The Essential G. K. Chesterton

by G. K. Chesterton

  Every one has heard the great story of the Greeks who cried aloud in triumph when they saw the sea afar off; but it is a stranger experience to see the earth afar off. And few of us, strictly speaking, have ever seen the earth at all. In cultivated countries it is always clad, as it were, in green garments. The first sight of the desert is like the sight of a naked giant in the distance. The image is all the more natural because of the particular formation which it takes, at least as it borders upon the fields of Egypt, and as it is seen from the high places of Cairo. Those who have seen the desert only in pictures generally think of it as entirely flat. But this edge of it at least stands up on the horizon, as a line of wrinkled and hollow hills like the scalps of bald men; or worse, of bald women. For it is impossible not to think of such repulsive images, in spite of real sublimity of the call to the imagination. There is something curiously hostile and inhuman about the first appearance of the motionless surges of that dry and dreadful sea. Afterwards, if the traveller has happened to linger here and there in the outposts of the desert, has seen the British camp at Kantara or the graceful French garden town of Ismalia, he comes to take the desert as a background, and sometimes a beautiful background; a mirror of mighty reflections and changing colours almost as strange as the colours of the sea. But when it is first seen abutting, and as it were, advancing, upon the fields and gardens of humanity, then it looks indeed like an enemy, or a long line of enemies; like a line of tawny wild beasts thus halted with their heads lifted. It is the feeling that such vain and sterile sand can yet make itself into something like a mountain range; and the traveller remembers all the tragedies of the desert, when he lifts up his eyes to those accursed hills, from whence no help can come.

  But this is only a first glimpse from a city set among green fields; and is concerned rather with what the desert has been in its relation to men than with what the desert is in itself. When the mind has grown used to its monotony, a curious change takes place which I have never seen noted or explained by the students of mental science. It may sound strange to say that monotony of its nature becomes novelty. But if any one will try the common experiment of saying some ordinary word such as "moon" or "man" about fifty times, he will find that the expression has become extraordinary by sheer repetition. A man has become a strange animal with a name as queer as that of the gnu; and the moon something monstrous like the moon-calf. Something of this magic of monotony is effected by the monotony of deserts; and the traveller feels as if he had entered into a secret, and was looking at everything from another side. Something of this simplification appears, I think, in the religions of the desert, especially in the religion of Islam. It explains something of the super-human hopes that fill the desert prophets concerning the future; it explains something also about their barbarous indifference to the past.

  We think of the desert and its stones as old; but in one sense they are unnaturally new. They are unused, and perhaps unusable. They might be the raw material of a world; only they are so raw as to be rejected. It is not easy to define this quality of something primitive, something not mature enough to be fruitful. Indeed there is a hard simplicity about many Eastern things that is as much crude as archaic. A palm-tree is very like a tree drawn by a child--or by a very futurist artist. Even a pyramid is like a mathematical figure drawn by a schoolmaster teaching children; and its very impressiveness is that of an ultimate Platonic abstraction. There is something curiously simple about the shape in which these colossal crystals of the ancient sands have been cast. It is only when we have felt something of this element, not only of simplicity, but of crudity, and even in a sense of novelty, that we can begin to understand both the immensity and the insufficiency of that power that came out of the desert, the great religion of Mahomet.

  In the red circle of the desert, in the dark and secret place, the prophet discovers the obvious things. I do not say it merely as a sneer, for obvious things are very easily forgotten; and indeed every high civilisation decays by forgetting obvious things. But it is true that in such a solitude men tend to take very simple ideas as if they were entirely new ideas. There is a love of concentration which comes from the lack of comparison. The lonely man looking at the lonely palm-tree does see the elementary truths about the palm-tree; and the elementary truths are very essential. Thus he does see that though the palm-tree may be a very simple design, it was not he who designed it. It may look like a tree drawn by a child, but he is not the child who could draw it. He has not command of that magic slate on which the pictures can come to life, or of that magic green chalk of which the green lines can grow. He sees at once that a power is at work in whose presence he and the palm-tree are alike little children. In other words, he is intelligent enough to believe in God; and the Moslem, the man of the desert, is intelligent enough to believe in God. But his belief is lacking in that humane complexity that comes from comparison. The man looking at the palm-tree does realise the simple fact that God made it; while the man looking at the lamp-post in a large modern city can be persuaded by a hundred sophistical circumlocutions that he made it himself. But the man in the desert cannot compare the palm-tree with the lamp-post, or even with all the other trees which may be better worth looking at than the lamp-post. Hence his religion, though true as far as it goes, has not the variety and vitality of the churches that were designed by men walking in the woods and orchards. I speak here of the Moslem type of religion and not of the oriental type of ornament, which is much older than the Moslem type of religion. But even the oriental type of ornament, admirable as it often is, is to the ornament of a gothic cathedral what a fossil forest is to a forest full of birds. In short, the man of the desert tends to simplify too much, and to take his first truth for the last truth. And as it is with religion so it is with morality. He who believes in the existence of God believes in the equality of man. And it has been one of the merits of the Moslem faith that it felt men as men, and was not incapable of welcoming men of many different races. But here again it was so hard and crude that its very equality was like a desert rather than a field. Its very humanity was inhuman.

  But though this human sentiment is rather rudimentary it is very real. When a man in the desert meets another man, he is really a man; the proverbial two-legged fowl without feathers. He is an absolute and elementary shape, like the palm-tree or the pyramid. The discoverer does not pause to consider through what gradations he may have been evolved from a camel. When the man is a mere dot in the distance, the other man does not shout at him and ask whether he had a university education, or whether he is quite sure he is purely Teutonic and not Celtic or Iberian. A man is a man; and a man is a very important thing. One thing redeems the Moslem morality which can be set over against a mountain of crimes; a considerable deposit of common sense. And the first fact of common sense is the common bond of men. There is indeed in the Moslem character also a deep and most dangerous potentiality of fanaticism of the menace of which something may be said later. Fanaticism sounds like the flat contrary of common sense; yet curiously enough they are both sides of the same thing. The fanatic of the desert is dangerous precisely because he does take his faith as a fact, and not even as a truth in our more transcendental sense. When he does take up a mystical idea he takes it as he takes the man or the palm-tree; that is, quite literally. When he does distinguish somebody not as a man but as a Moslem, then he divides the Moslem from the non-Moslem exactly as he divides the man from the camel. But even then he recognises the equality of men in the sense of the equality of Moslems. He does not, for instance, complicate his conscience with any sham science about races. In this he has something like an intellectual advantage over the Jew, who is generally so much his intellectual superior; and even in some ways his spiritual superior. The Jew has far more moral imagination and sympathy with the subtler ideals of the soul. For instance, it is said that many Jews disbelieve in a future life; but if they did believe in a future life, it would be something more worthy of the genius of Isaiah and Spinoza. The Moslem
Paradise is a very Earthly Paradise. But with all their fine apprehensions, the Jews suffer from one heavy calamity; that of being a Chosen Race. It is the vice of any patriotism or religion depending on race that the individual is himself the thing to be worshipped; the individual is his own ideal, and even his own idol. This fancy was fatal to the Germans; it is fatal to the Anglo-Saxons, whenever any of them forswear the glorious name of Englishmen and Americans to fall into that forlorn description. This is not so when the nation is felt as a noble abstraction, of which the individual is proud in the abstract. A Frenchman is proud of France, and therefore may think himself unworthy of France. But a German is proud of being a German; and he cannot be too unworthy to be a German when he is a German. In short, mere family pride flatters every member of the family; it produced the arrogance of the Germans, and it is capable of producing a much subtler kind of arrogance in the Jews. From this particular sort of self-deception the more savage man of the desert is free. If he is not considering somebody as a Moslem, he will consider him as a man. At the price of something like barbarism, he has at least been saved from ethnology.

  But here again the obvious is a limit as well as a light to him. It does not permit, for instance, anything fine or subtle in the sentiment of sex. Islam asserts admirably the equality of men; but it is the equality of males. No one can deny that a noble dignity is possible even to the poorest, who has seen the Arabs coming in from the desert to the cities of Palestine or Egypt. No one can deny that men whose rags are dropping off their backs can bear themselves in a way befitting kings or prophets in the great stories of Scripture. No one can be surprised that so many fine artists have delighted to draw such models on the spot, and to make realistic studies for illustrations to the Old and New Testaments. On the road to Cairo one may see twenty groups exactly like that of the Holy Family in the pictures of the Flight into Egypt; with only one difference. The man is riding on the ass.

  In the East it is the male who is dignified and even ceremonial. Possibly that is why he wears skirts. I pointed out long ago that petticoats, which some regard as a garb of humiliation for women are really regarded as the only garb of magnificence for men, when they wish to be something more than men. They are worn by kings, by priests, and by judges. The male Moslem, especially in his own family, is the king and the priest and the judge. I do not mean merely that he is the master, as many would say of the male in many Western societies, especially simple and self-governing societies. I mean something more; I mean that he has not only the kingdom and the power but the glory, and even as it were the glamour. I mean he has not only the rough leadership that we often give to the man, but the special sort of social beauty and stateliness that we generally expect only of the woman. What we mean when we say that an ambitious man wants to have a fine woman at the head of the dinner-table, that the Moslem world really means when it expects to see a fine man at the head of the house. Even in the street he is the peacock, coloured much more splendidly than the peahen. Even when clad in comparatively sober and partly European costume, as outside the cafes of Cairo and the great cities, he exhibits this indefinable character not merely of dignity but of pomp. It can be traced even in the tarbouch, the minimum of Turkish attire worn by all the commercial classes; the thing more commonly called in England a fez. The fez is not a sort of smoking cap. It is a tower of scarlet often tall enough to be the head-dress of a priest. And it is a hat one cannot take off to a lady.

  This fact is familiar enough in talk about Moslem and oriental life generally; but I only repeat it in order to refer it back to the same simplification which is the advantage and disadvantage of the philosophy of the desert. Chivalry is not an obvious idea. It is not as plain as a pike-staff or as a palm-tree. It is a delicate balance between the sexes which gives the rarest and most poetic kind of pleasure to those who can strike it. But it is not self-evident to a savage merely because he is also a sane man. It often seems to him as much a part of his own coarse common sense that all the fame and fun should go to the sex that is stronger and less tied, as that all the authority should go to the parents rather than the children. Pity for weakness he can understand; and the Moslem is quite capable of giving royal alms to a cripple or an orphan. But reverence for weakness is to him simply meaningless. It is a mystical idea that is to him no more than a mystery. But the same is true touching what may be called the lighter side of the more civilised sentiment. This hard and literal view of life gives no place for that slight element of a magnanimous sort of play-acting, which has run through all our tales of true lovers in the West. Wherever there is chivalry there is courtesy; and wherever there is courtesy there is comedy. There is no comedy in the desert.

  Another quite logical and consistent element, in the very logical and consistent creed we call Mahometanism, is the element that we call Vandalism. Since such few and obvious things alone are vital, and since a half-artistic half-antiquarian affection is not one of these things, and cannot be called obvious, it is largely left out. It is very difficult to say in a few well-chosen words exactly what is now the use of the Pyramids. Therefore Saladin, the great Saracen warrior, simply stripped the Pyramids to build a military fortress on the heights of Cairo. It is a little difficult to define exactly what is a man's duty to the Sphinx; and therefore the Mamelukes used it entirely as a target. There was little in them of that double feeling, full of pathos and irony, which divided the hearts of the primitive Christians in presence of the great pagan literature and art. This is not concerned with brutal outbreaks of revenge which may be found on both sides, or with chivalrous caprices of toleration, which may also be found on both sides; it is concerned with the inmost mentality of the two religions, which must be understood in order to do justice to either. The Moslem mind never tended to that mystical mode of "loving yet leaving" with which Augustine cried aloud upon the ancient beauty, or Dante said farewell to Virgil when he left him in the limbo of the pagans. The Moslem traditions, unlike the medieval legends, do not suggest the image of a knight who kissed Venus before he killed her. We see in all the Christian ages this combination which is not a compromise, but rather a complexity made by two contrary enthusiasms; as when the Dark Ages copied out the pagan poems while denying the pagan legends; or when the popes of the Renascence imitated the Greek temples while denying the Greek gods. This high inconsistency is inconsistent with Islam. Islam, as I have said, takes everything literally, and does not know how to play with anything. And the cause of the contrast is the historical cause of which we must be conscious in all studies of this kind. The Christian Church had from a very early date the idea of reconstructing a whole civilisation, and even a complex civilisation. It was the attempt to make a new balance, which differed from the old balance of the stoics of Rome; but which could not afford to lose its balance any more than they. It differed because the old system was one of many religions under one government, while the new was one of many governments under one religion. But the idea of variety in unity remained though it was in a sense reversed. A historical instinct made the men of the new Europe try hard to find a place for everything in the system, however much might be denied to the individual. Christians might lose everything, but Christendom, if possible, must not lose anything. The very nature of Islam, even at its best, was quite different from this. Nobody supposed, even subconsciously, that Mahomet meant to restore ancient Babylon as medievalism vaguely sought to restore ancient Rome. Nobody thought that the builders of the Mosque of Omar had looked at the Pyramids as the builders of St. Peter's might have looked at the Parthenon. Islam began at the beginning; it was content with the idea that it had a great truth; as indeed it had a colossal truth. It was so huge a truth that it was hard to see it was a half-truth.