Complete Books of Blood

by Clive Barker

  In his head the noises of his panic multiplied. The thumping of his bloody heart, the stutter of his mucus, the dry rasp of his palate. His palms, slick with sweat, were losing their grip. Gravity wanted him. It demanded its rights of his body's bulk: demanded that he fall. For a moment, glancing over his shoulder at the mouth that opened under him, he thought he saw monsters stirring below him. Ridiculous, loony things, crudely drawn, dark on dark. Vile graffiti leered up from his childhood and uncurled their claws to snatch at his legs.

  "Mama," he said, as his hands failed him, and he was delivered into dread.

  "Mama."

  That was the word. Quaid heard it plainly, in all its banality.

  "Mama!"

  By the time Steve hit the bottom of the shaft, he was past judging how far he'd fallen. The moment his hands let go of the grid, and he knew the dark would have him, his mind snapped. The animal self survived to relax his body, saving him all but minor injury on impact. The rest of his life, all but the simplest responses, were shattered, the pieces flung into the recesses of his memory.

  When the light came, at last, he looked up at the person in the Mickey Mouse mask at the door, and smiled at him. It was a child's smile, one of thankfulness for his comical rescuer. He let the man take him by the ankles and haul him out of the big round room in which he was lying. His pants were wet, and he knew he'd dirtied himself in his sleep. Still, the Funny Mouse would kiss him better.

  His head lolled on his shoulders as he was dragged out of the torture-chamber. On the floor beside his head was a shoe. And seven or eight feet above him was the grid from which he had fallen.

  It meant nothing at all.

  He let the Mouse sit him down in a bright room. He let the Mouse give him his ears back, though he didn't really want them. It was funny watching the world without sound, it made him laugh.

  He drank some water, and ate some sweet cake.

  He was tired. He wanted to sleep. He wanted his Mama. But the Mouse didn't seem to understand, so he cried, and kicked the table and threw the plates and cups on the floor. Then he ran into the next room, and threw all the papers he could find in the air. It was nice watching them flutter up and flutter down. Some of them fell face down, some face up. Some were covered with writing. Some were pictures. Horrid pictures. Pictures that made him feel very strange.

  They were all pictures of dead people, every one of them. Some of the pictures were of little children, others were of grown-up children. They were lying down, or half-sitting, and there were big cuts in their faces and their bodies, cuts that showed a mess underneath, a mish-mash of shiny bits and oozy bits. And all around the dead people: black paint. Not in neat puddles, but splashed all around, and finger-marked, and hand-printed and very messy. In three or four of the pictures the thing that made the cuts was still there. He knew the word for it. Axe.

  There was an axe in a lady's face buried almost to the handle. There was an axe in a man's leg, and another lying on the floor of a kitchen beside a dead baby.

  This man collected pictures of dead people and axes, which Steve thought was strange.

  That was his last thought before the too-familiar scent of chloroform filled his head and he lost consciousness.

  The sordid doorway smelt of old urine and fresh vomit. It was his own vomit; it was all over the front of his shirt. He tried to stand up, but his legs felt wobbly. It was very cold. His throat hurt.

  Then he heard footsteps. It sounded like the Mouse was coming back. Maybe he'd take him home. "Get up, son."

  It wasn't the Mouse. It was a policeman.

  "What are you doing down there? I said get up."

  Bracing himself against the crumbling brick of the doorway Steve got to his feet. The policeman shone his torch at him.

  "Jesus Christ," said the policeman, disgust written over his face. "You're in a right fucking state. Where do you live?"

  Steve shook his head, staring down at his vomit-soaked shirt like a shamed schoolboy.

  "What's your name?"

  He couldn't quite remember.

  "Name, lad?"

  He was trying. If only the policeman wouldn't shout.

  "Come on, take a hold of yourself."

  The words didn't make much sense. Steve could feel tears pricking the backs of his eyes.

  "Home."

  Now he was blubbering, sniffing snot, feeling utterly forsaken. He wanted to die: he wanted to lie down and die. The policeman shook him.

  "You high on something?" he demanded, pulling Steve into the glare of the streetlights and staring at his tear-stained face.

  "You'd better move on."

  "Mama," said Steve, "I want my Mama."

  The words changed the encounter entirely.

  Suddenly the policeman found the spectacle more than disgusting; more than pitiful. This little bastard, with his bloodshot eyes and his dinner down his shirt was really getting on his nerves. Too much money, too much dirt in his veins, too little discipline.

  "Mama' was the last straw. He punched Steve in the stomach, a neat, sharp, functional blow. Steve doubled up, whimpering.

  "Shut up, son."

  Another blow finished the job of crippling the child, and then he took a fistful of Steve's hair and pulled the little druggy's face up to meet his.

  "You want to be a derelict, is that it?"

  "No. No."

  Steve didn't know what a derelict was; he just wanted to make the policeman like him.

  "Please," he said, tears coming again, “take me home." The policeman seemed confused. The kid hadn't started fighting back and calling for civil rights, the way most of them did. That was the way they usually ended up: on the ground, bloody-nosed, calling for a social worker. This one just wept. The policeman began to get a bad feeling about the kid. Like he was mental or something. And he'd beaten the shit out of the little snot. Fuck it. Now he felt responsible. He took hold of Steve by the arm and bundled him across the road to his car.

  "Get in."

  "Take me -”

  "I'll take you home, son. I'll take you home."

  At the Night Hostel they searched Steve's clothes for some kind of identification, found none, then scoured his body for fleas, his hair for nits. The policeman left him then, which Steve was relieved about. He hadn't liked the man. The people at the Hostel talked about him as though he wasn't in the room. Talked about how young he was; discussed his mental-age; his clothes; his appearance. Then they gave him a bar of soap and showed him the showers. He stood under the cold water for ten minutes and dried himself with a stained towel. He didn't shave, though they'd lent him a razor. He'd forgotten how to do it.

  Then they gave him some old clothes, which he liked. They weren't such bad people, even if they did talk about him as though he wasn't there. One of them even smiled at him; a burly man with a grizzled beard. Smiled as he would at a dog.

  They were odd clothes he was given. Either too big or too small. All colours: yellow socks, dirty white shirt, pinstripe trousers that had been made for a glutton, a thread-bare sweater, heavy boots. He liked dressing up, putting on two vests and two pairs of socks when they weren't looking. He felt reassured with several thicknesses of cotton and wool wrapped around him.

  Then they left him with a ticket for his bed in his hand, to wait for the dormitories to be unlocked. He was not impatient, like some of the men in the corridors with him. They yelled incoherently, many of them, their accusations laced with obscenities, and they spat at each other. It frightened him. All he wanted was to sleep. To lie down and sleep.

  At eleven o'clock one of the warders unlocked the gate to the dormitory, and all the lost men filed through to find themselves an iron bed for the night. The dormitory, which was large and badly-lit, stank of disinfectant and old people.

  Avoiding the eyes and the flailing arms of the other derelicts, Steve found himself an ill-made bed, with one thin blanket tossed across it, and lay down to sleep. All around him men were coughing and muttering and wee
ping. One was saying his prayers as he lay, staring at the ceiling, on his grey pillow. Steve thought that was a good idea. So he said his own child's prayer.

  "Gentle Jesus, meek and mild, Look upon this little child, Pity my… What was the word?

  Pity my – simplicity, suffer me to come to thee."

  That made him feel better; and the sleep, a balm, was blue and deep.

  Quaid sat in darkness. The terror was on him again, worse than ever. His body was rigid with fear; so much so that he couldn't even get out of bed and snap on the light. Besides, what if this time, this time of all times, the tenor was true? What if the axe-man was at the door in flesh and blood? Grinning like a loon at him, dancing like the devil at the top of the stairs, as Quaid had seen him, in dreams, dancing and grinning, grinning and dancing. Nothing moved. No creak of the stair, no giggle in the shadows. It wasn't him, after all. Quaid would live 'til morning.

  His body had relaxed a little now. He swung his legs out of bed and switched on the light. The room was indeed empty. The house was silent. Through the open door he could see the top of the stairs. There was no axe-man, of course.

  Steve woke to shouting. It was still dark. He didn't know how long he'd been asleep, but his limbs no longer ached so badly. Elbows on his pillow, he half-sat up and stared down the dormitory to see what all the commotion was about. Four bed-rows down from his, two men were fighting. The bone of contention was by no means clear. They just grappled with each other like girls (it made Steve laugh to watch them), screeching and puffing each other's hair. By moonlight the blood on their faces and hands was black.

  One of them, the older of the two, was thrust back across his bed, screaming: "I will not go to the Finchley Road! You will not make me. Don't strike me! I'm not your man! I'm not!"

  The other was beyond listening; he was too stupid, or too mad, to understand that the old man was begging to be left alone. Urged on by spectators on every side, the old man's assailant had taken off his shoe and was be labouring his victim with it. Steve could hear the crack, crack of his blows: heel on head. There were cheers accompanying each strike, and lessening cries from the old man.

  Suddenly, the applause faltered, as somebody came into the dormitory. Steve couldn't see who it was; the mass of men crowded around the fight were between him and the door.

  He did see the victor toss his shoe into the air however, with a final shout of "Fucker!"

  The shoe.

  Steve couldn't take his eyes off the shoe. It rose in the air, turning as it rose, then plummeted to the bare boards like a shot bird. Steve saw it clearly, more clearly than he'd seen anything in many days.

  It landed not far from him.

  It landed with a loud thud.

  It landed on its side. As his shoe had landed. His shoe. The one he kicked off. On the grid. In the room. In the house. In Pilgrim Street.

  Quaid woke with the same dream. Always the stairway. Always him looking down the tunnel of the stairs, while that ridiculous sight, half-joke, half-horror, tip-toed up towards him, a laugh on every step.

  He'd never dreamt twice in one night before. He swung his hand out over the edge of the bed and fumbled for the bottle he kept there. In the dark he swigged from it, deeply.

  Steve walked past the knot of angry men, not caring about their shouts or the old man's groans and curses. The warders were having a hard time dealing with the disturbance. It was the last time Old Man Crowley would be let in: he always invited violence. This had all the marks of a near-riot; it would take hours to settle them down again. Nobody questioned Steve as he wandered down the corridor, through the gate, and into the vestibule of the Night Hostel. The swing doors were closed, but the night air, bitter before dawn, smelt refreshing as it seeped in. The pokey reception office was empty, and through the door Steve could see the fire-extinguisher hanging on the wall. It was red and bright: Beside it was a long black hose, curled up on a red drum like a sleeping snake. Beside that, sitting in two brackets on the wall, was an axe. Quaid woke again.

  A very pretty axe.

  Stephen walked into the office. A little distance away he heard running feet, shouts, a whistle. But nobody came to interrupt Steve, as he made friends with the axe.

  First he smiled at it.

  The curve of the blade of the axe smiled back.

  Then he touched it.

  The axe seemed to like being touched. It was dusty, and hadn't been used in a long while. Too long. It wanted to be picked up, and stroked, and smiled at. Steve took it out of its brackets very gently, and slid it under his jacket to keep warm. Then he walked back out of the reception office, through the swing-doors and out to find his other shoe.

  It took Steve a very short time to orient himself. There was a spring in his step as he began to make his way to Pilgrim Street. He felt like a clown, dressed in so many bright colours, in such floppy trousers, such silly boots. He was a comical fellow, wasn't he? He made himself laugh, he was so comical.

  The wind began to get into him, whipping him up into a frenzy as it scooted through his hair and made his eye-balls as cold as two lumps of ice in his sockets.

  He began to run, skip, dance, cavort through the streets, white under the lights, dark in between. Now you see me, now you don't. Now you see me, now you -Quaid hadn't been woken by the dream this time. This time he had heard a noise. Definitely a noise.

  The moon had risen high enough to throw its beams through the window, through the door and on to the top of the stairs. There was no need to put on the light. All he needed to see, he could see. The top of the stairs were empty, as ever.

  Then the bottom stair creaked, a tiny noise as though a breath had landed on it.

  Quaid knew dread then.

  Another creak, as it came up the stairs towards him, the ridiculous dream. It had to be a dream. After all, he knew no clowns, no axe-killers. So how could that absurd image, the same image that woke him night after night, be anything but a dream?

  Yet, perhaps there were some dreams so preposterous they could only be true.

  No clowns, he said to himself, as he stood watching the door, and the stairway, and the spotlight of the moon. Quaid knew only fragile minds, so weak they couldn't give him a clue to the nature, to the origin, or to the cure for the panic that now held him in thrall. All they did was break, crumble into dust, when faced with the slightest sign of the dread at the heart of life.

  He knew no clowns, never had, never would.

  Then it appeared; the face of a fool. Pale to whiteness in the light of the moon, its young features bruised, unshaven and puffy, its smile open like a child's smile. It had bitten its lip in its excitement. Blood was smeared across its lower jaw, and its gums were almost black with blood. Still it was a clown. Indisputably a clown even to its ill-fitting clothes, so incongruous, so pathetic.

  Only the axe didn't quite match the smile.

  It caught the moonlight as the maniac made small, chopping motions with it, his tiny black eyes glinting with anticipation of the fun ahead.

  Almost at the top of the stairs, he stopped, his smile not faltering for a moment as he gazed at Quaid's terror. Quaid's legs gave out, and he stumbled to his knees.

  The clown climbed another stair, skipping as he did so, his glittering eyes fixed on Quaid, filled with a sort of benign malice. The axe rocked back and forth in his white hands, in a petite version of the killing stroke. Quaid knew him.

  It was his pupil: his guinea-pig, transformed into the image of his own dread.

  Him. Of all men. Him. The deaf boy.

  The skipping was bigger now, and the clown was making a deep-throated noise, like the call of some fantastical bird. The axe was describing wider and wider sweeps in the air, each more lethal than the last.

  "Stephen," said Quaid.

  The name meant nothing to Steve. All he saw was the mouth opening. The mouth closing. Perhaps a sound came out: perhaps not. It was irrelevant to him.

  The throat of the clown gave out a screech,
and the axe swung up over his head, two-handed. At the same moment the merry little dance became a run, as the axe man leapt the last two stairs and ran into the bedroom, full into the spotlight.

  Quaid's body half turned to avoid the killing blow, but not quickly or elegantly enough. The blade slit the air and sliced through the back of Quaid's arm, sheering off most of his triceps, shattering his humerus and opening the flesh of his lower arm in a gash that just missed his artery.

  Quaid's scream could have been heard ten houses away, except that those houses were rubble. There was nobody to hear. Nobody to come and drag the clown off him.

  The axe, eager to be about its business, was hacking at Quaid's thigh now, as though it was chopping a log. Yawning wounds four or five inches deep exposed the shiny steak of the philosopher's muscle, the bone, the marrow. With each stroke the clown would tug at the axe to pull it out, and Quaid's body would jerk like a puppet. Quaid screamed. Quaid begged. Quaid cajoled.

  The clown didn't hear a word.

  All he heard was the noise in his head: the whistles, the whoops, the howls, the hums. He had taken refuge where no rational argument, nor threat, would ever fetch him out again. Where the thump of his heart was law, and the whine of his blood was music.

  How he danced, this deaf-boy, danced like a loon to see his tormentor gaping like a fish, the depravity of his intellect silenced forever. How the blood spurted! How it gushed and fountained!

  The little clown laughed to see such fun. There was a night's entertainment to be had here, he thought. The axe was his friend forever, keen and wise. It could cut, and cross-cut, it could slice and amputate, yet still they could keep this man alive, if they were cunning enough, alive for a long, long while.

  Steve was happy as a lamb. They had the rest of the night ahead of them, and all the music he could possibly want was sounding in his head.