The Mammoth Book of Best New Horror 13 - [Anthology]
Page 51
Then I did set off, striding the path between the fields, towards the woodland that lay like a smoky cloud upon the nearest horizon.
I must have noticed as I went the state of those fields. They were bleached and barren-looking, the grain in parts fallen, and where it was still upright, then not normal in its colour. In other areas it seemed burnt. At the time I suspected a fire had taken place, or infestation of some sort. My mind was not truly on the fields, and did not want to be.
But then I reached the edge of the woods. And with the best will in the world, I could no longer delude myself.
Only after the most serious of gales would so many great trees have fallen. Looking in, at what had been the greenest of green shades, I now beheld bald, wide avenues, all railwayed with these broken pillars, which had tumbled in every direction, taking in every case more than one or two of their fellows with them. Besides these fallen giants, the standing wood was sickly. There could be no mistaking it. A yellowish tinge was on each leaf, or worse, a blackened scorching, as if some acid had been thrown over and among them all. The leaf canopy besides showed great holes.
I advanced like some soldier into enemy territory, where any lethal hazard or trap may be encountered. No sooner was I in, however, than I paused again. Upon the raddled ground, bare of anything but the most hardy weeds and brackens (and these burnt and brown), I had begun to see strange heaps and drifts of a dark dust. I knew at once what these were, but going over to one of the fallen trees, I tapped it, not very hard, with a strong-looking stick I had found on the outer path and picked up thoughtlessly, as one sometimes does on a walk. No sooner did the stick make contact than the bole of the prone trunk, for about five feet either side of the light blow, gave way in a shower of what appeared to be the finest black sugar. The sturdy-looking stick also snapped in half, brittle as charcoal. And the sugar-like substance sprayed out from it too. I dropped the stick then. As it hit the ground, it shattered into some twenty further fragments. The dust - the dust was all that remained of trees that, last summer, had seemed to touch the sky.
But I had to go on through this wreckage of a poisoned wood. I followed doggedly the carriage-ride, which normally at this time of year would have been rather overgrown. Surely I had seen it so myself - with sprinklings of woodland flowers everywhere the sun could penetrate, thick moss and large lacy ferns where it did not. There was no hint of that now. Not even the toadstools and other fungi that colonize any woodland, good or bad, had ventured in. Nor was anything else to be come on. No beasts or birds ran or fluttered or fluted through the trees, or played about the tracks. Silence ruled the woods. Absence ruled them. And here was I, forging on perforce, like the last man alive upon a dying earth. And my feelings of horror and dejection increased with every step I took.
By the time I got out into Salter’s Lane, I may say I was prepared for anything. Had I not been, the quantity of felled trees that marked the exit point would have alerted me, and the expanses of the deadly dust, which resembled here nothing so much as the encroachment of a desert.
Even prepared, yet I halted where I stood. I looked down the Lane, and knew it for an avenue accursed. It was - and I do not exaggerate - like some landscape of the damned.
Nothing stood in it. Its length was paved by horizontal trees and in between them the dust had formed mounds which had partly solidified, in a friable, hopeless manner, perhaps from the direct action of the weather. Where hedges had been, there were sometimes left some bare black twigs and poles. I did not want to enter the Lane. I did not want to travel over it.
But I had no choice - unless I turned back, retrod my path and then went on to Joiner’s Crossing, a detour which would now add almost an hour to my urgent journey.
So I went on. I walked into the Lane and advanced, having, every yard or so, to get over the fallen trees, most of which gave way under my feet, meaning I must scramble and jump to save myself from a fall. The mounds of dust were much the same; I sank in them as in the dunes of some hellish beach, or else the humps of powdery ‘soil’ they had formed crumbled, and I slithered unsafely.
This was very exhausting, and additionally foul from the dust that was constantly billowing up as if purposely to stifle me.
Above, the sky was no longer blue. It had a tarnished sheen to it, like unpolished metal. True clouds were hung out on it, grimy-looking and peculiar in shape, like torn banners, each a mile across.
Of course, I knew that I must come to the house. I knew that I must pass it. I had vowed I would not give it one glance. The perils and obstacles of the Lane would assist me, surely, in that, since I needed all my attention for the road.
However, I reached the house of Josebaar Hawkins, and did not keep to my vow.
The holly tree was gone. There was no trace of it - it had become one with the dust. The wall too had come down. It lay scattered all over the Lane, the bricks and bits of stonework disintegrating, like everything else. Behind the wall stretched a vast piece of ground that was like a bare, swept floor. It had nothing at all growing upon it, and even the dust had blown or otherwise vanished away. It was a nothingness, in colour greyish. And upon this table of death there rose - the house. Beside it was the little ornamental building that I had spied on my last excursion there. This I now saw, with an unnerving pang, had been a small mausoleum, no doubt the supposed resting place of Hawkins’s wife. Now it comprised merely a part of a roof upon a couple of columns. Within, too, was nothing. Of the toppled oak that had leant there, no sign remained, naturally.
Of everything that had been there, of nature or contrivance, the house alone stood - but not intact. Its roof had come away in broad segments: one could see the gaping joists and beams, which were in turn collapsing. Both chimneys were down, crashed inwards. On the lower floors not one window had kept its antique glass or its boxed decorations. The creepers had slipped from the exterior walls and after them the bricks had tried and were still trying to come out. Yet the shell of the building, what there was of it, still jutted upright. And in that spot, this made it a thing of unbelievable terror. Ruined and distorted and every moment increasingly giving way, nevertheless it had so far stayed, where nothing else remained.
I perceived all this before I had raised my gaze beyond the lower floors. When I did raise it, I selected its targets with much care. But in the end, I knew I would have to do it, would have to look full-on at the upper window under the roof.
I had been in Rome, I had been in Siena and Venice. Among the hills and waters, among the bronzes, surely I had somehow understood that she still stood here, on and on, stood here looking out, eating with her eyes first the bricks and mortar, then the pins that sealed her up, patient as only a hopeless thing can be, taking a century over it; next eating out the glass, and next what lay beyond the glass - the trees, the air, the Lane, the countryside.
They must have known, the people of Steepleford town, in 1788, when they passed by on the Lane, hearing her weeping and shrieking in agony and fear, all those endless days and nights. They must have known what he had done to her. What then did they do, but cross themselves, perhaps, or use some older, less acceptable mark. But they knew, they knew.
She had loved too well, that was her sole crime. She had seen too much in mankind that was beautiful and good, and for sure too much in him, in Josebaar Hawkins, and for this they had condemned her and killed her. How she must then have hated them. How she must have looked, fixing despairingly her mad eyes upon the impenetrable dark. And if she had not survived her death, something that came of her, and of her hatred, and of those eyes - and which learned too, new skills whereby to use those eyes - that did survive, and lived still, and saw and looked - and fed. And it was there, there in that window, drawing up the whole world in its slow and bottomless net.
‘Oh, God, Amber Maria, poor lost pitiable hideous residue—’
My gaze was fixed on her window, her death’s window. My gaze was stuck there and now could not pull away. I felt my heart turn to water
inside me and the occluded atmosphere blackened over.
I did not quite lose my senses. Instead I found myself leaning on my hands, kneeling in the desert of dust among the slaughter of the trees.
To myself I said, But what did I see this time?
For I had not seen a single thing. The window - her window - was empty of everything. Of creeper and of bricks, pins and glass. Of light and shadow, and of any shape. As with the rest, nothing was there. And yet. . . the nothing that was in that window was not empty. No. She was there in it, there in the core of it, as things hide in darkness. Or her eyes were there, those pits of seeing, her looking was there, her looking looked out. It had looked even into me, and through me, and away, to have all else.
Presently I got up. And, as before, I ran.
* * * *
The town - I wondered afterwards why the stationmaster had not warned me. I wondered too why the newspapers and journals in London had not carried some mention of it, why no sensational word seemed to have escaped from it. Perhaps there had been some news which was not believed - or believed too well and suppressed. Besides, events had raced to their final act as swiftly as a wave.
I have read of times of siege and plague in medieval Germany, Italy, France. In certain of those occult little towns, crouched in the profundities of deep valleys, hung like baskets from the sides of cliffs, the dim and winding alleys make such images still all too credible. But Steepleford was a slow, flat, gentle settlement, prosperous and mild, where the horse, casting its shoe, caused a stir, and they had longed for a foreign theatrical gentleman to liven them up.
Getting near the outskirts, I saw a cloud hanging over the fields and town. It was a wreath of smoke. The dead gardens along the approach I had scarcely noticed, nor the untended houses, which seemed to have been afflicted too by a kind of partial hurricane, ripping the tiles from roofs and setting askew anything that had been in the slightest way vulnerable. There was a dearth of people going about their trades or gossip. Instead, there hung in the atmosphere a presence of incredible raw heat and turgid staleness. I have never smelled such air, even in the sinks of greater Europe.
I came into Market Gate Street before I properly knew it, and there, as in some canvas by Hieronymus Bosch, I saw what I took at once for plague fires burning in archways and at the corners of houses, reeking of sulphur and other purgatives.
The fumes by now were nearly as thick as a London fog, and in them, as I moved on, persons came and went anonymously, their heads down and swathed in scarves, none looking at another. They were creatures from the selfsame painting, at large between torments.
Then came the River Styx, for the street was awash with a black, stinking body of fluid. I had splashed into it before I could prevent myself, but in any case, there was no other way across.
Up toward my aunt’s part of the town, a pony and trap leapt rattling by, the unhappy animal tossing its head and red-eyed as the horses of Pluto from the smoke. A man hailed me and pulled the horse in. Amazed to be recognized in the Inferno, I stopped. There was my aunt’s doctor, peering down.
‘Thank God you’ve arrived, young man. We sent off a wire this very morning.’
My heart clenched inside me. ‘It must have missed me by an instant. Is she so bad, then?’
‘I fear she is, now. It’s the same all over the town. The deuce knows what the illness is. We have three specialists down from London, and one from the Low Countries, and they have drawn a blank on it. My own sister, who has never taken sick in her life - well. But besides all this business of burst pipes and subsiding walls across the entire town - But I won’t trouble you with that, either.’ The pony shook its head violently. The doctor raised his voice to curse. ‘Be damned to these confounded fires! What do the fools think they’re doing? Have they heard nothing of modern hygiene - our only reliable ally against disease - to fill up the air with such muck? Superstition, ignorance— Make haste to get on!’ And with this baleful cry, whether to me or to the pony I was unsure, the doctor whipped the beast on, and like King Death himself flung off into the smother.
But I ran again, and so reached my aunt’s house. And ten minutes later I was in her bedroom, by the side of her bed. But she, although living yet, did not see or hear me.
When I was a small boy, and my youthful mother died suddenly and without warning, this aunt of mine, then an elegant and pretty fashion plate of an Alice, herself not much above thirty-five, sheathed in softest clothes and scented by vanilla, took me in her arms and let me sob out my soul. And now again I stood beside her, and again I wept. But she never knew it, now. And oh, any pity I had felt for that other, for that thing once known as Amber Maria Hawkins, you can be sure I had given it up.
* * * *
So now I must come to the strangest part of my abnormal tale. To a conclusion, indeed, that any writer of fiction would be ashamed to set before his audience, having brought them thus far, and by such a fearful road. Therefore, prior to the last scenes of the drama, I will say this: One piece evidently missing from my narrative has since been supplied, and only the discovery of that unique absentee has brought me, at this time, and so many years after these events took place, to write them down at all.
My aunt, where she lay on the bed, did not stir. Only the faintest movement indicated that she still breathed. I looked ardently for this proof, and once or twice it seemed to me that it faltered, and then I too held my breath. But always the slight rise and fall of her breast resumed. At least she was not in pain or distress. That was all, at this time, that I might be thankful for.
Near midnight the doctor called again. He was worn out, as I could see, by his conscientious tours up and down the stricken town, through the acrid fumes of the fires, the stenchful spilled waters, and the furnace heat, which even nightfall had not lessened. When he was done with his examination, a frighteningly swift one, I had them bring him some brandy, and he thanked me, then solemnly announced that he ‘did not think it would be long’.
‘Is there nothing that can be done?’ I asked like a child.
The doctor shook his head. He was doubtless exhausted too by this question, which must have been asked of him everywhere that night, by tearful wives and white-faced husbands, by daughters, by fathers, by one-third of the folk of Steepleford. In that hour they had become the people of Egypt when the Angel of Death did not pass over them but took from them, across all the boundaries of age and condition, their first-born.
After the doctor had gone, I sat down again, and drank some of the wine that had been brought to me on an untouched dinner tray. Then I think I must have slipped into a doze.
I was woken, as were countless others, by the most fearsome noise I have ever heard.
Starting up, I gave a cry. As I did so, I heard below and above me in the house, and everywhere around, many other throats exercised in similar startled exclamation. I can only describe the sound as being like an exact representation of that well-known phrase: the Crack of Doom. It was as if a thunderbolt hurled from heaven had struck the town, cracking it open with one awful brazen clang.
Finding myself unharmed, and the house still entire about me, I turned in fear to the bed. But a glance at my aunt showed her to be still insensible. Going to the window then I stared out, but the street was thick with smoke and darkness, its few lamps half blind. Worse for being inevitably unseen, vague noises of fright and panic had risen all around, and I made out windows lighting up here and there like red eyes. Then a man came running by. I opened the casement and called down to him. ‘What was that sound? Do you know?’
But he only raised to me a face peeled by terror, and flew on.
I truly believed some apocalyptic conclusion was about to rush upon us all. The most primal urge came on me, and going to my poor aunt I meant to lift her up in my arms, so that we might at least perish together. But as I reached the bedside, I stopped dead once more. For I saw her eyes were open and looking at me lucidly. And where the lamp shone on her face, her colour had
come back, not feverish but soft, even attractive.
‘How nice to see you, Frederick,’ said my aunt. ‘I have had the most refreshing sleep and feel so much better now.’ Her voice was not weak, nor did she seem to be lying to console me. She added, nearly winsomely, ‘I hate to trouble cook - I know the hour is late - but perhaps Sally might boil me an egg? An egg with a little toast. And oh, a cup of tea. I’m so thirsty.’
And then, before my astounded gaze, she was sitting herself up in the bed, and as I sprang to forestall and help her, she laughed. ‘You’re gallant, dear boy.’
When accordingly I went out into the passage, I found the maid, Sally, standing there and looking at me with great round eyes. Before I could speak of the wonder concerning my aunt, Sally announced, ‘They say the new church bell has fallen right down the spire and landed in the chancel. The roof there is all damaged and come down, too. Did you hear the horrible noise, sir? We thought the End had come.’
Distractedly I asked, ‘Was anyone hurt?’
‘They say not.’ (I learned later that ‘they’ was the carter’s boy, who had bustled in with the news.) ‘But the whole town has been woke up.’