Works of Edgar Allan Poe
Page 3
"No man," Poe himself wrote, "has recorded, no man has dared to record, the wonders of his inner life."
In these twentieth century days -of lavish recognition-artistic, popular and material-of genius, what rewards might not a Poe claim!
Edgar's father, a son of General David Poe, the American revolutionary patriot and friend of Lafayette, had married Mrs. Hopkins, an English actress, and, the match meeting with parental disapproval, had himself taken to the stage as a profession. Notwithstanding Mrs. Poe's beauty and talent the young couple had a sorry struggle for existence. When Edgar, at the age of two years, was orphaned, the family was in the utmost destitution. Apparently the future poet was to be cast upon the world homeless and friendless. But fate decreed that a few glimmers of sunshine were to illumine his life, for the little fellow was adopted by John Allan, a wealthy merchant of Richmond, Va. A brother and sister, the remaining children, were cared for by others.
In his new home Edgar found all the luxury and advantages money could provide. He was petted, spoiled and shown off to strangers. In Mrs. Allan he found all the affection a childless wife could bestow. Mr. Allan took much pride in the captivating, precocious lad. At the age of five the boy recited, with fine effect, passages of English poetry to the visitors at the Allan house.
From his eighth to his thirteenth year he attended the Manor House school, at Stoke-Newington, a suburb of London. It was the Rev. Dr. Bransby, head of the school, whom Poe so quaintly portrayed in "William Wilson." Returning to Richmond in 1820 Edgar was sent to the school of Professor Joseph H. Clarke. He proved an apt pupil. Years afterward Professor Clarke thus wrote:
"While the other boys wrote mere mechanical verses, Poe wrote genuine poetry; the boy was a born poet. As a scholar he was ambitious to excel. He was remarkable for self-respect, without haughtiness. He had a sensitive and tender heart and would do anything for a friend. His nature was entirely free from selfishness."
At the age of seventeen Poe entered the University of Virginia at Charlottesville. He left that institution after one session. Official records prove that he was not expelled. On the contrary, he gained a creditable record as a student, although it is admitted that he contracted debts and had "an ungovernable passion for card-playing." These debts may have led to his quarrel with Mr. Allan which eventually compelled him to make his own way in the world.
Early in 1827 Poe made his first literary venture. He induced Calvin Thomas, a poor and youthful printer, to publish a small volume of his verses under the title "Tamerlane and Other Poems." In 1829 we find Poe in Baltimore with another manuscript volume of verses, which was soon published. Its title was "Al Aaraaf, Tamerlane and Other Poems." Neither of these ventures seems to have attracted much attention.
Soon after Mrs. Allan's death, which occurred in 1829, Poe, through the aid of Mr. Allan, secured admission to the United States Military Academy at West Point. Any glamour which may have attached to cadet life in Poe's eyes was speedily lost, for discipline at West Point was never so severe nor were the accommodations ever so poor. Poe's bent was more and more toward literature. Life at the academy daily became increasingly distasteful. Soon he began to purposely neglect his studies and to disregard his duties, his aim being to secure his dismissal from the United States service. In this he succeeded. On March 7, 1831, Poe found himself free. Mr. Allan's second marriage had thrown the lad on his own resources. His literary career was to begin.
Poe's first genuine victory was won in 1833, when he was the successful competitor for a prize of $100 offered by a Baltimore periodical for the best prose story. "A MSS. Found in a Bottle" was the winning tale. Poe had submitted six stories in a volume. "Our only difficulty," says Mr. Latrobe, one of the judges, "was in selecting from the rich contents of the volume."
During the fifteen years of his literary life Poe was connected with various newspapers and magazines in Richmond, Philadelphia and New York. He was faithful, punctual, industrious, thorough. N. P. Willis, who for some time employed Poe as critic and sub-editor on the "Evening Mirror," wrote thus:
"With the highest admiration for Poe's genius, and a willingness to let it alone for more than ordinary irregularity, we were led by common report to expect a very capricious attention to his duties, and occasionally a scene of violence and difficulty. Time went on, however, and he was invariably punctual and industrious. We saw but one presentiment of the man-a quiet, patient, industrious and most gentlemanly person.
"We heard, from one who knew him well (what should be stated in all mention of his lamentable irregularities), that with a single glass of wine his whole nature was reversed, the demon became uppermost, and, though none of the usual signs of intoxication were visible, his will was palpably insane. In this reversed character, we repeat, it was never our chance to meet him."
On September 22, 1835, Poe married his cousin, Virginia Clemm, in Baltimore. She had barely turned thirteen years, Poe himself was but twenty-six. He then was a resident of Richmond and a regular contributor to the "Southern Literary Messenger." It was not until a year later that the bride and her widowed mother followed him thither.
Poe's devotion to his child-wife was one of the most beautiful features of his life. Many of his famous poetic productions were inspired by her beauty and charm. Consumption had marked her for its victim, and the constant efforts of husband and mother were to secure for her all the comfort and happiness their slender means permitted. Virginia died January 30, 1847, when but twenty-five years of age. A friend of the family pictures the death-bed scene--mother and husband trying to impart warmth to her by chafing her hands and her feet, while her pet cat was suffered to nestle upon her bosom for the sake of added warmth.
These verses from "Annabel Lee," written by Poe in 1849, the last year of his life, tell of his sorrow at the loss of his child-wife:
I was a child and she was a child,
In a kingdom by the sea;
But we loved with a love that was more than love--
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago;
In this kingdom by the sea.
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her high-born kinsmen came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea,
Poe was connected at various times and in various capacities with the "Southern Literary Messenger" in Richmond, Va.; "Graham's Magazine" and the "Gentleman's Magazine" in Philadelphia.; the "Evening Mirror," the "Broadway journal," and "Godey's Lady's Book" in New York. Everywhere Poe's life was one of unremitting toil. No tales and poems were ever produced at a greater cost of brain and spirit.
Poe's initial salary with the "Southern Literary Messenger," to which he contributed the first drafts of a number of his best-known tales, was $10 a week! Two years later his salary was but $600 a year. Even in 1844, when his literary reputation was established securely, he wrote to a friend expressing his pleasure because a magazine to which he was to contribute had agreed to pay him $20 monthly for two pages of criticism.
Those were discouraging times in American literature, but Poe never lost faith. He was finally to triumph wherever pre-eminent talents win admirers. His genius has had no better description than in this stanza from William Winter's poem, read at the dedication exercises of the Actors' Monument to Poe, May 4, 1885, in New York:
He was the voice of beauty and of woe,
Passion and mystery and the dread unknown;
Pure as the mountains of perpetual snow,
Cold as the icy winds that round them moan,
Dark as the eaves wherein earth's thunders groan,
Wild as the tempests of the upper sky,
Sweet as the faint, far-off celestial tone of angel
whispers, fluttering from on high,
And tender as love's tear when youth and beauty di
e.
In the two and a half score years that have elapsed since Poe's death he has come fully into his own. For a while Griswold's malignant misrepresentations colored the public estimate of Poe as man and as writer. But, thanks to J. H. Ingram, W. F. Gill, Eugene Didier, Sarah Helen Whitman and others these scandals have been dispelled and Poe is seen as he actually was-not as a man without failings, it is true, but as the finest and most original genius in American letters. As the years go on his fame increases. His works have been translated into many foreign languages. His is a household name in France and England-in fact, the latter nation has often uttered the reproach that Poe's own country has been slow to appreciate him. But that reproach, if it ever was warranted, certainly is untrue.
W. H. R.
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The Balloon-Hoax
[Astounding News by Express, via Norfolk! - The Atlantic crossed in Three Days! Signal Triumph of Mr. Monck Mason's Flying Machine! - Arrival at Sullivan's Island, near Charlestown, S.C., of Mr. Mason, Mr. Robert Holland, Mr. Henson, Mr. Harrison Ainsworth, and four others, in the Steering Balloon, "Victoria," after a passage of Seventy-five Hours from Land to Land! Full Particulars of the Voyage!
The subjoined jeu d'esprit with the preceding heading in magnificent capitals, well interspersed with notes of admiration, was originally published, as matter of fact, in the "New York Sun," a daily newspaper, and therein fully subserved the purpose of creating indigestible aliment for the quidnuncs during the few hours intervening between a couple of the Charleston mails. The rush for the "sole paper which had the news," was something beyond even the prodigious; and, in fact, if (as some assert) the "Victoria" did not absolutely accomplish the voyage recorded, it will be difficult to assign a reason why she should not have accomplished it.]
THE great problem is at length solved! The air, as well as the earth and the ocean, has been subdued by science, and will become a common and convenient highway for mankind. The Atlantic has been actually crossed in a Balloon! and this too without difficulty - without any great apparent danger - with thorough control of the machine - and in the inconceivably brief period of seventy-five hours from shore to shore! By the energy of an agent at Charleston, S.C., we are enabled to be the first to furnish the public with a detailed account of this most extraordinary voyage, which was performed between Saturday, the 6th instant, at 11, A.M., and 2, P.M., on Tuesday, the 9th instant, by Sir Everard Bringhurst; Mr. Osborne, a nephew of Lord Bentinck's; Mr. Monck Mason and Mr. Robert Holland, the well-known æronauts; Mr. Harrison Ainsworth, author of "Jack Sheppard," &c.; and Mr. Henson, the projector of the late unsuccessful flying machine - with two seamen from Woolwich - in all, eight persons. The particulars furnished below may be relied on as authentic and accurate in every respect, as, with a slight exception, they are copied verbatim from the joint diaries of Mr. Monck Mason and Mr. Harrison Ainsworth, to whose politeness our agent is also indebted for much verbal information respecting the balloon itself, its construction, and other matters of interest. The only alteration in the MS. received, has been made for the purpose of throwing the hurried account of our agent, Mr. Forsyth, into a connected and intelligible form.
"THE BALLOON.
"Two very decided failures, of late - those of Mr. Henson and Sir George Cayley - had much weakened the public interest in the subject of aerial navigation. Mr. Henson's scheme (which at first was considered very feasible even by men of science,) was founded upon the principle of an inclined plane, started from an eminence by an extrinsic force, applied and continued by the revolution of impinging vanes, in form and number resembling the vanes of a windmill. But, in all the experiments made with models at the Adelaide Gallery, it was found that the operation of these fans not only did not propel the machine, but actually impeded its flight. The only propelling force it ever exhibited, was the mere impetus acquired from the descent of the inclined plane; and this impetus carried the machine farther when the vanes were at rest, than when they were in motion - a fact which sufficiently demonstrates their inutility; and in the absence of the propelling, which was also the sustaining power, the whole fabric would necessarily descend. This consideration led Sir George Cayley to think only of adapting a propeller to some machine having of itself an independent power of support - in a word, to a balloon; the idea, however, being novel, or original, with Sir George, only so far as regards the mode of its application to practice. He exhibited a model of his invention at the Polytechnic Institution. The propelling principle, or power, was here, also, applied to interrupted surfaces, or vanes, put in revolution. These vanes were four in number, but were found entirely ineffectual in moving the balloon, or in aiding its ascending power. The whole project was thus a complete failure.
"It was at this juncture that Mr. Monck Mason (whose voyage from Dover to Weilburg in the balloon, "Nassau," occasioned so much excitement in 1837,) conceived the idea of employing the principle of the Archimedean screw for the purpose of propulsion through the air - rightly attributing the failure of Mr. Henson's scheme, and of Sir George Cayley's, to the interruption of surface in the independent vanes. He made the first public experiment at Willis's Rooms, but afterward removed his model to the Adelaide Gallery.
"Like Sir George Cayley's balloon, his own was an ellipsoid. Its length was thirteen feet six inches - height, six feet eight inches. It contained about three hundred and twenty cubic feet of gas, which, if pure hydrogen, would support twenty-one pounds upon its first inflation, before the gas has time to deteriorate or escape. The weight of the whole machine and apparatus was seventeen pounds - leaving about four pounds to spare. Beneath the centre of the balloon, was a frame of light wood, about nine feet long, and rigged on to the balloon itself with a network in the customary manner. From this framework was suspended a wicker basket or car.
"The screw consists of an axis of hollow brass tube, eighteen inches in length, through which, upon a semi-spiral inclined at fifteen degrees, pass a series of steel wire radii, two feet long, and thus projecting a foot on either side. These radii are connected at the outer extremities by two bands of flattened wire - the whole in this manner forming the framework of the screw, which is completed by a covering of oiled silk cut into gores, and tightened so as to present a tolerably uniform surface. At each end of its axis this screw is supported by pillars of hollow brass tube descending from the hoop. In the lower ends of these tubes are holes in which the pivots of the axis revolve. From the end of the axis which is next the car, proceeds a shaft of steel, connecting the screw with the pinion of a piece of spring machinery fixed in the car. By the operation of this spring, the screw is made to revolve with great rapidity, communicating a progressive motion to the whole. By means of the rudder, the machine was readily turned in any direction. The spring was of great power, compared with its dimensions, being capable of raising forty-five pounds upon a barrel of four inches diameter, after the first turn, and gradually increasing as it was wound up. It weighed, altogether, eight pounds six ounces. The rudder was a light frame of cane covered with silk, shaped somewhat like a battledoor, and was about three feet long, and at the widest, one foot. Its weight was about two ounces. It could be turned flat, and directed upwards or downwards, as well as to the right or left; and thus enabled the æronaut to transfer the resistance of the air which in an inclined position it must generate in its passage, to any side upon which he might desire to act; thus determining the balloon in the opposite direction.
"This model (which, through want of time, we have necessarily described in an imperfect manner,) was put in action at the Adelaide Gallery, where it accomplished a velocity of five miles per hour; although, strange to say, it excited very little interest in comparison with the previous complex machine of Mr. Henson - so resolute is the world to despise anything which carries with it an air of simplicity. To accomplish the great desideratum of ærial navigation, it was very generally supposed that some exceedingly complicated application must be made of som
e unusually profound principle in dynamics.
"So well satisfied, however, was Mr. Mason of the ultimate success of his invention, that he determined to construct immediately, if possible, a balloon of sufficient capacity to test the question by a voyage of some extent - the original design being to cross the British Channel, as before, in the Nassau balloon. To carry out his views, he solicited and obtained the patronage of Sir Everard Bringhurst and Mr. Osborne, two gentlemen well known for scientific acquirement, and especially for the interest they have exhibited in the progress of ærostation. The project, at the desire of Mr. Osborne, was kept a profound secret from the public - the only persons entrusted with the design being those actually engaged in the construction of the machine, which was built (under the superintendence of Mr. Mason, Mr. Holland, Sir Everard Bringhurst, and Mr. Osborne,) at the seat of the latter gentleman near Penstruthal, in Wales. Mr. Henson, accompanied by his friend Mr. Ainsworth, was admitted to a private view of the balloon, on Saturday last - when the two gentlemen made final arrangements to be included in the adventure. We are not informed for what reason the two seamen were also included in the party - but, in the course of a day or two, we shall put our readers in possession of the minutest particulars respecting this extraordinary voyage.