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The heritage of the Sioux

Page 7

by Bower, B. M. (Bertha Muzzy), 1874-1940


  And — although some heartless teller of tales might keep you in the dark about this — the red automobile, having dodged hurriedly into a high-boarded enclosure behind a Mexican saloon, emerged presently and went boldly off across the bridge and up through Atrisco to the sand hills which is the beginning of the desert off that way. But another automobile, bigger and more powerful and black, slipped out of this same enclosure upon 106

  ADVENTURE COMES SMILING

  another street, and turned eastward instead of west. This machine made for the mesa by a somewhat roundabout course, and emerged, by way of a rough trail up a certain draw in the edge of the tableland, to the main road where it turns the corner of the cemetery. From there the driver drove as fast as he dared until he reached the hill that borders Tijeras Arroyo. There being no sign of pursuit to this point, he crossed the Arroyo at a more leisurely pace. Then he went speeding away into the edge of the mountains until they reached one of those deep, deserted dry washes that cut the foothills here and there near Coyote Springs. There his passengers left him and disappeared up the dry wash.

  Before the wound on the cashier's head had stopped bleeding, the black automobile was returning innocently to town and no man guessed what business had called it out upon the mesa.

  CHAPTER VIII

  THE SONG OF THE OMAHA

  * 'IV/|"E, I theenk yoh not lov' me so moch as L* A a pin," Ramon complained in soft reproach, down in the dry wash where Applehead had looked in vain for baling wire. " Sometimes I show yoh what is like the Spanish lov'. Like stars, like fire —• sometimes I seeng the jota for you that tell how moch I lov' yoh. ' Te quiero, Ba-turra, te quiero/ " he began humming softly while he looked at her with eyes that shone soft in the starlight. " Sometimes me, I learn yoh dat song — and moch more I learn yoh —"

  Annie-Many Ponies stood before him, straight and slim and with that air of aloofness which so fired Ramon's desire for her. She lifted a hand to check him, and Ramon stopped instantly and waited. So far had her power over him grown.

  " All time you tell me you heap love," she said in her crooning soft voice. " Why you not talk of 108

  THE SONG OF THE OMAHA

  priest to make us marry ? You say words for love — you say no word for wife. Why you no say —"

  " Esposa! " Kamon's teeth gleamed white as a wolf's in the dusk. "When the padre marry us I maybe teach you many ways to say wife! " He laughed under his breath. " How I calls yoh wife when I not gets one kees, me ? ISTow I calls yoh la sweetheart — good enough when I no gets so moch as touches hand weeth yoh."

  " I go way with you, you gets priest for make us marry ?" Annie-Many-Ponies edged closer so that she might read what was in his face.

  " Why yoh no trus' Eamon ? Sure, I gets padre! Wat yoh theenk for speak lies, me? Sure, I gets padre, foolish one! Me, I not like for yoh no trus' Eamon. Looks like not moch yoh lov' Eamon."

  " I good girl," Annie-Many-Ponies stated simply. " I love my husband when priest says that's right thing to do. You no gets priest, I no go with you. I think mens not much cares for marry all time. Womens not care, they go to hell. That's what priest tells. Girls got to care. That's truth." Simple as two-plus-two was the rule of 109

  THE HERITAGE OF THE SIOUX

  life as Annie-Many-Ponies laid it down in words before him. No fine distinctions between virtue and superwomanhood there, if you please! !N"« slurring of wrong so that it may look like an exalted right. " Womens got to care," said Annie-Many-Ponies with a calm certainty that would brook no argument.

  " Sure theeng," Ramon agreed easily. " Yoh theenk I lov' yoh so moch if yoh not good ? "

  " You gets priest ?" Annie-Many-Ponies persisted.

  " Sure, I gets padre. You theenk Eamon lies for soch theeng ? "

  " You swear, then, all same white mans in picture makes oath." There was a new quality of inflexibility under the soft music of her voice. " You lift up hand and says, ' Help me by God I makes you for-sure my wife! ' She had pondered long upon this oath, and she spoke it now with an easy certainty that it was absolutely binding, and that no man would dare break it. " You makes that swear now," she urged gently.

  " Foolish one! Yoh theenk I mus' swear I do what my hearts she's want? I tell yoh many 110

  times we go on one ranch my brother Tomas says she's be mine. We lives there in fine house weeth mooch flowers, yoh not so moch as lif one finger for work, querida mia. Yoh theenk I not be trus', me, Ramon what loves yoh ? "

  " No hurt for swears what I tells/' Annie-Many-Ponies stepped back from him a pace, distrust creeping into her voice.

  " All right." Ramon moved nearer. " So I make oath, perhaps you make oath also! Me, I theenk yoh perhaps not like for leave Luck Leen-say — I theenk perhaps yoh loves heem, yoh so all time watch for ways to please! So I swear, then yoh mus' swear also that yoh come for-sure. That square deal for both — si ? "

  Annie-Many-Ponies hesitated, a dull ache in her breast when Ramon spoke of Luck. But if her heart was sore at thought of him, it was because he no longer looked upon her with the smile in his eyes. It was because he was not so kind; because he believed that she had secret meetings with Bill Holmes whom she hated. And in spite of the fact that Bill Holmes had left the company the other day and was going away, Wagalexa Conka still 111

  THE HERITAGE OF THE SIOUX

  looked upon her with cold eyes and listened to the things that Applehead said against her. The heart of Wagalexa Conka, she told herself miserably, was like a stone for her. And so her own heart must be hard. She would swear to Ramon, and she would keep the oath — and Wagalexa Conka would not even miss her or be sorry that she had gone.

  " First you make swears like I tells you," she said. " Then I make swears."

  " Muy bueno! " smiled Ramon then. " So I make oath I take you queek to one good friend me, the Padre Dominguez. Then yoh be my wife for sure. That good enough for yoh, perhaps? Queeck yoh make oath yoh leave these place mafiana — tomorra. Yoh go by ol' rancho where we talk so many time. I leave horse for yoh. Yoh ride pas' that mountain, yoh come for Ber-nalillo. Yoh wait. I come queeck as can when she's dark. Yoh do that, sweetheart ? "

  Annie-Many-Ponies stilled the ache in her heart with the thought of her proud place beside Ramon who had much land and many cattle and who loved her so much. She lifted her hand and swore she •would go with him.

  THE SONG OF THE OMAHA

  She slipped away then and crept into her tent in the little cluster beside the house — for the company had forsaken Applehead's adobe and slept under canvas as a matter of choice. "With Indian cunning she bided her time and gave no sign of what was hidden in her heart. She rose with the others and brushed her glossy hair until it shone in the sunlight like the hair of a high-caste Chinese woman. She tied upon it the new bows of red ribbon which she had bought in the secret hope that they would be a part of her wedding finery. She put on her Indian gala dress of beaded buckskin with the colored porcupine quills — and then she smiled cunningly and drew a dress of red-and-blue striped calico over her head and settled the folds of it about her with little, smoothing pats, so that the two white women, Rosemary and Jean, should not notice any unusual bulkiness of her figure.

  She did not know how she would manage to escape the keen eyes of Wagalexa Conka and to steal away from the ranch, especially if she had to work in the picture that day. But Luck unconsciously opened wide the trail for her. He announced at breakfast that they would work up in 113

  THE HERITAGE OF THE SIOUX

  Bear Canon that day, and that he would not need Jean or Annie either; and that, as it would be hotter than the hinges of Gehenna up in that canon, they had better stay at home and enjoy themselves.

  Annie-Many Ponies did not betray by so much as a flicker of the lashes that she heard him — much less that it was the best of good news to her. She went into her tent and packed all of her clothes into a bundle which she wrapped in her plaid shawl, and was proud because the bundle was so big, and because she had much fine
beadwork and so many red ribbons, and a waist of bright blue silk which she would wear when she stood before the priest, if Eamon did not like the dress of beaded buckskin.

  A ring with an immense red stone in it which Eamon had given her, she slipped upon her finger with her little, inscrutable smile. She was engaged to be married, now, just like white girls; and tomorrow she would have a wide ring of shiny gold for that finger, and should be the wife of Eamon.

  Just then Shunka Chistala, lying outside her tent, flapped his tail on the ground and gave a little, eager whine. Annie-Many-Ponies thrust her head 114

  THE SONG OF THE OMAHA

  through the opening and looked out, and then stepped over the little black dog and stood before her tent to watch the Happy Family mount and ride away with Wagalexa Conka in their midst and with the mountain wagon rattling after them loaded with " props " and the camera and the noonday lunch and Pete Lowry and Tommy Johnson, the scenic artist. Applehead was going to drive the wagon, and she scowled when he yanked off the brake and cracked the whip over the team.

  Luck, feeling perchance the intensity of her gaze, turned in the saddle and looked back. The eyes of Annie-Many-Ponies softened and saddened, because this was the last time she would see Wagalexa Conka go riding away to make pictures — the last time she would see him. She lifted her hand, and made the Indian sign of farewell — the peace-go-with-you sign that is used for solemn occasions of parting.

  Luck pulled up short and stared. What did she mean by that ? He reined his horse around, half minded to ride back and ask her why she gave him that peace-sign. She had never done it before, except once or twice in scenes that he directed. 115

  THE HERITAGE OF THE SIOUX

  But after all he did not go. They were late in getting started that morning, which irked his energetic soul; and women's whims never did impress Luck Lindsay very deeply. Besides, just as he was turning to ride back, Annie stooped and went into her tent as though her gesture had carried no especial meaning.

  Then in her tent he heard her singing the high, weird chant of the Omaha mourning song and again he was half-minded to go back, though the wailing minor notes, long drawn and mournful, might mean much or they might mean merely a fit of the blues. The others rode on talking and laughing together, and Luck rode with them; but the chant of the Omaha was in his ears and tingling his nerves. And the vision of Annie-Many-Ponies standing straight before her tent and making the sign of peace and farewell haunted him that day.

  Eosemary and Jean, standing in the porch, waved good-bye to their men folk until the last bobbing hatcrown had gone down out of sight in the long, low swale that creased the mesa in that direction. Whereupon they went into the house.

  " What in the world is the matter with Annie ? " 116

  THE SONG OF THE OMAHA

  Jean exploded, with a little shiver. " I'd rather hear a band of gray wolves tune up when you're caught out in the breaks and have to ride in the dark. What is that caterwaul? Do you suppose she's on the warpath or anything ? "

  " Oh, that's just the squaw coming out in her! " Rosemary slammed the door shut so they could not hear so plainly. " She's getting more Injuny every day of her life. I used to try and treat her like a white girl — but you just can't do it, Jean."

  " Hiu-Mu-hi-i-ah-h ! Hiurhiu-hi-i-ah-h-Ji — Jiia-aa-'h-'h!"

  Jean stood in the middle of the room and listened. " Br-r-r! " she shivered — and one could not blame her. " I wonder if she'd be mad," she drawled, " if I went out and told her to shut up. It sounds as if somebody was dead, or going to die or something. Like Lite says your dog will howl if anything—"

  " Oh, for pity sake! " Rosemary pushed her

  into the living room with make-believe savageness.

  " I've heard her and Luck sing that last winter.

  And there's a kind of a teetery dance that goes with

  THE HERITAGE OF THE SIOUX

  it. It's supposed to be a mourning song, as Luck explains it. But don't pay any attention to her at all. She just does it to get on our nerves. It'd tickle her to death if she thought it made us nervous."

  " And now the dog is joining in on the chorus! I must say they're a cheerful pair to have around the house. And I know one thing — if they keep that up much longer, I'll either get out there with a gun, or saddle up and follow the boys."

  " They'd tease us to death, Jean, if we let Annie run us out."

  " It's run or be run," Jean retorted irritatedly. " I wanted to write poetry today — I thought of an awfully striking sentence about the — for heaven's sake, where's a shotgun ? "

  " Jean, you wouldn't! " Rosemary, I may here explain, was very femininely afraid of guns. " She'd — why, "there's no telling what she might do! Luck says she carries a knife."

  " What if she does ? She ought to carry a few bird-shot, too. She's got nothing to mourn about — nobody's died, has there ? "

  " Hiu-Jiiu-hia-a-a-ah! Eia-a-a-a-ah! " wailed 118

  THE SONG OF THE OMAHA

  Annie-Many-Ponies in her tent, because she would never again look upon the face of Wagalexa Conka — or if she did it would be to see his anger blaze 'and burn her heart to ashes. To her it was as though death sat beside her; the death of Wagalexa Conka's friendship for her. She forgot his harshness because he thought her disobedient and wicked. She forgot that she loved Kamon Chavez, and that he was rich and would give her a fine home and much love. She forgot everything but that she had sworn an oath and that she must keep it though it killed faith and kindness and friendship as with a knife.

  So she wailed, in high-keyed, minor chanting unearthly in its primitive inarticulateness of sor-r row, the chant of the Omaha mourning song. So had her tribe wailed in the olden days when warriors returned to the villages and told of their dead. So had her mother wailed when the Great Spirit took away her first man-child. So had the squaws wailed in their tepees since the land was young. And the little black dog, sitting on his haunches before her door, pointed his moist nose into the sunlight and howled in mournful sympathy. 119

  THE HERITAGE OF THE SIOUX

  " Oh, my gracious! " Jean, usually so calm, flung a magazine against the wall. " This is just about as pleasant as a hanging! Let's saddle up and ride in after the mail, Rosemary. Maybe the squaw in her will be howled out by the time we get back." And she added with a venomous sincerity that would have warmed the heart of old Apple-head, " I'd shoot that dog, for half a cent! How do you suppose an animal of his size can produce all that noise ? "

  " Oh, I don't know!" Eosemary spoke with the patience of utter weariness. " I've stood her and the dog for about eight months and I'm getting kind of hardened to it. But I never did hear them go on like that before. You'd think all her relations were being murdered, wouldn't you ? "

  Jean was busy getting into her riding clothes and did not say what she thought; but you may be sure that it was antipathetic to the grief of Annie-Many-Ponies, and that Jean's attitude was caused by a complete lack of understanding. Which, if you will stop to think, is true of half the unsympathetic attitudes in the world. Because they did not understand, the two dressed hastily and tucked 120

  their purses safely inside their shirtwaists and saddled and rode away to town. And the last they heard as they put the ranch behind them was the wailing chant of Annie-Many-Ponies and the prodigious, long-drawn howling of the little blaclj

  dog-Annie-Many-Ponies, hearing the beat of hocfe ceased her chanting and looked out in time to see the girls just disappearing over the low brow of the hill. She stood for a moment and stared after them with frowning brows. Rosemary she did not like and never would like, after their hidden feud of months over such small matters as the cat and the dog, and unswept floors, and the like. A mountain of unwashed dishes stood between these two, as it were, and forbade anything like friendship.

  But the parting that was at hand had brushed aside her jealousy of Jean as leading woman. Intuitively she knew that with any encouragement Jean would have been her friend. Oddly, she re
membered now that Jean had been the first to ask for her when she came to the ranch. So, although Jean would never know, Annie-Many-Ponies raised 121

  THE HERITAGE OF THE SIOUX

  her hand and gave the peace-and-farewell sign of the plains Indians.

  The way was open now, and she must go. She had sworn that she would meet Ramon — but oh, the heart of her was heavier than the bundle which she bound with her bright red sash and lifted to her shoulders with the sash drawn across her chest and shoulders. So had the women of her tribe borne burdens since the land was young; but none had ever borne a heavier load than did Annie-Many-Ponies when she went soft footed across the open space to the dry wash and down that to another, and so on and on until she crossed the low ridge and came down to the deserted old rancho with its crumbling adobe cabins and the well where she had waited so often for Ramon.

  She was tired when she reached the well, for her back was not used to burden-bearing as had been her mother's, and her steps had lagged because of the heaviness that was in her chest. It seemed to her that some bad spirit was driving her forth an exile. She could not understand. Last night she had been glad at the thought of going, and if the thought of leaving "Wagalexa Conka so treacher-122

  THE SONG OF THE OMAHA

  ously had hurt like a knife-thrust, still, she had sworn willingly enough that she would go.

  The horse was there, saddled and tied in a tumble-down shed just as Ramon had promised that it would be. Annie-Many-Ponies did not mount and ride on immediately, however. It was still early in the forenoon, and she was not so eager in reality as she had been in anticipation. She sat down beside the well and stared somberly away to the mountains, and wondered why she was so sad when she should be happy. She twisted the ring with the big red stone round and round her finger, but she got no pleasure from the crimson glow of it. The stone looked to her now like a great, frozen drop of blood. She wondered grimly whose blood it was, and stared at it strangely before her eyes went again worshipfully to the mountains which she loved and which she must leave and perhaps never see again as they looked from there, and from the ranch.

 

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