B001GAQ55C_EBOK.prc

by Unknown

  There was a comfortable silence as Maisie and Celia made their way along Queen's Walk toward St. James's Park. Strolling alongside St. James's Park lake, they commented that it would have been a good idea to save some pieces of bread to feed the swans, and laughed together at an anxious nanny running in pursuit of a pair of mischievous children toddling on chubby legs toward a pair of mallards.Yet as she brought her step into line with that of her companion, and held her shoulders, arms, and hands as if she were her shadow, Maisie felt once again the melancholy that gripped Celia. But Maisie also knew that Celia would soon confide in her as she had when they last met, for her feelings for Vincent had been dammed inside her, and having been once unleashed, demanded to be heard.

  "It was 1917 when Vincent came back to England. He was admitted immediately to hospital, for his wounds were so, so ...

  Celia put her hand to her face again, searching for a word to describe Vincent's wounds that would reflect her newfound bravery in telling the tale.

  "Utterly devastating, Maisie. I could hardly recognize him when I visited. I had to beg my brother to take me with him-George had arrived home some time before Vincent, as his injuries were not as severe.Vincent wore a linen mask and only removed it when I assured him that I would not flinch."

  "Go on," encouraged Maisie.

  "But I couldn't contain myself. I burst into tears and rushed from the room. My brother was furious.Yet Vincent wasn't angry with me. But he was angry at everything else."

  "Many men were angry when they returned, Celia.Vincent had a right to his anger."

  Celia stopped in her walk, shielded her eyes from the sun, which was now late-afternoon low in the sky, then looked again at Maisie.

  "That was when he said that he wanted to be just `Vincent' He said that as far as Britain was concerned, he was just a piece of meat anyway, he might as well buck the whole system. He said he'd lost his face, so he could be whomever he wanted to be. Except he wasn't quite as polite as that."

  "Indeed. Do you know what happened in France? To Vincent?"

  "I know, mainly from my brother, that something happenedmore than being wounded. I believe there was some ... discord. With his commanding officers"

  "What happened when Vincent was discharged from hospital?"

  "Convalescence. By the sea, in Whitstable. The army took over one of the large hotels.Vincent wanted to write about his experiences in France. He was very upset. But each time we sent him a quantity of paper, it was taken away from him. The doctors said that writing distressed him. My brother was furious. He gave Vincent a typewriter, which was confiscated and returned.Vincent maintained he was being silenced, but said he was determined to speak before the war was long gone and no one wanted to know anymore."

  "The poor man."

  "Then I met Christopher. A very solid man. Of course, he hadn't gone to France. I have to admit I never really found out why. I believe his business protected him from conscription. I seemed to go forward into marriage with a numbness in my mind. But I'd lost one brother, and of course Vincent was deeply, deeply injured. Christopher was a port in the storm. And he is, of course, so very good to me"

  "What happened to your friend Vincent after the war, Celia? It seemed that he died some time later."

  "Yes, he died only a few years ago. He returned to his parents' home, but as he was terribly disfigured, he became a recluse. Oh, people tried to get him out of the house socially, but he would sit in the drawing room, looking out the window, or reading, or writing in his diary. He worked from home after a while-for a small publishing house, somewhere not far from here, I think"

  Celia rubbed her forehead as if pressure would squeeze memories into the present moment.

  "He read manuscripts, wrote reports. He had obtained the connection through his uncle's business contacts.Very occasionally he would have someone drive him to the office, to discuss something. He'd had a mask made, of sorts, out of that very fine tin. It was painted in a glaze that matched the color of his skin. And he wore a scarf which he bundled around his neck and lower jaw-well, where his lower jaw used to be. Oh, poor, poor Vincent!"

  Celia began to cry. Maisie stopped walking and simply stood next to her, but made no move to console by placing a hand on Celia's shoulder or a comforting arm around her.

  "Allow grief room to air itself," Maurice had taught her. "Be judicious in using the body to comfort another, for you may extinguish the freedom that the person feels to be able to share a sadness"

  She had learned, with Maurice Blanche as a teacher, respect for the telling of a person's history.

  Maisie allowed some time to pass, then took Celia's elbow and gently led her to a park bench, set among a golden display of daffodils nodding sunny heads in the late-afternoon breeze.

  "Thank you. Thank you for listening."

  "I understand, Celia," replied Maisie.

  As Maisie imagined Vincent's brutal disfigurement, she shuddered, recollecting the time she had spent in France, and the images that would remain with her forever, of men who had fought so bravely. She thought, too, of those men who had cheated death, only to struggle with the legacy of their injuries. And, in that moment, she remembered Simon, the gifted doctor who was himself a soldier in the struggle to tear lives free from the bloody clutches of war.

  Maisie was brought back from the depths of her own memories by Celia, who was ready to continue her story.

  "It was a bit of luck, really, that one of the patients he had been in hospital with remembered him. I wish I could recall his name. He had returned to France for a time after the war and saw that men with facial disfigurement were looked after in a different way. They were brought together for holidays, taken to the country to camps where they could live together for a while without having to worry about people drawing away-after all, they all had wounds. And, I suppose, more importantly, the public didn't have to look at them. Terrible, isn't it? Anyway, this man came back to England and wanted to get the same sort of thing going here"

  Celia Davenham looked around her and briefly closed her eyes in the warmth of the waning spring sunshine.

  "He bought a farm that was on the market, then got in touch with the men he had met while recovering from his own wounds. According to Vincent, he-heavens, what was his name? Anyway, this man had been deeply affected by the war in a way that made him want to do something for those with disfiguring wounds. Vincent was a strong supporter of the idea. It gave him an energy I certainly hadn't seen since before the war. In fact, the man was rather taken with Vincent's stubborn refusal to be known by anything but his first name. So Vincent went to live at The Retreat"

  "Was that what it was called? The Retreat?"

  "Yes. I think it was Vincent's idea. The name. There was a connection to `Beating The Retreat,' I think, in that they were withdrawing from society, which for many of them had become the enemy.Vincent said that it commemorated each man who died in France, and every man brought home to live with injuries. He said that it was for all those who suffered and should have had a place to go back to, when there never was one"

  "Did he remain there, at The Retreat?"

  "Yes, he did. He became very reclusive. My brother would visit occasionally. Of course, by then I was married to Christopher, so I did not visit. I wanted to, though. In fact, I have considered making the journey, since Vincent died. Just to see where-"

  "He died at The Retreat?"

  "Yes. I'm not really sure what happened. My brother was told by Vincent's people that he slipped and fell by the stream. Breathing was difficult for him anyway, due to his injuries, but perhaps he hit his head. His parents have passed on now. I think they didn't really ask questions. Everyone agreed that it was a terrible accident, but it might have been a release for him"

  "Did The Retreat close?"

  "Oh no. It's still very much open. The farmhouse has been converted so that the residents each have a room, and specialist craftsmen were employed to work on the outbuildings, so that they could also
be used for accommodation. I understand that new residents are welcomed. They are all men who have suffered injury of some kind during the war, and need a place to go"

  "How does this man who set up The Retreat pay for everyone?"

  "Oh, they pay. Resources are pooled. Christopher thought it was all very odd in that respect. But, you understand, Christopher would think that. He's very careful with money. Vincent gave Adam-that's it, Adam Jenkins, his name is Adam Jenkins-Vincent gave Adam Jenkins control of his finances when he decided to become a resident rather than a short-term visitor. The residents work on the farm as well, so it's still a going concern"

  "Well, well, well. Vincent must have had tremendous respect for this man, Adam Jenkins."

  The two women had started walking back towards the north entrance of St. James's Park. Celia looked at her watch.

  "Oh my goodness! I must hurry. Christopher is taking me to the theater this evening. It's quite amazing, you know He's always been such a stick-in-the-mud, but now he's planning all sorts of outings. I love the theater. I thought I would never go again when I married Christopher, but he's suddenly become quite agreeable to an evening out"

  "How lovely! I must dash too, Celia. But before you go, could you tell me where The Retreat is? I have a friend who may be interested to know about it"

  "It's in Kent. Near Sevenoaks, that area. In fact, it's not too far from Nether Green. Good-bye, Maisie-and here's my card. Do call me again for tea. It was so lovely. I feel so very light after spending time with you, you know Perhaps it's being out here in the fresh air of the park today."

  "Yes, perhaps it is. Have a lovely time at the theater, Celia."

  The two women parted, but before making her way to the St. James's Park underground station, Maisie walked back into the park to reconsider their conversation. She would probably not see Celia again.

  Vincent had died while living in a community of ex-soldiers, all of whom, initially, were facially disfigured in some way, although it seemed that the doors were now open to those who had other injuries. There was nothing untoward about the motives of Adam Jenkins, who seemed to want to help these men. It must cost a pretty penny to arrange care for the residents, but then again, resources were pooled, and they were self-sufficient and working on the farm. A farm called, ambiguously, The Retreat. Maisie considered the meanings of "retreat," and wondered if the soldiers were, in fact, relinquishing their position, seeking a place of shelter from the enemy. For such men perhaps life itself was now the enemy.

  @isie picked up the heavy black telephone and began to dial BEL 4746, the Belgravia home of Lord Julian Compton and his wife, Lady Rowan. There was a short delay, then Maisie heard the telephone ring three times before being answered by Carter, the Compton's long-serving butler. She checked her watch immediately the call was answered.

  "Compton residence"

  "Hello, Mr. Carter. How are you?"

  "Maisie, what a pleasure. We are all well here, thank you, but not looking forward to Cook's retirement, though it's long overdue."

  "And what about you, Mr. Carter?"

  "Now then, Maisie, as long as I can manage these stairs, I will be at the house. Her ladyship has been very anxious to speak with you, Maisie"

  "Yes, I know That's why I've telephoned."

  "Oh, well.... I should know better than to ask how you know, Maisie."

  "Mr. Carter, that really doesn't take a lot, does it? Lady Rowan is a terrier in disguise"

  Carter laughed and connected the call to Lady Rowan, who was in the library reading the late-edition newspapers.

  "Maisie, dear girl. Where have you been? I thought you'd gone off somewhere"

  "No, Lady Rowan. I've been busy."

  "Excellent news. But you really must not be a stranger to us. Are you sure that you wouldn't like to move into the upstairs apartments? I know I keep asking, but this is such a big house now. It never used to seem this big. Perhaps I'm getting smaller. They say that about age."

  "No, Lady Rowan. Not you. Shall I come to see you this week?"

  "Yes. Definitely. Come tomorrow And I insist that you have dinner with me, and that you stay. I simply cannot have you traveling on your own after dark, and I know that you will refuse any offer to drive you home"

  "Yes, Lady Rowan. I'll stay-but just for one night. Is everything all right?"

  There was a silence on the line.

  "Lady Rowan, is everything all right?"

  "I want to talk to you about James. I thought you might have some advice for a poor misunderstood mother."

  "Lady Rowan-"

  "Yes, I'm laying it on a bit thick. But I'm worried about him. He's talking about going off to live on a farm in Kent. Sounds very strange to me. In fact, it sounds more than strange. Maisie, I confess, I'm frightened for James. He has been in the depths of melancholy since the war, it seems, and now this!"

  "Of course. I'll do anything I can to help," replied Maisie.

  "Thank you so much, my dear. What time will you be here?"

  "Will six o'clock be all right?"

  "Perfect. I'll tell Carter. Mrs. Crawford will be delighted to see you.

  "Until then, Lady Rowan."

  "Take care, Maisie. And remember, I want to know everything about what you are doing"

  "I will leave no story untold, Lady Rowan"

  The two women laughed, bade each other good-bye, and replaced their respective telephone receivers. Without a second's delay Maisie checked her watch. She reached into the top drawer of her desk and took out a small ledger with "Telephone" marked on the cover. Inside she made a note that the call to Lady Rowan Compton had taken four minutes. Maisie replaced the ledger and closed the drawer before walking to the window

  Of course she would offer Lady Rowan any assistance in her power, for she was indebted to her for so much. And Maisie knew, too, how difficult the aftermath of the war had been for James-but not, perhaps, as hard as it had been for the likes ofVincent.Yet Maisie was sympathetic to his melancholy, which was as much due to a loss still mourned as to his injuries. Maisie wondered whether Lord Julian had concerns regarding the ability of his only son to take on the family's business interests, and she was aware that Lady Rowan had often been the peacekeeper between the two. Tall, blond, blue-eyed James had always been the apple of his mother's eye.Years ago, when his son was no longer a child, Lord Julian had been heard to say on many an occasion, "You're spoiling that boy, Rowan" And now the once mischievously energetic James seemed hollow and drawn. Lady Rowan had been secretly relieved when James, a flying ace, was injured-not in the air but during an explosion on the ground. She knew his wounds would heal, and that she would have him safe at home at a time when so many of her contemporaries were receiving word that their sons had been lost to war.

  Maisie turned from the window, and walked toward the door. Taking her coat and hat from the stand, she looked around the room, extinguished the light, and left her office. As she locked the door behind her, she reflected upon how strange it was that a man who had significant financial resources, time, and a beautiful house in the country would seek the peace and quiet that might dispel his dark mood by going to live on a stranger's farm. Making her way downstairs in the half-light shed by the flickering gas lamp, Maisie felt a chill move through her body. And she knew that the sensation was not caused by the cold or the damp, but by a threat-a threat to the family of the woman she held most dear, the woman who had helped her achieve accomplishments that might otherwise have remained an unrealized dream.

  SPRING 1910-SPRING 1917

  C H A P T E R E I G H T

  orn in 1863, and growing up in the middle years of Queen Victoria's reign, Lady Rowan had delighted her father, the fourth Earl of Westavon, but had been the source of much frustration for her mother, Lady Westavon, who was known to comment that her daughter was "a lady in name only!" It was clear that, far from being content with pursuits more becoming her position and upbringing, she was happiest with her horses and with her brother
, Edwin, when he came home from school in the holidays. From an early age she had questioned her father, disagreed with her mother, and by the time she was on the cusp of womanhood, caused her parents to wonder if a suitable match would ever be found.

  Maurice Blanche was ten years Lady Rowan's senior, a school friend of her brother. At first Rowan was fascinated by Maurice during those weekends when Edwin brought Maurice home from Marlborough School.

  "His people are in France, so I thought he might like to get out for a bit of a break," said Edwin, introducing the short, stocky boy who seemed to have little to say.

  But when Maurice spoke, the young Rowan hung on his every word. His accent, a hybrid that came as a result of his French father and Scottish mother, intrigued her. As she grew older, Lady Rowan realized that Maurice moved with ease among people of any background, often changing his accent slightly to echo the nuances and rhythm of the other person's speech. The listener only vaguely appreciated the distinction, but nevertheless leaned in closer, smiled more easily, and probably shared a confidence to which no other person had been privy. Gradually his influence on the life of Lady Rowan challenged and inspired her, and in turn, his trust in her honest opinion was unfailing.

  In the course of his life's work, Maurice Blanche could count among his friends and colleagues: philosophers, scientists, doctors, psychologists, and members of the judiciary. It was a self-designed career that had rendered him invaluable to an extraordinary range of people, whether government ministers, those investigating crime, or simply people who needed information.

  In 1898, the year in which Lady Rowan celebrated the tenth anniversary of her marriage to Lord Julian Compton, it was clear to Maurice that Rowan needed to be engaged in more than simply London's social calendar. Her only son, James, had just been sent away to a preparatory school, an inevitable event Lady Rowan had dreaded. During a heated political discussion Maurice dared the very vocal and opinionated Lady Rowan to follow her own challenging words with actions.