Afternoon Tea Mysteries Vol Three

by Anthology

  “What,” asked the American, when he and the poet were alone, “is this guess of yours about the vanishing water?”

  “Well, I’m not sure I’ll tell you yet,” answered Treherne, something of the old mischief coming back into his dark eyes. “But I’ll tell you something else, which may be connected with it; something I couldn’t tell until my wife had told you about our meeting in the wood.” His face had grown grave again, and he resumed after a pause:

  “When my wife started to follow her father I advised her to go back first to the house, to leave it by another door and to meet me in the wood in half an hour. We often made these assignations, of course, and generally thought them great fun, but this time the question was serious, and I didn’t want the wrong thing done in a hurry. It was a question whether anything could be done to undo an experiment we both vaguely felt to be dangerous, and she especially thought, after reflection, that interference would make things worse. She thought the old sportsman, having been dared to do something, would certainly not be dissuaded by the very man who had dared him or by a woman whom he regarded as a child. She left me at last in a sort of despair, but I lingered with a last hope of doing something, and drew doubtfully near to the heart of the wood; and there, instead of the silence I expected, I heard a voice. It seemed as if the Squire must be talking to himself, and I had the unpleasant fancy that he had already lost his reason in that wood of witchcraft. But I soon found that if he was talking he was talking with two voices. Other fancies attacked me, as that the other was the voice of the tree or the voices of the three trees talking together, and with no man near. But it was not the voice of the tree. The next moment I knew the voice, for I had heard it twenty times across the table. It was the voice of that doctor of yours; I heard it as certainly as you hear my voice now.”

  After a moment’s silence, he resumed: “I left the wood, I hardly knew why, and with wild and bewildered feelings; and as I came out into the faint moonshine I saw that old lawyer standing quietly, but staring at me like an owl. At least, the light touched his red hair with fire, but his square old face was in shadow. But I knew, if I could have read it, that it was the face of a hanging judge.”

  He threw himself on the bench again, smiled a little, and added: “Only, like a good many hanging judges, I fancy, he was waiting patiently to hang the wrong man.”

  “And the right man—” said Paynter mechanically. Treherne shrugged his shoulders, sprawling on the ale bench, and played with his empty pot.

  IV. The Chase after the Truth

  Some time after the inquest, which had ended in the inconclusive verdict which Mr. Andrew Ashe had himself predicted and achieved, Paynter was again sitting on the bench outside the village inn, having on the little table in front of it a tall glass of light ale, which he enjoyed much more as local colour than as liquor. He had but one companion on the bench, and that a new one, for the little market place was empty at that hour, and he had lately, for the rest, been much alone. He was not unhappy, for he resembled his great countryman, Walt Whitman, in carrying a kind of universe with him like an open umbrella; but he was not only alone, but lonely. For Ashe had gone abruptly up to London, and since his return had been occupied obscurely with legal matters, doubtless bearing on the murder. And Treherne had long since taken up his position openly, at the great house, as the husband of the great lady, and he and she were occupied with sweeping reforms on the estate. The lady especially, being of the sort whose very dreams “drive at practice,” was landscape gardening as with the gestures of a giantess. It was natural, therefore, that so sociable a spirit as Paynter should fall into speech with the one other stranger who happened to be staying at the inn, evidently a bird of passage like himself. This man, who was smoking a pipe on the bench beside him, with his knapsack before him on the table, was an artist come to sketch on that romantic coast; a tall man in a velvet jacket, with a shock of tow-coloured hair, a long fair beard, but eyes of dark brown, the effect of which contrast reminded Paynter vaguely, he hardly knew why, of a Russian. The stranger carried his knapsack into many picturesque corners; he obtained permission to set up his easel in that high garden where the late Squire had held his al fresco banquets. But Paynter had never had an opportunity of judging of the artist’s work, nor did he find it easy to get the artist even to talk of his art. Cyprian himself was always ready to talk of any art, and he talked of it excellently, but with little response. He gave his own reasons for preferring the Cubists to the cult of Picasso, but his new friend seemed to have but a faint interest in either. He insinuated that perhaps the Neo-Primitives were after all only thinning their line, while the true Primitives were rather tightening it; but the stranger seemed to receive the insinuation without any marked reaction of feeling. When Paynter had even gone back as far into the past as the Post-Impressionists to find a common ground, and not found it, other memories began to creep back into his mind. He was just reflecting, rather darkly, that after all the tale of the peacock trees needed a mysterious stranger to round it off, and this man had much the air of being one, when the mysterious stranger himself said suddenly:

  “Well, I think I’d better show you the work I’m doing down here.”

  He had his knapsack before him on the table, and he smiled rather grimly as he began to unstrap it. Paynter looked on with polite expressions of interest, but was considerably surprised when the artist unpacked and placed on the table, not any recognizable works of art, even of the most Cubist description, but (first) a quire of foolscap closely written with notes in black and red ink, and (second), to the American’s extreme amazement, the old woodman’s axe with the linen wrapper, which he had himself found in the well long ago.

  “Sorry to give you a start, sir,” said the Russian artist, with a marked London accent. “But I’d better explain straight off that I’m a policeman.”

  “You don’t look it,” said Paynter.

  “I’m not supposed to,” replied the other. “Mr. Ashe brought me down here from the Yard to investigate; but he told me to report to you when I’d got anything to go on. Would you like to go into the matter now?

  “When I took this matter up,” explained the detective, “I did it at Mr. Ashe’s request, and largely, of course, on Mr. Ashe’s lines. Mr. Ashe is a great criminal lawyer; with a beautiful brain, sir, as full as the Newgate Calendar. I took, as a working notion, his view that only you five gentlemen round the table in the Squire’s garden were acquainted with the Squire’s movements. But you gentlemen, if I may say so, have a way of forgetting certain other things and other people which we are rather taught to look for first. And as I followed Mr. Ashe’s inquiries through the stages you know already, through certain suspicions I needn’t discuss because they’ve been dropped, I found the thing shaping after all toward something, in the end, which I think we should have considered at the beginning. Now, to begin with, it is not true that there were five men round the table. There were six.”

  The creepy conditions of that garden vigil vaguely returned upon Paynter; and he thought of a ghost, or something more nameless than a ghost. But the deliberate speech of the detective soon enlightened him.

  “There were six men and five gentlemen, if you like to put it so,” he proceeded. “That man Miles, the butler, saw the Squire vanish as plainly as you did; and I soon found that Miles was a man worthy of a good deal of attention.”

  A light of understanding dawned on Paynter’s face. “So that was it, was it!” he muttered.

  “Does all our mythological mystery end with a policeman collaring a butler? Well, I agree with you he is far from an ordinary butler, even to look at; and the fault in imagination is mine. Like many faults in imagination, it was simply snobbishness.”

  “We don’t go quite so fast as that,” observed the officer, in an impassive manner. “I only said I found the inquiry pointing to Miles; and that he was well worthy of attention. He was much more in the old Squire’s confidence than many people supposed; and when I cross-examined
him he told me a good deal that was worth knowing. I’ve got it all down in these notes here; but at the moment I’ll only trouble you with one detail of it. One night this butler was just outside the Squire’s dining-room door, when he heard the noise of a violent quarrel. The Squire was a violent gentleman, from time to time; but the curious thing about this scene was that the other gentleman was the more violent of the two. Miles heard him say repeatedly that the Squire was a public nuisance, and that his death would be a good riddance for everybody. I only stop now to tell you that the other gentleman was Dr. Burton Brown, the medical man of this village.

  “The next examination I made was that of Martin, the woodcutter. Upon one point at least his evidence is quite clear, and is, as you will see, largely confirmed by other witnesses. He says first that the doctor prevented him from recovering his axe, and this is corroborated by Mr. and Mrs. Treherne. But he says further that the doctor admitted having the thing himself; and this again finds support in other evidence by the gardener, who saw the doctor, some time afterward, come by himself and pick up the chopper. Martin says that Doctor Brown repeatedly refused to give it up, alleging some fanciful excuse every time. And, finally, Mr. Paynter, we will hear the evidence of the axe itself.”

  He laid the woodman’s tool on the table in front of him, and began to rip up and unwrap the curious linen covering round the handle.

  “You will admit this is an odd bandage,” he said. “And that’s just the odd thing about it, that it really is a bandage. This white stuff is the sort of lint they use in hospitals, cut into strips like this. But most doctors keep some; and I have the evidence of Jake the fisherman, with whom Doctor Brown lived for some time, that the doctor had this useful habit. And, last,” he added, flattening out a corner of the rag on the table, “isn’t it odd that it should be marked T.B.B.?”

  The American gazed at the rudely inked initials, but hardly saw them. What he saw, as in a mirror in his darkened memory, was the black figure with the black gloves against the blood-red sunset, as he had seen it when he came out of the wood, and which had always haunted him, he knew not why.

  “Of course, I see what you mean,” he said, “and it’s very painful for me, for I knew and respected the man. But surely, also, it’s very far from explaining everything. If he is a murderer, is he a magician? Why did the well water all evaporate in a night, and leave the dead man’s bones dry as dust? That’s not a common operation in the hospitals, is it?”

  “As to the water, we do know the explanation,” said the detective. “I didn’t tumble to it at first myself, being a Cockney; but a little talk with Jake and the other fisherman about the old smuggling days put me straight about that. But I admit the dried remains still stump us all. All the same—”

  A shadow fell across the table, and his talk was sharply cut short. Ashe was standing under the painted sign, buttoned up grimly in black, and with the face of the hanging judge, of which the poet had spoken, plain this time in the broad sunlight. Behind him stood two big men in plain clothes, very still; but Paynter knew instantly who they were.

  “We must move at once,” said the lawyer. “Dr. Burton Brown is leaving the village.”

  The tall detective sprang to his feet, and Paynter instinctively imitated him.

  “He has gone up to the Trehernes possibly to say good-by,” went on Ashe rapidly. “I’m sorry, but we must arrest him in the garden there, if necessary. I’ve kept the lady out of the way, I think. But you”—addressing the factitious landscape painter—“must go up at once and rig up that easel of yours near the table and be ready. We will follow quietly, and come up behind the tree. We must be careful, for it’s clear he’s got wind of us, or he wouldn’t be doing a bolt.”

  “I don’t like this job,” remarked Paynter, as they mounted toward the park and garden, the detective darting on ahead.

  “Do you suppose I do?” asked Ashe; and, indeed, his strong, heavy face looked so lined and old that the red hair seemed unnatural, like a red wig. “I’ve known him longer than you, though perhaps I’ve suspected him longer as well.”

  When they topped the slope of the garden the detective had already erected his easel, though a strong breeze blowing toward the sea rattled and flapped his apparatus and blew about his fair (and false) beard in the wind. Little clouds curled like feathers, were scudding seaward across the many-coloured landscape, which the American art critic had once surveyed on a happier morning; but it is doubtful if the landscape painter paid much attention to it. Treherne was dimly discernible in the doorway of what was now his house; he would come no nearer, for he hated such a public duty more bitterly than the rest. The others posted themselves a little way behind the tree. Between the lines of these masked batteries the black figure of the doctor could be seen coming across the green lawn, travelling straight, as a bullet, as he had done when he brought the bad news to the woodcutter. To-day he was smiling, under the dark moustache that was cut short of the upper lip, though they fancied him a little pale, and he seemed to pause a moment and peer through his spectacles at the artist.

  The artist turned from his easel with a natural movement, and then in a flash had captured the doctor by the coat collar.

  “I arrest you—” he began; but Doctor Brown plucked himself free with startling promptitude, took a flying leap at the other, tore off his sham beard, tossing it into the air like one of the wild wisps of the cloud; then, with one wild kick, sent the easel flying topsy-turvy, and fled like a hare for the shore. Even at that dazzling instant Paynter felt that this wild reception was a novelty and almost an anticlimax; but he had no time for analysis when he and the whole pack had to follow in the hunt; even Treherne bringing up the rear with a renewed curiosity and energy.

  The fugitive collided with one of the policemen who ran to head him off, sending him sprawling down the slope; indeed, the fugitive seemed inspired with the strength of a wild ape. He cleared at a bound the rampart of flowers, over which Barbara had once leaned to look at her future lover, and tumbled with blinding speed down the steep path up which that troubadour had climbed. Racing with the rushing wind they all streamed across the garden after him, down the path, and finally on to the seashore by the fisher’s cot, and the pierced crags and caverns the American had admired when he first landed. The runaway did not, however, make for the house he had long inhabited, but rather for the pier, as if with a mind to seize the boat or to swim. Only when he reached the other end of the small stone jetty did he turn, and show them the pale face with the spectacles; and they saw that it was still smiling.

  “I’m rather glad of this,” said Treherne, with a great sigh. “The man is mad.”

  Nevertheless, the naturalness of the doctor’s voice, when he spoke, startled them as much as a shriek.

  “Gentleman,” he said, “I won’t protract your painful duties by asking you what you want; but I will ask at once for a small favour, which will not prejudice those duties in any way. I came down here rather in a hurry perhaps; but the truth is I thought I was late for an appointment.” He looked dispassionately at his watch. “I find there is still some fifteen minutes. Will you wait with me here for that short time; after which I am quite at your service.”

  There was a bewildered silence, and then Paynter said: “For my part, I feel as if it would really be better to humour him.”

  “Ashe,” said the doctor, with a new note of seriousness, “for old friendship, grant me this last little indulgence. It will make no difference; I have no arms or means of escape; you can search me if you like. I know you think you are doing right, and I also know you will do it as fairly as you can. Well, after all, you get friends to help you; look at our friend with the beard, or the remains of the beard. Why shouldn’t I have a friend to help me? A man will be here in a few minutes in whom I put some confidence; a great authority on these things. Why not, if only out of curiosity, wait and hear his view of the case?”

  “This seems all moonshine,” said Ashe, “but on the chance of any
light on things—well, from the moon—I don’t mind waiting a quarter of an hour. Who is this friend, I wonder; some amateur detective, I suppose.”

  “I thank you,” said the doctor, with some dignity. “I think you will trust him when you have talked to him a little. And now,” he added with an air of amiably relaxing into lighter matters, “let us talk about the murder.

  “This case,” he said in a detached manner, “will be found, I suspect, to be rather unique. There is a very clear and conclusive combination of evidence against Thomas Burton Brown, otherwise myself. But there is one peculiarity about that evidence, which you may perhaps have noticed. It all comes ultimately from one source, and that a rather unusual one. Thus, the woodcutter says I had his axe, but what makes him think so? He says I told him I had his axe; that I told him so again and again. Once more, Mr. Paynter here pulled up the axe out of the well; but how? I think Mr. Paynter will testify that I brought him the tackle for fishing it up, tackle he might never have got in any other way. Curious, is it not? Again, the axe is found to be wrapped in lint that was in my possession, according to the fisherman. But who showed the lint to the fisherman? I did. Who marked it with large letters as mine? I did. Who wrapped it round the handle at all? I did. Rather a singular thing to do; has anyone ever explained it?”

  His words, which had been heard at first with painful coldness were beginning to hold more and more of their attention.

  “Then there is the well itself,” proceeded the doctor, with the same air of insane calm. “I suppose some of you by this time know at least the secret of that. The secret of the well is simply that it is not a well. It is purposely shaped at the top so as to look like one, but it is really a sort of chimney opening from the roof of one of those caves over there; a cave that runs inland just under the wood, and indeed IS connected by tunnels and secret passages with other openings miles and miles away. It is a sort of labyrinth used by smugglers and such people for ages past. This doubtless explains many of those disappearances we have heard of. But to return to the well that is not a well, in case some of you still don’t know about it. When the sea rises very high at certain seasons it fills the low cave, and even rises a little way in the funnel above, making it look more like a well than ever. The noise Mr. Paynter heard was the natural eddy of a breaker from outside, and the whole experience depended on something so elementary as the tide.”