Nightmare Magazine Issue 6

by Molly Tanzer

  Nightmare Magazine

  Issue 6, March 2013

  Table of Contents

  Editorial, February 2013

  The Infernal History of the Ivybridge Twins—Molly Tanzer

  The Sign in the Moonlight—David Tallerman

  Jetsam—Livia Llewellyn

  No Breather in the World But Thee—Jeff VanderMeer

  The H Word: “The F Bomb”—R.J. Sevin

  Artist Gallery: Daniel Karlsson

  Artist Spotlight: Daniel Karlsson

  Interview: Jonathan Maberry

  Author Spotlight: Molly Tanzer

  Author Spotlight: David Tallerman

  Author Spotlight: Livia Llewellyn

  Author Spotlight: Jeff VanderMeer

  Coming Attractions

  © 2013, Nightmare Magazine

  Cover Art and Artist Gallery images by Daniel Karlsson.

  Ebook design by Neil Clarke.

  www.nightmare-magazine.com

  Editorial, March 2013

  John Joseph Adams

  Welcome to issue six of Nightmare!

  This month, we have original fiction from David Tallerman (“The Sign in the Moonlight”) and Jeff VanderMeer (“No Breather in the World But Thee”), along with reprints by Molly Tanzer (“The Infernal History of the Ivybridge Twins”) and Livia Llewellyn (“Jetsam”). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with all of our authors, a showcase on our cover artist, and a feature interview with bestselling author Jonathan Maberry.

  That’s about all I have for you this month, but before I step out of your way and let you get to the fiction, here are a few URLs you might want to check out or keep handy if you’d like to stay apprised of everything new and notable happening with Nightmare:

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  Thanks for reading!

  John Joseph Adams, in addition to serving as publisher and editor of Nightmare (and its sister magazine, Lightspeed), is the bestselling editor of many anthologies, such as The Mad Scientist’s Guide to World Domination, Oz Reimagined, Epic: Legends of Fantasy, Other Worlds Than These, Armored, Under the Moons of Mars: New Adventures on Barsoom, Brave New Worlds, Wastelands, The Living Dead, The Living Dead 2, By Blood We Live, Federations, The Improbable Adventures of Sherlock Holmes, and The Way of the Wizard. He is a four-time finalist for the Hugo Award and the World Fantasy Award. He is also the co-host of Wired.com’s The Geek’s Guide to the Galaxy podcast. Find him on Twitter @johnjosephadams.

  The Infernal History of the Ivybridge Twins

  Molly Tanzer

  I.

  Concerning the life and death of St. John Fitzroy, Lord Calipash—the suffering of the Lady Calipash—the unsavory endeavors of Lord Calipash’s cousin Mr. Villein—as well as an account of the curious circumstances surrounding the birth of the future Lord Calipash and his twin sister

  In the county of Devonshire, in the parish of Ivybridge, stood the ancestral home of the Lords Calipash. Calipash Manor was large, built sturdily of the local limestone, and had stood for many years without fire or other catastrophe marring its expanse. No one could impugn the size and antiquity of the house, yet often one or another of those among Lord Calipash’s acquaintance might be heard to comment that the Manor had a rather rambling, hodgepodge look to it, and this could not be easily refuted without the peril of speaking a falsehood. The reason for this was that the Lords Calipash had always been the very essence of English patriotism, and rather than ever tearing down any part of the house and building anew, each Lord Calipash had chosen to make additions and improvements to older structures. Thus, though the prospect was somewhat sprawling, it served as a pleasant enough reminder of the various styles of Devonian architecture, and became something of a local attraction.

  St. John Fitzroy, Lord Calipash, was a handsome man, tall, fair-haired, and blue-eyed. He had been bred up as any gentleman of rank and fortune might be, and therefore the manner of his death was more singular than any aspect of his life. Now, given that this is, indeed, an Infernal History, the sad circumstances surrounding this good man’s unexpected and early demise demand attention by the author, and they are inextricably linked with the Lord Calipash’s cousin, a young scholar called Mr. Villein, who will figure more prominently in this narrative than his nobler relation.

  Mr. Villein came to stay at Calipash Manor during the Seven Years’ War, in order to prevent his being conscripted into the French army. Though indifference had previously characterized the relationship between Lord Calipash and Mr. Villein (Mr. Villein belonging to a significantly lower branch of the family tree), when Mr. Villein wrote to Lord Calipash to beg sanctuary, the good Lord would not deny his own flesh and blood. This was not to say, however, that Lord Calipash was above subtly encouraging his own flesh and blood to make his stay a short one, and to that end, he gave Mr. Villein the tower bedroom that had been built by one of the more eccentric Lords some generations prior to our tale, who so enjoyed pretending to be the Lady Jane Grey that he had the edifice constructed so his wife could dress up as member of the Privy Council and keep him locked up there for as long as nine days at a stretch. But that was not the reason Lord Calipash bade his cousin reside there—the tower was a drafty place, and given to damp, and thus seemed certain of securing Mr. Villein’s speedy departure. As it turns out, however, the two men were so unlike one another, that what Lord Calipash thought was an insulting situation, Mr. Villein found entirely salubrious, and so, happily, out of a case of simple misunderstanding grew an affection, founded on deepest admiration for Mr. Villein’s part, and for Lord Calipash’s, enjoyment of toadying.

  All the long years of the international conflict Mr. Villein remained at Calipash Manor, and with the passing of each and every day he came more into the confidence of Lord Calipash, until it was not an uncommon occurrence to hear members of Lord Calipash’s circle using words like inseparable to describe their relationship. Then, only six months before the signing of the Treaty of Paris, the possibility of continued fellowship between Lord Calipash and Mr. Villein was quite suddenly extinguished. A Mr. Fellingworth moved into the neighborhood with his family, among them his daughter of fifteen years, Miss Alys Fellingworth. Dark of hair and eye but pale of cheek, her beauty did not go long unnoticed by the local swains. She had many suitors and many offers, but from among a nosegay of sparks she chose as her favorite blossom the Lord Calipash.

  Mr. Villein had also been among Miss Fellingworth’s admirers, and her decision wounded him—not so much that he refused to come to the wedding (he was very fond of cake), but certainly enough that all the love Mr. Ville
in had felt for Lord Calipash was instantly converted, as if by alchemy, to pure hatred. In his dolor, Mr. Villein managed to convince himself that Miss Fellingworth’s father had pressured her to accept Lord Calipash’s offer for the sake of his rank and income, against her true inclinations; that had she been allowed to pick her heart’s choice, she certainly would have accepted Mr. Villein’s suit rather than his cousin’s. Such notions occupied Mr. Villein’s thoughts whenever he saw the happy couple together, and every day his mind became more and more inhospitable to any pleasure he might have otherwise felt on account of his friend’s newfound felicity.

  A reader of this history might well wonder why Mr. Villein did not quit Calipash Manor, given that his situation, previously so agreeable, he now found intolerable. Mr. Villein was, however, loath to leave England. He had received a letter from his sister informing him that during his absence, his modest home had been commandeered by the army, and thus his furniture was in want of replacing, his lands trampled without hope of harvest, his stores pilfered, and, perhaps worst of all, his wretched sister was with child by an Austrian soldier who had, it seemed, lied about his interest in playing the rôle of father beyond the few minutes required to grant him that status. It seemed prudent to Mr. Villein to keep apart from such appalling circumstances for as long as possible.

  Then one evening, from the window of his tower bedroom, Mr. Villein saw Lord Calipash partaking of certain marital pleasures with the new Lady Calipash against a tree in one of the gardens. Nauseated, Mr. Villein called for his servant and announced his determination to secretly leave Calipash Manor once and for all early the following morning. While the servant packed his bags and trunks, Mr. Villein penned a letter explaining his hasty departure to Lord Calipash, and left it, along with a token of remembrance, in Lord Calipash’s study.

  Quite early the next morning, just as he was securing his cravat, Mr. Villein was treated to the unexpected but tantalizing sight of Lady Calipash in deshabille. She was beside herself with grief, but eventually Mr. Villein, entirely sympathetic and eager to understand the source of her woe, coaxed the story from her fevered mind:

  “I woke early, quite cold,” gibbered Lady Calipash. “Lord Calipash had never come to bed, though he promised me when I went up that he should follow me after settling a few accounts. When I discovered him absent I rose and sought him in his study only to find him—dead. Oh! It was too terrible! His eyes were open, wide and round and staring. At first I thought it looked very much like he had been badly frightened, but then I thought he had almost a look of . . . of ecstasy about him. I believe—”

  Here the Lady Calipash faltered, and it took some minutes for Mr. Villein to get the rest of the story from her, for her agitated state required his fetching smelling salts from out of his valise. Eventually, she calmed enough to relate the following:

  “I believe he might have done himself the injury that took him from me,” she sobbed. “His wrists were slit, and next to him lay his letter-opener. He . . . he had used his own blood to scrawl a message on the skirtingboards . . . oh Mr. Villein!”

  “What did the message say?” asked Mr. Villein.

  “It said, he is calling, he is calling, I hear him,” she said, and then she hesitated.

  “What is it, Lady Calipash?” asked Mr. Villein.

  “I cannot see its importance, but he had this in his other hand,” said she, and handed to Mr. Villein a small object wrapped in a handkerchief.

  He took it from her, and saw that it was an odd bit of ivory, wrought to look like a lad’s head crowned with laurel. Mr. Villein put it in his pocket and smiled at the Lady Calipash.

  “Likely it has nothing to do with your husband’s tragic end,” he said gently. “I purchased this whilst in Greece, and the late Lord Calipash had often admired it. I gave it to him as a parting gift, for I had meant to withdraw from Calipash Manor this very morning.”

  “Oh, but you mustn’t,” begged Lady Calipash. “Not now, not after . . . Lord Calipash would wish you to be here. You mustn’t go just now, please! For my sake . . .”

  Mr. Villein would have been happy to remain on those terms, had the Lady Calipash finished speaking, but alas, there was one piece of information she had yet to relate.

  “. . . and for our child’s sake, as well,” she concluded.

  While the Lord Calipash’s final message was being scrubbed from the skirtingboards, and his death was being declared an accident by the constable in order that the departed Lord might be buried in the churchyard, Mr. Villein violently interrogated Lady Calipash’s serving-maid. The story was true—the Lady was indeed expecting—and this intelligence displeased Mr. Villein so immensely that even as he made himself pleasant and helpful with the hope that he might eventually win the Lady Calipash’s affections, he sought to find a method of ridding her of her unborn child.

  To Mr. Villein’s mind, Lady Calipash could not but fall in love with her loyal confidant—believing as he did that she had always secretly admired him—but Mr. Villein knew that should she bear the late Lord Calipash’s son, the estate would one day be entirely lost to him. Thus he dosed the Lady with recipes born of his own researches, for while Mr. Villein’s current profession was that of scholar, in his youth he had pursued lines of study related to all manner of black magics and sorceries. For many years he had put aside his wicked thaumaturgy, being too happy in the company of Lord Calipash to travel those paths that demand solitude and gloom and suffering, but, newly motivated, he returned to his former interests with a desperate passion.

  Like the Wife of Bath, Mr. Villein knew all manner of remedies for love’s mischances, and he put wicked spells on the decoctions and tisanes that he prepared to help his cause. Yet despite Mr. Villein’s skill with infusion and incantation, Lady Calipash grew heavy with child; indeed, she had such a healthy maternal glow about her that the doctor exclaimed that for one so young to be brought to childbed, she was certain of a healthy accouchement. Mr. Villein, as canny an adept at lying as other arts, appeared to be thrilled by his Lady’s prospects, and was every day by her side. Though privately discouraged by her salutary condition, he was cheered by all manner of odd portents that he observed as her lying-in drew ever closer. First, a murder of large, evil-looking ravens took up residence upon the roof of Calipash Manor, cackling and cawing day and night, and then the ivy growing on Calipash Manor’s aged walls turned from green to scarlet, a circumstance no naturalist in the area could satisfactorily explain. Though the Lady Calipash’s delivery was expected in midwinter, a she-goat was found to be unexpectedly in the same delicate condition as her mistress, and gave birth to a two-headed kid that was promptly beaten to death and buried far from the Manor.

  Not long after that unhappy parturition, which had disturbed the residents of Calipash Manor so greatly that the news was kept from Lady Calipash for fear of doing her or her unborn child a mischief, the Lady began to feel the pangs of her own travail. At the very stroke of midnight, on the night of the dark of the moon, during a lighting storm that was as out of season as the she-goat’s unusual kid, the Lady Calipash was happy to give birth to a healthy baby boy, the future Lord Calipash, and as surprised as the midwife when a second child followed, an equally plump and squalling girl. They were so alike that Lady Calipash named them Basil and Rosemary, and then promptly gave them over to the wet-nurse to be washed and fed.

  The wet-nurse was a stout woman from the village, good-natured and well-intentioned, but a sounder sleeper than was wanted in that house. Though an infant’s wail would rouse her in an instant, footfalls masked by thunder were too subtle for her country-bred ear, and thus she did not observe the solitary figure that stole silently into the nursery in the wee hours of that morning. For only a few moments did the individual linger, knowing well how restive infants can be in their first hours of life. By the eldritch glow of a lightning strike, Mr. Villein uncorked a phial containing the blood of the two-headed kid now buried, and he smeared upon both of those rosy forehead
s an unholy mark, which, before the next burst of thunder, sank without a trace into their soft and delicate skin.

  II.

  A brief account of the infancy, childhood, education, and adolescence of Basil Vincent, the future Lord Calipash, and his sister Rosemary—as well as a discussion of the effect that reputation has on the prospect of obtaining satisfactory friends and lovers

  While the author cannot offer an opinion as to whether any person deserves to suffer during his or her lifetime, the author will say with utter certainty that Lady Calipash endured more on account of her Twins than any good woman should expect when she finds herself in the happy condition of motherhood. Their easy birth and her quick recovery were the end of Lady Calipash’s maternal bliss, for not long after she could sit up and cradle her infant son in her arms, she was informed that a new wet-nurse must be hired, as the old had quit the morning after the birth.

  Lady Calipash was never told of the reason for the nurse’s hasty departure, only that for a few days her newborns had been nourished with goat’s milk, there being no suitable women in the neighborhood to feed the hungry young lord and his equally rapacious sister. The truth of the matter was that little Rosemary had bitten off the wet-nurse’s nipple not an hour after witnessing her first sunrise. When the poor woman ran out of the nursery, clutching her bloody breast and screaming, the rest of the servants did not much credit her account of the injury; when it was discovered that the newborn was possessed of a set of thin, needle-sharp teeth behind her innocent mouth, they would have drowned the girl in the well if not for Mr. Villein, who scolded them for peasant superstition and told them to feed the babes on the milk of the nanny goat who had borne the two-headed kid until such a time when a new wet-nurse could be hired. That the wet-nurse’s nipple was never found became a source of ominous legend in the household, theories swapped from servant to servant, until Mr. Villein heard two chambermaids chattering and beat them both dreadfully in order that they might serve as an example of the consequences of idle gossip.