The Essential G. K. Chesterton
Page 199
Gilder threw an alarmed glance at the man knocked down; but since that outraged person was already sitting up and wiping a little blood off a substantially uninjured face, he only said shortly: "What do you mean?"
"It is quite true, as this fellow says," explained Royce, "that Miss Armstrong fainted with a knife in her hand. But she had not snatched the knife to attack her father, but to defend him."
"To defend him," repeated Gilder gravely. "Against whom?"
"Against me," answered the secretary.
Alice looked at him with a complex and baffling face; then she said in a low voice: "After it all, I am still glad you are brave."
"Come upstairs," said Patrick Royce heavily, "and I will show you the whole cursed thing."
The attic, which was the secretary's private place (and rather a small cell for so large a hermit), had indeed all the vestiges of a violent drama. Near the centre of the floor lay a large revolver as if flung away; nearer to the left was rolled a whisky bottle, open but not quite empty. The cloth of the little table lay dragged and trampled, and a length of cord, like that found on the corpse, was cast wildly across the windowsill. Two vases were smashed on the mantelpiece and one on the carpet.
"I was drunk," said Royce; and this simplicity in the prematurely battered man somehow had the pathos of the first sin of a baby.
"You all know about me," he continued huskily; "everybody knows how my story began, and it may as well end like that too. I was called a clever man once, and might have been a happy one; Armstrong saved the remains of a brain and body from the taverns, and was always kind to me in his own way, poor fellow! Only he wouldn't let me marry Alice here; and it will always be said that he was right enough. Well, you can form your own conclusions, and you won't want me to go into details. That is my whisky bottle half emptied in the corner; that is my revolver quite emptied on the carpet. It was the rope from my box that was found on the corpse, and it was from my window the corpse was thrown. You need not set detectives to grub up my tragedy; it is a common enough weed in this world. I give myself to the gallows; and, by God, that is enough!"
At a sufficiently delicate sign, the police gathered round the large man to lead him away; but their unobtrusiveness was somewhat staggered by the remarkable appearance of Father Brown, who was on his hands and knees on the carpet in the doorway, as if engaged in some kind of undignified prayers. Being a person utterly insensible to the social figure he cut, he remained in this posture, but turned a bright round face up at the company, presenting the appearance of a quadruped with a very comic human head.
"I say," he said good-naturedly, "this really won't do at all, you know. At the beginning you said we'd found no weapon. But now we're finding too many; there's the knife to stab, and the rope to strangle, and the pistol to shoot; and after all he broke his neck by falling out of a window! It won't do. It's not economical." And he shook his head at the ground as a horse does grazing.
Inspector Gilder had opened his mouth with serious intentions, but before he could speak the grotesque figure on the floor had gone on quite volubly.
"And now three quite impossible things. First, these holes in the carpet, where the six bullets have gone in. Why on earth should anybody fire at the carpet? A drunken man lets fly at his enemy's head, the thing that's grinning at him. He doesn't pick a quarrel with his feet, or lay siege to his slippers. And then there's the rope"--and having done with the carpet the speaker lifted his hands and put them in his pocket, but continued unaffectedly on his knees--"in what conceivable intoxication would anybody try to put a rope round a man's neck and finally put it round his leg? Royce, anyhow, was not so drunk as that, or he would be sleeping like a log by now. And, plainest of all, the whisky bottle. You suggest a dipsomaniac fought for the whisky bottle, and then having won, rolled it away in a corner, spilling one half and leaving the other. That is the very last thing a dipsomaniac would do."
He scrambled awkwardly to his feet, and said to the self-accused murderer in tones of limpid penitence: "I'm awfully sorry, my dear sir, but your tale is really rubbish."
"Sir," said Alice Armstrong in a low tone to the priest, "can I speak to you alone for a moment?"
This request forced the communicative cleric out of the gangway, and before he could speak in the next room, the girl was talking with strange incisiveness.
"You are a clever man," she said, "and you are trying to save Patrick, I know. But it's no use. The core of all this is black, and the more things you find out the more there will be against the miserable man I love."
"Why?" asked Brown, looking at her steadily.
"Because," she answered equally steadily, "I saw him commit the crime myself."
"Ah!" said the unmoved Brown, "and what did he do?"
"I was in this room next to them," she explained; "both doors were closed, but I suddenly heard a voice, such as I had never heard on earth, roaring 'Hell, hell, hell,' again and again, and then the two doors shook with the first explosion of the revolver. Thrice again the thing banged before I got the two doors open and found the room full of smoke; but the pistol was smoking in my poor, mad Patrick's hand; and I saw him fire the last murderous volley with my own eyes. Then he leapt on my father, who was clinging in terror to the window-sill, and, grappling, tried to strangle him with the rope, which he threw over his head, but which slipped over his struggling shoulders to his feet. Then it tightened round one leg and Patrick dragged him along like a maniac. I snatched a knife from the mat, and, rushing between them, managed to cut the rope before I fainted."
"I see," said Father Brown, with the same wooden civility. "Thank you."
As the girl collapsed under her memories, the priest passed stiffly into the next room, where he found Gilder and Merton alone with Patrick Royce, who sat in a chair, handcuffed. There he said to the Inspector submissively:
"Might I say a word to the prisoner in your presence; and might he take off those funny cuffs for a minute?"
"He is a very powerful man," said Merton in an undertone. "Why do you want them taken off?"
"Why, I thought," replied the priest humbly, "that perhaps I might have the very great honour of shaking hands with him."
Both detectives stared, and Father Brown added: "Won't you tell them about it, sir?"
The man on the chair shook his tousled head, and the priest turned impatiently.
"Then I will," he said. "Private lives are more important than public reputations. I am going to save the living, and let the dead bury their dead."
He went to the fatal window, and blinked out of it as he went on talking.
"I told you that in this case there were too many weapons and only one death. I tell you now that they were not weapons, and were not used to cause death. All those grisly tools, the noose, the bloody knife, the exploding pistol, were instruments of a curious mercy. They were not used to kill Sir Aaron, but to save him."
"To save him!" repeated Gilder. "And from what?"
"From himself," said Father Brown. "He was a suicidal maniac."
"What?" cried Merton in an incredulous tone. "And the Religion of Cheerfulness--"
"It is a cruel religion," said the priest, looking out of the window. "Why couldn't they let him weep a little, like his fathers before him? His plans stiffened, his views grew cold; behind that merry mask was the empty mind of the atheist. At last, to keep up his hilarious public level, he fell back on that dram-drinking he had abandoned long ago. But there is this horror about alcoholism in a sincere teetotaler: that he pictures and expects that psychological inferno from which he has warned others. It leapt upon poor Armstrong prematurely, and by this morning he was in such a case that he sat here and cried he was in hell, in so crazy a voice that his daughter did not know it. He was mad for death, and with the monkey tricks of the mad he had scattered round him death in many shapes--a running noose and his friend's revolver and a knife. Royce entered accidentally and acted in a flash. He flung the knife on the mat behind him, snatched up th
e revolver, and having no time to unload it, emptied it shot after shot all over the floor. The suicide saw a fourth shape of death, and made a dash for the window. The rescuer did the only thing he could--ran after him with the rope and tried to tie him hand and foot. Then it was that the unlucky girl ran in, and misunderstanding the struggle, strove to slash her father free. At first she only slashed poor Royce's knuckles, from which has come all the little blood in this affair. But, of course, you noticed that he left blood, but no wound, on that servant's face? Only before the poor woman swooned, she did hack her father loose, so that he went crashing through that window into eternity."
There was a long stillness slowly broken by the metallic noises of Gilder unlocking the handcuffs of Patrick Royce, to whom he said: "I think I should have told the truth, sir. You and the young lady are worth more than Armstrong's obituary notices."
"Confound Armstrong's notices," cried Royce roughly. "Don't you see it was because she mustn't know?"
"Mustn't know what?" asked Merton.
"Why, that she killed her father, you fool!" roared the other. "He'd have been alive now but for her. It might craze her to know that."
"No, I don't think it would," remarked Father Brown, as he picked up his hat. "I rather think I should tell her. Even the most murderous blunders don't poison life like sins; anyhow, I think you may both be the happier now. I've got to go back to the Deaf School."
As he went out on to the gusty grass an acquaintance from Highgate stopped him and said:
"The Coroner has arrived. The inquiry is just going to begin."
"I've got to get back to the Deaf School," said Father Brown. "I'm sorry I can't stop for the inquiry."
LORD KITCHENER
BY
G. K. CHESTERTON
LORD KITCHENER
Horatio Herbert Kitchener was Irish by birth but English by extraction, being born in County Kerry, the son of an English colonel. The fanciful might see in this first and accidental fact the presence of this simple and practical man amid the more mystical western problems and dreams which were very distant from his mind, an element which clings to all his career and gives it an unconscious poetry. He had many qualities of the epic hero, and especially this--that he was the last man in the world to be the epic poet. There is something almost provocative to superstition in the way in which he stands at every turn as the symbol of the special trials and the modern transfiguration of England; from this moment when he was born among the peasants of Ireland to the moment when he died upon the sea, seeking at the other end of the world the other great peasant civilisation of Russia. Yet at each of these symbolic moments he is, if not as unconscious as a symbol, then as silent as a symbol; he is speechless and supremely significant, like an ensign or a flag. The superficial picturesqueness of his life, at least, lies very much in this--that he was like a hero condemned by fate to act an allegory.
We find this, for instance, in one of the very first and perhaps one of the most picturesque of all the facts that are recorded or reported of him. As a youth, tall, very shy and quiet, he was only notable for intellectual interests of the soberest and most methodical sort, especially for the close study of mathematics. This also, incidentally, was typical enough, for his work in Egypt and the Soudan, by which his fame was established, was based wholly upon such calculations. It was not merely mathematical but literally geometrical. His work bore the same relation to Gordon's that a rigid mathematical diagram bears to a rough pencil sketch on which it is based. Yet the student thus bent on the strictest side of his profession, studying it at Woolwich and entering the Engineers as the most severely scientific branch of the army, had as a first experience of war something so romantic that it has been counted incredible, yet something so relevant to the great reality of to-day that it might have been made up centuries after his death, as a myth is made up about a god. He happened to be in France in the most tragic hour that France has ever known or, please God, will ever know. She was bearing alone the weight of that alien tyranny, of that hopeless and almost lifeless violence, which the other nations have since found to be the worst of all the terrors which God tolerates in this world. She trod that winepress alone; and of the peoples there were none to help her. In 1870 the Prussian had already encircled Paris, and General Chanzy was fighting against enormous odds to push northwards to its relief, when his army was joined by the young and silent traveller from England. All that was in Kitchener's mind or motives will perhaps never be known. France was still something of an ideal of civilisation for many of the more generous English gentry. Prussia was never really an ideal for anybody, even the Prussians, and mere success, which could not make her an ideal, had not yet calamitously made her a model. There was in it also, no doubt, a touch of the schoolboy who runs away to sea--that touch of the schoolboy without the sense of which the staidest Englishman will always be inexplicable. But considered historically there is something strangely moving about the incident--the fact that Kitchener was a French soldier almost before he was an English one. As Hannibal was dedicated in boyhood to war against the eagles of Rome, Kitchener was dedicated, almost in boyhood, to war against the eagles of Germany. Romance came to this realist, whether by impulse or by accident, like a wind from without, as first love will come to the woman-hater. He was already, both by fate and choice, something more than he had meant to be. The mathematician, we might almost say the calculating boy, was already gambling in the highest lottery which led to the highest and most historic loss. The engineer devoted to discipline was already a free lance, because already a knight-errant.
He returned to England to continue his comparatively humdrum order of advancement; and the next call that came to him was of a strangely different and yet also of a strangely significant kind. The Palestine Exploration Fund sent him with another officer to conduct topographical and antiquarian investigations in a country where practical exertions are always relieved against a curiously incongruous background--as if they were setting up telegraph-posts through the Garden of Eden or opening a railway station at the New Jerusalem. But the contrast between antiquity and modernity was not the only one; there was still the sort of contrast that can be a collision. Kitchener was almost immediately to come in contact with what was to be, in various aspects, the problem of his life--the modern fanaticisms of the Near East. There is an English proverb which asks whether the mountain goes to Mahomet or he to the mountain, and it may be a question whether his religion be the cause or the effect of a certain spirit, vivid and yet strangely negative, which dwells in such deserts. Walking among the olives of Gaza or looking on the Philistine plain, such travellers may well feel that they are treading on cold volcanoes, as empty as the mountains of the moon. But the mountain of Mahomet is not yet an extinct volcano.
Kitchener, in these first days of seemingly mild and minute duties, was early aware of it. At Safed, in the Galilean hills, his small party had found itself surrounded by an Arab mob, stricken suddenly mad with emotions unintelligible to the political mobs of the West. He was himself wounded, but, defending himself as best he could with a walking-stick, not only saved his own life but that of his fellow-officer, Lieutenant Conder, who had been beaten to the earth with an Arab club. He continued his work indeed with prosaic pertinacity, and developed in the survey of the Holy Land all that almost secretive enthusiasm for detail which lasted all his life. Of the most famous English guide-book he made the characteristic remark, "Where Murray has seven names I have a hundred and sixteen." Most men, in speaking or writing of such a thing, would certainly have said "a hundred." It is characteristic of his type that he did not even think in round numbers. But there was in him, parallel to this almost arithmetical passion, another quality which is, in a double sense, the secret of his life. For it was the cause of at least half his success; and yet he very successfully concealed it--especially from his admirers.
The paradox of all this part of his life lies in this--that, destined as he was to be the greatest enemy of Mahomedanism, h
e was quite exceptionally a friend of Mahomedans. He had been first received in that land, so to speak, with a blow on the head with a club; he was destined to break the sword of the last Arab conqueror, to wreck his holy city and treat all the religious traditions of it with a deliberate desecration which has often been held oppressive and was undoubtedly ruthless. Yet with the individual Moslem he had a sort of natural brotherhood which has never been explained. Had it been shown by a soldier of the Crusades, it would have been called witchcraft. In this, as in many other cases, the advance of a larger enlightenment prevents us from calling it anything. There was mixed with it, no doubt, the deep Moslem admiration for mere masculinity, which has probably by its exaggeration permitted the Moslem subordination of women. But Kitchener (who was himself accused, rightly or wrongly, of a disdain for women) must have himself contributed some other element to the strangest of international sympathies. Whatever it was, it must be constantly kept in mind as running parallel to his scientific industry and particularity; for it was these two powers, used systematically for many years before the event, that prepared the ground for the overthrow of that wild papacy and wandering empire which so long hung in the desert, like a mirage to mislead and to destroy.