Psych: Mind Over Magic

by William Rabkin

  “I think it could make us accessories to murder,” Gus said.

  Shawn opened the freezer again, then reached in and pulled out an unopened box of grape Popsicles. He tore open the box and offered it to Gus, who accepted one. Shawn unwrapped a Popsicle for himself, then put the box back in the freezer.

  “You can relax,” Shawn said. “P’tontius P’kilate isn’t running away from Benny Fleck.”

  “P’tol P’kah,” Gus said, more out of reflex than any hope that Shawn would ever get the name right.

  “Yeah, right, that guy,” Shawn said.

  Gus waited for an explanation. Shawn sucked on the Popsicle, his lips turning purple.

  “How do you know that P’tol P’kah isn’t running away from Fleck?” Gus said finally.

  “Because,” Shawn said, “he doesn’t exist.”

  Chapter Eleven

  “Yes,” Gussaid.“I think we’ve already determined that he’s not a real Martian.”

  “It’s not that he’s not a real Martian,” Shawn said between sucks on the Popsicle. “It’s that he’s not a real person.”

  “We’re standing in his apartment.”

  “Are we?”

  Although Gus was pretty sure he knew the answer, he took one long look around the luxury suite just to confirm that the walls hadn’t melted away to reveal that he was actually in his own bed, having an insanely elaborate dream. “I can’t speak for you,” he said, “but my feet are definitely on the thirty-ninth floor of the Outer Space Hotel and Casino in an area that’s been turned into an apartment for the exclusive use of P’tol P’kah.”

  “Then why hasn’t he used it?” Shawn said. “Look how clean this place is.”

  “So Martians are better housekeepers than you,” Gus said. “Besides, the hotel has an entire staff of chambermaids.”

  “Okay,” Shawn said. “So when he wants to watch Wheel of Fortune, do the chambermaids come up and act it out for him?”

  Gus stared at him blankly. Shawn gestured with his Popsicle at the enormous flat panel on the wall. “That TV isn’t hooked up to anything,” he said.

  “Maybe it’s wired into the wall,” Gus said.

  Shawn went over to the TV and fished around in the space between its bottom edge and the top of a long credenza. He came up with a sheaf of loose cables. “It’s not wired into anything.”

  Gus tried to apply part of his mind to the idea that this had some significance. But mostly he was staring at the bright purple Popsicle that Shawn was holding over the white, white carpet.

  Shawn walked over to the closet and pulled one of the mammoth sport coats off its hanger. “He’s got all these clothes, and he hasn’t worn any of them,” Shawn said. “The pockets are all sewn shut; the shirts are all folded and still pinned.” He pulled a shirt off the shelf and tossed it to Gus. When he caught it, Gus could feel the crackle of the manufacturer’s tissue between the layers of cotton.

  “So maybe he’s decided the codpiece look works for him,” Gus said, remembering how the Martian was dressed—or, rather, not dressed—at the Fortress of Magic.

  But Shawn wasn’t listening. He’d found a small door set into the back wall of the closet. “Cool,” he said.

  “What’s cool?” Gus chided himself for letting Shawn change the subject, but he couldn’t help responding to the interest in his friend’s voice.

  “Laundry chute,” Shawn said. “Looks like it goes all the way down. Want to see?”

  Gus felt a new wave of vertigo just thinking about peering down a thirty-nine-story shaft. “You can describe it to me.”

  “Well, it’s a chute,” Shawn said. “And it looks like they’ve thought of everything. They’ve even got rungs built into the sides so you can retrieve your shirt if you decide it’s not really dirty.”

  “That’s not a laundry chute. It’s an emergency exit,” Gus said.

  “Well, that explains why no one ever sees him leaving the hotel. But still, once he’s out, you’ve got a seven-foot-tall green man walking down the Strip essentially naked, and no one has ever noticed?” Shawn said, pounding his point home by waving the Popsicle. “There’s never been a single photo of him out in public.”

  Gus tried to imagine a reason for that, but his mind was mostly occupied by the sight of Shawn’s Popsicle. And particularly by a small corner at the top, where the tip of the stick was showing through. There was a small crack in the purple ice, and it was growing every time Shawn employed the frozen treat as a pointing device.

  “All this can only mean one thing,” Shawn said, using the Popsicle the way an orchestra conductor wields his baton. “And that’s—”

  “No!” Gus cried out, but it was too late. The top corner of the Popsicle had broken off and a one-inch chunk of frozen water, high fructose corn syrup, artificial Concord grape flavoring, and—most crucially—indelible purple food coloring was hurtling through the air on a trajectory that, no matter its initial velocity, would result in a collision with the brilliant white carpet within seconds.

  Gus didn’t hesitate. He ran the length of the room after the artificially sweetened projectile. But he wasn’t fast enough; the frozen treat was already breaking up as it spun through the air, sending drops of purple to land in a Pollock-worthy pattern on the carpet. And the main piece was only inches from the ground. Gus launched himself at the missile, flying through the air, twisting his body around, and stretching out his arm to snag the ice chunk before it could land.

  But Gus’ hand closed on air as his face skidded across the carpet. Out of the eye that wasn’t embedded in the short shag, he saw the purple ice explode as it made contact with the floor, turning several square feet of white into a brightly colored Rorschach blotch. A shift of the eyeball revealed Shawn staring at him quizzically.

  “Okay, maybe it can mean more than one thing,” Shawn said. “But that seems like a pretty dramatic way to make an objection.”

  Gus climbed back up to his feet and immediately wished he hadn’t. From above, the stain was even uglier.

  “Look at that,” Gus said, pointing down at the purple blotch. “We’ve got to find a way to clean it up.”

  “I believe it was you who mentioned just moments ago that the hotel has an entire staff of housekeepers,” Shawn said.

  “And if P’tol P’kah comes back before the maid does?”

  “Then we’re the greatest detectives in the history of the world, and who cares that we made a little mess?” Shawn said, sucking on what was left of the Popsicle.

  “Benny Fleck doesn’t want his client to know we were in his apartment,” Gus said. He picked the folded shirt up from the ground where he’d dropped it and marched it back to the closet, sliding it onto its correct shelf. “That means not pulling his clothes out of the closet, not leaving the TV cables hanging in the air, and definitely not leaving giant purple stains on the white carpet.”

  “Maybe that’s how they like their carpets back on Mars,” Shawn said. “He’ll think Fleck was so concerned about his well-being that he had the rug painted.”

  Gus closed the closet and went back to the kitchen area. Ducking behind the island, he started opening cabinets in search of cleaning supplies.

  “And besides—” Shawn broke off as Gus slammed a cabinet loudly.

  “There’s nothing here,” Gus said. “No rug cleaner, no bleach, not even any dish soap.”

  “If you’d let me finish my ‘besides,’ you would have known that,” Shawn said, “because my ‘besides’ went to exactly that point.”

  “Okay, fine,” Gus said, standing up. “Besides what?”

  “Besides,” Shawn said, “he doesn’t live here. Because he doesn’t exist.”

  “He insisted Fleck build him this place,” Gus said. “Why did he do that—just for fun?”

  “I don’t know much about the ways Martians have fun, but that seems like a long shot,” Shawn said. “No, I think he did it to throw people off his trail.”

  “What trail?” Gus said. “Unt
il last night, he was doing eight shows a week in a theater built specifically for him. No one would have needed a trail to find him. They just needed a ticket.”

  “That would only have led them to P’nut P’butter,” Shawn said.

  Gus waited for Shawn to finish his thought, then realized he was waiting for the correction. “P’tol P’kah,” Gus said.

  “Right, that guy,” Shawn said. “They’d need the trail to find Tucker Mellish.”

  “Who is Tucker Mellish?” Gus said. “Is that the dead guy? Are you finally talking about the dead guy? Because it’s only been about seven minutes since you started to explain, and I’d hate to hurry you.”

  “The dead guy is not Tucker Mellish,” Shawn said, “unless I’m much more impressive than I think, because Tucker Mellish is a name I just made up.”

  “Well, that’s certainly helpful,” Gus said. “So glad we had this conversation.” Now he knew Shawn was going out of his way to annoy him. And it was working. But Gus refused to give Shawn the satisfaction of seeing it on his face, so he turned his back and started opening cabinets as if he hadn’t given up on finding cleaning supplies.

  “Tucker Mellish is a made-up name, but he’s not a made-up person,” Shawn said. “He’s a stage magician, and a pretty good one. An inventive guy, he’s particularly good at coming up with new wrinkles on old illusions. For example, he could take the old gag where the magician disappears out of a box and reappears in the crowd, and flash it up by using a tank of water instead of a cabinet.”

  Gus could feel himself becoming interested in Shawn’s story. But he wasn’t ready to give his friend that satisfaction yet, either. He kept banging open doors, finding stacks of untouched dishes and unopened boxes of food, but nothing that actually suggested someone had ever lived here.

  “I think it’s safe to say that Tucker Mellish was rising in his field,” Shawn continued. “I’d guess he was building a reputation at least with other magicians, if he didn’t have a mass audience yet. And when I say he was building a reputation, I mean that they all hated him, since that seems to be how they convey professional respect for each other.”

  Gus pulled open a cabinet next to the sink and found a trash compactor. It was the cleanest trash compactor he’d ever seen, and he doubted that a piece of trash had ever come near it. Maybe there was something to what Shawn was saying.

  “So put yourself in Tucker’s position,” Shawn said. He moved around the kitchen, trying to catch a glimpse of Gus’ face, just to see if he was listening. But Gus kept moving in the other direction and keeping the back of his head aimed toward Shawn wherever he went. “You’ve been practicing all your life to be a great stage magician and you’ve finally developed the skills to make it happen. You’re rising up in your field, probably just beginning to talk to promoters about national exposure, and then it happens.”

  Gus could feel his muscles tightening as his body tried to turn him around to look at Shawn for the explanation. But he used all his willpower to force himself to stay in place. “What would that be?”

  “You go to see one of the most powerful promoters in the business,” Shawn said. “He tells you he loves your work and he’s going to make you a superstar. But before he launches your tour, he needs to know a little more about your act. He needs to see the designs for your illusions. You’re nervous about sharing your secrets, of course, but this man is a legend, so you leave them behind. Days go by and you keep waiting for the great man’s call, but it never comes.”

  This was too much for the muscles in Gus’ back to fight. They forced his body around. “How do you know all this?”

  “And then you see the news item in Conman Weekly, or whatever the magicians’ trade paper is called. One of the promoter’s biggest clients has just announced a huge national tour—and the tricks he’s promising are the same ones you left your plans for in the promoter’s office. Now you call and call, but no one ever returns. Your rage is building. This is your life’s work, and it’s been stolen from you. Late one night, you break into the promoter’s office, and when he laughs at you, it’s too much. You snap. In fact, you snap his neck. You’re gathering up your materials, when his assistant comes into the office. Terrified, she picks up a beaker of acid and hurls it into your face—”

  “Wait a minute,” Gus said. “Why is there a beaker of acid in a tour promoter’s office?”

  “You expect the assistant to fight off an enraged magician with her bare hands?” Shawn said. “Anyway, now you’re horribly deformed and you’re wanted for murder. If you ever want to be seen in public—which is really all you’ve ever wanted—you need to come up with some kind of disguise.”

  “If only to hide from the copyright lawyers.” Gus felt a wave of disappointment crashing through him. For a moment there he really thought Shawn had figured out something significant. “Because you’ve lifted your entire life story from The Phantom of the Opera.”

  “First of all,” Shawn said as Gus turned back to exploring the cabinetry, “The Phantom of the Opera was written more than a thousand years ago, so it’s long out of copyright—”

  “Gaston Leroux published his original novel in 1910,” Gus said as he slammed shut a cabinet holding an unused espresso machine, a blender still in its original packaging, and a George Foreman grill that had clearly never met a piece of meat. “So yes, that is in the public domain. But in that book, as in several film adaptations and the longest running show in Broadway history, the phantom was deformed at birth. The story you just stole was invented for the 1943 Claude Rains movie, and if you want to tangle with the powerful and brilliant intellectual property lawyers at NBC/Universal, you can do it without me.”

  “You’re getting bogged down in details,” Shawn said. “You have to listen to the broader point.”

  “A point can’t be broad,” Gus said. “That’s what makes it a point.”

  “Whatever,” Shawn said. “This guy Tucker Mellish—”

  “This guy that you invented.”

  “This guy I didn’t invent with a name I did,” Shawn continued. “Forget about the acid. Forget about the stolen plans. He’s on the run.”

  “From what?”

  “Could be anything,” Shawn said. “Maybe he owes money to the mob. Maybe he owes a fortune in child support. Maybe he’s wanted by the police.”

  “Sure, for drowning chubby men in his disappearing tank.” Gus opened and slammed a couple more cabinets, finding nothing of interest inside.

  “It could be,” Shawn said. “Maybe he’s a serial killer. But whatever he is, he couldn’t stand the thought of not performing in public anymore, so he concocted this entire Martian persona to allow himself to be seen in public without being identified.”

  “So why make Fleck build him this apartment?” Gus said.

  “Misdirection,” Shawn said. “The magician’s best tool. Everyone who’s the slightest bit interested in P’stuffed P’imento—”

  “P’tol P’kah,” Gus repeated by rote.

  “Right, that guy,” Shawn said. “Anyone who’s interested in him is never going to take his eyes off the one place they’re certain he’ll be. And that lets Tucker Mellish run around without anyone watching him.”

  Gus had to admit the theory made sense. At least he had to admit it to himself. He wasn’t convinced he felt like admitting it to Shawn, whose behavior had been so appalling, it didn’t deserve the reward. Besides, that still left one big question unanswered.

  “So who’s the dead guy? Gus asked, bending down to check the last few cabinets.

  “I have no idea.”

  “You told me you did,” Gus said.

  “I thought if I kind of ramped up to it, the solution would come to me,” Shawn said. “And it might have, if you hadn’t distracted me with all that endless blather about mayonnaise.”

  Gus was about to respond with a retort so perfect it would have sealed Shawn’s mouth through the next leap year. But before he could utter the words, he opened one last ca
binet and what he saw there froze his tongue to the roof of his mouth.

  “I mean, really,” Shawn said. “I’m trying to solve the most baffling murder of this or any other generation, and you keep going on about condiments. And I get thrown off my point, I lose track of my thought, and bang zoom, a killer walks free. So I hope that you and Miracle Whip are happy.”

  Gus stared into the cabinet, trying to make sense of what he was seeing. He recognized the shapes, of course. They were tall, thin tubes, flat on the bottom and rounded on top, with a smaller tube extending from the apogee. They were gray metal, flecked with nicks and scratches. He had seen these things a million times before. He knew exactly what they were. But they shouldn’t be here. There was no earthly reason for them to be here.

  “Are you sure about your theory?” Gus finally asked.

  “Why, you have a better one?”

  “Yes, but it’s not mine. It’s Fleck’s,” Gus said.

  “Fleck didn’t have a theory,” Shawn said. “Unless you mean when he said that his client was a real Martian. You’re not suggesting you believe that?”

  “I’m not suggesting anything,” Gus said. He hoisted one of the scuba tanks out of the cabinet. “I’m just wondering why anyone who was born on this planet would need to bring his own air with him.”

  Chapter Twelve

  s a physical barricade, the seal was completely useless. It was just a piece of paper—slick green paper backed with some kind of sticky stuff. A box cutter would go through it like a spoon through whipped cream. Even a butter knife would be enough to tear it open.

  But as a moral barrier, the seal was inviolable. It wasn’t a piece of paper; it was the entire American system of justice. It was the triumph of order over chaos, of civilization over savagery. It was proof that mankind was capable of understanding that there are societal obligations more important than any one man’s desires. It was everything Detective Carlton Lassiter believed in.