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The End of the Alphabet

Page 7

by Cs Richardson


  She watched number twelve carry his tiny dog around the park. Number eighteen hurried along the pavement, a few minutes behind her time. The neighbourhood stray strolled towards the birds.

  When the elderly man passed by, he paused. He put down the dog and turning smartly towards Zipper, took off his hat and bowed. The dog stood unsettled at his master’s feet, trying to ignore the neighbourhood stray. The man replaced his hat, collected his dog and walked slowly home.

  Number eighteen kept walking past her waiting children and stopped a step or two below Zipper. The woman’s smile was shy. After a moment she found something to say. She told Zipper that she had always enjoyed her column in the fashion magazine. It was the first thing she read every month. You always have an interesting story to tell, she said.

  There was another pause. Yes, well, the woman said finally. Tea, she suggested, might be nice. Perhaps…sometime…when you’re ready then.

  Zipper thanked the woman for her kindness. Tea would be brilliant. Soon. The woman’s children waved their art, and off she went.

  Zipper sat for a while longer, watching the empty park. It began to rain. She opened the journal that had come from the bookshop in Amsterdam. With slow and gentle care, Zipper emptied the contents of the envelope into Ambrose’s suitcase. From a pocket of her jacket she pulled a type block. Boldface, sans serif. She paused, then put the worn wooden cube back where it belonged.

  She turned to the journal’s first page, wiped her hand down its blank face, thought for a moment, and began to write.

  This story is unlikely.

  ACKNOWLEDGEMENTS

  For gracious friendship, confederacy, and editorial wisdom nonpareil: Martha Kanya-Forstner.

  For representation in the face of all reason: Suzanne Brandreth, Dean Cooke. In London: Will Francis. In Zurich: Sebastien Ritscher. In Milan: Marco Vigevani, Claire Sabatie Garat.

  My Doubleday family: Maya Mavjee, Kristin Cochrane, Scott Sellers, Martha Leonard, Amy Black, Lara Hinchberger, Nicholas Massey-Garrison. The sales and marketing cousins: fearless, generous, and able bodies all. And new and wise American friends: Christine Pride, Bill Thomas.

  For extraordinary craft in the making of books: Kelly Hill, Carla Kean, Christine Innes, Stephanie Fysh, Shaun Oakey.

  For patience, enthusiasm, and Ambrose’s suitcase: Hannah Richardson, Sanger Richardson.

  And for saying yes: Rebecca Richardson, without whom the above would have never read a word.

  CSR, 10.06

  ABOUT THE AUTHOR

  CS Richardson is a novitiate novelist and accomplished book designer. He has worked in publishing for over twenty years and is a multiple recipient of the Alcuin Award (Canada’s highest honour for excellence in book design). His design work has been exhibited at both the Frankfurt and Leipzig Book Fairs. The End of the Alphabet has been sold in ten countries. He is currently at work on his second novel.

  “The End of the Alphabet is a lovely little novel that packs a big emotional wallop. E.B. White, who urged all writers to ‘omit needless words,’ would be smitten…. As witty and pointed as the best of Noel Coward’s plays.”

  —USA Today

  “Small and slender, it fits like a lover’s hand nestled in your own, the perfect valentine…. There is something so immediately humane and honest about this story that plays out over a scant 140 pages, something so old-fashionedly romantic, the book all but throbs with feeling in your hands…. Romantically inclined readers should find themselves over the moon.”

  —Edmonton Journal

  “Richardson enters fictional territory previously marked out by writers no less grand than Tolstoy and Kafka…. Gentle, wistful, almost otherworldly.”

  —Toronto Star

  “The book is less than 140 pages—the word count is probably that of a novella—but it has the weight of a 400-page novel. The ending resonates long after you’ve reached the last letter.”

  —Torontoist.com

  “This book is a stunning accomplishment. To say so much in so few words—breathtaking….

  Give it to the one you love and say, ‘I love you like this.’

  Give it to someone who has lost, or is losing, someone and say, ‘It must hurt so much.’

  Give it to someone who’s lost himself and say, ‘Live.’

  Give it to someone who needs to hope, who needs to cry, or who needs to really dream—and say nothing at all.”

  —Keri Holmes, bookseller, The Kaleidoscope (Hampton, Iowa)

  “A novel that can be read in a single sitting of less than two hours that might continue to resonate with readers for weeks, months, even years.”

  —Kirkus Reviews (starred review)

  “A dazzling exercise in understatement that centers on a seemingly grim topic: the final 30 days in the life of Ambrose Zephyr, a 50-year-old London ad man—and the end of his union with his wife, Zappora, a fashion magazine editor. Stricken with an unnamed disease that will kill him within a month, Zephyr (who is fixated on the alphabet) persuades Zappora to join him on a tour of great cities from Amsterdam to Istanbul. He takes in all the strange magic of it all; she’s battered by love, anger and terror…. Richardson offers a compelling look at an enviable marriage—one that just happens to be coming to an end.”

  —PEOPLE

  “An alphabet of the language of lovers, a beautiful fable of art and mortality: elegant, wise and humane. I like to think of the happiness this book will bring. I’m sure it will be given as a gift between lovers, and will inspire many journeys—geographical and emotional.”

  —Chris Cleave, author of Incendiary

  “A gem of a book, [The End of the Alphabet] delivers more fable than fiction, more elongated short story than conventional first novel. Although characters, locales and comic touches will put many readers in mind of Mavis Gallant’s European stories, Richardson’s style is as minimalist as Norman Levine’s. This is a very difficult book to put down at bedtime, even when the final page is turned. Like both Gallant and Levine, Richardson not only has an interesting story to tell, but writes with such visual and emotional density that the end of one reading readily becomes the start of another.”

  —The Globe and Mail

  COPYRIGHT © 2007 DRAVOT & CARNEHAN INC.

  Anchor Canada edition 2008

  All rights reserved. The use of any part of this publication, reproduced, transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise, or stored in a retrieval system without the prior written consent of the publisher—or, in the case of photocopying or other reprographic copying, a license from the Canadian Copyright Licensing Agency—is an infringement of the copyright law.

  Anchor Canada and colophon are trademarks.

  LIBRARY AND ARCHIVES CANADA CATALOGUING IN PUBLICATION

  Richardson, CS

  The end of the alphabet / CS Richardson.—Anchor Canada ed.

  eISBN: 978-0-307-37194-2

  I. Title.

  PS8635.I325E63 2008 C813'.6 C2007-906207-5

  Published in Canada by

  Anchor Canada, a division of

  Random House of Canada Limited

  Visit Random House of Canada Limited’s website: www.randomhouse.ca

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