The Years of Rice and Salt

by Robinson, Kim Stanley

  Kang coloured. 'My servants are indiscreet.'

  'I'm sorry. it's just that this may pertain to my investigation.'

  'I recall nothing of the incident, alas. 1 woke to a very disturbed household.'

  'Yes. Perhaps 1 could ask your servants what you said while under the ... under the spell?'

  'Certainly.'

  'Thank you.' Another seated bow, another sip. 'Also . . . 1 was wondering if you might agree to help me attempt to reach this ... this other voice inside you.'

  'How do you propose to do this?'

  'It is a method developed by the doctors of al‑Andalus. It involves a kind of meditation on an object, as in a Buddhist temple. An examiner helps to put the meditating subject under a description, as they call it, and then the inner voices sometimes will speak with the examiner.'

  'Like soul‑stealing, then?'

  He smiled. 'No stealing is involved. It is mainly conversation, you see. Like calling the spirit of someone absent, even to themselves. Like the soul‑calling done in your southern cities. Then when the meditation ends, all returns to normal.'

  'Do you believe in the soul, doctor?'

  'Of course.'

  'And in soul‑stealing?'

  'Well.' Long pause. 'This concept has to do with a Chinese understanding of the soul, I think. Perhaps you can clarify it for me. Do you make a distinction between the hun, the spiritual soul, and the po, or bodily soul?'

  'Yes, of course,' Kang said. 'It is an aspect of yin‑yang. The hun‑soul belongs to the yang, the po‑soul to the yin.'

  Ibrahim nodded. 'And the hun‑soul, being light and active, volatile, is the one that can separate from the living person. Indeed it does separate, every night in sleep, and returns on waking. Normally.'

  'Yes.'

  'And if by chance, or design, it does not return, this is a cause of

  illness, especially in children's illnesses, like colic, and in various forms of sleeplessness, madness and the like.'

  'Yes.' Now the widow Kang was not looking at him.

  'And the hun is the soul that the soul‑stealers supposedly roaming the countryside are after. Chiao‑hun.'

  'Yes. Obviously you don't believe this.'

  'No no, not at all. 1 reserve judgment for what is shown. 1 can see the distinction being made, no doubt of that. 1 myself travel in dreams ‑ believe me, 1 travel. And 1 have treated unconscious patients, whose bodies continue to function well, in the pink of health you might say, while they lie there on their bed and never move, no, not for years. I cleaned her face ‑ I was washing her eyelashes, and all of a sudden she said, "Don't do that." After sixteen years. No, 1 have seen the hunsoul go and return, 1 think. 1 think it is like most matters. The Chinese have certain words, certain concepts and categories, while Islam has other words, naturally, and slightly different categories, but on closer inspection these can all be correlated and shown to be one. Because reality is one.'

  Kang frowned, as if perhaps she did not agree.

  'Do you know the poem by Rumi Balkhi, "I Died As Mineral"? No? It is by the voice of the sufis, the most spiritual of Muslims.' He recited:

  ' 1 died as mineral and came back as plant, Died as plant and came back as animal, Died as animal and came back a man. Why should I fear? When have I ever lost by dying? Yet once more 1 shall die human, To soar with angels blessed above. And when 1 sacrifice my angel soul 1 shall become what no mind ever conceived.

  'That last death 1 think refers to the hun‑soul, moving away from the po‑soul to some transcendence.'

  Kang was thinking it over. 'So, in Islam you believe that souls come back? That we live many lives, and are reincarnated?'

  Ibrahim sipped his green tea. 'The Quran says, "God generates beings,

  and sends them back over and over again, till they return to Him.‑­

  'Really!' Now Kang regarded Ibrahim with interest. 'This is what we Buddhists believe.'

  Ibrahim nodded. 'A sufi teacher 1 have followed, Sharif Din Maneri, said to us, "Know for certain that this work has been before thee and me in bygone ages, and that each person has already reached a certain stage. No one has begun this work for the first time.‑­

  Kang stared at Ibrahim, leaning from her wall seat towards him. She cleared her throat delicately. 'I remember bits of these sleepwalking spells,' she admitted. 'I often seem to be some other person. Usually a young woman, a ‑ a queen, of some far country, in trouble. 1 have the impression it was long ago, but it is all confused. Sometimes 1 wake with the sense of a year or more having passed. Then 1 come fully into this world again, and it all falls apart, and 1 can recall nothing but an image or two, like a dream, or an illustration in a book, but less whole, less ... I'm sorry. 1 can't make it clear.'

  'But you can,' Ibrahim said. 'Very clear.'

  'I think 1 knew you,' she whispered. 'You and Bao, and my son Shih, and Pao, and certain others. 1 ... it's like that moment one sometimes feels, when it seems that whatever is happening has already happened before, in just the same way.'

  Ibrahim nodded. 'I have felt that. Elsewhere in the Quran, it says, "I tell you of a truth, that the spirits which now have affinity will be kindred together, although they all meet in new persons and names.‑­

  'Truly?' Kang exclaimed.

  'Yes. And elsewhere again, it says, "His body falls off like the shell of a crab, and he forms a new one. The person is only a mask which the soul puts on for a season, wears for its proper time, and then casts off, and another is worn in its stead.‑­

  Kang stared at him, mouth open. 'I can scarcely believe what 1 am hearing,' she whispered. 'There has been no one 1 can tell these things. They think me mad. I am known now as a . . .'

  Ibrahim nodded and sipped his tea. 'I understand. But 1 am interested in these things. 1 have had certain ‑ intimations, myself. Perhaps then we can try the process of putting you under a description, and see what we can learn?'

  Kang nodded decisively. 'Yes.'

  Because he wanted darkness, they settled on a window seat in the reception hall, with its window shuttered and the doors closed. A single candle burned on a low table. The lenses of his glasses reflected the flame. The house had been ordered to be silent, and faintly they could hear dog barks, cart wheels, the general hum of the city in the distance, all very faint.

  Ibrahim took Widow Kang by the wrist, very loosely, fingers cool and light against her pulse, at which sensation her pulse quickened; surely he could feel it. But he had her look into the candle flame, and he spoke in Persian, Arabic and Chinese: low chanting, with no emphasis of tone, a gentle murmur. She had never heard such a voice.

  'You are walking in the cool dew of the morning, all is peaceful, all is well. In the heart of the flame the world unfolds like a flower. You breathe in the flower, slowly in, slowly out. All the sutras speak through you into this flower of light. All is centred, flowing up and down your spine like the tide. Sun, moon, stars in their places, wheeling around us, holding us.'

  In like manner he murmured on and on, until Kang's pulse was steady at all three levels, a floating, hollow pulse, ber breathing deep and relaxed. She truly appeared to Ibrahim to have left the room, through the portal of the candle flame. He had never had anyone leave him so quickly.

  'Now,' he suggested, 'you travel in the spirit world, and see all your lives. Tell me what you see.'

  Her voice was high and sweet, unlike her usual voice. 'I see an old bridge, very ancient, across a dry stream. Bao is young, and wears a white robe. People follow me over the bridge to a . . . a place. Old and new.'

  'What are you wearing?'

  'A long ... shift. Like night garments. It's warm. People call out as we pass.'

  'What are they saying?'

  'I don't understand it.'

  'Just make the sounds they make.'

  'In sha ar am. In sha ar am. There are people on horses. Oh ‑ there you are. You too are young. They want something. People cry out. Men on horses approach. They're coming fast. Bao w
arns me ‑' She shuddered. 'Ah!' she said, in her usual voice. Her pulse became leathery,

  almost a spinning bean pulse. She shook her head hard, looked up at Ibrahim. 'What was that? What happened?'

  'You were gone. Seeing something else. Do you remember?'

  She shook her head.

  'Horses?'

  She closed her eyes. 'Horses. A rider. Cavalry. 1 was in trouble!'

  'Hmm.' He released her wrist. 'Possibly so.'

  'What was it?'

  He shrugged. 'Perhaps some ... Do you speak any ‑ no. You said already that you did not. But in this hun travel, you seemed to be hearing Arabic.'

  'Arabic?'

  'Yes. A common prayer. Many Muslims would recite it in Arabic, even if that was not their language. But .

  She shuddered. 'I have to rest.'

  'Of course.'

  She looked at him, her eyes filling with tears. 'I ... can it be ‑ why me, though ‑' She shook her head and her tears fell. 'I don't understand why this is happening!'

  He nodded. 'We so seldom understand why things happen.'

  She laughed shortly, a single 'Ho!' Then: 'But 1 like to understand.'

  'So do I. Believe me; it is my chief delight. Rare as it is.' A small smile, or grimace of chagrin, offered for her to share. A shared understanding, of their solitary frustration at understanding so little.

  Kang took a deep breath and stood. 'I appreciate your assistance. You will come again, 1 trust?'

  'Of course.' He stood as well. 'Anything, madam. 1 feel that we have just begun.'

  She was suddenly startled, looking through him. 'Banners flew, do you remember?'

  'What?'

  'You were there.' She smiled apologetically, shrugged. 'You too were there.'

  He was frowning, trying to understand her. 'Banners . . .' He seemed lost himself for a while. 'I . . .' He shook his head. 'Maybe. 1 recall it used to be, when I saw banners, as a child in Iran, it would mean so much to me. More than could be explained. As if 1 was flying.'

  'Come again, please. Perhaps your bun‑soul too can be called forth.' He nodded, frowning still, as if still in pursuit of a receding thought, a banner in memory. Even as he said his farewells and left, he was still distracted.

  He returned within the week, and they had another session 'inside the candle' as Kang called it. From the depths of her trance she burst into speech that neither of them understood ‑ not Ibrahim as it happened, nor Kang when he read back to her what he had written down.

  He shrugged, looking shaken. 'I will ask some colleagues. Of course it may be some language totally lost to us now. We must concentrate on what you see.'

  'But I remember nothing! Or very little. As you recall dreams, that slip away on waking.'

  'When you are actually inside the candle, then. 1 must be clever, ask the right questions.'

  'But if 1 don't understand you? Or if 1 answer in this other tongue?'

  He nodded. 'But you seem to understand me, at least partly. There must be translation in more than one realm. Or there may be more to the hun‑soul than has been suspected. Or the tendril that keeps you in contact with the travelling hun­soul conveys other parts of what you know. Or it is the po‑soul that understands.' He threw up his hands: who could say.

  Then something struck her, and she put her hand to his arm. 'There was a landslide!'

  They stood together in silence. Faintly the air quivered.

  He went away puzzled, distracted. At every departure he left bemused, and at every return he was fairly humming with ideas, with anticipation of their next voyage into the candle.

  'A colleague in Beijing thinks it may be a form of Berber that you are speaking. At other times, Tibetan. Do you know these places? Morocco is at the other end of the world, the west end of Africa, in the north. It was Moroccans who repopulated al~Andalus when the Christians died.'

  'Ah,' she said, but shook her head. 'I was always Chinese, 1 am sure. It must be an old Chinese dialect.'

  He smiled, a rare and pleasant sight. 'Chinese in your heart, perhaps. But 1 think our souls wander the whole world, life to life.'

  'In groups?'

  'People's destinies intertwine, as the Quran says. Like threads in your embroideries. Moving together like the travelling races on Earth ‑ the Jews, the Christians, the Zotti. Remnants of older ways, left without a home.'

  'Or the new islands across the Eastern Sea, yes? So we might have lived there too, in the empires of gold?'

  'Those may be Egyptians of ancient times, fled west from Noah's flood. Opinion is divided.'

  'Whatever they are, I am certainly Chinese through and through. And always have been.'

  He regarded her with a trace of his smile in his eye. 'It does not sound like Chinese that you speak when inside the candle. And if life is inextinguishable, as it seems it might be, you may be older than China itself.'

  She took a deep breath, sighed. 'Easy to believe.'

  The next time he came to put her under a description, it was night, so they could work in silence and darkness; so that the candle flame, the dim room and the sound of his voice would be all that seemed to exist. It was the fifth day of the fifth month, an unlucky day, the day of the festival of hungry ghosts, when those poor preta who had no living descendants were honoured and given some peace. Kang had said

  the Surangama Sutra, which expounded the rulai‑zang, a state of empty mind, tranquil mind, true mind.

  She made the purification of the house rituals, and fasted, and she asked Ibrahim to do the same. So when the preparations were finally finished, they sat alone in the stuffy dark chamber, watching a candle burn. Kang

  entered into the flame almost the moment Ibrahim touched her wrist, her pulse flooding, a yin‑in~yang pulse. Ibrahim watched her closely. She muttered in the language he could not understand, or perhaps another language yet. There was a sheen on her forehead, and she seemed distraught.

  The Surangama Sutra: spuriously Sanskrit, originally written in Chinese and titled 'Lengyan jing'. The awareness it describes, changzhi, is sometimes called Buddha‑nature, or tathagatagarbha, or 'mind ground'. The sutra claims that devotees can be 'suddenly awakened' to this state of high awareness.

  The flame of the candle shrank down to the size of a bean. Ibrahim swallowed hard, holding off fear, squinting with the effort.

  She stirred, her voice grew more agitated.

  'Tell me in Chinese,' he said gently. 'Speak Chinese.'

  She groaned, muttered. Then she said, very clearly, 'My husband died. They wouldn't ‑ they poisoned him, and they wouldn't accept a queen among them. They wanted what we had. Ah!' And she began again to speak in the other language. Ibrahim fixed her clearest words in mind, then saw that the candle's flame had grown again, but past its normal height, rising so high that the room grew hot and stifling, and he feared for the paper ceiling. 'Please be calm, 0 spirits of the dead,' he said in Arabic, and Kang cried out in the voice not hers,

  'No! No! We're trapped!' and then she was sobbing, crying her heart out. Ibrahim held her by the arms, gently squeezing her, and suddenly she looked up at him, seeming awake, and her eyes grew round. 'You were there! You were with us, we were trapped by an avalanche, we were stuck there to die!'

  He shook his head: 'I don't remember

  She struggled free and slapped him hard on the face. His spectacles flew across the room, she jumped on him and held him by the throat as if to strangle him, eyes locked on his, suddenly so much smaller. 'You were there!' she shouted. 'Remember! Remember!'

  In her eyes he seemed to see it happen. 'Oh!' he said, shocked, looking through her now. 'Oh my God. Oh . . .'

  She released him, and he sank to the floor. He patted it as if searching for his glasses. Inshallah, inshallah.' He groped about, looked up at her. 'You were just a girl . . .'

  'Ah,' she said, and collapsed onto the floor beside him. She was weeping now, eyes running, nose running. 'It's been so long. I've been so alone.' She sniffed hard, wiped her ey
es. 'They keep killing us. We keep getting killed.'

  'That's life,' he said, wiping his own eyes once. He collected himself. 'That's what happens. Those are the ones you remember. You were a black boy, once, a beautiful black boy, 1 can see you now. And you were my friend once, old men together. We studied the world, we were friends. Such a spirit.'

  The candle flame slowly dropped back to its normal height. They sat beside each other on the floor, too drained to move.

  Eventually Pao knocked hesitantly on the door, and they started

  guiltily, though they had both been lost in their own thoughts. They got up and sat in the window seats, and Kang called out to Pao to bring some peach juice. By the time she came with it they were both composed; Ibrahim had relocated his spectacles, and Kang had opened the window shutter to the night air. The light of a clouded half moon added to the glow of the candle flame.