Three at Wolfe's Door

by Rex Stout

  "This is his house. Ring the bell."

  "But I want to see you too. Let me in. Take me in."

  My eyes had adjusted enough to the poor light to see that she was young, attractive, and hypped. She had on a cap with a beak. In normal circumstances it would have been a pleasure to escort her into the front room and go and badger Wolfe into seeing her, but as things stood I didn't even consider it. "I'm sorry," I said, "but I don't work here any more. I just quit. I am now on my way to bum a bed for the night. You'll have to ring the bell, but I should warn you that in Mr. Wolfe's present mood there's not a

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  chance. You might as well skip it. If your trouble is urgent you ought to--"

  "I'm not in trouble."

  "Good. You're lucky."

  She touched my sleeve. "I don't believe it. That you've quit."

  "I do. Would I say so if I hadn't? Running the risk that you're a journalist and tomorrow there will be a front-page spread, 'Archie Goodwin, the famous private detective, has severed his connection with Nero Wolfe, also a detective, and it is thought--'"

  "Shut up!" She was close to me, gripping my arm. She let loose and backed up a step. "I beg your pardon. I seem to be ... you think Nero Wolfe wouldn't see me?"

  "I don't think. I know."

  "Anyway I want to see you too. For what I want I guess you would be better than him. I want some advice--no, not advice exactly, I want to consult you. I'll pay cash, fifty dollars. Can't we go inside?"

  Naturally I was uplifted. Since I had left Wolfe, and since there was no other outfit in New York I would work for, my only possible program was to set up for myself, and before I even got down to the sidewalk here was a pretty girl offering me fifty bucks just for consultation.

  "I'm afraid not," I told her, "since I no longer belong here. If that's your taxi waiting that will do fine, especially with the driver gone." A glance had shown me that there was no one behind the wheel of the cab at the curb. Probably, having been told to wait for her, he had beat it to Al's diner at the corner of Tenth Avenue, which was popular with hackies.

  She shook her head. "I don't--" she began, and let it hang. She glanced around. "Why not here? It shouldn't take very long--I just want you to help me win a bet." She moved, descended two steps, and sat on the landing, swaying a little as she bent. "Have a seat."

  We were still on Wolfe's premises, but he rarely used the outdoors part, and after she paid me I could slip a buck under the door for rent. I sat down beside her, not crowding. I had often sat there watching the neighborhood kids at stoop ball.

  Method Three for Murder 65

  "Do I pay in advance?" she asked.

  "No thanks, I'll trust you. What's the het ahout?"

  "Well . . ." She was squinting at me in the dim light. "I had an argument with a friend of mine. She said there were ninety three women cab drivers in New York, and she thought it was dangerous because sometimes things happen in cabs that it takes a man to handle, and I said things like that can happen anywhere just as well as in cabs, and we had an argument, and she bet me fifty dollars she could prove that something dangerous could happen in a cab that couldn't happen anywhere else. She thought up some things, but I made her admit they could happen other places too, and then she said what if a woman cab driver left her empty cab to go into a building for something, and when she came back there was a dead woman in the cab? She claimed that won the bet, and the trouble was I didn't know enough about what you're supposed to do when you find a dead body. That's what I want you to tell me. I'm sure she's wrong. And I'll pay you the fifty dollars."

  I was squinting back at her. "You don't look it," I stated.

  "I don't look what?"

  "Loony. Two things. First, the same thing could happen if she were driving a private car instead of a cab, and why didn't you tell her that? Second, where's the danger? She merely finds a phone and notifies the police. It would be a nuisance, but you said dangerous."

  "Oh. Of course." She bit her lip. "I left something out. It's not her cab. She has a friend who is a cab driver, and she wanted to see what driving a cab was like, and her friend let her take it. So she can't notify the police because her friend broke some law when she let her take the cab, and she broke one too, driving a cab without a license, so it wouldn't have been the same if she had been driving a private car. And the only way I can win the bet is to prove that it wouldn't be dangerous. She doesn't know how the dead woman got in the cab or anything about it. All she has to do is get the body out of the cab, but that might be dangerous unless she did it just right, and that's what I want you to tell me so I won't make some awful mistake--I mean when I tell my friend

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  why it wouldn't be dangerous. Things like where would she go to--to take it out of the cab, and would she have to wait until late at night, and how would she make sure there were no traces left in the cab." She bit her lip again, and her fingers were curled to make fists. "Things like that."

  "I see." I had stopped squinting. "What's your name?"

  She shook her head. "You don't have to know. I'm just consulting you." She stuck her fingers in the pocket of her jacket, a grayish number with pointed lapels that had seen wear, came out with a purse, and opened it.

  I reached to snap it shut. "That can wait. I certainly wouldn't take your money without knowing your name. Of course you can make one up."

  "Why should I?" She gestured. "All right. My name is Mira Holt. Mira with an I." She opened the purse again.

  "Hold it," I told her. "A couple of questions. The dead woman she finds in the cab--does she recognize her?"

  "No, how could she?"

  "She could if she knew her when she was alive."

  "She didn't."

  "Good. That helps. You say she left her empty cab to go into a building for something. For what?"

  "Oh, just anything. I don't know. That doesn't matter."

  "It might, but if you don't know you can't tell me. I want to make it clear, Miss Holt, that I accept without question all that you "have told me. Since I am a trained detective I am chronically suspicious, but you are so frank and intelligent and pleasing to look at that I wouldn't dream of doubting you. A man who was sap enough to size you up wrong might even suspect you of feeding him a phony, and go and take a look in that taxi, but not me. I don't even ask you where the driver is, because I assume he has gone to the corner for a ham on rye and a cuppa coffee. In short, I trust you fully. That's understood?"

  Her lips were tight. She was probably frowning, but the beak of her cap screened her brow. "I guess so." She wasn't at all sure. "But maybe--if that's how you feel--maybe it would be better just to"

  Method Three for Murder 67

  "No. It's better like this. Much better. About this situation your friend thought up and claims she won the bet, it has many aspects. You say you didn't know enough about what you're supposed to do when you find a dead body. First and foremost, you're supposed to notify the police immediately. That goes for everybody, but it's a must for a private detective--me, for instance--if he wants to keep his license. Is that clear?"

  "Yes." She nodded. "I see."

  "Also you're not supposed to touch the body or anything near it. Also you're not supposed to leave it unguarded, but that's not so important because you may have to in order to call a cop. As for your idea that all she has to do is get the body out of the cab, and where would she go to ditch it, and would she have to wait until late at night, and so on, I admit it has possibilities and I could make a lot of practical suggestions. But you have to show that it could be done without danger, and that's too big an order. That's what licks you. Forget it. However, your friend hasn't won the bet. She was to produce a situation showing that a woman cab driver runs special risks as a hackie, and in this case the danger comes from the fact that she was not driving the cab. So your friend-"

  "That's no help. You know very well--"

  "Shu
t up. I beg your pardon."

  Her fingers were curled into fists again. "You said you could make some practical suggestions."

  "I was carried away. The idea of disposing of a dead body is fascinating as long as it's only an idea. By the way, I took one thing for granted that I shouldn't have--that your friend specified that the woman had died by violence. If she could have died of natural causes--"

  "No. She had been stabbed. There was a knife, the handle of a knife. . . ."

  "Then it's impossible. A hackie letting someone else drive his cab is a misdemeanor, and so is driving a cab without a license, but driving off with a dead body with a knife sticking in it, and dumping it somewhere, and not reporting it--that's a felony. Good for at least a year and probably more."

  !'i !|l

  68 3 at Wolfe's Door

  She opened a fist to grip my arm, leaning to me. "But not if she did it right! Not if no one ever knew! I told you one thing wrong she did recognize her! She did know her when she was alive! So she can't--"

  "Hold it," I growled. "Give me some money quick. Pay me. A dollar bill, five--don't sit and stare. See that police car? If it goes on by--no, it's stopping--pay me!"

  She was going to panic. She started up, but my hand on her shoulder stopped her and held her down. She opened the purse and took out folded bills without fumbling, and I took them and put them in my pocket. "Staring is okay," I told her, not too loud. "People stare at police cars. Stay put and keep your mouth shut. I'm going to take a look. Naturally I'm curious."

  That was perfectly true. I was curious. The prowl car had stopped alongside the taxi, and a cop, not the one who was driving, had got out and circled around to the door of the taxi on his side and was opening it as I reached the sidewalk. When you have a reputation for cheek you should live up to it, so I crossed to the door on my side and pulled it open. The seat was empty, but in front of it was a spread of brown canvas held up by whatever was under it. The cop, lifting a corner of the canvas, snarled at me, "Back up, you," and I retreated half a step, but he hadn't said to close the door, so I had a good view when he pulled the canvas off. More light would have helped, but there was enough to see that it was a woman, or had been, and that the knife whose handle was perpendicular to her ribs was all the way in.

  "My God," I said with feeling.

  "Shut that door!" the cop barked. "No, don't touch it!"

  "I already have."

  "I saw you. Beat it! No! What's your name?"

  "Goodwin. Archie Goodwin. This is Nero Wolfe's house, and--"

  "I know it is. And I know about you. Is this your cab?"

  "Certainly not. I'm not a hackie."

  "I know you're not. I mean--" He stopped. Apparently he had realized that the function of a prowl cop on finding a corpse is not to argue with onlookers. His head jerked around. "Climb out, Bill. DOA. I'll call in." The cop behind the wheel wriggled out,

  Method Three for Murder 69

  and the one in command wriggled in, and I mounted the stoop and sat down beside my client, noting that she had removed the cap and apparently had stashed it.

  I kept my voice low, though it wasn't necessary since the cop was talking on his radio. "In about eight minutes," I said, "experts will begin arriving. They will not be strangers to me. Since as far as I know you merely came to get me to tell you how to win a bet, when they start asking questions I'll be glad to answer them if you want to leave it to me. I've had practice answering questions."

  She was gripping my arm again. "You looked in. You saw--"

  "Shut up, and I don't beg your pardon. You talk too much. Even if I still lived and worked here we wouldn't go inside because it wouldn't be natural, with cops in a prowl car finding a corpse in a taxi parked at the curb--oh, I haven't mentioned that, that there's a dead woman in the taxi. I mention it now because naturally I would, and naturally I would stick around to watch developments. I'm talking to keep you from talking, since naturally we would talk. Not only have I had practice answering questions, but I know some of the rules. There are only three methods that are any good in the long run. You have strong fingers."

  "I'm sorry." Her grip relaxed a little, but she held on. "What are the three methods?"

  "One. Button your lip. Answer nothing whatever. Two. Tell the truth straight through. The works. Three. Tell a simple basic lie with no trimmings, and stick to it. If you try a fancy lie, or a mixture of truth and lies, or part of the truth but try to save some, you're sunk. Of course I'm just talking to pass the time. In the present situation, as far as I know, there is no reason why you shouldn't just tell the truth."

  "You said to leave it to you."

  "Yes, but they won't. There are very few people in their jurisdiction they wouldn't rather leave it to than me, on account of certain--here they come. We can stop talking. Naturally we would watch."

  An official car I had seen before rolled to a stop behind the prowl car, and Inspector Cramer of Homicide West climbed out.

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  in

  If you are surprised that an inspector had come in response to a report that a corpse had been found, I wasn't. The report had of course given the location, in front of 918 West 35th Street, and that address held memories, most of them sour, for the personnel at Homicide West, from Cramer down. A violent death that was in any way connected with Nero Wolfe made them itch, and presumably the report had included the item that Archie Goodwin was present and had stuck his nose in.

  My client and I watched the routine activities from our grandstand seat. They were swift, efficient, and thorough. Traffic was detoured at the corner of Ninth Avenue. A section of the street and sidewalk was roped off to enclose the taxi. Floodlights were focused on the taxi and surroundings. A photographer took shots from various angles. Pedestrians from both directions were shunted across the street, where a crowd gathered behind the rope. Some twenty city employees, in uniform and out, were on the scene in less than half an hour after the cop had made the radio call--five of them known to me by name and four others by sight. The second floodlight had just been turned on when Cramer came around the front of the taxi, crossed to the steps and mounted the first three, and faced me. Since I was sitting, that made our eyes level.

  "All right," he said. "Let's go in. I might as well have you and Wolfe together, and this woman too. That may simplify it. Open the door."

  "On the contrary," I said, not moving, "it would complicate it. Mr. Wolfe is in the office reading a book and knows nothing of all the excitement, and cares less. If I went in and told him you wanted to see him, and what about, you know what he would say and so do I. Nothing doing."

  "Who came here in that taxi?"

  Method Three for Murder 71

  "I don't know. I know nothing whatever about the taxi. When I came out it was there at the curb."

  "When did you come out?"

  "Twenty minutes past nine."

  "Why did you come out?"

  "To find a place to spend the night. I have quit my job, so if you're determined to see Mr. Wolfe you'll have to ring the bell."

  "You're telling me you've quit?"

  "Right. I don't work here any more."

  "By God. I thought you and Wolfe had tried all the wrinkles there are, but this is a new one. Do you expect me to buy it?"

  "It's not a wrinkle. I meant it. I wouldn't sign a pledge never to sleep here again, that depends on Mr. Wolfe's handling of a certain problem, but when I left the house I meant it. The problem has no connection with that taxi or what's in it."

  "Did this woman leave the house with you?"

  "No. When I opened the door, coming out, she was coming up the stoop. She said she wanted to see Nero Wolfe, and when I told her I no longer worked for him, and anyway he probably wouldn't see her, she said she guessed that for what she wanted I would be better than him. She offered to pay me fifty dollars for consultation on how to win a bet she had made, and we sat here to consult. We had been here fifteen or twe
nty minutes when the prowl car came along and stopped by the taxi, which had been standing there when I left the house, and naturally I was curious and went to take a look. The cop asked me my name and I told him. When he went to his radio to report I came back to my client, but we didn't do much consulting on account of the commotion. That's the crop."

  "Had you ever seen this woman before?"

  "No."

  "What was the bet she wanted to consult about?"

  "That's her affair. She's here. Ask her."

  "Did she come in that taxi?"

  "Not to my knowledge. Ask her."

  "Did you see her get out of the taxi?"

  72 3 "* Wolfe's Door

  "No. She was halfway up the stoop when I opened the door."

  "Did you see anyone get out of the taxi? Or near it?"

  "No."

  "What's her name?"

  "Ask her."

  His head moved. "Is your name Judith Bram?"

  That was no news for me, since my view through the open door had included the framed picture of the hackie and her name. As well as I had been able to tell in the dim light, the picture was not of my client.

  "No," she said.

  "What is it?"

  "Mira Holt. Mira with an I." Her voice was clear and steady.

  "Did you drive that taxi here?"

  "No."

  "Did you come here in it?"

  "No."

  So she had picked method three, a simple basic lie.

  "Did you have an appointment to see Nero Wolfe?"

  "No."

  "Where do you live?"

  "Seven-fourteen East Eighty-first Street."

  "What is your occupation?"

  "Modeling. Mostly fashion modeling."

  "Are you married?"

  "Yes, but I don't live with my husband."

  "What's your husband's name?"

  She opened her mouth and closed it again. "Waldo Kearns. I use my own name." <

  "Are you divorced?"

  "No."

  'Was that taxi here when you arrived?"

  "I don't know. I didn't notice, but I suppose it was because it didn't come after we sat down."

  "How did you come here?"

  "I don't think that matters."