The Last Templar ts-1

by Raymond Khoury

  The Last Templar

  ( Templar Secrets - 1 )

  Raymond Khoury

  From Publishers Weekly

  The war between the Catholic Church and the Gnostic insurgency drags on in this ponderous Da Vinci Code knockoff. The latest skirmish erupts when horsemen dressed as knights raid New York's Metropolitan Museum of Art, lopping off heads and firing Uzis as they go. Their trail leads FBI agent Sean Ryan and fetching archeologist Tess Chaykin to the medieval crusading order of the Knights Templars. Anachronistic Gnostic champions of feminism and tolerance against Roman hierarchy and obscurantism, the Templars, they learn, discovered proof that Catholic dogma is a "hoax" and were planning to use it to unite all religions under a rationalist creed that would usher in world peace.

  Screenwriter and first-time novelist Khoury spices up the doctrinal revisionism with Da Vinci–style thriller flourishes, including secret codes, gratuitous but workmanlike action scenes and a priest–hit man sent out by the Vatican to kill anyone who knows anything. The narrative pauses periodically for believers-vs.-agnostics debates and tutorials on everything from the Gospel of Thomas to alchemy. Though long-winded and sophomoric, these seminars are a relief from Tess and Sean's tedious romance, which proceeds from awkward flirtations as they listen to Sean's mix CD to hackneyed intimacies about childhood traumas. The novel's religious history is as dubious as its conspiracy plot, but anti-clericalists—and Catholics taking a break from the church's real headaches—could unwind with it.

  THE LAST TEMPLAR

  BY

  Raymond Khoury

  THE INTERNATIONAL BESTSELLER

  "Fast-paced, highly cinematic...

  the perfect read for those for

  whom Dan Brown was the start

  but not the finish."

  — The Sunday Express (UK)

  In a hail of fire and flashing sword, as the burning city of Acre falls from the hands of the West in 1291, The Last Templar opens with a young Templar Knight, his mentor, and a handful of others escaping to the sea carrying a mysterious chest entrusted to them by the Order's dying Grand Master. The ship vanishes without a trace.

  In present-day Manhattan, four masked horsemen dressed as Templar Knights emerge from Central Park and ride up the Fifth Avenue steps of the Metropolitan Museum of Art during the black-tie opening of a Treasures of the Vatican exhibit. Storming through the crowds, the horsemen brutally attack anyone standing between them and their prize. Attending the gala, archaeologist Tess Chaykin watches in silent terror as the leader of the horsemen hones in on one piece in particular, a strange geared device. He utters a few cryptic Latin words as he takes hold of it with reverence before leading the horsemen out and disappearing into the night.

  In the aftermath, an FBI investigation is led by anti-terrorist specialist Sean Reilly. Soon, he and Tess are drawn into the dark, hidden history of the crusading Knights, plunging them into a deadly game of cat and mouse with ruthless killers as they race across three continents to recover the lost secret of the Templars.

  RAYMOND KHOURY is an acclaimed screenwriter and producer for both television and film.

  Educated in France and the United States, Khoury now lives in London with his wife and two children. This is his first novel.

  For my parents

  For my girls: Snellen, Mia, and Grade

  And

  For my buddy

  Adam B. Wachtel

  (1959-2005)

  You would have gotten such a kick out of this.

  I'm grateful that Victoria and Elizabeth shared you with us.

  We're going to miss you. A lot.

  Prologue

  Acre, Latin Kingdom of Jerusalem, 1291

  The Holy Land is lost. That single thought kept assaulting Martin of Carmaux, its brutal finality more terrifying than the hordes of fighters swarming through the breach in the wall.

  He fought to block the thought, to push it away.

  Now was not the time to lament. He had work to do.

  Men to kill.

  His broadsword held high, he charged through the clouds of choking smoke and dust and plunged into the seething ranks of the enemy. They were everywhere, their scimitars and axes ripping into flesh, their warrior howls piercing the haunting, rhythmic beat of the kettle drummers outside the fortress walls.

  With all of his strength, he brought down his sword, splitting one man's skull clear to the eyes, his blade springing free as he lunged at his next opponent. Flicking a quick glance to his right, he spotted Aimard of Villiers driving his sword into the chest of another attacker before moving on to his next opponent. Dazed by the wails of pain and the screams of rage around him, Martin felt someone clutch at his left hand and swiftly clubbed the offender away with the pommel of his sword before bringing down its blade, feeling it cut through muscle and bone. From the corner of his eye, he sensed something menacingly close to his right and instinctively swung his sword at it, slicing through the upper arm of another one of the invaders before slashing open his cheek and severing his tongue in one blow.

  It had been hours since he or any of his brothers had known any respite. The Muslim onslaught had not only been ceaseless, it had also been far worse than anticipated. Arrows and projectiles of blazing pitch had rained down incessantly on the city for days, starting more fires than could be tackled at once, while the Sultan's men had dug holes beneath the great walls into which they had packed brushwood that was also set alight. In several places, these makeshift furnaces had cracked the walls that were now crumbling under a barrage of catapulted rocks. The Templars and the Hospitallers had managed, by sheer force of will, to repulse the assault on Saint Anthony's Gate before setting it on fire and retreating. The Accursed Tower, however, had lived up to its name, allowing the rampaging Saracens into the city and sealing its fate.

  Gargling shrieks of agony receded into the confused uproar as Martin yanked his sword back and looked around desperately for any sign of hope, but there was no doubt in his mind. The Holy Land was indeed lost. With mounting dread, he realized that they would all be dead before the night was over. They were facing the largest army ever seen, and, despite the fury and the passion coursing through his veins, his efforts and those of his brothers were surely doomed to failure.

  It wasn't long before his superiors realized it too. His heart sank as he heard the fateful horn calling on the surviving Knights of the Temple to abandon the city's defenses. His eyes, darting left and right in a confused frenzy, again found those of Aimard of Villiers. He saw in them the same agony, the same shame that was burning through him. Side by side, they fought their way through the scrambling mob and managed to make their way back to the relative safety of the Templar compound.

  Martin followed the older knight as he stormed through the throngs of terrified civilians who had taken refuge behind the bourg's massive walls. The sight that greeted them in the great hall shocked him even more than the carnage he had witnessed outside. Lying on a rough refectory table was William of Beaujeu, the grand master of the Knights of the Temple. Peter of Sevrey, the marshal, stood at his side, along with two monks. The woeful looks on their faces left little room for doubt.

  As the two knights reached his side, Beaujeu's eyes opened and he raised his head slightly, the movement causing an involuntary groan of pain. Martin stared at him in stunned disbelief. The old man's skin was drained of all color, his eyes bloodshot. Martin's eyes raced down Beaujeu's body, struggling to make sense of the sight, and he spotted the feathered bolt sticking out of the side of his ribcage. The grand master held its shaft in the curve of his hand. With his other, he beckoned Aimard, who approached him, knelt by his side, and cupped his hand with both of his own.

  "It is time," the
old man managed, his voice pained and weak, but clear. "Go now. And may God be with you."

  The words drifted past Martin's ears. His attention was elsewhere, focused on something he'd noticed as soon as Beaujeu had opened his mouth. It was his tongue, which had turned black. Rage and hate swelled in Martin's throat as he recognized the effects of the poisoned bolt. This leader of men, the towering figure who had dominated every aspect of the young knight's life for as long as he could remember, was as good as dead.

  He noticed Beaujeu lifting his gaze to Sevrey and nodding almost imperceptibly. The marshal moved to the foot of the table and lifted a velvet cover to reveal a small, ornate chest. It was not more than three hands wide. Martin had never seen it before. He watched in rapt silence as Aimard rose to his feet and gazed solemnly at the chest, then looked back at Beaujeu. The old man held his gaze before closing his eyes again, his breathing taking on an ominous rasp. Aimard went up to Sevrey and hugged him, then lifted the small chest and, without so much as a backward glance, headed out. As he passed Martin, he simply said, "Come."

  Martin hesitated and glanced at Beaujeu and at the marshal, who nodded his head in confirmation.

  He hurried quickly after Aimard and soon realized that they weren't heading toward the enemy.

  They were heading for the fortress's moorings.

  "Where are we going?" he called out.

  Aimard didn't break his step. "The Falcon Temple awaits us. Hurry."

  Martin stopped in his tracks, his mind reeling in confusion. We're leaving.

  He had known Aimard of Villiers since the death of his own father, a knight himself, fifteen years earlier, when Martin was barely five years old. Ever since, Aimard had been his guardian, his mentor. His hero. They had fought many battles together and it was fitting, Martin believed, that they would stand side by side and die together when the end came. But not this. This was insane.

  This was . . . desertion.

  Aimard stopped too, but only to grasp Martin's shoulder and push him into motion. "Make haste,"

  he ordered.

  "No," Martin yelled, flicking Aimard's hand off him.

  "Yes," the older knight insisted tersely.

  Martin felt nausea rising in his throat; his face clouded as he struggled for words. "I will not desert our brothers," he stammered. "Not now— not ever!"

  Aimard heaved a ponderous sigh and glanced back at the besieged city. Blazing projectiles were arcing into the night sky and hurtling down into it from all sides. Still clutching the small chest, he turned and took a menacing step forward so that their faces were now inches apart, and Martin saw that his friend's eyes were wet with unshed tears. "Do you think I want to abandon them?" he hissed, his voice slicing the air. "Abandon our master—in his final hour? You know me better than that."

  Martin's mind seethed with turmoil. "Then . . . why?"

  "What we have to do is far more important than killing a few more of those rabid dogs," Aimard replied somberly. "It's crucial to the survival of our Order. It's crucial if we are to make sure everything we've worked for doesn't die here as well. We have to go. Now."

  Martin opened his mouth to protest, but Aimard's expression was fiercely unequivocal. Martin bowed his head in curt, if unwilling, acquiescence and followed.

  The only vessel remaining in the port was the Falcon Temple, the other galleys having sailed away before the Saracen assault had cut off the city's main harbor a week earlier. Already low in the water, it was being loaded by slaves, sergeant-brothers, and knights. Question after question tumbled through Martin's brain but he had no time to ask any of them. As they approached the dock, he could see the shipmaster, an old sailor he knew only as Hugh and who, he also knew, was held in high regard by the grand master. The burly man was watching the feverish activity from the deck of his ship. Martin scanned the ship from the aftcastle at the stern, past its high mast and to the stem from which sprang the figurehead, a remarkably lifelike carving of a fierce bird of prey.

  Without breaking step, Aimard's voice bellowed out to the ship's master. "Are the water and provisions loaded?"

  "They are."

  "Then abandon the rest and set sail at once."

  Within minutes, the gangplank was pulled in, the mooring ropes cast off, and the Falcon Temple was pulled away from the dockside by oarsmen in the ship's longboat. Before long, the overseer had called out and the banks of galley slaves had dipped their oars into the dark water. Martin watched as the rowers scrambled up onto the deck then hauled the longboat up and made it secure. To the rhythmic beat of a deep gong and the grunts of over a hundred and fifty chained rowers, the ship gathered speed and cleared the great wall of the Templar compound.

  As the galley moved into open water, arrows rained down on it while the sea around it erupted with huge, sizzling explosions of white foam as the Sultan's crossbows and catapults were trained on the escaping galley. It was soon beyond their range, and Martin stood up, glancing back at die receding landscape. Hordes of warriors lined the city's ramparts, howling and jeering at the ship like caged animals. Behind them, an inferno raged, resounding with the shouts and screams of men, women, and children, all against the incessant rolling thunder of the drums of war.

  Slowly, the ship gathered speed, aided by the offshore wind, its banks of oars rising and falling like wings skimming the darkening waters. On die distant horizon, the sky had turned black and threatening.

  It was over.

  His hands still shaking and his heart leaden, Martin of Carmaux slowly and reluctantly turned his back on the land of his birth and stared ahead at the storm that awaited diem.

  Chapter 1

  At first, no one noticed the four horsemen as they emerged out of the darkness of Central Park.

  Instead, all eyes were focused four blocks south where, under a barrage of flashbulbs and television lights, a steady stream of limos decanted elegantly attired celebrities and lesser mortals onto the curb outside the Metropolitan Museum of Art.

  It was one of those mammoth events that no other city could pull off quite as well as New York, least of all when the hosting venue happened to be the Met. Spectacularly lit up and with searchlight beams swirling across the black April sky above it, the sprawling building was like an irresistible beacon in the heart of the city, beckoning its guests through the austere columns of its neoclassical facade, over which floated a banner that read:

  TREASURES OF THE VATICAN

  There had been talk of postponing the event, or even canceling it altogether. Yet again, recent intelligence reports had prompted the government to raise the national terror alert level to orange.

  Across the country, state and local authorities had stepped up security measures, and although New York City had been at orange since 9/11, additional precautions were taken. National Guard troops were posted at subways and bridges, while police officers were working twelve-hour shifts.

  The exhibition, given its subject matter, was deemed to be particularly at risk. Despite all this, strong wills had prevailed and the museum's board had voted to stick to its plans. The show would go on as planned, further testimony to the city's unbreakable spirit.

  ***

  A young woman with impeccable hair and brightly enameled teeth stood with her back to the museum, taking her third shot at getting her intro right. Having failed at studiously knowledgeable and blase, the reporter was going for earnest this time as she stared into the lens.

  "I can't remember the last time the Met hosted such a star-studded party, certainly nothing since the Mayan show and that's going back a few years," she announced as a chubby, middle-aged man stepped out of a limo with a tall, angular woman in a blue evening dress a size too tight and a generation too young for her. "And there's the mayor and his lovely wife," the reporter gushed, "our very own royal family and fashionably late, of course."

  Going on in earnest, she adopted a more serious look and added, "Many of the artifacts on display here tonight have never been seen by the public
before, anywhere. They've been locked away in the vaults of the Vatican for hundreds of years and—"

  Just then, a sudden surge of whistles and cheers from the crowd distracted her. Her voice trailing off, she glanced away from the camera, her eyes drifting toward the growing commotion.

  And that was when she saw the horsemen.

  The horses were superb specimens: imperious grays and chestnuts, with flowing black tails and manes. But it was their riders that had roused the crowd.

  The four men, riding abreast, were all dressed in identical medieval armor. They had visored helmets, chain-mail vests, flanged plate leggings over black jerkins and quilted hose. They looked as though they had just beamed in through a time-travel portal. Further dramatizing the effect, long scabbarded broadswords hung from their waists. Most striking of all, they wore long white mantles over their armor, each bearing a splayed, blood-red cross.

  The horses were now moving at a gentle trot.

  The crowd went wild with excitement as the knights advanced slowly, staring ahead, oblivious to the hoopla around them.

  "Well, what do we have here? It looks like the Met and the Vatican have pulled out all the stops tonight, and aren't they magnificent," the reporter enthused, settling now for plain old showbiz.

  "Just listen to that crowd!"

  The horses reached the curb outside the museum, and then they did something curious.

  They didn't stop there.

  Instead, they turned slowly until they were facing the museum.

  Without missing a step, the riders gently coaxed their mounts up and onto the sidewalk. Continuing the advance slowly, the four knights guided the horses onto the paved piazza.

  Side by side, they ceremoniously climbed up the cascading steps, heading unerringly for the museum's entrance.

  Chapter 2

  "Mom, I've really gotta go," Kim pleaded.

  Tess Chaykin looked at her daughter with an annoyed frown on her face. The three of them—Tess, her mother Eileen, and Kim—had only just walked into the museum. Tess had hoped to take a quick look around the crowded exhibits before the speeches, the schmoozing, and the rest of the unavoidable formalities took over. But that would now have to wait. Kim was doing what every nine-year-old inevitably did in these occasions, which was to hold off until the least convenient time had arrived before announcing her desperate need for a restroom.