The Vampire Armand tvc-6

by Anne Rice

  Poor Dora. The nightly news said that her prize had been taken from her. Rome must examine this Veil. Her tales of strange blond-haired angels were the stuff of tabloids, and she herself was no longer here.

  In a moment of daring, I fastened my heart upon Sybelle's music, and with an aching straining head, sent out my telepathic vision as if it were a fleshly part of me, a tongue requiring stamina, to see through Benjamin's eyes, the room where they were both lodged.

  In a lovely golden haze, I saw it, saw the walls covered with the heavy framed paintings, saw my beautiful one herself, in a fleecy white gown with worn slippers, her fingers hard at work. How grand the sweep of the music. And Benjamin, the little worrier, frowning, puffing on a black cigarette, with hands folded behind his back, pacing in his bare feet and shaking his head as he mumbled to himself.

  "Angel, I have told you to come back!"

  I smiled. The creases in my cheeks hurt as if someone had made them with the point of a sharp knife. I shut my telepathic eye. I let myself slumber in the rushing crescendos of the piano. Besides, Benjamin had sensed something; his mind, unwarped by Western sophistication, had picked up some glimmer of my prying. Enough.

  Then another vision came to me, very sharp, very special and unusual, something that would not be ignored. I turned my head again and made the ice crackle. I held my eyes open. I could see a blur of lighted towers high above.

  Some immortal down there in the city was thinking of me, someone far away, many blocks from the closed-up Cathedral. In fact, I sensed in an instant the distant presence of two powerful vampires, vampires I knew, and vampires who knew of my death and lamented it bitterly as they went about some important task.

  Now there was a risk to this. Try to see them and they might catch much more than the glimmer of me which Benjamin had been so quick to catch. But the city was empty of blood drinkers save for them, for all I could figure, and I had to know what it was that caused them to move with such deliberation and such stealth.

  An hour passed perhaps. Sybelle was silent. They, the powerful vampires, were still at their work. I decided to chance it.

  I drew in close with my disincarnate vision, and quickly realized that I could see one through the eyes of the other, but that it did not work for me the other way around.

  The reason was plain. I sharpened my sight. I was looking through the eyes of Santino, my old Roman Coven Master, Santino, and the other whom I saw was Marius, my Maker, whose mind was locked to me for all time.

  It was a vast official building in which they made their careful progress, both dressed as gentlemen of the moment in trim dark blue clothes, even to starched white collars and thin silk ties. Both had trimmed their hair in deference to corporate fashion. But this was no corporation in which they prowled, clearly putting into harmless thrall any mortal who tried to disturb them. It was a medical building. And I soon guessed what their errand must be.

  It was the forensics laboratory of the city through which they wandered. And though they had taken their time in gathering up documents for their heavy briefcases, they were quick now with agitation as they pulled from refrigerated compartments the remains of those vampires who, following my example, had turned themselves over to the mercy of the sun.

  Of course, they were confiscating what the world now had on us. They were scooping up the remains. Into simple glistening plastic sacks they put the residue, out of coffinlike drawers and off shining steel trays. Whole bones, ashes, teeth, ah, yes, even teeth, they swept into their little sacks. And now from a series of filing cabinets they withdrew the plastic-wrapped samples of clothing that remained.

  My heart quickened. I stirred in the ice and the ice spoke back to me again. Oh, heart be still. Let me see. It was my lace, my very lace, the thick Venetian Rose Point, burnt at the edges, and with it a few shredded rags of purple-red velvet! Yes, my pitiful clothes which they took from the labeled compartment of the filing drawer and slipped into their bags.

  Marius stopped. I turned my head and my mind elsewhere. Do not see me. See me and come here, and I swear to God I will ... I will what? I have no strength even to move. I have no strength to escape. Oh, Sybelle, please, play for me, I have to escape this.

  But then, remembering that he was my Master, remembering that he could trace me only through the weaker more muddled mind of his companion, Santino, I felt my heart go quiet.

  From the bank of recent memory, I took her music, I framed it with numbers and figures and dates, all the little detritus I had brought with me over the centuries to her: that Beethoven had written her sweet masterpiece, that it was Sonata No. 23 in F Minor, Opus 57. Think on that. Think on Beethoven. Think on a make-believe night in cold Vienna, make-believe for I knew nothing really about it, think on him writing music with a noisy scratchy quill, which he himself perhaps could not hear. Think on him being paid in pittances. And think with a smile, yes, a painful cutting smile that makes your face bleed, of how they brought him piano after piano, so powerful was he, so demanding, so fiercely did he bang away.

  And she, pretty Sybelle, what a fine daughter to him she was, her powerful fingers striking the keys with terrifying power that would surely have delighted him had he ever seen in the distant future, amid all his frenzied students and worshipers, just this particular maniacal girl.

  It was warmer tonight. The ice was melting. There was no denying it. I pressed my lips together and again lifted my right hand. A cavity existed now in which I could move my right fingers.

  But I couldn't forget about them, the unlikely pair, the one who'd made me and the one who'd tried to destroy him, Marius and Santino. I had to check back. Cautiously I sent out my weak and tentative beam of probing thought. And in an instant, I'd fixed them.

  They stood before an incinerator in the bowels of the building and heaved into a fiery mouth all the evidence which they had brought together, sack after sack curling and crackling in the flames.

  How odd. Didn't they themselves want to look at these fragments under microscopes? But then surely others of our kind had done this, and why look at the bones and teeth of those who have been baked in Hell when you can carve pale white tissue from your own hand, and place this on the glass slide while your hand heals itself miraculously, as I was healing even now?

  I lingered on the vision. I saw the hazy basement round about them. I saw the low beams above their heads. Gathering all my power into my projected gaze, I saw Santino's face, so troubled, soft, the very one who had shattered the only youth I might have ever had. I saw my old Master gazing almost wistfully at the flames. "We're finished," Marius said in his quiet, commanding voice, speaking Italian perfectly to the other. "I cannot think of another thing that we should do."

  "Break apart the Vatican, and steal the veil from them," answered Santino. "What right have they to claim such a thing?"

  I could only see Marius's reaction, his sudden shock and then his polite and poised smile. "Why?" he asked, as if he held no secrets.

  "What's the Veil to us, my friend? You think it will bring him back to his senses? Forgive me, Santino, but you are so very young."

  His senses, bring him back to his senses. This had to mean Lestat. There was no other possible meaning. I pushed my luck. I scanned Santino's mind for all he knew, and found myself recoiling in horror, but holding fast to what I saw.

  Lestat, my Lestat-for he was never theirs, was he?-my Lestat was crazed and railing as the result of his awful saga, and held prisoner by the very oldest of our kind on the final decree that if he did not cease to disturb the peace, which meant of course our secrecy, he would be destroyed, as only the oldest could accomplish, and no one could plead for him on any account.

  No, that could not happen! I writhed and twisted. The pain sent its shocks through me, red and violet and pulsing with orange light. I hadn't seen such colors since I'd fallen. My mind was coming back, and coming back for what? Lestat to be destroyed! Lestat imprisoned, as I had once been centuries ago under Rome in Santino's
catacombs. Oh, God, this is worse than the sun's fire, this is worse than seeing that bastard brother strike the little plum-cheeked face of Sybelle and knock her away from her piano, this is murderous rage I feel.

  But the smaller damage was done. "Come, we have to get out of here," said Santino. "There's something wrong, something I sense that I can't explain. It's as if someone is right near us yet not near us; it's as if someone as powerful as myself has heard my footfall over miles and miles."

  Marius looked kindly, curious, unalarmed. "New York is ours tonight," he said simply. And then with faint fear he looked into the mouth of the furnace one last time. "Unless something of spirit, so tenacious of life, clung still to his lace and to the velvet he wore."

  I closed my eyes. Oh, God, let me close my mind. Let me shut it up tight.

  His voice went on, piercing the little shell of my consciousness where I had so softened it.

  "But I have never believed such things," he said. "We're like the Eucharist itself, in some measure, don't you think? Being Body and Blood of a mysterious god only so long as we hold to the chosen form. What's strands of reddish hair and scorched and tattered lace? He's gone."

  "I don't understand you," Santino confessed gently. "But if you think I never loved him, you are very very wrong."

  "Let's go then," Marius said. "Our work's done. Every trace of every one is now obliterated. But promise me in your old Roman Catholic soul, you won't go seeking the Veil. A million pairs of eyes have looked on it, Santino, and nothing's changed. The world is the world, and children die in every quadrant under Heaven, hungry and alone."

  I could risk no more.

  I veered away, searching the night like a high beam, casting about for the mortals who might see them leave the building in which they'd done their all-important work, but their retreat was too secret, too swift for that.

  I felt them go. I felt the sudden absence of their breath, their pulse, and knew the winds had taken them away.

  At last when another hour had ticked, I let my eye roam the same old rooms where they had wandered.

  All was quiet with those poor muddled technicians and guards whom white-faced specters from another realm had gently spellbound as they went about their gruesome task.

  By morning, the theft and all the missing work would be discovered, and Dora's miracle would suffer yet another dreary insult, receding ever more swiftly out of current time.

  I was sore; I wept a dry, hoarse weeping, unable even to muster tears.

  I think that once in the glimmering ice I saw my hand, a grotesque claw, more like a thing flayed than burnt, and shiny black as I had remembered it or seen it.

  Then a mystery began to prey upon me. How could I have killed the evil brother of my poor love? How could it have been anything but an illusion, that swift horrible justice, when I had been rising and falling beneath the weight of the morning sun?

  And if that had not happened, if I had not sucked dry that awful vengeful brother, then they too were a dream, my Sybelle and my little Bedouin. Oh, please, was that the final horror?

  The night struck its worst hour. Dim clocks chimed in painted plastered rooms. Wheels churned the crunching snow. Again, I raised my hand. There came the inevitable crack and snap. Tumbling all around me was the broken ice like so much shattered glass!

  I looked above on pure and sparkling stars. How lovely this, these guardian glassy spires with all their fast and golden squares of light cut in ranks run straight across and sharply down to score the airy blackness of the winter night, and here now comes the tyrant wind, whistling through crystalline canyons down across this small neglected bed where one forgotten demon lies, gazing with the larcenous vision of a great soul at the city's emboldened lights on clouds above. Oh, little stars, how much I've hated you, and envied you that in the ghastly void you can with such determination plot your dogged course.

  But I hated nothing now. My pain was as a purgative for all unworthy things. I watched the sky cloud over, glisten, become a diamond for a still and gorgeous moment, and then again the white soft limitless haze took up the golden glow of city lamps and sent in answer the softest lightest fall of snow.

  It touched my face. It touched my outstretched hand. It touched me all over as it melted in its tiny magical flakes.

  "And now the sun will come," I whispered, as if some guardian angel held me close, "and even here beneath this twisted little awning of tin, it will find me through this broken canopy and take my soul to further depths of pain."

  A voice cried out in protest. A voice begged that it not be so. My own, I thought, of course, why not this self-deception? I am mad to think that I can bear the burning that I've suffered and that I could willingly endure it once again.

  But it wasn't my voice. It was Benjamin, Benjamin at his prayers. Flinging out my disembodied eyes, I saw him. He knelt in the room as she lay sleeping like a ripe and succulent peach amid her soft tangled bedcovers. "Oh, angel, Dybbuk, help us. Dybbuk, you came once. So come again. You vex me that you don't come!"

  How many hours is it till sunrise', little man? I whispered this to his little seashell ear, as if I didn't know.

  "Dybbuk," he cried out. "It's you, you speak to me. Sybelle, wake up, Sybelle."

  Ah, but think before you wake her. It's a horrid errand. Tm not the resplendent being you saw who sucked your enemy dry of blood and doted on her beauty and your joy. It's a monster you come to collect if you mean to pay your debt to me, an insult to your innocent eyes. But be assured, little man, that Pll be yours forever if you do me this kindness, if you come to me, if you succor me, if you help me, because my will is leaving me, and Tm alone, and I would he restored now and cannot help myself, and my years mean nothing now, and Tm afraid.

  He scrambled to his feet. He stood staring at the distant window, the window through which I had seen him in a dream glimpse me with his mortal eyes, but through which he could not possibly see me now, as I lay on a roof far far below the fine apartment which he shared with my angel. He squared his little shoulders, and now with black eyebrows in their perfect serious frown he was the very image off the Byzantine wall, a cherub smaller than myself.

  "Name it, Dybbuk, I come for you!" he declared, and made his mighty little right hand into a fist. "Where are you, Dybbuk, what do you fear that we cannot conquer together! Sybelle, wake up, Sybelle! Our Divine Dybbuk has come back and he needs us!"

  5

  THEY WERE COMING for me. It was the building beside their own, a derelict heap. Benjamin knew it. In a few faint telepathic whispers I'd begged him to bring a hammer and a pick to break up the ice such as remained and to have big soft blankets with which to wrap me.

  I knew I weighed nothing. Painfully twisting my arms, I broke up more of the transparent covering. I felt with my clawlike hand that my hair had come back, thick and red-brown as ever. I held up a lock to the light, and then my arm could stand the scalding pain no more and I let it drop, unable to close or move my dried and twisted fingers.

  I had to throw a spell, at least when they first came. They could not see the thing that I was, this black leathery monster. No mortal could bear the sight of this, no matter what words came from my lips. I had to shield myself somehow.

  And having no mirror, how could I know how I looked or what I must do precisely? I had to dream, dream of the old Venetian days when I had been a beauty well known to myself from the tailor's glass, and project that vision right into their minds even if it took all the strength I possessed; yes, that, and I must give them some instructions.

  I lay still, gazing up into the soft warm snowfall of tiny flakes, so unlike the terrible blizzards that had come earlier. I didn't dare to use my wits to track their progress.

  Suddenly I heard the loud crash of breaking glass. A door slammed far below. I heard their uneven steps rushing up the metal stairs, clambering over the landings.

  My heart beat hard, and with each little convulsion, the pain was pumped through me, as if my blood itself were
scalding me.

  Suddenly, the steel door on the roof was flung back. I heard them rushing towards me. In the faint dreamy light of the high towers all around, I saw their two small figures, she the fairy woman, and he the child of no more than twelve years perhaps, hurrying towards me.

  Sybelle! Oh, she came out on the roof without a coat, hair streaming, the terrible pity of it, and Benjamin no better in his thin linen djellaba. But they had a big velvet comforter to cover me, and I had to make a vision.

  Give me the boy I was, give the finest green satin and ruff upon ruff of fancy lace, give me stockings and braided boots, and let my hair be clean and shining.

  Slowly I opened my eyes, looking from one to the other of their small pale and rapt faces. Like two vagrants of the night they stood in the drifting snow.

  "Oh, but Dybbuk, you had us so very worried," said Benjamin, in his wildly excited voice, "and look at you, you are beautiful."

  "No, don't think it's what you see, Benjamin," I said. "Hurry with your tools, chop at the ice, and lay the cover over me."

  It was Sybelle who took up the wooden-handled iron hammer and with both hands slammed it down, fracturing the soft top layer of ice immediately. Benjamin chopped at it all with the pick as if he had become a small machine, thrusting to left and to right over and over, sending the shards flying.

  The wind caught Sybelle's hair and whipped around into her eyes. The snow clung to her eyelids.

  I held the image, a helpless satin-clad child, with soft pinkish hands upturned and unable to help them.

  "Don't cry, Dybbuk," declared Benjamin, grabbing a giant thin slab of ice with both hands. "We'll get you out, don't cry, you're ours now. We have you."

  He threw aside the shining jagged broken sheets, and then he himself appeared to freeze, more solid than any ice, staring at me, his mouth a perfect O of amazement.