The Gothic Terror MEGAPACK™: 17 Classic Tales

by Radcliffe, Ann

  Emily remembered all that Valancourt had told her, on the eve of her departure from Languedoc, respecting Montoni, and all that he had said to dissuade her from venturing on the journey. His fears had often since appeared to her prophetic—now they seemed confirmed. Her heart, as it gave her back the image of Valancourt, mourned in vain regret, but reason soon came with a consolation which, though feeble at first, acquired vigour from reflection. She considered, that, whatever might be her sufferings, she had withheld from involving him in misfortune, and that, whatever her future sorrows could be, she was, at least, free from self-reproach.

  Her melancholy was assisted by the hollow sighings of the wind along the corridor and round the castle. The cheerful blaze of the wood had long been extinguished, and she sat with her eyes fixed on the dying embers, till a loud gust, that swept through the corridor, and shook the doors and casements, alarmed her, for its violence had moved the chair she had placed as a fastening, and the door, leading to the private stair-case stood half open. Her curiosity and her fears were again awakened. She took the lamp to the top of the steps, and stood hesitating whether to go down; but again the profound stillness and the gloom of the place awed her, and, determining to enquire further, when day-light might assist the search, she closed the door, and placed against it a stronger guard.

  She now retired to her bed, leaving the lamp burning on the table; but its gloomy light, instead of dispelling her fear, assisted it; for, by its uncertain rays, she almost fancied she saw shapes flit past her curtains and glide into the remote obscurity of her chamber.—The castle clock struck one before she closed her eyes to sleep.

  CHAPTER VI

  I think it is the weakness of mine eyes,

  That shapes this monstrous apparition.

  It comes upon me!

  —Julius Caesar

  Daylight dispelled from Emily’s mind the glooms of superstition, but not those of apprehension. The Count Morano was the first image, that occurred to her waking thoughts, and then came a train of anticipated evils, which she could neither conquer, nor avoid. She rose, and, to relieve her mind from the busy ideas, that tormented it, compelled herself to notice external objects. From her casement she looked out upon the wild grandeur of the scene, closed nearly on all sides by alpine steeps, whose tops, peeping over each other, faded from the eye in misty hues, while the promontories below were dark with woods, that swept down to their base, and stretched along the narrow vallies. The rich pomp of these woods was particularly delightful to Emily; and she viewed with astonishment the fortifications of the castle spreading along a vast extent of rock, and now partly in decay, the grandeur of the ramparts below, and the towers and battlements and various features of the fabric above. From these her sight wandered over the cliffs and woods into the valley, along which foamed a broad and rapid stream, seen falling among the crags of an opposite mountain, now flashing in the sun-beams, and now shadowed by over-arching pines, till it was entirely concealed by their thick foliage. Again it burst from beneath this darkness in one broad sheet of foam, and fell thundering into the vale. Nearer, towards the west, opened the mountain-vista, which Emily had viewed with such sublime emotion, on her approach to the castle: a thin dusky vapour, that rose from the valley, overspread its features with a sweet obscurity. As this ascended and caught the sun-beams, it kindled into a crimson tint, and touched with exquisite beauty the woods and cliffs, over which it passed to the summit of the mountains; then, as the veil drew up, it was delightful to watch the gleaming objects, that progressively disclosed themselves in the valley—the green turf—dark woods—little rocky recesses—a few peasants’ huts—the foaming stream—a herd of cattle, and various images of pastoral beauty. Then, the pine-forests brightened, and then the broad breast of the mountains, till, at length, the mist settled round their summit, touching them with a ruddy glow. The features of the vista now appeared distinctly, and the broad deep shadows, that fell from the lower cliffs, gave strong effect to the streaming splendour above; while the mountains, gradually sinking in the perspective, appeared to shelve into the Adriatic sea, for such Emily imagined to be the gleam of blueish light, that terminated the view.

  Thus she endeavoured to amuse her fancy, and was not unsuccessful. The breezy freshness of the morning, too, revived her. She raised her thoughts in prayer, which she felt always most disposed to do, when viewing the sublimity of nature, and her mind recovered its strength.

  When she turned from the casement, her eyes glanced upon the door she had so carefully guarded, on the preceding night, and she now determined to examine whither it led; but, on advancing to remove the chairs, she perceived, that they were already moved a little way. Her surprise cannot be easily imagined, when, in the next minute, she perceived that the door was fastened.—She felt, as if she had seen an apparition. The door of the corridor was locked as she had left it, but this door, which could be secured only on the outside, must have been bolted, during the night. She became seriously uneasy at the thought of sleeping again in a chamber, thus liable to intrusion, so remote, too, as it was from the family, and she determined to mention the circumstance to Madame Montoni, and to request a change.

  After some perplexity she found her way into the great hall, and to the room, which she had left, on the preceding night, where breakfast was spread, and her aunt was alone, for Montoni had been walking over the environs of the castle, examining the condition of its fortifications, and talking for some time with Carlo. Emily observed that her aunt had been weeping, and her heart softened towards her, with an affection, that shewed itself in her manner, rather than in words, while she carefully avoided the appearance of having noticed, that she was unhappy. She seized the opportunity of Montoni’s absence to mention the circumstance of the door, to request that she might be allowed another apartment, and to enquire again, concerning the occasion of their sudden journey. On the first subject her aunt referred her to Montoni, positively refusing to interfere in the affair; on the last, she professed utter ignorance.

  Emily, then, with a wish of making her aunt more reconciled to her situation, praised the grandeur of the castle and the surrounding scenery, and endeavoured to soften every unpleasing circumstance attending it. But, though misfortune had somewhat conquered the asperities of Madame Montoni’s temper, and, by increasing her cares for herself, had taught her to feel in some degree for others, the capricious love of rule, which nature had planted and habit had nourished in her heart, was not subdued. She could not now deny herself the gratification of tyrannizing over the innocent and helpless Emily, by attempting to ridicule the taste she could not feel.

  Her satirical discourse was, however, interrupted by the entrance of Montoni, and her countenance immediately assumed a mingled expression of fear and resentment, while he seated himself at the breakfast-table, as if unconscious of there being any person but himself in the room.

  Emily, as she observed him in silence, saw, that his countenance was darker and sterner than usual. ‘O could I know,’ said she to herself, ‘what passes in that mind; could I know the thoughts, that are known there, I should no longer be condemned to this torturing suspense!’ Their breakfast passed in silence, till Emily ventured to request, that another apartment might be allotted to her, and related the circumstance which made her wish it.

  ‘I have no time to attend to these idle whims,’ said Montoni, ‘that chamber was prepared for you, and you must rest contented with it. It is not probable, that any person would take the trouble of going to that remote stair-case, for the purpose of fastening a door. If it was not fastened, when you entered the chamber, the wind, perhaps, shook the door and made the bolts slide. But I know not why I should undertake to account for so trifling an occurrence.’

  This explanation was by no means satisfactory to Emily, who had observed, that the bolts were rusted, and consequently could not be thus easily moved; but she forbore to say so, and repea
ted her request.

  ‘If you will not release yourself from the slavery of these fears,’ said Montoni, sternly, ‘at least forbear to torment others by the mention of them. Conquer such whims, and endeavour to strengthen your mind. No existence is more contemptible than that, which is embittered by fear.’ As he said this, his eye glanced upon Madame Montoni, who coloured highly, but was still silent. Emily, wounded and disappointed, thought her fears were, in this instance, too reasonable to deserve ridicule; but, perceiving, that, however they might oppress her, she must endure them, she tried to withdraw her attention from the subject.

  Carlo soon after entered with some fruit:

  ‘Your excellenza is tired after your long ramble,’ said he, as he set the fruit upon the table; ‘but you have more to see after breakfast. There is a place in the vaulted passage leading to—’

  Montoni frowned upon him, and waved his hand for him to leave the room. Carlo stopped, looked down, and then added, as he advanced to the breakfast-table, and took up the basket of fruit, ‘I made bold, your excellenza, to bring some cherries, here, for my honoured lady and my young mistress. Will your ladyship taste them, madam?’ said Carlo, presenting the basket, ‘they are very fine ones, though I gathered them myself, and from an old tree, that catches all the south sun; they are as big as plums, your ladyship.’

  ‘Very well, old Carlo,’ said Madame Montoni; ‘I am obliged to you.’

  ‘And the young Signora, too, she may like some of them,’ rejoined Carlo, turning with the basket to Emily, ‘it will do me good to see her eat some.’

  ‘Thank you, Carlo,’ said Emily, taking some cherries, and smiling kindly.

  ‘Come, come,’ said Montoni, impatiently, ‘enough of this. Leave the room, but be in waiting. I shall want you presently.’

  Carlo obeyed, and Montoni, soon after, went out to examine further into the state of the castle; while Emily remained with her aunt, patiently enduring her ill humour, and endeavouring, with much sweetness, to soothe her affliction, instead of resenting its effect.

  When Madame Montoni retired to her dressing-room, Emily endeavoured to amuse herself by a view of the castle. Through a folding door she passed from the great hall to the ramparts, which extended along the brow of the precipice, round three sides of the edifice; the fourth was guarded by the high walls of the courts, and by the gateway, through which she had passed, on the preceding evening. The grandeur of the broad ramparts, and the changing scenery they overlooked, excited her high admiration; for the extent of the terraces allowed the features of the country to be seen in such various points of view, that they appeared to form new landscapes. She often paused to examine the gothic magnificence of Udolpho, its proud irregularity, its lofty towers and battlements, its high-arched casements, and its slender watch-towers, perched upon the corners of turrets. Then she would lean on the wall of the terrace, and, shuddering, measure with her eye the precipice below, till the dark summits of the woods arrested it. Wherever she turned, appeared mountain-tops, forests of pine and narrow glens, opening among the Apennines and retiring from the sight into inaccessible regions.

  While she thus leaned, Montoni, followed by two men, appeared, ascending a winding path, cut in the rock below. He stopped upon a cliff, and, pointing to the ramparts, turned to his followers, and talked with much eagerness of gesticulation.—Emily perceived, that one of these men was Carlo; the other was in the dress of a peasant, and he alone seemed to be receiving the directions of Montoni.

  She withdrew from the walls, and pursued her walk, till she heard at a distance the sound of carriage wheels, and then the loud bell of the portal, when it instantly occurred to her, that Count Morano was arrived. As she hastily passed the folding doors from the terrace, towards her own apartment, several persons entered the hall by an opposite door. She saw them at the extremities of the arcades, and immediately retreated; but the agitation of her spirits, and the extent and duskiness of the hall, had prevented her from distinguishing the persons of the strangers. Her fears, however, had but one object, and they had called up that object to her fancy:—she believed that she had seen Count Morano.

  When she thought that they had passed the hall, she ventured again to the door, and proceeded, unobserved, to her room, where she remained, agitated with apprehensions, and listening to every distant sound. At length, hearing voices on the rampart, she hastened to her window, and observed Montoni, with Signor Cavigni, walking below, conversing earnestly, and often stopping and turning towards each other, at which time their discourse seemed to be uncommonly interesting.

  Of the several persons who had appeared in the hall, here was Cavigni alone: but Emily’s alarm was soon after heightened by the steps of some one in the corridor, who, she apprehended, brought a message from the Count. In the next moment, Annette appeared.

  ‘Ah! ma’amselle,’ said she, ‘here is the Signor Cavigni arrived! I am sure I rejoiced to see a christian person in this place; and then he is so good natured too, he always takes so much notice of me!—And here is also Signor Verezzi, and who do you think besides, ma’amselle?’

  ‘I cannot guess, Annette; tell me quickly.’

  ‘Nay, ma’am, do guess once.’

  ‘Well, then,’ said Emily, with assumed composure, ‘it is—Count Morano, I suppose.’

  ‘Holy Virgin!’ cried Annette, ‘are you ill, ma’amselle? you are going to faint! let me get some water.’

  Emily sunk into a chair. ‘Stay, Annette,’ said she, feebly, ‘do not leave me—I shall soon be better; open the casement.—The Count, you say—he is come, then?’

  ‘Who, I!—the Count! No, ma’amselle, I did not say so.’

  ‘He is not come then?’ said Emily eagerly. ‘No, ma’amselle.’

  ‘You are sure of it?’

  ‘Lord bless me!’ said Annette, ‘you recover very suddenly, ma’am! why, I thought you was dying, just now.’

  ‘But the Count—you are sure, is not come?’

  ‘O yes, quite sure of that, ma’amselle. Why, I was looking out through the grate in the north turret, when the carriages drove into the court-yard, and I never expected to see such a goodly sight in this dismal old castle! but here are masters and servants, too, enough to make the place ring again. O! I was ready to leap through the rusty old bars for joy!—O! who would ever have thought of seeing a christian face in this huge dreary house? I could have kissed the very horses that brought them.’

  ‘Well, Annette, well, I am better now.’

  ‘Yes, ma’amselle, I see you are. O! all the servants will lead merry lives here, now; we shall have singing and dancing in the little hall, for the Signor cannot hear us there—and droll stories—Ludovico’s come, ma’am; yes, there is Ludovico come with them! You remember Ludovico, ma’am—a tall, handsome young man—Signor Cavigni’s lacquey—who always wears his cloak with such a grace, thrown round his left arm, and his hat set on so smartly, all on one side, and—’

  ‘No,’ said Emily, who was wearied by her loquacity.

  ‘What, ma’amselle, don’t you remember Ludovico—who rowed the Cavaliero’s gondola, at the last regatta, and won the prize? And who used to sing such sweet verses about Orlandos and about the Black-a-moors, too; and Charly—Charly—magne, yes, that was the name, all under my lattice, in the west portico, on the moon-light nights at Venice? O! I have listened to him!’—

  ‘I fear, to thy peril, my good Annette,’ said Emily; ‘for it seems his verses have stolen thy heart. But let me advise you; if it is so, keep the secret; never let him know it.’

  ‘Ah—ma’amselle!—how can one keep such a secret as that?’

  ‘Well, Annette, I am now so much better, that you may leave me.’

  ‘O, but, ma’amselle, I forgot to ask—how did you sleep in this dreary old chamber last night?’

  ‘As well as usual.’


  ‘Did you hear no noises?’

  ‘None.’

  ‘Nor see anything?’

  ‘Nothing.’

  ‘Well, that is surprising!’

  ‘Not in the least: and now tell me, why you ask these questions.’

  ‘O, ma’amselle! I would not tell you for the world, nor all I have heard about this chamber, either; it would frighten you so.’

  ‘If that is all, you have frightened me already, and may therefore tell me what you know, without hurting your conscience.’

  ‘O Lord! they say the room is haunted, and has been so these many years.’

  ‘It is by a ghost, then, who can draw bolts,’ said Emily, endeavouring to laugh away her apprehensions; ‘for I left the door open, last night, and found it fastened this morning.’

  Annette turned pale, and said not a word.

  ‘Do you know whether any of the servants fastened this door in the morning, before I rose?’

  ‘No, ma’am, that I will be bound they did not; but I don’t know: shall I go and ask, ma’amselle?’ said Annette, moving hastily towards the corridor.

  ‘Stay, Annette, I have another question to ask; tell me what you have heard concerning this room, and whither that stair-case leads.’

  ‘I will go and ask it all directly, ma’am; besides, I am sure my lady wants me. I cannot stay now, indeed, ma’am.’

  She hurried from the room, without waiting Emily’s reply, whose heart, lightened by the certainty, that Morano was not arrived, allowed her to smile at the superstitious terror, which had seized on Annette; for, though she sometimes felt its influence herself, she could smile at it, when apparent in other persons.