was right.
Outside the air was cool, almost cold after the closeness of the hogan. The eastern horizon was turning from red to yellow and Sandoval saw it was about the right time. He pulled back the curtains and called to Tsosie.
"Go out there behind the brush shelter," he ordered, "and remember that to make it right you want to vomit out the witching just as you can see the top rim of the sun coming up." When Tsosie came past the curtain, Sandoval handed him a chicken feather.
"Just when the sun is first coming up," Sandoval reminded him. "If the medicine isn't working, stick that feather down your throat."
Sandoval sat on the ground and leaned back on the wall of the hogan, relishing the coolness. He would have about thirty minutes before the vomiting was finished and then one more chant to sing while Tsosie and his family were rubbing the juniper stew on their bodies. Then it would be time for the people from the Stick Receivers to arrive. Sandoval yawned and stretched and looked out across the brush flats where the visitors were camping. Probably four or five hundred, he thought, and there would be more arriving today, mostly women bringing their girls to look for husbands at the Girl Dance tonight, and young men looking for girls, and gambling, and drinking, and trouble. Sandoval had meant to think about the ceremonial, to think just good thoughts and keep in harmony with the event. But he couldn't help thinking how times were changing. Mostly they came in their pickups and cars now. There were dozens of them parked out there and just a few wagons. And that was part of it. The white man's machines made it easy to travel about and people came just to visit and fool around. In the old days there wouldn't have been any drinking and gambling at a ceremonial like this. Sandoval watched a white carryall with the humped buffalo insignia of Law and Order drive up across the flat, and a man in blue jeans and a checked shirt get out of it and talk to a woman starting a cook fire near one of the pickups. The woman pointed in Sandoval's direction and the man came walking toward him.
He was short, with heavy shoulders and a Roman nose, and when he stopped in front of Sandoval and said, "My grandfather, I hope all is well with you," his voice was very clear and distinct. Sandoval, who had noticed lately that most young people mumbled, liked this. He invited the young man to sit beside him.
"I am called Joe Leaphorn," the young man said, "and I work for Law and Order," but after that he talked about other things-about the rains starting early this year, which was good, and about drinking and gambling at the ceremonials, which was bad. Sandoval approved of this, knowing that the policeman would get around to his business in good time and appreciating that here was a young one who knew the old and patient ways.
"There has not been an Enemy Way in this country in a long time," the policeman said, and from the way he said it, Sandoval thought that the time had come for business.
"I guess," the policeman added, "that they had a Star Gazer, or a Hand Trembler come." It was not a question, exactly, but the tone confirmed Sandoval's guess. The policeman was talking business now.
"Hand Tremble," Sandoval said. "They got Jimmy Hudson to come out here and hold his hand over Charley Tsosie and Hudson found out he had been witched. Hudson said the witch blew something on him."
"There was a man lived out here who they called Luis Horseman," the policeman said. "I wonder if he was a witch?"
"I don't know about him."
"I guess the Enemy Way will work even if you don't know who the witch is. But, my grandfather, I am an ignorant man about many things. There were no Singers in my family and I don't know how the Scalp Shooter gets the scalp if you don't know who the witch is."
"They know something about him," Sandoval said. He was enjoying this. Enjoying the young man's finesse and the sparring with words.
"I knew a Hand Trembler once who was wrong. He said a ghost had got at my uncle's brother's son and they had a Shooting Way Sing for that. Turned out he had tuberculosis."
"Hand trembling's not much good usually," Sandoval agreed. "But this time he got it right. They said this Navajo Wolf came down and bothered Tsosie's sheep in the night and Tsosie saw him. Looked like a big coyote but it was a man. And then after Hudson came and hand trembled, they got one of the outfit who knew some of the chants and they did a blackening on Tsosie and after that he felt better for a little while." Sandoval hadn't liked the remark about tuberculosis. He wondered sourly if the young man believed in witches. The policeman had a white haircut. Not the way the Changing Woman had taught. He was looking out across the sagebrush flat now, thinking. Sandoval guessed the next question would tell him something.
"My grandfather, I am using too much of your time today, but I keep wondering about this. I know you have never listened to gossip but I will tell you something you might need to know for your Sing. This man Horseman is dead now, and if he was the witch, you might need to know about it for the way you hold the Sing."
Sandoval wondered why the policeman thought a man named Horseman was the witch. The question would come now. Maybe it would tell him.
"As I said, I am ignorant about many things. I know it would be easier to cure Tsosie if the witch was already dead. But how would be the best way to kill the witch?"
Sandoval turned the question over carefully.
"The best way is with clubs."
The policeman was looking at him closely now. "Would it be a good thing to smother him? To pour sand over his head?"
"I never heard that. Sometimes with clubs and sometimes they shoot them." Sandoval was puzzled. He had never heard of Horseman and he had never heard of a man being killed like that. He saw Tsosie was coming back now from behind the brush shelter and he got to his feet. His bones felt stiff and he was irritated. He suspected the young man had left the Navajo Way and was on the Jesus Road.
"My grandson, I must go back into the hogan now. But now I have a question for you to answer. Tell me if you believe in witching."
"My father taught me about it," the policeman said. "When the water rose in the Fourth World and the Holy People emerged through the hollow reed, First Man and First Woman came up, too. But they forgot witchcraft and so they
sent Diving Heron back for it. They told him to bring out 'the way to get rich' so the Holy People wouldn't know what he was getting. And Heron brought it out and gave it to First Man and First Woman and they gave some of it to Snake. But Snake couldn't swallow it so he had to hold it in his mouth. And that's why it kills you when a snake strikes you."
The words were right, Sandoval thought, but he recited them like a lesson.
"You didn't tell me whether you believe it."
The man named Leaphorn smiled very slightly.
Tony Hillerman - Leaphorn & Chee 01 - The Blessing Way Page 6
