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The Ender Quintet (Omnibus)

Page 146

by Card, Orson Scott


  Peter unfolded himself from his chair. “Let’s go meet her. And quote her. And argue with her.”

  The Hive Queen lay in stillness. Her work of egglaying was done for the day. Her workers slept in the dark of night, though it wasn’t darkness that stopped them down in the cave of her home. Rather it was her need to be alone inside her mind, to set aside the thousand distractions of the eyes and ears, the arms and legs of her workers. All of them demanded her attention, at least now and then, in order to function; but it also took all her thought to reach out in her mind and walk the webs that the humans had taught her to think of as The pequenino fathertree named Human had explained to her that in one of the human languages this had something to do with love. The connections of love. But the Hive Queen knew better. Love was the savage coupling of the drones. Love was the genes of all creatures demanding that they be replicated, replicated, replicated. The philotic twining was something else. There was a voluntary component to it, when the creature was truly sentient. It could bestow its loyalty where it wanted. This was greater than love, because it created something more than random offspring. Where loyalty bound creatures together, they became something larger, something new and whole and inexplicable.

  she said to Human, by way of launching their conversation tonight. They spoke every night like this, mind to mind, though they had never met. How could they, she always in the dark of her deep home, he always rooted by the gate of Milagre? But the conversation of the mind was truer than any language, and they knew each other better than they ever could have by use of mere sight and touch.

  said Human.

  Then she told him all that had passed between her and Young Valentine and Miro today.

  said Human.

 

 

 

  said Human.

  The Hive Queen understood that he was answering her question.

  asked the Hive Queen.

  said Human.

 

 

 

  Human reminded her mildly.

  The Hive Queen had already made the connection that Human intended.

  said Human.

 

  said Human.

 

 

 

  said Human.

  said the Hive Queen.

  said Human.

 

  said Human.

 

 

 

 

  said the Hive Queen.

 

 

 

 

  said Human.

 

 

 

 

  said the Hive Queen.

 

 

 

  said the Hive Queen.

  Plikt stood beside Ender’s bed because she could not bear to sit, could not bear to move. He was going to die without uttering another word. She had followed him, had given up home and family to be near him, and what had he said to her? Yes, he let her be his shadow sometimes; yes, she was a silent observer of many of his conversations over the past few weeks and months. But when she tried to speak to him of things more personal, of deep memories, of what he meant by the things that he had done, he only shook his head and said—kindly, because he was kind, but firmly also because he did not wish her to misunderstand—said to her, “Plikt, I’m not a teacher anymore.”

  Yes you are, she wanted to say to him. Your books go on teaching even where you have never been. The Hive Queen, The Hegemon, and already The Life of Human seems likely to take its place beside them. How can you say you’re through with teaching, when there are other books to write, other deaths to speak? You have spoken the deaths of killers and saints, aliens, and once the death of a whole city swallowed up in a cataclysmic volcano. But in telling these stories of oth
ers, where was your story, Andrew Wiggin? How can I speak your death if you never explained it to me?

  Or is this your last secret—that you never knew any more about the people whose deaths you spoke than I know about you today. You force me to invent, to guess, to wonder, to imagine—is this what you also did? Discover the most widely believed story, then find an alternate explanation that made sense to others and had meaning and the power to transform, and then tell that tale—even though it was also a fiction, and no truer than the story everyone believed? Is that what I must say as I speak the death of the Speaker for the Dead? His gift was not to discover truth, it was to invent it; he did not unfold, unknot, untwist the lives of the dead, he created them. And so I create his. His sister says he died because he tried to follow his wife with perfect loyalty, into the life of peace and seclusion that she hungered for; but the very peace of that life killed him, for his aiúa was drawn into the lives of the strange children that sprang fullgrown from his mind, and his old body, despite all the years most likely left in it, was discarded because he hadn’t the time to pay enough attention to keep the thing alive.

  He wouldn’t leave his wife or let her leave him; so he was bored to death and hurt her worse by staying with her than he ever would have done by letting her go without him.

  There, is that brutal enough, Ender? He wiped out the hive queens of dozens of worlds, leaving only one survivor of that great and ancient people. He also brought her back to life. Does saving the last of your victims atone for having slain the others? He did not mean to do it, that is his defense; but dead is dead, and when the life is cut off in its prime, does the aiúa say, Ah, but the child who killed me, he thought that he was playing a game, so my death counts less, it weighs less? No, Ender himself would have said, no, the death weighs the same, and I carry that weight on my shoulders. No one has more blood on their hands than I have; so I will speak with brutal truth of the lives of those who died without innocence, and show you that even these can be understood. But he was wrong, they can’t be understood, none of them are understood, speaking for the dead is only effective because the dead are silent and can’t correct our mistakes. Ender is dead and he can’t correct my mistakes, so some of you will think that I haven’t made any, you will think that I tell the truth about him but the truth is that no person ever understands another, from beginning to end of life, there is no truth that can be known, only the story we imagine to be true, the story they tell us is true, the story they really believe to be true about themselves; and all of them lies.

  Plikt stood and practiced speaking desperately, hopelessly beside Ender’s coffin, though he was not yet in a coffin, he was still lying on a bed and air was pumping through a clear mask into his mouth and glucose solution into his veins and he was not yet dead. Just silent.

  “A word,” she whispered. “A word from you.”

  Ender’s lips moved.

  Plikt should have called the others at once. Novinha, who was exhausted with weeping—she was only just outside the room. And Valentine, his sister; Ela, Olhado, Grego, Quara, four of his adopted children; and many others, in and out of the receiving room, wanting a glimpse of him, a word, to touch his hand. If they could send word to other worlds, how they would mourn, the people who remembered his speakings over the three thousand years of his journeys world to world. If they could proclaim his true identity—Speaker for the Dead, author of the two—no, the three—great books of Speaking; and Ender Wiggin, the Xenocide, both selves in the same frail flesh—oh, what shock waves would spread throughout the human universe.

  Spread, widen, flatten, fade. Like all waves. Like all shocks. A note in the history books. A few biographies. Revisionist biographies a generation later. Encyclopedia entries. Notes at the end of translations of his books. That is the stillness into which all great lives fade.

  His lips moved.

  “Peter,” he whispered.

  He was silent again.

  What did this portend? He still breathed, the instruments did not change, his heart beat on. But he called to Peter. Did this mean that he longed to live the life of his child of the mind, Young Peter? Or in some kind of delirium was he speaking to his brother the Hegemon? Or earlier, his brother as a boy. Peter, wait for me. Peter, did I do well? Peter, don’t hurt me. Peter, I hate you. Peter, for one smile of yours I’d die or kill. What was his message? What should Plikt say about this word?

  She moved from beside his bed. Walked to the door, opened it. “I’m sorry,” she said quietly, facing a room full of people who had only rarely heard her speak, and some of whom had never heard a word from her. “He spoke before I could call anyone else to hear. But he might speak again.”

  “What did he say?” said Novinha, rising to her feet.

  “A name is all,” said Plikt. “He said ‘Peter.’ ”

  “He calls for the abomination he brought back from space, and not for me!” said Novinha. But it was the drugs the doctors had given her, that was what spoke, that was what wept.

  “I think he calls for our dead brother,” said Old Valentine. “Novinha, do you want to come inside?”

  “Why?” Novinha said. “He hasn’t called for me, he called for him.”

  “He’s not conscious,” said Plikt.

  “You see, Mother?” said Ela. “He isn’t calling for anyone, he’s just speaking out of some dream. But it’s something, he said something, and isn’t that a good sign?”

  Still Novinha refused to go into the room. So it turned out to be Valentine and Plikt and four of his adopted children who stood around his bed when his eyes opened.

  “Novinha,” he said.

  “She’s grieving outside,” said Valentine. “Drugged to the gills, I’m afraid.”

  “That’s all right,” said Ender. “What happened? I take it I’m sick.”

  “More or less,” said Ela. ” ‘Inattentive’ is the more exact description of the cause of your condition, as best we can tell.”

  “You mean I had some kind of accident?”

  “I mean you’re apparently paying too much attention to what’s going on on a couple of other planets, and so your body here is on the edge of self-destruction. What I see under the microscopes are cells sluggishly trying to reconstruct breaks in their walls. You’re dying by bits, all over your body.”

  “Sorry to be so much trouble,” said Ender.

  For a moment they thought this was the beginning of a conversation, the start of the process of healing. But having said this little bit, Ender closed his eyes and he was asleep again, the instruments unchanged from what they had said before he said a word.

  Oh wonderful, thought Plikt. I beg him for a word, he gives it to me, and I know less now than I did before. We spent his few waking moments telling him what was going on instead of asking him the questions that we may never have the chance to ask again. Why do we all get stupider when we crowd around the brink of death?

  But still she stood there, watching, waiting, as the others, in ones or twos, gave up and left the room again. Valentine came to her last of all and touched her arm. “Plikt, you can’t stay here forever.”

  “I can stay as long as he can,” she said.

  Valentine looked into her eyes and must have seen something there that made her give up trying to persuade her. She left, and again Plikt was alone with the collapsing body of the man whose life was the center of her own.

  Miro hardly knew whether to be glad or frightened by the change in Young Valentine since they had learned the true purpose of their search for new worlds. Where she had once been softspoken, even diffident, now she could hardly keep from interrupting Miro every time he spoke. The moment she thought she understood what he was going to say, she’d start answering—and when he pointed out that he was really saying something else, she’d answer that almost before he could finish his explanation. Miro knew that he was probably being oversensitive—he had spent a long time with speech so impaired that almost everyone interrupted him, and so he prickle
d at the slightest affront along those lines. And it wasn’t that he thought there was any malice in it. Val was simply . . . on. Every moment she was awake—and she hardly seemed to sleep, at least Miro almost never saw her sleeping. Nor was she willing to go home between planets. “There’s a deadline,” she said. “They could give the signal to shut down the ansible networks any day now. We don’t have time for needless rest.”

  Miro wanted to answer: Define “needless.” He certainly needed more than he was getting, but when he said so, she merely waved him off and said, “Sleep if you want, I’ll cover.” And so he’d grab a nap and wake up to find that she and Jane had already eliminated three more planets—two of which, however, bore the earmarks of descolada-like trauma within the past thousand years. “Getting closer,” Val would say, and then launch into interesting facts about the data until she’d interrupt herself—she was democratic about this, interrupting herself as easily as she interrupted him—to deal with the data from a new planet.

  Now, after only a day of this, Miro had virtually given up speaking. Val was so focused on their work that she spoke of nothing else; and on that subject, there was little Miro needed to say, except periodically to relay some information from Jane that came through his earpiece instead of over the open computers of the ship. His near silence, though, gave him time to think. This is what I asked Ender for, he realized. But Ender couldn’t do it consciously. His aiúa does what it does because of Ender’s deepest needs and desires, not because of his conscious decisions. So he couldn’t give his attention to Val; but Val’s work could become so exciting that Ender couldn’t bear to concentrate on anything else.

  Miro wondered: How much of this did Jane understand in advance?

  And because he couldn’t very well discuss it with Val, he subvocalized his questions so Jane could hear. “Did you reveal our mission to us now so that Ender would give his attention to Val? Or did you withhold it up until now so that Ender wouldn’t?”

 

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