Henry Miller
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In the moment all is dear to me, dear that in this logic there is no redemption, the city itself being the highest form of madness and each and every part, organic or inorganic, an expression of this same madness. I feel absurdly and humbly great, not as megalomaniac, but as human spore, as the dead sponge of life swollen to saturation. I no longer look into the eyes of the woman I hold in my arms but I swim through, head and arms and legs, and I see that behind the sockets of the eyes there is a region unexplored, the world of futurity, and here there is no logic whatever, just the still germination of events unbroken by night and day, by yesterday and tomorrow. The eye, accustomed to concentration on points in space, now concentrates on points in time; the eye sees forward and backward at will. The eye which was the I of the self no longer exists; this selfless eye neither reveals nor illuminates. It travels along the line of the horizon, a ceaseless, uninformed voyager. Trying to retain the lost body I grew in logic as the city, a point digit in the anatomy of perfection. I grew beyond my own death, spiritually bright and hard. I was divided into endless yesterdays, endless tomorrows, resting only on the cusp of the event, a wall with
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many windows, but the house gone. I must shatter the walls and windows, the last shell of the lost body, if I am to rejoin the present. That is why I no longer look into the eyes or through the eyes, but by the legerdemain of will swim through the eyes, head and arms and legs to explore the curve of vision. I see around myself as the mother who bore me once saw round the comers of time. I have broken the wall created by birth and the line of voyage is round and unbroken, even as the navel. No form, no image, no architecture, only concentric flights of sheer madness. I am the arrow of the dream's substantiality. I verify by flight. I nullify by dropping to earth.
Thus moments pass, veridic moments of time without space when I know all, and knowing all I collapse beneath the vault of the selfless dream.
Between these moments, in the interstices of the dream, life vainly tried to build up, but the scaffold of the city's mad logic is no support. As an individual, as flesh and blood, I am levelled down each day to make the fleshless, bloodless dty whose perfection is the sum of all logic and death to the dream. I am struggling against an oceanic death in which my own death is but a drop of water evaporating. To raise my own individual life but a fraction of an inch above this sinking sea of death I must have a faith greater than Christ's, a wisdom deeper than that of the greatest seer. I must have the ability and the patience to formulate what is not contained in the language of our time, for what is now intelligible is meaningless. My eyes are useless, for they render back only the image of the known. My whole body must become a constant beam of light, moving with an ever greater rapidity, never arrested, never looking back, never dwindling. The dty grows like a cancer; I must grow like a sun. The dty eats deeper and deeper into the red; it is an insatiable white louse which must die eventually of inanition. I am going to starve the white louse which is eating me up. I am going to die as a dty in order to become again a man. Therefore I dose my ears, my eyes, my mouth.
Before I shall have become quite a man again I shall probably exist as a park, a sort of natural park in which people come to rest, to while away the time. What they say or do will be of
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little matter, for they will bring only their fatigue, their boredom, their hopelessness. I shall be a buffer between the white louse and the red corpuscle. I shall be a ventilator for removing the poisons accumulated through the effort to perfect that which is imperfecdble. I shall be law and order as it exists in nature as it is projected in dream. I shall be the wild park in the midst of the nightmare of perfection, the still, unshakeable dream in the midst of frenzied activity, the random shot on the white billiard table of logic. I shall know neither how to weep nor protest, but I shall be there always in absolute silence to receive and to restore. I shall say nothing until the time comes again to be a man. I shall make no effort to preserve, no effort to destroy. I shall make no judgments, no criticisms. Those who have had enough will come to me for reflection and meditation; those who have not had enough will die as they lived, in disorder, in desperation, in ignorance of the truth of redemption. If one says to me, you must be religious, I shall make no answer. If one says to me, I have no time now, there's a cunt waiting for me, I shall make no answer. Or even if there be a revolution brewing, I shall make no answer. There will always be a cunt or a revolution around the comer, but the mother who bore me turned many a comer and made no answer, and finally she turned herself inside out and I am the answer.
Out of such a wild mania for perfection naturally no one would have expected an evolution to a wild park, not even I myself, but it is infinitely better, while attending death, to live in a state of grace and natural bewilderment. Infinitely better, as life moves towards a deathly perfection, to be just a bit of breathing space, a stretch of green, a little fresh air, a pool of water. Better also to receive men silently and to enfold them, for there is no answer to make them while they are still frantically rushing to turn the corner.
I'm thinking now about the rock fight one summer's afternoon long long ago when I was staying with my Aunt Caroline up near Hell Gate. My Cousin Gene and I had been corralled by a gang of boys while we were playing in the park. We didn't know which side we were fighting for but we were fighting in dead earnest amidst the rock pile by the river bank. We had to
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show even more courage than the other boys because we were suspected of being sissies. That's how it happened that we killed one of the rival gang. Just as they were charging us my cousin Gene let go at the ringleader and caught him in the guts with a handsome-sized rock. I let go almost at the same instant and my rock caught him in the temple and when he went down he lay there for good and not a peep out of him. A few minutes later the cops came and the boy was found dead. He was eight or nine years old, about the same age as us. What they would have done to us if they caught us I don't know. Anyway, so as not to arouse any suspicion we hurried home: we had cleaned up a bit on the way and had combed our hair. We walked in looking almost as immaculate as when we had left the house. Aunt Caroline gave us our usual two big slices of sour rye with fresh butter and a little sugar over it and we sat there at the kitchen table listening to her with an angelic smile. It was an extremely hot day and she thought we had better stay in the house, in the big front room where the blinds had been pulled down, and play marbles with our little friend Joey Resselbaum. Joey had the reputation of being a little backward and ordinarily we would have trimmed him, but that afternoon, by a sort of mute understanding. Gene and I allowed him to win everything we had. Joey was so happy that he took us down to his cellar later and made his sister pull up her dresses and show us what was underneath. Weesie, they called her, and I remember that she was stuck on me instantly. I came from another part of the city, so far away it seemed to them that it was almost like coming from another country. They even seemed to think that I talked differently from them. Whereas the other urchins used to pay to make Weesie lift her dress up, for us it was done with love. After a while we persuaded her not to do it any more for the other boys - we were in love with her and we wanted her to go straight.
When I left my cousin at the end of the summer I didn't see him again for twenty years or more. When we did meet what deeply impressed me was the look of innocence he wore - the same expression as the day of the rock fight. When I spoke to him about the fight I was still more amazed to discover that he
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had forgotten that it was we who had lolled the boy: he remembered the boy's death but he spoke of it as though neither he nor I had had any part in it. When I mentioned Weesie's name he had difficulty in placing her. Don't you remember the cellar next door.. .Joey Kesselbaum ? At this a faint smile passed over his face. He thought it extraordinary that I should remember such things. He was already married, a father, and working in a factory making fancy pipe cases. He considered it extraordinary to remember e
vents that had happened so far back in the past.
On leaving him that evening I felt terribly despondent. It was as though he had attempted to eradicate a precious part of my life, and himself with it He seemed more attached to the tropical fish which he was collecting than to the wonderful past. As for me I recollect everything, everything that happened that summer, and particularly the day of the rock fight. There are times, in fact, when the taste of that big slice of sour rye which his mother handed me that afternoon is stronger in my mouth than the food I am actually tasting. And the sight of Weesie's little bud almost stronger than the actual feel of what is in my hand. The way the boy lay there, after we downed him, far far more impressive than the history of the World War. The whole long summer, in fact, seems like an idyll out of the Arthurian legends. I often wonder what it was about this particular summer which makes it so vivid in my memory. I have only to close my eyes a moment in order to relive each day. The death of the boy certainly caused me no anguish - it was forgotten before a week had elapsed. The sight of Weesie standing in the gloom of the cellar with her dress lifted up, that too passed easily away. Strangely enough, the thick slice of rye bread which his mother handed me each day seems to possess more potency than any other image of that period. I wonder about it... wonder deeply. Perhaps it is that whenever she handed me the slice of bread it was with a tenderness and a sympathy that I had never known before. She was a very homely woman, my Aunt Caroline. Her face was marked by the pox, but it was a kind, winsome face which no disfigurement could mar. She was enormously stout and she had a very soft, a very caressing voice. When she ad-
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dressed me she seemed to give me even more attention, more consideration, than her own son. I would like to have stayed with her always; I would have chosen her for my own mother had I been permitted. I remember distinctly how when my mother arrived on a visit she seemed peeved that I was so contented with my new life. She even remarked that I was ungrateful, a remark I never forgot, because then I realized for the first time that to be ungrateful was perhaps necessary and good for one. If I dose my eyes now and I think about it, about the slice of bread, I think almost at once that in this house I never knew what it was to be scolded. I think if I had told my Aunt Caroline that I had killed a boy in the lot, told her just how it happened, she would have put her arm around me and forgiven me - instantly. That's why perhaps that summer is so precious to me. It was a summer of tacit and complete absolution. That's why I can't forget Weesie either. She was full of a natural goodness, a child who was in love with me and who made no reproaches. She was the first of the other sex to admire me for being different. After Weesie it was the other way round. I was loved, but I was hated too for being what I was. Weesie made an effort to understand. The very fact that I came from a strange country, that I spoke another language, drew her closer to me. The way her eyes shone when she presented me to her little friends is something I will never forget. Her eyes seemed to be bursting with love and admiration. Sometimes the three of us would walk to the riverside in the evening and sitting on the bank we would talk as children talk when they are out of sight of their elders. We talked then, I know it now so well, more sanely and more profoundly than our parents. To give us that thick slice of bread each day the parents had to pay a heavy penalty. The worst penalty was that they became estranged from us. For, with each slice they fed us we became not only more indifferent to them, but we became more and more superior to them. In our ungratefulness was our strength and our beauty. Not being devoted we were innocent of all crime. The boy whom I saw drop dead, who lay there motionless, without making the slightest sound or whimper, the killing of that boy seems almost like a clean, healthy performance. The
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struggle for food, on the other hand, seems foul and degrading and when we stood in the presence of our parents we sensed that they had come to us unclean and for that we could never forgive them. The thick slice of bread in the afternoons, precisely because it was not earned, tasted delicious to us. Never again will bread taste this way. Never again will it be given this way. The day of the murder it was even tastier than ever. It had a slight taste of terror in it which has been lacking ever since. And it was received with Aunt Caroline's tacit but complete absolution.
There is something about the rye bread which I am trying to fathom - something vaguely delicious, terrifying and liberating, something associated with first discoveries. I am thinking of another slice of sour rye which was connected with a still earlier period, when my little friend Stanley and I used to rifle the icebox. That was stolen bread and consequently even more marvellous to the palate than the bread which was given with love. But it was in the act of eating the rye bread, the walking around with it and talking at the same time, that something in the nature of revelation occurred. It was like a state of grace, a state of complete ignorance, of self-abnegation. Whatever was imparted to me in these moments I seem to have retained intact and there is no fear that I shall ever lose the knowledge that was gained. It was just the fact perhaps that it was no knowledge as we ordinarily think of it. It was almost like receiving a truth, though truth is almost too precise a word for it. The important thing about the sour rye discussions is that they always took place away from home, away from the eyes of our parents whom we feared but never respected. Left to ourselves there were no limits to what we might imagine. Facts had little importance for us: what we demanded of a subject was that it allow us opportunity to expand. What amazes me, when I look back on it, is how well we understood one another, how well we penetrated to the essential character of each and every one, young or old. At seven years of age we knew with dead certainty, for example, that such a fellow would end up in prison, that another would be a drudge, and another a good for nothing, and so on. We were absolutely correct in our diagnoses, much
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more correct, for example, than our parents, or our teachers, more correct, indeed, than the so-called psychologists. Alfie Betcha turned out to be an absolute bum: Johnny Gerhardt went to the penitentiary: Bob Kunst became a work horse. Infallible predictions. The learning we received only tended to obscure our vision. From the day we went to school we learned nothing: on the contrary, we were made obtuse, we were wrapped in a fog of words and abstractions.
With the sour rye the world was what it is essentially, a primitive world ruled by magic, a world in which fear played the most important role. The boy who could inspire the most fear was the leader and he was respected as long as he could maintain his power. There were other boys who were rebels, and they were admired, but they never became the leader. The majority were clay in the hands of the fearless ones: a few could be depended on, but the most not. The air was full of tension -nothing could be predicted for the morrow. This loose, primitive nucleus of a society created sharp appetites, sharp emotions, sharp curiosity. Nothing was taken for granted: each day demanded a new test of power, a new sense of strength or of failure. And so, up until the age of nine or ten, we had a real taste of life - we were on our own. That is, those of us who were fortunate enough not to have been spoiled by our parents, those of us who were free to roam the streets at night and to discover things with our own eyes.
What I am thinking of, with a certain amount of regret and longing, is that this thoroughly restricted life of early boyhood seems like a limitless universe and the life which followed upon it, the life of the adult, a constantly diminishing realm. From the moment when one is put in school one is lost: one has the feeling of having a halter put around his neck. The taste goes out of the bread as it goes out of life. Getting the bread becomes more important than the eating of it Everything is calculated and everything has a price upon it.
My cousin Gene became an absolute nonentity: Stanley became a first-rate failure. Besides these two boys, for whom I had the greatest affection, there was another, Joey, who has since become a letter carrier. I could weep when I think of what life
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has made them. As boys
they were perfect, Stanley least of all because Stanley was more temperamental. Stanley went into violent rages now and then and there was no telling how you stood with him from day to day. But Joey and Gene were the essence of goodness: they were friends in the old meaning of the word. I think of Joey often when I go out into the country because he was what is called a country boy. That meant, for one thing, that he was more loyal, more sincere, more tender, than the boys we knew. I can see Joey now coming to meet me:
he was always running with arms wide open and ready to embrace me, always breathless with adventures that he was planning for my participation, always loaded with gifts which he had saved for my coming. Joey received me like the monarchs of old received their guests. Everything I looked at was mine. We had innumerable things to tell each other and nothing was dull or boring. The difference between our respective worlds was enormous. Though I was of the city too, still, when I visited my cousin Gene, I became aware of an even greater city, a city of New York proper in which my sophistication was negligible. Stanley knew no excursions from his own neighbourhood, but Stanley had come from a strange land over the sea, Poland, and there was always between us the mark of the voyage. The fact that he spoke another tongue also increased our admiration for him. Each one was surrounded by a distinguishing aura, by a well-defined identity which was preserved inviolate. With the entrance into life these traits of difference fell away and we all became more or less alike and, of course, most unlike our own selves. And it is this loss of the peculiar self, of the perhaps unimportant individuality, which saddens me and makes the rye bread stand out glowingly. The wonderful sour rye went into the making of our individual selves: it was like the communion loaf in which all participate but from which each one receives only according to his peculiar state of grace. Now we are eating of the same bread, but without benefit of communion, without grace. We are eating to fill our bellies and our hearts are cold and empty. We are separate but not individual. There was another thing about the sour rye and that was that