The Essential G. K. Chesterton

by G. K. Chesterton

  "It was a fantastic coincidence," reflected Horne Fisher. "It's extraordinary what coincidences do sometimes occur. By the oddest chance in the world, by one chance in a million, it so happened that another sword of exactly the same shape was in the same garden at the same time. It may be partly explained, by the fact that I brought them both into the garden myself . . . come, my dear fellow; surely you can see now what it means. Put those two things together; there were two duplicate swords and he took off his coat for himself. It may assist your speculations to recall the fact that I am not exactly an assassin."

  "A duel!" exclaimed March, recovering himself. "Of course I ought to have thought of that. But who was the spy who stole the papers?"

  "My uncle was the spy who stole the papers," replied Fisher, "or who tried to steal the papers when I stopped him--in the only way I could. The papers, that should have gone west to reassure our friends and give them the plans for repelling the invasion, would in a few hours have been in the hands of the invader. What could I do? To have denounced one of our friends at this moment would have been to play into the hands of your friend Attwood, and all the party of panic and slavery. Besides, it may be that a man over forty has a subconscious desire to die as he has lived, and that I wanted, in a sense, to carry my secrets to the grave. Perhaps a hobby hardens with age; and my hobby has been silence. Perhaps I feel that I have killed my mother's brother, but I have saved my mother's name. Anyhow, I chose a time when I knew you were all asleep, and he was walking alone in the garden. I saw all the stone statues standing in the moonlight; and I myself was like one of those stone statues walking. In a voice that was not my own, I told him of his treason and demanded the papers; and when he refused, I forced him to take one of the two swords. The swords were among some specimens sent down here for the Prime Minister's inspection; he is a collector, you know; they were the only equal weapons I could find. To cut an ugly tale short, we fought there on the path in front of the Britannia statue; he was a man of great strength, but I had somewhat the advantage in skill. His sword grazed my forehead almost at the moment when mine sank into the joint in his neck. He fell against the statue, like Caesar against Pompey's, hanging on to the iron rail; his sword was already broken. When I saw the blood from that deadly wound, everything else went from me; I dropped my sword and ran as if to lift him up. As I bent toward him something happened too quick for me to follow. I do not know whether the iron bar was rotted with rust and came away in his hand, or whether he rent it out of the rock with his apelike strength; but the thing was in his hand, and with his dying energies he swung it over my head, as I knelt there unarmed beside him. I looked up wildly to avoid the blow, and saw above us the great bulk of Britannia leaning outward like the figurehead of a ship. The next instant I saw it was leaning an inch or two more than usual, and all the skies with their outstanding stars seemed to be leaning with it. For the third second it was as if the skies fell; and in the fourth I was standing in the quiet garden, looking down on that flat ruin of stone and bone at which you were looking to-day. He had plucked out the last prop that held up the British goddess, and she had fallen and crushed the traitor in her fall. I turned and darted for the coat which I knew to contain the package, ripped it up with my sword, and raced away up the garden path to where my motor bike was waiting on the road above. I had every reason for haste; but I fled without looking back at the statue and the body; and I think the thing I fled from was the sight of that appalling allegory.

  "Then I did the rest of what I had to do. All through the night and into the daybreak and the daylight I went humming through the villages and markets of South England like a traveling bullet, till I came to the headquarters in the West where the trouble was. I was just in time. I was able to placard the place, so to speak, with the news that the government had not betrayed them, and that they would find supports if they would push eastward against the enemy. There's no time to tell you all that happened; but I tell you it was the day of my life. A triumph like a torchlight procession, with torchlights that might have been firebrands. The mutinies simmered down; the men of Somerset and the western counties came pouring into the market places; the men who died with Arthur and stood firm with Alfred. The Irish regiments rallied to them, after a scene like a riot, and marched eastward out of the town singing Fenian songs. There was all that is not understood, about the dark laughter of that people, in the delight with which, even when marching with the English to the defense of England, they shouted at the top of their voices, 'High upon the gallows tree stood the noble-hearted three . . . With England's cruel cord about them cast.' However, the chorus was 'God save Ireland,' and we could all have sung that just then, in one sense or another.

  "But there was another side to my mission. I carried the plans of the defense; and to a great extent, luckily, the plans of the invasion also. I won't worry you with strategics; but we knew where the enemy had pushed forward the great battery that covered all his movements; and though our friends from the West could hardly arrive in time to intercept the main movement, they might get within long artillery range of the battery and shell it, if they only knew exactly where it was. They could hardly tell that unless somebody round about here sent up some sort of signal. But, somehow, I rather fancy that somebody will."

  With that he got up from the table, and they remounted their machines and went eastward into the advancing twilight of evening. The levels of the landscape were repeated in flat strips of floating cloud and the last colors of day clung to the circle of the horizon. Receding farther and farther behind them was the semicircle of the last hills; and it was quite suddenly that they saw afar off the dim line of the sea. It was not a strip of bright blue as they had seen it from the sunny veranda, but of a sinister and smoky violet, a tint that seemed ominous and dark. Here Horne Fisher dismounted once more.

  "We must walk the rest of the way," he said, "and the last bit of all I must walk alone."

  He bent down and began to unstrap something from his bicycle. It was something that had puzzled his companion all the way in spite of what held him to more interesting riddles; it appeared to be several lengths of pole strapped together and wrapped up in paper. Fisher took it under his arm and began to pick his way across the turf. The ground was growing more tumbled and irregular and he was walking toward a mass of thickets and small woods; night grew darker every moment. "We must not talk any more," said Fisher. "I shall whisper to you when you are to halt. Don't try to follow me then, for it will only spoil the show; one man can barely crawl safely to the spot, and two would certainly be caught."

  "I would follow you anywhere," replied March, "but I would halt, too, if that is better."

  "I know you would," said his friend in a low voice. "Perhaps you're the only man I ever quite trusted in this world."

  A few paces farther on they came to the end of a great ridge or mound looking monstrous against the dim sky; and Fisher stopped with a gesture. He caught his companion's hand and wrung it with a violent tenderness, and then darted forward into the darkness. March could faintly see his figure crawling along under the shadow of the ridge, then he lost sight of it, and then he saw it again standing on another mound two hundred yards away. Beside him stood a singular erection made apparently of two rods. He bent over it and there was the flare of a light; all March's schoolboy memories woke in him, and he knew what it was. It was the stand of a rocket. The confused, incongruous memories still possessed him up to the very moment of a fierce but familiar sound; and an instant after the rocket left its perch and went up into endless space like a starry arrow aimed at the stars. March thought suddenly of the signs of the last days and knew he was looking at the apocalyptic meteor of something like a Day of judgment.

  Far up in the infinite heavens the rocket drooped and sprang into scarlet stars. For a moment the whole landscape out to the sea and back to the crescent of the wooded hills was like a lake of ruby light, of a red strangely rich and glorious, as if the world were steeped in wine rather than b
lood, or the earth were an earthly paradise, over which paused forever the sanguine moment of morning.

  "God save England!" cried Fisher, with a tongue like the peal of a trumpet. "And now it is for God to save."

  As darkness sank again over land and sea, there came another sound; far away in the passes of the hills behind them the guns spoke like the baying of great hounds. Something that was not a rocket, that came not hissing but screaming, went over Harold March's head and expanded beyond the mound into light and deafening din, staggering the brain with unbearable brutalities of noise. Another came, and then another, and the world was full of uproar and volcanic vapor and chaotic light. The artillery of the West country and the Irish had located the great enemy battery, and were pounding it to pieces.

  In the mad excitement of that moment March peered through the storm, looking again for the long lean figure that stood beside the stand of the rocket. Then another flash lit up the whole ridge. The figure was not there.

  Before the fires of the rocket had faded from the sky, long before the first gun had sounded from the distant hills, a splutter of rifle fire had flashed and flickered all around from the hidden trenches of the enemy. Something lay in the shadow at the foot of the ridge, as stiff as the stick of the fallen rocket; and the man who knew too much knew what is worth knowing.

  THE MAN WHO WAS THURSDAY

  A NIGHTMARE

  by G. K. Chesterton

  A WILD, MAD, HILARIOUS AND PROFOUNDLY MOVING TALE

  It is very difficult to classify THE MAN WHO WAS THURSDAY. It is possible to say that it is a gripping adventure story of murderous criminals and brilliant policemen; but it was to be expected that the author of the Father Brown stories should tell a detective story like no-one else. On this level, therefore, THE MAN WHO WAS THURSDAY succeeds superbly; if nothing else, it is a magnificent tour-de-force of suspense-writing.

  However, the reader will soon discover that it is much more than that. Carried along on the boisterous rush of the narrative by Chesterton's wonderful high-spirited style, he will soon see that he is being carried into much deeper waters than he had planned on; and the totally unforeseeable denouement will prove for the modern reader, as it has for thousands of others since 1908 when the book was first published, an inevitable and moving experience, as the investigators finally discover who Sunday is.

  THE MAN WHO WAS THURSDAY

  A NIGHTMARE

  To Edmund Clerihew Bentley

  A cloud was on the mind of men, and wailing went the weather, Yea, a sick cloud upon the soul when we were boys together. Science announced nonentity and art admired decay; The world was old and ended: but you and I were gay; Round us in antic order their crippled vices came-- Lust that had lost its laughter, fear that had lost its shame. Like the white lock of Whistler, that lit our aimless gloom, Men showed their own white feather as proudly as a plume. Life was a fly that faded, and death a drone that stung; The world was very old indeed when you and I were young. They twisted even decent sin to shapes not to be named: Men were ashamed of honour; but we were not ashamed. Weak if we were and foolish, not thus we failed, not thus; When that black Baal blocked the heavens he had no hymns from us Children we were--our forts of sand were even as weak as eve, High as they went we piled them up to break that bitter sea. Fools as we were in motley, all jangling and absurd, When all church bells were silent our cap and beds were heard.

  Not all unhelped we held the fort, our tiny flags unfurled; Some giants laboured in that cloud to lift it from the world. I find again the book we found, I feel the hour that flings Far out of fish-shaped Paumanok some cry of cleaner things; And the Green Carnation withered, as in forest fires that pass, Roared in the wind of all the world ten million leaves of grass; Or sane and sweet and sudden as a bird sings in the rain-- Truth out of Tusitala spoke and pleasure out of pain. Yea, cool and clear and sudden as a bird sings in the grey, Dunedin to Samoa spoke, and darkness unto day. But we were young; we lived to see God break their bitter charms. God and the good Republic come riding back in arms: We have seen the City of Mansoul, even as it rocked, relieved-- Blessed are they who did not see, but being blind, believed.

  This is a tale of those old fears, even of those emptied hells, And none but you shall understand the true thing that it tells-- Of what colossal gods of shame could cow men and yet crash, Of what huge devils hid the stars, yet fell at a pistol flash. The doubts that were so plain to chase, so dreadful to withstand-- Oh, who shall understand but you; yea, who shall understand? The doubts that drove us through the night as we two talked amain, And day had broken on the streets e'er it broke upon the brain. Between us, by the peace of God, such truth can now be told; Yea, there is strength in striking root and good in growing old. We have found common things at last and marriage and a creed, And I may safely write it now, and you may safely read.

  G. K. C.

  CHAPTER I. THE TWO POETS OF SAFFRON PARK

  THE suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset. It was built of a bright brick throughout; its sky-line was fantastic, and even its ground plan was wild. It had been the outburst of a speculative builder, faintly tinged with art, who called its architecture sometimes Elizabethan and sometimes Queen Anne, apparently under the impression that the two sovereigns were identical. It was described with some justice as an artistic colony, though it never in any definable way produced any art. But although its pretensions to be an intellectual centre were a little vague, its pretensions to be a pleasant place were quite indisputable. The stranger who looked for the first time at the quaint red houses could only think how very oddly shaped the people must be who could fit in to them. Nor when he met the people was he disappointed in this respect. The place was not only pleasant, but perfect, if once he could regard it not as a deception but rather as a dream. Even if the people were not "artists," the whole was nevertheless artistic. That young man with the long, auburn hair and the impudent face--that young man was not really a poet; but surely he was a poem. That old gentleman with the wild, white beard and the wild, white hat--that venerable humbug was not really a philosopher; but at least he was the cause of philosophy in others. That scientific gentleman with the bald, egg-like head and the bare, bird-like neck had no real right to the airs of science that he assumed. He had not discovered anything new in biology; but what biological creature could he have discovered more singular than himself? Thus, and thus only, the whole place had properly to be regarded; it had to be considered not so much as a workshop for artists, but as a frail but finished work of art. A man who stepped into its social atmosphere felt as if he had stepped into a written comedy.

  More especially this attractive unreality fell upon it about nightfall, when the extravagant roofs were dark against the afterglow and the whole insane village seemed as separate as a drifting cloud. This again was more strongly true of the many nights of local festivity, when the little gardens were often illuminated, and the big Chinese lanterns glowed in the dwarfish trees like some fierce and monstrous fruit. And this was strongest of all on one particular evening, still vaguely remembered in the locality, of which the auburn-haired poet was the hero. It was not by any means the only evening of which he was the hero. On many nights those passing by his little back garden might hear his high, didactic voice laying down the law to men and particularly to women. The attitude of women in such cases was indeed one of the paradoxes of the place. Most of the women were of the kind vaguely called emancipated, and professed some protest against male supremacy. Yet these new women would always pay to a man the extravagant compliment which no ordinary woman ever pays to him, that of listening while he is talking. And Mr. Lucian Gregory, the red-haired poet, was really (in some sense) a man worth listening to, even if one only laughed at the end of it. He put the old cant of the lawlessness of art and the art of lawlessness with a certain impudent freshness which gave at least a momentary pleasure. He was helped in some degree by the arresting oddity of his appearance,
which he worked, as the phrase goes, for all it was worth. His dark red hair parted in the middle was literally like a woman's, and curved into the slow curls of a virgin in a pre-Raphaelite picture. From within this almost saintly oval, however, his face projected suddenly broad and brutal, the chin carried forward with a look of cockney contempt. This combination at once tickled and terrified the nerves of a neurotic population. He seemed like a walking blasphemy, a blend of the angel and the ape.

  This particular evening, if it is remembered for nothing else, will be remembered in that place for its strange sunset. It looked like the end of the world. All the heaven seemed covered with a quite vivid and palpable plumage; you could only say that the sky was full of feathers, and of feathers that almost brushed the face. Across the great part of the dome they were grey, with the strangest tints of violet and mauve and an unnatural pink or pale green; but towards the west the whole grew past description, transparent and passionate, and the last red-hot plumes of it covered up the sun like something too good to be seen. The whole was so close about the earth, as to express nothing but a violent secrecy. The very empyrean seemed to be a secret. It expressed that splendid smallness which is the soul of local patriotism. The very sky seemed small.