The Hanging in the Hotel (Fethering Mysteries)

by Brett, Simon

  A moment later, she returned through the dining room, and resumed her seat. The man who had followed her from the kitchen stood framed in the doorway, looking in amazement round the group in front of him. Finally, his eyes rested on Bob Hartson.

  “What is this? What’s going on?” he asked.

  The developer seemed to have recovered some of his composure. “Oh, it’s very simple. You’ve just been accused of two murders.” He turned to Carole. “Or is it three? You didn’t say whether Karl Floyd was dead or alive.”

  “Alive. Badly beaten, but alive.”

  Bob Hartson turned back to the man in the doorway. “Two murders and one GBH, I reckon it is then.”

  “But there’s no way I could have done the first one. I was fast asleep in the stable block.”

  “No,” said Jude coolly. “You were supposed to be in the stable block, but when I checked the chambermaids’ check sheets for that night, it turns out you were actually in one of the rooms inside the hotel.”

  “I didn’t know anything about that,” said Suzy.

  “No. But I think I know who did organise it.”

  Under the probing beam of Jude’s look, the way Kerry Hartson turned away her tear-stained face was sufficient admission of guilt.

  The man in the doorway appealed to Bob Hartson. “It’s rubbish, isn’t it? They can’t prove anything, can they?”

  The property developer smiled a hard smile. “I could say I saw you do Nigel Ackford.”

  “But you didn’t. You weren’t there. You’d got an alibi with Donald Chew. That was the whole point.”

  “Hm.” Bob Hartson’s self-confidence seemed to be returning very quickly. “I certainly didn’t see you kill Donald Chew. And the attack on Karl Floyd . . . the first I heard of such a thing was when this lady mentioned it a minute ago.”

  “But I thought it was what you’d want, Bob. Suzy rang to the car while you were on site. She told me that woman Carole was going to meet Karl Floyd. I thought you’d want to stop that. I thought that was what you’d want, Bob.” There was pathos in his repetition of the line.

  The developer shook his head sagely. “Very risky, to try and imagine what other people might want, Geoff.” He looked his driver straight in the eye. “Next thing you’ll be telling these good people that I wanted Nigel Ackford and Donald Chew dead.”

  “But you did. You told me to get rid of them.”

  “Doesn’t sound like me.” Bob Hartson turned to his wife. “Does it, Sandra?”

  “No,” she said weakly.

  “Not my usual style at all.” He rose from his chair and moved toward the bewildered chauffeur. “I think you must have got the wrong end of the stick, Geoff. And that’s a dangerous thing to do when you’ve been inside twice for GBH.”

  “But, Bob, you told me—”

  “I don’t think you’ve got any proof of that, Geoff.”

  “You bastard!”

  Quick as a flash, a gun appeared in the chauffeur’s hand.

  Even quicker, Bob Hartson’s hand bunched into a fist and shot up into the man’s jaw.

  The bullet hit the barroom ceiling before the gun smashed into the wall.

  As his chauffeur crumpled on to the floor, Bob Hartson looked back at his guests and gate-crashers. “Well, say thank you. I think I saved at least one person’s life there.”

  Then he looked up as Inspector Goodchild came into the room. “Reg, good to see you. I’d assumed Carole would call you over here.” He pointed to the heap on the floor behind him. “There’s your murderer.”

  42

  THOUGH THE PUB was full, for Carole and Jude there was a distinct atmosphere of disappointment around the Crown & Anchor when the news came through that Bob Hartson’s chauffeur Geoffrey Gardner had been charged on two counts of Murder and one of Grievous Bodily Harm. The police knew they’d get him on the last count, because Karl Floyd had identified Gardner as the man who attacked him, but they were surprised when the driver admitted to the murders of Nigel Ackford and Donald Chew.

  The accused kept insisting that he had done the killings under the express instructions of his boss, Bob Hartson, but could produce no proof to back up his assertions. Since Geoffrey Gardner had a prison record for violent crime and Bob Hartson had never been charged with anything, the police were inclined to the view that Gardner was simply trying to shift the blame. And since Bob Hartson would certainly engage the best lawyers money could buy, the police view was unlikely to change.

  As Carole and Jude sat over their Chilean Chardonnay in the bar that evening they tried for the umpteenth time to think of a single scrap of evidence against Bob Hartson. “There must be something we’ve forgotten,” Jude insisted. “Something that hasn’t been explained.”

  Carole removed her rimless glasses and polished them thoughtfully with a handkerchief. “Well, I suppose the only thing that hasn’t been explained is what happened to the note Donald Chew left in Nigel Ackford’s bedroom.”

  “That’s true.” Jude perked up instantly. “Yes. Kerry found it, and gave it to Suzy. She showed it to me, and then later in the evening it had disappeared from her apron pocket.”

  “There’s probably some perfectly simple—”

  But before Carole had time to defuse the idea, Jude had her mobile phone out and was moving excitedly toward the pub door. “I’m going to ring Suzy. Too noisy in here.” And she was gone.

  “You look like a cat that’s had its mouse taken away.”

  At the sound, Carole looked up to register that Ted Crisp had joined her.

  “Yes, I’m sorry, I . . . Jude’s just finding something out for me.”

  “Oh yeah? Well, if you’re trying to nail Bob Hartson, you have my full support.”

  Carole looked puzzled. Ted nodded his head toward the old milk depot behind the pub. “Work starts on that site Monday week.”

  “Oh yes?”

  “And it’s one of Bob Hartson’s companies that’ll be doing it.”

  The landlord’s news did nothing to improve Carole’s mood.

  But at that moment, Jude came rushing back into the pub. And her bubbling manner suggested that maybe all hope was not completely lost.

  “I talked to Suzy. She knows what happened to the missing note!”

  “Really!”

  Ted Crisp hadn’t a clue what was going on, but he wasn’t about to interrupt their euphoria by seeking explanations.

  “Yes. Kerry had talked to her about it sometime last week. It was Kerry who removed the note from the apron!”

  “Why?”

  “This is the good bit. . . .” Excitement sparkled in Jude’s brown eyes. “Kerry mentioned to her father that she’d found the note, when she saw him at the dinner. And Bob Hartson insisted that she should take the note back and destroy it. Well, don’t you see what that means?”

  “What?” asked Carole, confused, but beginning to catch her friend’s childlike elation.

  “Bob Hartson didn’t want anything suspicious connected with Nigel Ackford’s room! That apparently threatening note was bound to alert the police to something funny going on. The fact that he asked Kerry to destroy the note means Bob Hartson knew that the murder was going to take place!”

  “Yes,” Carole sighed with satisfaction.

  “Yes,” Jude echoed.

  “Erm . . .” Ted Crisp broke into their microclimate of mutual bliss. “I don’t fully know what you’re talking about, and I don’t want to put a damper on proceedings or anything, but are you saying you’ve now actually got proof against Bob Hartson?”

  “Yes.”

  “Proof that would stand up in court?”

  “Well . . .” But Jude was in no mood to have her enthusiasm dented. “Yes, we have. If the police only use their imagination and—”

  “Inspector Goodchild use his imagination?” asked Carole, beginning to absorb the moisture from Ted’s wet blanket.

  “Of course,” Jude brazened on. “Then if we can get Kerry to stand up in court and
repeat what she told Suzy . . .”

  “And what’s the likelihood of that happening?” Carole’s question was bleak. “Kerry shopping her own father, after all this?”

  The sudden flare of excitement had fizzled out. The atmosphere of disappointment reasserted itself. All three of them found themselves looking out through the pub window to the old milk depot.

  Seeing the site of Bob Hartson’s next highly profitable project served only to turn the knife in their wounds. There had to be some way they could nail him.

  Karl Floyd was out of hospital when Carole and Jude went to visit him, but he moved with difficulty, his arm was still in plaster, and the healing scabs on his face would leave him scarred for life.

  He hadn’t been keen on the idea of a meeting, and pretty soon after their arrival he made clear why. As soon as Carole mentioned the names of Bob Hartson and Geoffrey Gardner, Karl stopped her. “I don’t want to have anything more to do with that.”

  “What? But come on, I thought it was your ambition to be a crusading journalist?”

  “Yes, it was. It’s not now.”

  “Why ever not?” asked Jude.

  The young man made a painful, open-armed gesture, as if his broken body was answer enough.

  Carole tried to bring him back to a proper sense of duty. “You’ve got all that information. All that stuff on your computer about Renton and Chew, about the Pillars of Sussex and—”

  “I’ve wiped it.”

  “All?”

  “Yes. I’m giving up journalism.”

  “What does your father think about that?” asked Carole. “I thought you were named after Carl Bernstein.”

  “My father doesn’t know yet.”

  “But, Karl,” Carole insisted, “you’ve got nothing to be frightened of. The man who beat you up is in prison, and will be staying there for a long, long time.”

  The boy looked at her sardonically. “And you think Bob Hartson isn’t capable of finding another heavy?”

  There was disbelief in Carole’s voice as she asked, “So are you actually saying the beating you received has frightened you off?”

  “That’s exactly what I’m saying.”

  There was a silence before Jude spoke. “So what are you going to do instead of journalism?”

  “Nothing for a while.” Karl Floyd spoke with new confidence. “I’m going to buy a couple of flats—live in one, get rent from the other—and spend a bit of time working out the next stage of my career.”

  “And where are you getting the money to do that?” asked Carole huffily. “As I recall, you told me this flat was rented.”

  “Yes,” he replied coolly. “I came into some money.”

  “Where from?”

  “An aunt died.”

  However much they questioned him further, the dead aunt was the story he stuck with. And in that way maybe the career of another fledgling property tycoon began.

  The one unarguable fact that came out of their encounter with Karl Floyd was the sad reality that bullying—and, come to that, bribery—are often very effective.

  So Bob Hartson thrived. The Pillars of Sussex and all his other local connections closed ranks around him and, as ever, by the judicious application of influence and incentives, his profits continued to grow.

  Local business continued to be conducted in the way it always had been conducted. Very little was done that was actually against the law, nobody was so indelicate as to use words like “bribery,” but the skills of knowing and nurturing the right people continued to work their timeless magic.

  Suzy Longthorne kept on running Hopwicke Country House Hotel and gradually her hard work turned its fortunes round. Max Townley continued as her chef, and continued to complain that his talents were underappreciated. Rick Hendry had fulfilled the promise to help his television career through Korfilia Productions, but after one screen test had been shown to the BBC, Max was dropped as being “too like all the other television chefs.” So he had to confine his tantrums and his cheery singing to the audience of his own kitchen.

  Kerry Hartson didn’t fare much better in the new series of Pop Crop. The format had been changed so that, though a hundred hopefuls were shown in the first programme, a mere ten went through to the next stage. Only the chosen ten were seen and heard singing on television. Kerry was not one of them. She was just in the ensemble shots, queuing for her precious audition.

  But failure to achieve pop celebrity did not change Kerry’s life much. Her stepfather continued to buy her everything that she announced she wanted. He was assiduous in going round virtually every day to her Brighton flat, “to see that she was all right.” And Sandra Hartson continued to worry about the precise nature of her husband’s relationship with her daughter.

  Rick Hendry milked pop-wannabe television for everything it was worth, and shrewdly got out when he saw the bubble about to burst. He retired to count his money and work out in what form he would reincarnate himself for his sixties. He almost completely lost touch with Suzy Longthorne.

  Wendy Fullerton continued to work at the building society and to put on ever-heavier makeup. She continued looking for Mr. Right, though with an increasing conviction that the man she had once lived with was probably as near as she would ever get.

  Barry Stilwell, after his daring foray into the possibilities of extramarital sex, stayed at home more than ever under the thumb of Pomme. But he still got out now and then to vilify women at Rotary and Pillars of Sussex meetings.

  Brenda Chew, greatly relieved no longer to have Donald around, threw herself ever more vigorously into charitable works, for which she was never as much appreciated as she should have been. Much of her effort was directed toward Pillars of Sussex events. Because, as its members never ceased to tell people, the primary purpose of their organisation was charitable. The fact that members might make useful business contacts at Pillars of Sussex meetings was just a serendipitous by-product of their activities.

  Jude’s friendship with Suzy survived the lies. And she still received regular SOS calls from Hopwicke Country House Hotel, when yet another of the waitresses had defected.

  Carole Seddon got to know her son’s fiancée. Through Gaby, she began to get to know Stephen. And increasingly she dreaded the moment when she would have to meet David again. As for the wedding scheduled for the fourteenth of September, she viewed that prospect with trepidation, but also with a little excitement.