Wings of Omen tw-6

by Robert Lynn Asprin

  He swore softly, got up, got dressed. There, in the wooden box shoved under his sideboard, were the bones of the hand, wired and mounted into the correct gesture, with the ring of base metal on the proper finger; there was the mandrake, hastily bound in cord twisted of silk and lead, with a silvered steel pin through its "body" to hold it harmless. Both hairpin and ring had come from a secondhand whore that Yuri had recently brought home for the barracks. Harran, last in line and mildly concerned that the woman might notice when her things went missing, had "considerately" brought her a stoup of drugged wine. Then he swived her until the wine took, lifted ring and pin, and slipped away-first leaving her a largish tip where no one but she would be likely to find it.

  So-almost set. He picked up the box, went over to the comer by the table for a few more things-a small flask, a little bag of grain, and another of salt, a lump of bitumen. Then he checked around one last time. Mriga lay snoring in the ashes. Tyr was curled nose-to-tail in a compact brown package under the bed, snoring too, a note higher than Mriga. Harran mussed the meager bedclothes and lumpy bolster more or less into a body shape, snatched up and flung over him his old soot-black cloak, and made his way silently through the Stepsons' stableyard.

  There was a way over the wall by the comer of the third stall down. Up the shingles, a one-handed grip on a drainpipe, a few moments scrambling to find footholds on old bricks that stuck out just so. Then up to the wall's top, and the hard drop down on the other side. Breathing hard, just before that drop, Harran paused, looking back the way he'd come-and just barely saw the vague shape by the barracks door, standing motionless.

  Harran froze. The night was moonless; the torches by the door were burned down to blue. There was nothing to see but the faint flash of eyes catching that light sidewise for a second as the shadow crouched and moved into deeper shadow, and was lost.

  Harran jumped, held still only long enough to get his breath, and ran. If he got to the temple in time to do what he intended, no number of pursuers would matter; the whole Rankan Empire, and the Beysibs too, would flee before what would follow.

  If he had time....

  The Temple of Siveni Grey-Eyes was the second-to-last one at the shabby southern end of the Avenue of Temples. At least, it was shabby now. There had been a time when Siveni's temple had had respectable neighbors: on one side, the fane and priests of Anen Wineface, the harvest-god, master of vine and corn; on the other, that of Anen's associate Dene Blackrobe, the somber mistress of sleep and death. Between them, Anen's polished sandstone and Dene's dark granite, Siveni's temple had risen in its white and gold. There had been a certain rightness to the way they stood together. Work and Wine and Sleep; and Siveni's temple, as was appropriate for a craft-goddess, had looked out over that guilds' quarter. Businessmen made deals on its broad steps, paid a coin or two to buy luck and a cake for Siveni's ravens, then went next door to Anen's to seal their deals with poured libations. Small ones; Anen's wine was generally considered too good to waste on the floor.

  Those days were all done now. Anen's temple was dark except for one red light over the altar; his priests' annuity was reduced to almost nothing, and Anen's old patrons, knowing Him out of favor, tended to do their libation-pouring elsewhere. As for Dene's temple, the Rankans, possibly considering Her too contemplative (or too unimportant) to do anything about it, had demolished the building... leaving the merchants and guildsmen to quarrel over the newly available parcel of real estate.

  And as for Siveni's temple... Harran stood across from it now, hiding himself in the shallow doorway of a night-shuttered mercantile establishment. He could have wept. Those white columns all smeared with city grime, the white steps leading up to the portico broken, littered, stained.... A slow cold wind swept down the Avenue of Temples toward Ils's fane, a dim shape no more clearly seen than the moon behind clouds. Near it reared up Savankala's upstart temple, and Vashanka's hard by it-both great ungainly piles, and as dark tonight as Ils's. No one walked the street. It was far past the hour for devotions.

  Harran held still in that doorway for a long time, unable to shake the feeling that he had been followed. The gongs of Ils's temple rang the third hour after midnight. The sound wavered in the wind like Harran's heart, blowing away down the avenue toward the Governor's Palace and the estates. Something flapped nearby-a sound like a flag snapping in the wind. He jerked around, looked. Nothing but the shadowy shape of a bird on the right, flying heavily in the crosswind, coming to perch on the high cupola of Siveni's temple, becoming another shadow that loomed there among the carvings. A black bird, bigger than a crow....

  He unswallowed his courage, looked both ways, and hurried across the street. The strength of the wind, as Harran reached the middle of the avenue, was ominous. If ever there was a night to be home in bed, this was it....

  He dashed up the stairs where he had lingered so many times before, tripping now and again over some dislodged stone, some crack that hadn't been there when he was young. On the portico he paused to get his breath and look back the way he had come. Nothing coming, no one passing in the street.... And there, the motion again, something dark; not in the street, but next door in the cloddy, vacant lot that was all that remained of Dene's temple. Harran felt under his cloak for the long knife....

  Eyes caught the reflection of the pale stone of Siveni's stairs. Harran found himself looking at the largest rat he had ever seen, in Sanctuary or elsewhere. It was the size of a dog, at least. The thought of Tyr catching up with it made him shudder. As if sensing Harran's fear, the rat turned about and waddled back into the vacant lot, going about its nightly business. Other shadows, just as large, stirred about the pillars of the portico, unconcerned.

  Harran swallowed and thought about business. If I feel I'm being followed, the thing to do is start the spell-draw the outer circle. No one can get through it once it's closed. He put down the box and the flask and fumbled about his clothes for the lump of bitumen. Slowly he made his way around the great open square of pillars, all of which bore the sledgehammer marks of attempted demolition. The marks were futile, of course-any temple built by the priests of the goddess who invented architecture might be expected to last-but they scarred Harran's heart just looking at them. Right around the portico, as he'd been taught-four hundred eighty paces exactly-Harran went, bent over, his back aching. Dark shapes fled again and again at his passing. He refused to look at them. By the time he came around to the middle of the stairs again and drew the diagram-knot that tied the circle closed, his back was one long creaking bar of iron with smiths working on it; but he felt much safer. He picked up his box again and made his way inward.

  The great doors within the portico were long since barred shut from inside, but that would hardly stop anyone who had served Siveni past the novitiate. Harran traced the door's carved raven-and-olive-tree motif just below eye level until he found the fourth raven past the second tree with no olives on it, and pushed in the raven's eye. The bird's whole head fell in after it, revealing the little catch and valve that opened the priests' door. The catch was stiff, but after a couple of tries the door swung open wide enough to admit Harran. He slipped in and swung it silently to behind him.

  Harran lifted the dark lantern he had brought with him and unshuttered it. And then he did begin to weep; for the statue was gone-the image toward which Harran had once bowed affectionately so many times a day, having eventually learned to see and bow to the immortal beauty behind the mortal symbol. Siveni's great statue in her aspect as Defender, seated, armed and helmed, holding her battalion-vanquishing spear in one hand and her raven perched on the other. The great work, the statue that the artist Rahen had spent five years fashioning of marble, gold, and ivory, afterward putting down his sculptor's tools forever and saying he knew his life's masterwork when he saw it, and would make no other.... All gone. Harran could have understood it if they had stripped the gold and ivory off, pried the gems out of the mighty shield. He knew as well as any other Sanctuarite that not even n
ailing things down could keep them safe here. But he had never thought to have the fact brought home to him so brutally as this. The pediment on which the statue had stood was bare except for bits of rubble, chunks and splinters of shattered marble... but those were eloquent even in ruin. Here, a fat pyramidal lump was one corner of the statue's pedestal; there, a long slim shard, smooth and faintly grooved at one end, broken off sharp as a flint at the other-a feather from a raven's outstretched wing.... Harran's brain roiled with rage. Where did they-why-A whole statue, a statue thirty feet high! Stolen, destroyed, lost.

  He dashed the tears out of his eyes, put the lantern down, flung his cloak down on the dusty marble, and picked up his box. One more circle he would need in which to work the sorcery itself. If his back still hurt him, Harran didn't notice it now. Round the vacant pediment he went with the bitumen, not counting paces this time, rather fighting down his bitter anger enough to remember the words that needed to be thought again and again to confine within this inner circle the forces that would soon break loose. It was not easy work, fighting down both his anger and the growing, restless power of the circle-spell; so that as Harran tied the second circle closed he was gasping like a man who'd run a race, and had to stand for some moments bowed over like a spent runner, hands on thighs.

  He straightened up as quickly as he could, for there was worse to come. Simple this spell might be, but that wouldn't keep it from being strenuous; and first he needed the rite. Breaking and resealing the circle according to procedure, he went to get it.

  Normally the location of the safe-crypt was not information that would have been entrusted to a junior priest, but in the haste surrounding the exile of Siveni's priesthood, quite a few secrets had slipped out. Harran had been one of those conscripted to help old Irik hide away the less important documents, old medical and engineering texts and spells. "We may yet find a use for these, in a better hour," Irik had said to Harran. Just then he had had his arms full of parchments, his nose full of dust, and his mind full of fear; the words had meant nothing. But now Harran blessed Irik as he went around to behind where the statue had been, stepped on the proper pieces of flooring in the proper order, and saw the single block by the rear wall fall slowly away into darkness.

  The stair was narrow and steep, with no banister. Harran held up the lantern at the bottom of it and went rummaging, sneezing a lot as he did. Parchments, book rolls, and wax tablets were piled and scattered every which way. It was the rolls he went for. Again and again Harran undid linen cords, spread a roll out in a cloud of dust and sneezes, to find nothing but a spare copy of the temple's bookkeeping for the third month of such and such a year, or some tired old philosophical treatise, or a cure for the ague (ox-fat rubbed together with mustard and ground red-beetle casings, the same applied to the chest three times a day). This went on till his eyes began to water, rebelling against the poor light, and Harran's mind stopped seeing what he read and kept wandering away to worry about the time. Night was leaning toward morning; this was the time to do the spell, if ever-before dawn, herald of new beginnings-and if he didn't find it soon-

  He blinked and read the words again. It wasn't hard; they were beautifully written in an Old Ilsig hieratic script. "... of the Lost, that is to say, an infallible spell for finding the lost and strayed and stolen. The spell needeth first the hand of a brave and living man, the same to be offered up in the spell's working by the celebrant; and it needeth also a mandrake root, called by some peristupe, dug of a night without moon or star, and treated according to the disciplines, also to be so offered; and needeth as well some small deal of salt and wheat and wine, and a knife for blood to propitiate the Ones Below; and lastly those instruments by which the boundary for the spell shall be made.

  "First dig your mandrake..."

  Harran scrambled to his feet in the dust and the dark, sneezing wildly and not caring. Up the stairs, back into the circle-cutting the knot to let himself in, sealing it shut again behind him. He sat down on the vacant pediment amid the rubble and began to read. It was all here, much as he remembered it, with the little thumbnail sketch of the diagram to be drawn inside the circle, and the rite itself. Part in a very old Ilsig indeed, part in the vernacular. Simple words, but oh, the power in them. Harran's heart began to hammer.

  Something moaned, and Harran started-then realized it was only the wind, building now to such a crescendo that he could hear it even inside the temple's thick stone. Good, he thought, picking up the piece of bitumen again and rising to his feet, let it storm. Let them think that something's about to happen. For it is!

  He set to work. The diagram was complex, seemingly a picture of some kind of geometrical solid, though one in which the number of sides seemed to change each time one counted them. The finished diagram made an uneasy flickering in the mind, a feeling that got worse as Harran started setting the necessary runes and words into the pattern's angles. Then came the salt, cast to the cardinal points with the usual purifacatory rhyme; and the wheat-two grains at the primary point, four at the next, eight at the one after that, and so on around the seven. Harran chuckled a little, light-headed with excitement. That particular symbol of plenitude had always been a joke among the student priests; a sixty -four point pattern would have emptied every granary in the world. Nothing left now but the wine, the knife, the mandrake, the hand....

  The wind was whining through the pillars outside like a dog that wanted in. Harran shivered. It's the cold, he thought, and then swallowed again and silently took it back; to lie during a spell could be fatal. He went to the diagram's heart, feeling as he went the small uncomfortable jolts of power that came of passing over it. Forces besides his were moving tonight, lending what he did abnormal power. Just as well, he thought. Harran opened the wine-flask and set it beside the center-point, then put the hand in one of his pockets and the mandrake in the other. In his left hand he held the book-roll, open to the right spot. With the right he drew his knife.

  It was his best, Mriga's favorite. He had set her at it that afternoon, and not stopped her for a long while. Now its edge caught the dim lantern-light with a flicker as live as an eye's. He held it up in salute to the four directions and their Guardians above and below, faced northward, and began to pronounce the spell's first passage.

  Resistance began immediately; it became an effort to push the words out of his throat. His tongue went leaden. Still Harran spoke the words, though more and more slowly; stopping in mid-spell could be as fatal as lying. The wind outside rose to a malevolent scream, drowning him out. He was reduced to struggling one word out, drawing several rasping breaths, then starting another. Harran had never thought that just fifty words, a few sentences, would seem long. They did now. Ten words remained, every one of them looking as long as a whole codex and as heavy as stone. At the fifth one he stammered, and outside the screaming wind scaled up into an insane yell of triumph. In a burst of fear he choked out two words very fast, one after another. Then the second -to-last, more slowly, with a wrenching effort like passing a stone. And the last, that went out of him like life leaving and smote him down to the floor.

  With his falling came the light, blazing in through the temple's high narrow windows like the sky splitting; and the thundercrack, one deafening bolt that reverberated over the roofs of Sanctuary-breaking what glass remained unbroken in the temple's windows, and jolting loose what was already shattered, raining it all down on the marble floor in a storm of razory chimings. Then stillness again. Harran lay on his face, tasting marble and bitumen against his tongue and blood in his mouth, smelling ozone, hearing the last few drops of the glass rain.

  I think it's working....

  Harran got to his knees, felt around with shaking hands until he found the knife which he had dropped, and then took the skeletal hand out of his pocket. He put it down exactly at the diagram's center-point, palm-up; the outstretched index and middle fingers pointing northward, the others curled in toward the palm, the thumb angled toward the east. Then Harran bega
n the second passage of the spell.

  As he read-slowly, being careful of the pronunciation-he became aware of being watched. At first, though he could see nothing, the sensation was as if just one set of eyes dwelt on him-curious eyes, faintly angry, faintly hungry, willing to wait for something. But the number of eyes grew. Harran's words seemed loud as thunder, and his hurrying breath louder than any wind; and the eyes grew more and more numerous. It was not as if he could see them. He could not. But he could feel them, a hungry crowd, a hostile multitude, growing greater by the second, waiting, watching him. And when the silence became so total that he could no longer stand it, then came the sound; a faint rustling, a jostling and creaking and gibbering at the edge of hearing-a sound like the wings and cries of bats in their thousands, their millions, a benighted flock hanging, waiting, hungry for blood.

  The sound, rather than frightening Harran worse, reassured him somewhat; for it told him who they were. The spell was working indeed. The shades of the nameless dead were about him, those who had been dead so long that they of all things made were most truly lost. All they remembered of life was what an unthinking, newbom child remembers- heat, warmth, pulsebeats, blood. Harran began to sweat as he picked up the wine-flask and made his way around to the edge of the circle. At the pattern's northern point he took Mriga's favorite knife and cut the heel of his left hand with it, wide but not deep, for the best bleeding. The horror of cutting himself left him weak and shaking. But there was no time to waste. On the northern point, and on all the others, he shed his blood in a fat dollop on the grain, and poured wine over it all, then retreated to the center of the circle and said the word that would let the shades past the fringes of the pattern, though no further.