The Essential G. K. Chesterton

by G. K. Chesterton

  "No, thank you very much, Mr Bingham," said Grant heartily. "I think I will go and have a chat with the professor in the garden."

  The conversation between Chadd and Grant appeared to be personal and friendly. They were still dancing when I left.

  Chapter 6. The Eccentric Seclusion of the Old Lady

  The conversation of Rupert Grant had two great elements of interest--first, the long fantasias of detective deduction in which he was engaged, and, second, his genuine romantic interest in the life of London. His brother Basil said of him: "His reasoning is particularly cold and clear, and invariably leads him wrong. But his poetry comes in abruptly and leads him right." Whether this was true of Rupert as a whole, or no, it was certainly curiously supported by one story about him which I think worth telling.

  We were walking along a lonely terrace in Brompton together. The street was full of that bright blue twilight which comes about half past eight in summer, and which seems for the moment to be not so much a coming of darkness as the turning on of a new azure illuminator, as if the earth were lit suddenly by a sapphire sun. In the cool blue the lemon tint of the lamps had already begun to flame, and as Rupert and I passed them, Rupert talking excitedly, one after another the pale sparks sprang out of the dusk. Rupert was talking excitedly because he was trying to prove to me the nine hundred and ninety-ninth of his amateur detective theories. He would go about London, with this mad logic in his brain, seeing a conspiracy in a cab accident, and a special providence in a falling fusee. His suspicions at the moment were fixed upon an unhappy milkman who walked in front of us. So arresting were the incidents which afterwards overtook us that I am really afraid that I have forgotten what were the main outlines of the milkman's crime. I think it had something to do with the fact that he had only one small can of milk to carry, and that of that he had left the lid loose and walked so quickly that he spilled milk on the pavement. This showed that he was not thinking of his small burden, and this again showed that he anticipated some other than lacteal business at the end of his walk, and this (taken in conjunction with something about muddy boots) showed something else that I have entirely forgotten. I am afraid that I derided this detailed revelation unmercifully; and I am afraid that Rupert Grant, who, though the best of fellows, had a good deal of the sensitiveness of the artistic temperament, slightly resented my derision. He endeavoured to take a whiff of his cigar, with the placidity which he associated with his profession, but the cigar, I think, was nearly bitten through.

  "My dear fellow," he said acidly, "I'll bet you half a crown that wherever that milkman comes to a real stop I'll find out something curious."

  "My resources are equal to that risk," I said, laughing. "Done."

  We walked on for about a quarter of an hour in silence in the trail of the mysterious milkman. He walked quicker and quicker, and we had some ado to keep up with him; and every now and then he left a splash of milk, silver in the lamplight. Suddenly, almost before we could note it, he disappeared down the area steps of a house. I believe Rupert really believed that the milkman was a fairy; for a second he seemed to accept him as having vanished. Then calling something to me which somehow took no hold on my mind, he darted after the mystic milkman, and disappeared himself into the area.

  I waited for at least five minutes, leaning against a lamp-post in the lonely street. Then the milkman came swinging up the steps without his can and hurried off clattering down the road. Two or three minutes more elapsed, and then Rupert came bounding up also, his face pale but yet laughing; a not uncommon contradiction in him, denoting excitement.

  "My friend," he said, rubbing his hands, "so much for all your scepticism. So much for your philistine ignorance of the possibilities of a romantic city. Two and sixpence, my boy, is the form in which your prosaic good nature will have to express itself."

  "What?" I said incredulously, "do you mean to say that you really did find anything the matter with the poor milkman?"

  His face fell.

  "Oh, the milkman," he said, with a miserable affectation at having misunderstood me. "No, I--I--didn't exactly bring anything home to the milkman himself, I--"

  "What did the milkman say and do?" I said, with inexorable sternness.

  "Well, to tell the truth," said Rupert, shifting restlessly from one foot to another, "the milkman himself, as far as merely physical appearances went, just said, 'Milk, Miss,' and handed in the can. That is not to say, of course, that he did not make some secret sign or some--"

  I broke into a violent laugh. "You idiot," I said, "why don't you own yourself wrong and have done with it? Why should he have made a secret sign any more than any one else? You own he said nothing and did nothing worth mentioning. You own that, don't you?"

  His face grew grave.

  "Well, since you ask me, I must admit that I do. It is possible that the milkman did not betray himself. It is even possible that I was wrong about him."

  "Then come along with you," I said, with a certain amicable anger, "and remember that you owe me half a crown."

  "As to that, I differ from you," said Rupert coolly. "The milkman's remarks may have been quite innocent. Even the milkman may have been. But I do not owe you half a crown. For the terms of the bet were, I think, as follows, as I propounded them, that wherever that milkman came to a real stop I should find out something curious."

  "Well?" I said.

  "Well," he answered, "I jolly well have. You just come with me," and before I could speak he had turned tail once more and whisked through the blue dark into the moat or basement of the house. I followed almost before I made any decision.

  When we got down into the area I felt indescribably foolish literally, as the saying is, in a hole. There was nothing but a closed door, shuttered windows, the steps down which we had come, the ridiculous well in which I found myself, and the ridiculous man who had brought me there, and who stood there with dancing eyes. I was just about to turn back when Rupert caught me by the elbow.

  "Just listen to that," he said, and keeping my coat gripped in his right hand, he rapped with the knuckles of his left on the shutters of the basement window. His air was so definite that I paused and even inclined my head for a moment towards it. From inside was coming the murmur of an unmistakable human voice.

  "Have you been talking to somebody inside?" I asked suddenly, turning to Rupert.

  "No, I haven't," he replied, with a grim smile, "but I should very much like to. Do you know what somebody is saying in there?"

  "No, of course not," I replied.

  "Then I recommend you to listen," said Rupert sharply.

  In the dead silence of the aristocratic street at evening, I stood a moment and listened. From behind the wooden partition, in which there was a long lean crack, was coming a continuous and moaning sound which took the form of the words: "When shall I get out? When shall I get out? Will they ever let me out?" or words to that effect.

  "Do you know anything about this?" I said, turning upon Rupert very abruptly.

  "Perhaps you think I am the criminal," he said sardonically, "instead of being in some small sense the detective. I came into this area two or three minutes ago, having told you that I knew there was something funny going on, and this woman behind the shutters (for it evidently is a woman) was moaning like mad. No, my dear friend, beyond that I do not know anything about her. She is not, startling as it may seem, my disinherited daughter, or a member of my secret seraglio. But when I hear a human being wailing that she can't get out, and talking to herself like a mad woman and beating on the shutters with her fists, as she was doing two or three minutes ago, I think it worth mentioning, that is all."

  "My dear fellow," I said, "I apologize; this is no time for arguing. What is to be done?"

  Rupert Grant had a long clasp-knife naked and brilliant in his hand.

  "First of all," he said, "house-breaking." And he forced the blade into the crevice of the wood and broke away a huge splinter, leaving a gap and glimpse of the dark window
-pane inside. The room within was entirely unlighted, so that for the first few seconds the window seemed a dead and opaque surface, as dark as a strip of slate. Then came a realization which, though in a sense gradual, made us step back and catch our breath. Two large dim human eyes were so close to us that the window itself seemed suddenly to be a mask. A pale human face was pressed against the glass within, and with increased distinctness, with the increase of the opening came the words:

  "When shall I get out?"

  "What can all this be?" I said.

  Rupert made no answer, but lifting his walking-stick and pointing the ferrule like a fencing sword at the glass, punched a hole in it, smaller and more accurate than I should have supposed possible. The moment he had done so the voice spouted out of the hole, so to speak, piercing and querulous and clear, making the same demand for liberty.

  "Can't you get out, madam?" I said, drawing near the hole in some perturbation.

  "Get out? Of course I can't," moaned the unknown female bitterly. "They won't let me. I told them I would be let out. I told them I'd call the police. But it's no good. Nobody knows, nobody comes. They could keep me as long as they liked only--"

  I was in the very act of breaking the window finally with my stick, incensed with this very sinister mystery, when Rupert held my arm hard, held it with a curious, still, and secret rigidity as if he desired to stop me, but did not desire to be observed to do so. I paused a moment, and in the act swung slightly round, so that I was facing the supporting wall of the front door steps. The act froze me into a sudden stillness like that of Rupert, for a figure almost as motionless as the pillars of the portico, but unmistakably human, had put his head out from between the doorposts and was gazing down into the area. One of the lighted lamps of the street was just behind his head, throwing it into abrupt darkness. Consequently, nothing whatever could be seen of his face beyond one fact, that he was unquestionably staring at us. I must say I thought Rupert's calmness magnificent. He rang the area bell quite idly, and went on talking to me with the easy end of a conversation which had never had any beginning. The black glaring figure in the portico did not stir. I almost thought it was really a statue. In another moment the grey area was golden with gaslight as the basement door was opened suddenly and a small and decorous housemaid stood in it.

  "Pray excuse me," said Rupert, in a voice which he contrived to make somehow or other at once affable and underbred, "but we thought perhaps that you might do something for the Waifs and Strays. We don't expect--"

  "Not here," said the small servant, with the incomparable severity of the menial of the non-philanthropic, and slammed the door in our faces.

  "Very sad, very sad--the indifference of these people," said the philanthropist with gravity, as we went together up the steps. As we did so the motionless figure in the portico suddenly disappeared.

  "Well, what do you make of that?" asked Rupert, slapping his gloves together when we got into the street.

  I do not mind admitting that I was seriously upset. Under such conditions I had but one thought.

  "Don't you think," I said a trifle timidly, "that we had better tell your brother?"

  "Oh, if you like," said Rupert, in a lordly way. "He is quite near, as I promised to meet him at Gloucester Road Station. Shall we take a cab? Perhaps, as you say, it might amuse him."

  Gloucester Road Station had, as if by accident, a somewhat deserted look. After a little looking about we discovered Basil Grant with his great head and his great white hat blocking the ticket-office window. I thought at first that he was taking a ticket for somewhere and being an astonishingly long time about it. As a matter of fact, he was discussing religion with the booking-office clerk, and had almost got his head through the hole in his excitement. When we dragged him away it was some time before he would talk of anything but the growth of an Oriental fatalism in modern thought, which had been well typified by some of the official's ingenious but perverse fallacies. At last we managed to get him to understand that we had made an astounding discovery. When he did listen, he listened attentively, walking between us up and down the lamp-lit street, while we told him in a rather feverish duet of the great house in South Kensington, of the equivocal milkman, of the lady imprisoned in the basement, and the man staring from the porch. At length he said:

  "If you're thinking of going back to look the thing up, you must be careful what you do. It's no good you two going there. To go twice on the same pretext would look dubious. To go on a different pretext would look worse. You may be quite certain that the inquisitive gentleman who looked at you looked thoroughly, and will wear, so to speak, your portraits next to his heart. If you want to find out if there is anything in this without a police raid I fancy you had better wait outside. I'll go in and see them."

  His slow and reflective walk brought us at length within sight of the house. It stood up ponderous and purple against the last pallor of twilight. It looked like an ogre's castle. And so apparently it was.

  "Do you think it's safe, Basil," said his brother, pausing, a little pale, under the lamp, "to go into that place alone? Of course we shall be near enough to hear if you yell, but these devils might do something--something sudden--or odd. I can't feel it's safe."

  "I know of nothing that is safe," said Basil composedly, "except, possibly--death," and he went up the steps and rang at the bell. When the massive respectable door opened for an instant, cutting a square of gaslight in the gathering dark, and then closed with a bang, burying our friend inside, we could not repress a shudder. It had been like the heavy gaping and closing of the dim lips of some evil leviathan. A freshening night breeze began to blow up the street, and we turned up the collars of our coats. At the end of twenty minutes, in which we had scarcely moved or spoken, we were as cold as icebergs, but more, I think, from apprehension than the atmosphere. Suddenly Rupert made an abrupt movement towards the house.

  "I can't stand this," he began, but almost as he spoke sprang back into the shadow, for the panel of gold was again cut out of the black house front, and the burly figure of Basil was silhouetted against it coming out. He was roaring with laughter and talking so loudly that you could have heard every syllable across the street. Another voice, or, possibly, two voices, were laughing and talking back at him from within.

  "No, no, no," Basil was calling out, with a sort of hilarious hostility. "That's quite wrong. That's the most ghastly heresy of all. It's the soul, my dear chap, the soul that's the arbiter of cosmic forces. When you see a cosmic force you don't like, trick it, my boy. But I must really be off."

  "Come and pitch into us again," came the laughing voice from out of the house. "We still have some bones unbroken."

  "Thanks very much, I will--good night," shouted Grant, who had by this time reached the street.

  "Good night," came the friendly call in reply, before the door closed.

  "Basil," said Rupert Grant, in a hoarse whisper, "what are we to do?"

  The elder brother looked thoughtfully from one of us to the other.

  "What is to be done, Basil?" I repeated in uncontrollable excitement.

  "I'm not sure," said Basil doubtfully. "What do you say to getting some dinner somewhere and going to the Court Theatre tonight? I tried to get those fellows to come, but they couldn't."

  We stared blankly.

  "Go to the Court Theatre?" repeated Rupert. "What would be the good of that?"

  "Good? What do you mean?" answered Basil, staring also. "Have you turned Puritan or Passive Resister, or something? For fun, of course."

  "But, great God in Heaven! What are we going to do, I mean!" cried Rupert. "What about the poor woman locked up in that house? Shall I go for the police?"

  Basil's face cleared with immediate comprehension, and he laughed.

  "Oh, that," he said. "I'd forgotten that. That's all right. Some mistake, possibly. Or some quite trifling private affair. But I'm sorry those fellows couldn't come with us. Shall we take one of these green omnibuses? There is a
restaurant in Sloane Square."