THE CRYSTAL CITY

by Orson Scott Card

  It was his job to make sure there was room for them all, enough firm, safe ground that they could gather.

  Many of them sat down, then lay down, and with the echoes of the greensong still singing in their hearts, they dozed in the faint moonlight, their dreams infused with the music of life.

  Calvin couldn't help being curious. And it's not as if he had to stay on the levee to keep the fog in place.

  In fact, the fog could pretty much look after itself, at this point. And with all the angry, frightened heartfires flowing through the streets of Barcy, Calvin couldn't see any particular reason to stay by himself. Who knew what mischief these mobs might be up to? And since he was a maker, wasn't it his job to keep such mischief from happening?

  One mob was moving through Frenchtown, getting more and more furious as they found house after house empty. Another mob, consisting mostly of dockside drunks, was looking for slaves to throw into the water. Finding none, they started throwing in whatever passersby spoke English with a foreign accent or not at all. Which wasn't too logical, seeing how this wasn't even an American city.

  All Calvin could see of this was the anger in the heartfires and, of course, the panic in those being tossed into the river.

  The angriest mob, and the one moving with the most sense of purpose, was moving directly toward the orphanage where Alvin had been unable to resist showing off by one-upping Calvin's fixing of the man's foot. What was the big deal, Calvin wanted to know. When was he supposed to have learned anatomy? Of course, Alvin knew everything-everything except how the world actually worked.

  So let him sit there by that briny lake and flow his heartfire out as a bridge for the scum of the earth to walk on. Wasn't that just like Alvin? Making a show of being humble and the servant of all. But since Jesus said that the person who wanted most to be ruler was the one who was servant of all, didn't that tell something about Alvin, after all? Who was the ambitious one? Calvin was perfectly willing to stay in the background-which was the attitude a maker ought to have, as Alvin always said. But with Alvin it was do as I say, not as I do.

  Calvin jogged easily along the foggy streets-sober, decent folk were all indoors, fearful of the sudden fog and the sound of distant shouting. There were soldiers marching, too. The Spanish were ostensibly looking for a riot to quell, but the officers carefully found the quietest streets, since there was neither honor nor safety in confronting a mob. If you shoot, it's a massacre; if you don't shoot, you're likely to get a brick in the head.

  So it wasn't hard to avoid the soldiers, and soon Calvin found himself on the fringes of the mob just when it reached the house of Moose and Squirrel. He wasn't that interested in most of the people-a mob was a mob, and all the faces were as ugly and stupid as always when people turn their decision-making over to someone else. Brutal puppets, that's all they were. What Calvin wanted was the hot, dark heartfire that was leading them and goading them on.

  Glass was shattering as bricks and stones went through the windows of the house. Several men with torches were trying to set the house on fire, but the air was so moist and heavy that it wasn't working.

  The leader, who carried a big heavy knife at his hip, was taunting the would-be firestarters. "Y'all never set a fire before? Babies burn theirselves up all the time, but you can't even get a dry wooden house to burn!"

  Calvin sidled up. "Reckon sometimes you gotta do a thing yourself."

  The man turned to him and sneered. "And have the Spanish find some informant to testify against me? No thanks."

  "I didn't mean you." said Calvin. He reached out and pointed toward the roof. While he was pointing, he hotted up the wood just under the peak of the gable, so sudden and hot that it burst into flames.

  A cheer went up from the crowd, everyone being too drunk, apparently, to notice that the fire had started about as far as possible from where the torchwielders were doing such a pathetic job. But the mob's leader wasn't drunk, and that's the only person Calvin was looking to impress.

  "You know something?" said the man with the big knife. "I think you look a powerful lot like a certain thief and fraud name of Alvin Smith as was living in that boardinghouse only this morning."

  "You're speaking of my beloved brother, sir," said Calvin. "Nobody gets to call him names but me."

  "Beg your pardon, sir," said the man. "I'm Jim Bowie, at your service. And if I'm not wrong, you just proved to me that Alvin ain't the only dangerous man in his family."

  "Don't get no ideas about siccing this mob on me," said Calvin. "My brother plain hates to kill folks, but I got no such compunction. You turn the mob on me, and they'll all blow to bits as if they'd swallowed a keg of gunpowder. You first."

  "What's to stop me from killing you right here?" said the man. And then, suddenly, he got a panicked look on his face. "No, I was just joking, don't do nothing to my knife."

  Calvin laughed in his face. "Want to see the house go up real spectacular?"

  "You're the artist," said the man.

  Calvin found his way into the structure of the house, the thick heavy beams and posts that formed its skeleton. He hotted them up all at once-and so hot did he make them that they didn't so much burn as melt. The outer layer of each piece of wood burnt so fast that as the ashes peeled away it looked as if somebody had just flumped a busted pillow on the ground and released a hundred thousand feathers all at once.

  The house collapsed, sending up such a cloud of smoke and ash and hot, searing air that it burned the hair and eyebrows and eyelashes right off the men in the front row. Their skin was also burned, and some were blinded, but Calvin didn't feel any particular pity. They deserved it, didn't they? They were a murderous, house-burning mob, weren't they? The ones who was blind now, they'd never join a mob again, so Calvin had flat cured them of their violence.

  "You look to be a useful man to have as a friend," said the man with the knife.

  "How would you know?" said Calvin. "You haven't seen me with any of my friends."

  The man stuck out his hand. "Jim Bowie, sir, and I'd like to be your friend."

  "Sir, I don't reckon you have many friends in this world, and neither do I. So let's not pretend to love each other. You have something you want to use me for, and I'm perfectly willing to consider being used if you can let me see what's to gain from it, and why it's a good and noble undertaking."

  "They ain't no good and noble undertakings. Everybody I know of gets undertaken has to be dead first and doesn't seem to enjoy it."

  Bowie was grinning.

  "What do you want from me, Mr. Bowie?"

  "Your company," said Bowie. "On an expedition. A job your brother turned down on account of I think he was scared."

  "Al ain't afraid of anything," said Calvin.

  "Anybody isn't scared of the Mexica might as well shoot out his own brains, cause they ain't worth keeping."

  "The Mexica?"

  "Some of us think it's time civilization came back to Mexico."

  Civilization ... like this? Calvin watched the remaining mobbers cavorting and gamboling in front of the hot glowing embers and laughed.

  "A mob's a mob," said Bowie. "But the Mexica are evil and need destroying."

  "No doubt they do," said Calvin. "But why is it your job?"

  "I got tired of waiting on God."

  Calvin grinned at him. "Maybe we got something to talk about. I never been to Mexico."

  Alvin felt someone nudge him, shake his shoulder.

  "Sun coming," said a woman's voice.

  La Tia, that's who it was.

  "Everybody already pass over," said another woman. Dead Mary's mother.

  "What's your name?" Alvin murmured. "I don't know your name."

  "Rien," she said.

  Dead Mary reached out and took his bleeding hands in hers. "Get up, you wizard you. Get up and cross over the bridge of your blood."

  He tried to rise, with her helping, but at once he felt faint and his legs gave way under him. He fell face forward onto his hands
and even his elbows buckled, and his face struck the surface of the crystal bridge. The heavy weight of the plow made the poke slide off his shoulder. It made the whole bridge shimmer with life, and Alvin felt himself suffused with warmth. With peace. It was all done. He could sleep now.

  At once the bridge began to give way under him.

  "No!" cried La Tia. "Hold up that bridge! You can't sleep now!" She reached down and lifted the poke from the surface of the bridge. At once the shimmering stopped, and Alvin could concentrate again. No, it wasn't time to rest, was it?

  "The army coming, boy!" La Tia said. "They know they slaves gone now, morning coming and nobody doing they chores. This ain't no drunken mob today, no. This be soldiers, and we got to cross over!"

  It wasn't just her words filling him with strength, though. He could feel the power of charms she bore. He always saw the small magics of spells and hexes and could stop them if he wanted, so he had gotten used to the idea that they had no effect on him.

  But now he was grateful for the strength that flowed into him as she draped a charm around his neck.

  "I have to stay here," he said softly, "or the bridge won't hold."

  "You had to stay here to make the bridge," said La Tia. "But don't you feel your brother put in his blood from the other side?"

  Alvin cast his awareness through the whole length of the bridge and now realized that his own heartfire was not alone in it. His was the overwhelming light within the crystal, but there was another heartfire there, too, and not a weak one, either. Arthur Stuart had taken hold of the bridge and had put his own blood into the water to join him.

  La Tia and Dead Mary's mother-Rien, was it?-supported him on either side, while Dead Mary pushed her wheelbarrow out onto the bridge to lead the way. Already the last of the people was out of sight in the fog. But the fog was thinning, and the first rays of dawn were lighting the eastern sky. Arthur Stuart might still be on the job, but Calvin wasn't.

  Behind them Michele, La Tia's friend and doorkeeper, was laying down charms on the bridge. They did not cause the shimmer that the plow had brought. Rather they felt like salt dropped on ice.

  "That burns," said Alvin. "I can't have that."

  "Got to keep them enemies back," said La Tia. "They my fear and fire charms she laying down."

  "This bridge was made to welcome people. The crystal is meant to open their eyes. You can't put darkness and fear onto it and hope to have it stay."

  "You know what you know," said La Tia. "You do a thing I never see, so while I stand on your blood, I do what you say." She called back over her shoulder. "Michele, you pick up all this stuff, you, you make it a ring on the shore, hold them back a little!"

  Michele ran back to land and laid the charms in a great semicircle to keep the soldiers at bay as long as possible.

  "To them it be like a fire," said La Tia. "Hate and fear, they make it into a fire."

  Blood still dripped from Alvin's hands as he walked. Dead Mary set down the barrow and tried to take one hand and bind it up to stop the bleeding, but Alvin pulled away. "Got to keep my blood going into the bridge," he said. "Arthur can't hold it up alone."

  "So this thing you make, it don't stay made?" said Dead Mary.

  "First time I done it," said Alvin, "and I don't think I done it right. But maybe it can never stay. Maybe you can't build nothing out of this that lasts."

  "Stop making him talk," said Rien. "You keep pushing, Marie, you keep showing us the way."

  "I know the way," said Alvin.

  "But what happen to us when you faint, yes? What?"

  Alvin had no answer, and Dead Mary continued to push her barrow on ahead.

  They weren't all that far when they heard Michele run up from behind. "Soldiers come, and a lot of other men, very angry. The fire hold them back for now, but they got their own peeps and slinks and they get through soon. We got to run."

  "I can't," said Alvin.

  But even as he said it, he heard the greensong that had helped the others cross so quickly, and now that he wasn't concentrating on holding the bridge alone, he could let it into him, let it strengthen and heal him a little. He hushed them. "Hear that?" he said. "Can you hear?"

  And after a while, yes, they could. They stopped talking then, and Alvin stopped leaning on them, and soon he and the four women were walking swiftly, faster than they thought they could, with longer strides than any of these women had ever taken. Long before they reached the other side of Pontchartrain they overtook the last of the people, and when Alvin got there, the song grew stronger in their hearts as well, and they stopped straggling and picked up their pace.

  It was good that they did, because Alvin felt it like a blow when the first of the soldiers charged onto the bridge. It was his heartfire they were treading on, and where the people's feet had been light, the soldiers' boots were heavy, and as they ran along the narrow bridge Alvin heard them fighting the greensong like the cacophony of two marching bands playing wildly different tunes.

  It weakened him and slowed him down, just a little at first, but more and more as they drew nearer. Hundreds of them, carrying muskets. At the far end of the bridge, someone was trying to get a horse out onto the crystal-a horse pulling a light piece of field artillery.

  "I can't hold that up," gasped Alvin.

  "Almost there," called Dead Mary. "I can see the shore!" She started to run.

  But there was no fog on this side of Pontchartrain, so seeing the campfires on the far shore did not mean they were truly almost there. Alvin slowed, staggered. Again he had to lean on the women until they were almost dragging him along. Again he felt alone, abandoned by-or perhaps merely oblivious to-the greensong. But with each weakening of his own strength under the burden of the approaching army, he could feel another strength move in under his blood in the skeleton of the bridge. Arthur Stuart was already reaching far beyond his strength, but Alvin had no choice but to rely on his strength until all were safe.

  Just when it seemed that the bridge was lengthening infinitely before them, they closed the last hundred, the last fifty, the last dozen steps and staggered onto the shore. Dead Mary had set down her barrow on the bank and now hovered around, eager to help.

  There lay Arthur Stuart, prostrate in the sand, Papa Moose and Mama Squirrel kneeling beside him, their hands on him, Papa Moose praying, Mama Squirrel singing the first words Alvin had ever heard anyone put to the greensong, words about sap and leaves, flowers and insects, fish and birds and, yes, squirrels all climbing along in the nets of God.

  Arthur Stuart's hands were extended, his wrists bleeding onto the bridge, and his fingers digging down into the face of the crystal. He shouldn't have been able to do that, to push his skin and bone into Alvin's crystal bridge, but here it was partly Arthur Stuart's, and right around his bleeding fingers it was almost entirely his bridge, so it followed his need.

  Alvin sank down beside him and rested his hands and head on Arthur's back. "Arthur, you got to let go now, you got to let go first. When I let go of it the whole weight of it will fall on you, and you can't bear it, you got to let go first."

  Arthur seemed not to hear him, so deep was he in his trance of concentration.

  "Pull his hands out of the bridge," Alvin said to the others.

  But Moose and Squirrel couldn't do it, and La Tia and Dead Mary couldn't do it, and Alvin whispered into his ear, "They're coming and we can't bear them up, the bridge can't hold such a harsh load, you got to let go, Arthur Stuart, I can't hold it any longer and if you try to hold alone it'll kill you."

  Arthur Stuart finally managed to make an answer, barely audible. "They'll die."

  "I reckon so," said Alvin. "Them as can't swim. They'll die trying to bring slaves back into slavery. It ain't your job to keep alive such men as would do that."

  "They're just soldiers," said Arthur Stuart.

  "And sometimes good men die in a bad cause, when it comes to war."

  Arthur Stuart wept. "If I let go I'm killing them."


  "They chose to come up on a bridge that was built for freedom, with slavery and killing in their hearts."

  "Bear them up, Alvin, or I can't let go."

  "I'll do my best," said Alvin. "I'll do my best."

  With a final cry of anguish Arthur Stuart tore his blood-covered hands out of the crystal. Alvin felt his heartfire vanish from the substance of the bridge, and in that moment he withdrew his own.

  It lingered for a long moment, held by the blood alone.

  And then the bridge was gone.

  "Bear them up in the water!" cried Arthur Stuart. And then he fell into something between a faint and a deep sleep.

  Papa Moose and Mama Squirrel drew him back from the water's edge and bandaged his wounds, while Dead Mary and her mother did the same for Alvin's hands and feet.

  Alvin barely noticed, though, because he was trying to find the heartfires of the soldiers. He could not save them all. But those with brains enough to let go of their weapons, to pry off their boots, to try to swim, them he could keep afloat. But those who didn't try, and those that wouldn't let go of the things that made them soldiers, he hadn't the strength to help them.

  La Tia grasped what he was doing and stepped to the water's edge, where the bridge had once been. She reared her head back and pinched a powder into her open mouth. Then she looked out over the water and cried out in a voice that could be heard for miles across the lake, a voice as loud as thunder, a voice that made wide ripples race forward across the water.

  "Drop your guns, you! Try to swim! Take off your boots! Swim back!"

  All heard, and most heeded, and they lived. Three hundred soldiers went out onto that bridge that morning, along with one horse hitched to a fieldpiece. The horse had no way to save itself, but it took Alvin only a moment to sever the harness that held it to that murderous load. The horse came out alive; the fieldpiece stayed behind under the water. All but two score men finally swam to shore, gasping and half drowned but alive. But not one gun and not one boot made it back.