Lovecraft eZine Megapack - 2011

by Mike Davis (Editor)

  Nothing happened.

  I tried repeatedly; changing the angle I held the pipe, the position of my fingers, everything. I was becoming frustrated. The flared end was too wide to allow for the amount of air I was capable of pushing through it. An idea sprung into being in my mind, a memory of a trumpet I had purchased years ago. It had belonged to a jazz musician in the 20’s and came with the bowler hat the man had used as a mute for the instrument. He would fit it over the top to change the timbre of the sound.

  I pressed the wide end gingerly against my palm. I inhaled slowly and released the breath. And I heard it. The sound. It felt like a scratching deep inside of my head, the kind of hard scrape that removes an itch, but left only raw pain. I wanted to stop, but I couldn’t. My fingers spasmed over the valves. At first, I thought the walls were crawling. But it was the shadows. They were bubbling, shifting and twisting in murky vortices. I closed my eyes, but I could still feel the shadows, churning in the rasp of the pipe. My muscles seized. I was terrified. Why couldn’t I stop?

  “Clive? Clive? Hey? How long have you been up?” Amy asked. I took a deep breath and blinked my eyes open. The sun was shining through the blinds. There were no shadows stalking across the wall. Had it been a dream? I was still holding onto the instrument. My lips were sore; my teeth had driven furrows into their inner folds. I swallowed, confused. Had I fallen asleep sitting up? Where had the hours gone?

  “No… not long,” I muttered hoarsely. My throat was all glass and sandpaper.

  “Oh, gee, you sound like you’re losing your voice? Do you feel sick?” She continued, sliding over to my side of the bed. She ran her fingers over my arms and back consolingly. “Mm. I hope I don’t catch it! Classes are really in high gear, I can’t afford to miss it.” She whispered into my ear. I turned towards her. “You’re really pale.” She tried to press the back of her hand up to my forehead, but I flinched, brushing her away. I was fine. I didn’t need to be mothered by a girl as young as she was. It was insulting.

  “I’m fine. You should get to class.” I turned from her, moving over to the bureau.

  “It’s Saturday. I’m free…all day. I don’t know… I thought it might be nice if we spent the morning together? I think it’s a good idea… I mean… after the accident and now, with you coming down with something. Might be nice to have a nubile young woman nurse you to health.” She smiled brightly at me. I looked away so she couldn’t see the disgust in my sneer.

  “It’s alright. I’m fine. I’m going to be very busy today. Maybe we can get together tomorrow.” I attempted to placate her. I rifled through my top drawer and found the envelope with the money I’d set aside for her. “Here.” I forced a smile over to her. “In case you end up catching whatever it is I’m getting ill with. You’ll have a little help paying the doctor’s office.” I tossed the envelope onto the bed. She looked down towards it. It always seems like she’s about to protest, but she never does. Her fingers wrapped around the bulging white envelope and she nodded.

  “Thanks,” she whispered. She had more good taste than to count it in front of me. But she did take the hint, sliding out of the bed and towards the bathroom across the hall. “My dance class is going to be performing at the Mall tomorrow. I was hoping you’d be there. It’s at one,” she called after me.

  “I’ll try.” I set the pipe down on top of the bureau, my fingers ached. I stretched them out with a quick flex of my hand. The shower had turned on and she started to hum. It was the tune I had been playing. I knew it was disjointed, imperfect. The sound was wrong. Something was missing from the pipe. I had to find out what. My hand had muffled so much of the volume. There was a better mute for the ancient instrument. I needed to find out what.

  ***

  I was right. The pipe called for a mute. It was designed with that in mind. I had taken it down into my workshop after Amy left. When I took the time to study the piece, I was amazed by what I had found. Tiny thread-width holes lined the end of the pipe, something was meant to be sewn onto it to act as a buffer. I had also taken the time to make a charcoal rub of the engravings on the side. I had hoped that it would have helped clarify when or where it had been carved, but it only led to further questions. Three large ‘men’ appeared to be playing similar pipes. They were large and lanky, with thin limbs that bent at odd angles. They were all depicted as bald, with large sunken eyes. To the best of my comprehension, they were playing to kneeling, faceless masses beneath, a crowd gathered around the base of a rocky outcropping. The faceless men were cast in a tableau of agony or elation, their arms thrown wildly in different directions. The rest was too worn to make out, a mass of strange cubes and cones in the background, perhaps.

  The online searching didn’t reveal much either. The police had released the name of the man that had been struck outside of the store yesterday. Joshua Atwood. Atwood, the name seemed familiar to me somehow. I wished that I could have had just a few more moments to speak with him. There were so many questions I needed answered.

  Something moved off to my left.

  I stood, quickly, thinking it had been a bat or a rodent of some kind. It was high on my wall, in the corner. The deepest darkness in the room gathered in the corners. I suddenly felt sick, nervous. I felt like I was being watched. The delusions of an old man, I chided myself.

  I flipped the switch by the wall, turning the fluorescent light on with a dull hum. The bright, harsh glow flooded the room. My eyes burned with the sudden flare, but my dread boiled away alongside it.

  I was alone again.

  ***

  Amy called to check on me. I hadn’t answered. I was too busy. The youth of today have no concept of responsibility. As the store was closed for the weekend, I was afforded some time to run errands and rearrange my flat. I made sure to complete my preparations before the sun set for the evening. Perhaps I had been pushing myself too hard. I’m not quite as young as I used to be. I could have sworn I was being followed. It’s the queerest sensation. I spent the afternoon looking over my shoulder and checking my rear view. Maybe I was just nervous about carrying the pipe on me. It was far too valuable to leave alone in my store. Now that I was back in my home, I felt much more comfortable.

  I had cleared the space in the middle of my living room and set four halogen lanterns around me. When the sun went down I would want enough light to see every detail of the instrument. The bright white light of the lanterns would help me while I was threading the swatches of materials I’d purchased to the end. I longed to hear it play like it was meant to be played. I might very well be the first person to do so in centuries. But first, I needed to find the right mute.

  It was a painstaking task. Sewing was not something I enjoyed doing. It was tedious, repetitive and I truly despised threading a needle. In the several years since I’ve attempted it last, I’d only become worse at it. Worse still, the smallest needle I owned wouldn’t fit through the tiny openings lining the rim. I was forced to press the thread through the holes one by one, thread the needle and finally push the needle through the patch of leather I’d cut.

  It took me hours.

  My fingers ached and my eyes burned, but the leather was fastened securely to the end. As I marveled at my work, I noticed that the sun was setting. Long stretches of shadow had begun to pull themselves across the floor towards me. I turned on the halogen lanterns, squinting against the blinding white radiance they shed. Each one did its part in casting the darkness back to the corners.

  I was thankful for the light. The building was getting old. The wiring in my apartment had started to fail. The bathroom light no longer worked; neither did the one in the den. It had never bothered me. That is, until now. In my declining years, I’d become less apt to working late into the early morning hours. My nights were reserved for rest. But this artifact had me excited, there would be no sleeping. I needed to know as much as I could before I sought my colleague’s opinions. The more knowledge I had, the better. I examined my handiwork in the electric glare.


  The leather was secure. I trimmed away the excess gingerly with a modeling knife. One wrong cut and I might sever the thread, which would mean starting over. That sort of thing would drive a man mad. As I worked, I could see the etched figures move. They seemed to, anyway. A trick of the light. But at the edges of my vision I could see them flail and writhe to a sound only they could hear. But, not for long.

  I was ecstatic. I lifted the pipe to my lips and closed my eyes. It was strange how naturally holding the piece felt. I had never had an interest in music beyond the occasional object of value to antiquity. I don’t even remember the lessons I had playing the recorder; it was just too long ago. Somehow, I knew it didn’t matter. My head wasn’t full of musical theory, my muscles weren’t trained to play and yet that made me all the more perfect for this. It was an ancient instrument, it deserved an unbiased audience. It deserved to be played without modern influences ruining its perfect tone. I needed to hear its perfect tone. I would know the moment I heard it. The leather had to be the missing component.

  I played.

  ***

  The sound of keys scraping against wood dragged me back to my room. The sun was shining through the open blinds. Somewhere outside, tires ground against the cement. My throat was dry. I was so thirsty. My hands were wrapped like claws around the pipe. My fingers were shaking. I arched my neck painfully, how long had I been playing? I could still hear the last note in my mind. Everything else was lost to me. The mute was wrong. Why would I be allowed to remember anything but perfection? I’d failed. The halogen lights buzzed at my feet. The door slid open.

  “Hello? Clive?” Her voice welled up inside of me, somewhere between hatred and desire. Amy. I couldn’t pull the pipe away from my lips, my arms were cramping. The muscles were locked like they’d been seized by an electrical current. “I tried to call, but all I got was voice mail. I…I missed you at the mall. I know you told me to only use the key in an emergency, but…I heard…something…up here.” Had she mentioned something about meeting her at the mall? I couldn’t remember. It didn’t matter. Her voice was getting closer. “Clive?”

  I heard her breath catch in her throat. I strained to look over at her, but my head refused to turn. My eyes were locked, staring into the corner.

  “Oh my god, Clive? Clive! Are you alright?” She walked into view wearing a dark leotard and a denim jacket. She leaned over me, her hands pressing against my shoulders. She stared into my eyes. Of course I was alright. Why couldn’t she see that I was working? Child. “Oh…oh…Jesus. You’re bleeding. Y-your mouth is bleeding.” she whispered. “Just…talk to me… anything? Do you need me to call someone?” Her eyes turned red as tears began to form, she was nervous. She panicked. She grabbed the pipe She took no care to be gentle with it, she had no respect for the instrument. She tore at it with all her strength and dragged the mouth from mine. My lips stuck to it, even as she painfully ripped it from me. I was torn from the stool with the effort, my legs ignoring my commands as I collapsed against the hardwood floor. I watched, impotently as she threw the pipe down behind her. The tapered end was coated in dark brown, coagulated blood. I was horrified. She might have damaged it.

  Her hands slid through my hair, but her touch was revolting to me. How could she have treated the pipe that way? I tried to talk some damn sense into her, but she wasn’t listening to me. Children always think they know everything.

  “I… I can call an ambulance.” she began, reaching into the purse that hung at her side. It took everything I had to move my arm, my palm clasping down over the flap of her purse. I had startled her; the color drained from her face.

  “N-no…ambulance. Help me.” I rasped. Her hands pressed up to her face as she wept into them.

  “How? How can I help you? Please, just tell me!” Amy overreacted. I looked past her, over to the pipe. I needed to make sure it was okay. I needed to hear it again. It was the single most important find of my life. Why couldn’t she see what it meant to me? She followed my gaze, watched me as I groped pathetically towards it. I think she enjoyed watching me like this. She didn’t really want to help me. Not really. “Would you forget about the goddamn flute!? Clive, you need a hospital! I’m calling an ambulance!” she screamed.

  “No. Hospital.” I struggled. But Amy had shut me off. She pulled her purse out from under my arm as she snapped to her feet. Her hands were shaking as she dragged her finger across the screen, unlocking her phone. I was livid. How could she ignore my wishes? How could she simply turn her back on me when I had asked her for so little? She started to walk away from me, leaving me there, like an infant crying for his mother. I wouldn’t stand for this indignity. Not from her. I reached out to take hold of her ankle, trying one last time to instill some sense of respect into her.

  It all happened so fast.

  I grabbed her ankle, felt the skin tight leggings in my hand as my fingers dug into her skin. She cried out in surprise and pulled hard against me. I couldn’t hold her; she twisted her leg with a sharp tug. I don’t know how it happened; perhaps she had pulled too hard or too quickly. She lost her balance. Her hair flew up like it was caught in a stiff breeze as her legs came up from under her. Her scream abruptly ended when her head impacted with a piano stool that I’d pushed out of the way earlier. It was a lovely eighteenth century construction with nearly all of its original Spanish brown paint. I had loved it the moment I had seen it. My first thought was a pang of concern for the antique, it was nearly irreplaceable. But, as I watched Amy lying there, I had a sudden, instinctual realization. I felt cold, nervous and nauseous. She wasn’t moving. She wasn’t breathing.

  Adrenaline surged through me; the weakness in my limbs was replaced with strength born of that numbing cold. I dragged myself over to her. I prayed to anyone that would listen that Amy was alright. I tried to convince myself that I wanted her to be okay for any other reason than the selfish one of saving me from having killed her. I was terrified that everything I had built for myself was going to crumble into dust, over this. I wrapped my arms around her; I called her name again and again. Her eyes were wide, but they didn’t see. She didn’t move and though her body was still warm, the life had left her.

  I sobbed uncontrollably. I apologized to her for everything; I couldn’t stop myself from rocking back and forth as I clutched her to my chest. I told her that I was sorry I didn’t go to see her dance. I wanted this to be a dream. But the icy pit in my gullet was a constant reminder that nothing I wanted would ever be mine again. I cried into her hair for a very long time. I caressed her cheek, my body remembering her heat and her soft, supple skin.

  It struck me like lightning. How could I have been so blind? So stupid? I must be getting old. The answer was right in front of me all along. I gritted my teeth and failed miserably at choking back a peal of laughter. Oh, Amy. Thank you. Perhaps you knew all along just how to help me.

  ***

  I held the pipe in my fingers once more. I was trembling in excitement. This was the key, the secret I had been missing for so long. Amy hadn’t bled as much as I had anticipated. The modeling knives worked so wonderfully upon her skin. It had the pliability I was missing with leather. I wanted to play the pipe. I wanted to play for Amy. I couldn’t wait any longer. My ragged lips were only an afterthought, I pressed them into place. The musty air in my flat slid down through my nostrils and filled my lungs.

  I played.

  The sound was beautiful and terrible. The skin tethered to the end pulsed and vibrated. The pipe resonated against my fingers. It was perfect. The buzz of the halogen lights accompanied me as I tapped my fingers over the natural valves along the top. I changed the tone at random and I finally saw what had been denied to me.

  The corners. They had always hidden in the corners. They were formless, twisting and swirling into the shadows as the sound called them to me. No, that’s wrong. They were always watching, I just never noticed. The music allowed me to see them. They dripped into the oily darkness and it bubbled
off the wall. Tendrils of black coiled off the paneling, reaching towards me, recoiling away only as they lapped at the edges of the electric haze. They groped blindly, dancing like smoke as they searched the room. The pitch in the corners spread like tar across my walls, languidly covering them in their entirety. It wasn’t long before they found Amy. They danced with her. I finally got to see her dance. They gripped and dragged and danced. I would have screamed, if my breath hadn’t been necessary for the song.

  The halogen lights were dimming. The batteries were at long last running out of power. They were waiting for me. I knew soon it would be my turn to dance with the shadows and with Amy. She would enjoy that. There were no secrets left for me now. All I could do was play. Weep and play.

  -

  -

  Derek E. Ferreira has always found himself drawn to Lovecraft’s mythos. A Rhode Island resident and an employee of the Miriam Hospital in Providence, he has often wondered what resides across the veil of human perception. He speaks Portuguese and has worked as an actor, a counselor and a baker. His work has been featured in the July 2010 Ezine, Crossed Genres and in Crossed Genres Quarterly # 3.

  Illustration by Nickolas Gucker.

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  NOTE: Images contained in this Lovecraft eZine are Copyright ¬©2006-2012 art-by-mimulux. All rights reserved. All the images contained in this Lovecraft eZine may not be reproduced, copied, edited, published, transmitted, borrowed, duplicated, printed, downloaded, or uploaded in any way without my express written permission. These images do not belong to the public domain. All stories in Lovecraft eZine may not be reproduced, copied, edited, published, transmitted, borrowed, duplicated, printed, downloaded, or uploaded in any way without the express written permission of the editor.