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Just Like Someone Without Mental Illness Only More So

Page 2

by Mark Vonnegut, M. D.


  Art is lunging forward without certainty about where you are going or how to get there, being open to and dependent on what luck, the paint, the typo, the dissonance, give you. Without art you’re stuck with yourself as you are and life as you think life is.

  Craziness also runs in the family. I can trace manic depression back several generations. We have episodes of hearing voices, delusions, hyper-religiosity, and periods of not being able to eat or sleep. These episodes are remarkably similar across generations and between individuals. It’s like an apocalyptic disintegration sequence that might be useful if the world really is ending, but if the world is not ending, you just end up in a nuthouse. If we’re lucky enough to get better, we have to deal with people who seem unaware of our heroism and who treat us as if we are just mentally ill.

  My great-grandfather on my mother’s side drank to keep the voices away and ended up the town drunk in the middle of Indiana. My maternal grandmother wrote textbooks on teaching Greek and Latin and had several bouts of illness that resulted in long hospitalizations. When my mother, Jane, was in college the family resources were exhausted after my grandmother spent over two years in a private hospital. With great shame and embarrassment her husband transferred her to a state hospital, where she became well enough to go home a few weeks later. She remained mostly well and never had to be hospitalized again, but she had spent roughly seven years of my mother’s childhood institutionalized.

  There was no acknowledgment of or conversation about my grandmother’s illness either between my mother and her father or my mother and her brother, who would also be in and out of hospitals most of his life. He emerged normal enough to marry three times in his fifties and sixties, hold a job as a librarian, and be the Indiana State senior Ping-Pong champion.

  This same maternal grandmother warned my mother not to marry my father because she was convinced there was mental instability in the Vonnegut family. My father’s mother, a barbiturate addict who didn’t come out of her room let alone the house for weeks at a time, told my father to stay away from my mother because there was mental illness in the Cox family. My father’s mother famously (some say it was an accident, but does it really make a difference?) overdosed and killed herself on Mother’s Day. Barbiturates had been prescribed to my grandmother as a wonderful new nonaddictive medicine for headaches and insomnia.

  If you want to pick out the people who go crazy from time to time in my family, find the ones in the photos who look ten or more years younger than they actually are. Maybe it’s because we laugh and cry a lot and have a hard time figuring out what to do next. It keeps the facial muscles toned up.

  It’s the agitation and the need to do something about the voices that get you into trouble. If you could just lie there and watch it all go by like a movie, there would be no problem. My mother, who was radiant, young, and beautiful even as she lay dying, heard voices and saw visions, but she always managed to make friends with them and was much too charming to hospitalize even at her craziest.

  If you don’t have flights of ideas, why bother to think at all? I don’t see how people without loose associations and flights of ideas get much done.

  The reason creativity and craziness go together is that if you’re just plain crazy without being able to sing or dance or write good poems, no one is going to want to have babies with you. Your genes will fall by the wayside. Who but a brazen crazy person would go one-on-one with blank paper or canvas armed with nothing but ideas?

  The psychotic state is a destructive process. A fire can’t burn that brightly without melting circuits. Making allowances for individual tolerances and intensity and duration of the breaks, complete functional recovery becomes increasingly unlikely much beyond about eight or nine breaks. Fixed delusions, fears, loss of flexibility, loss of concrete thinking, and low stress tolerance make relationships, jobs, and family next to impossible and then impossible. The biggest risk factor in determining whether or not you have a nineteenth psychotic episode is having had the eighteenth.

  Life for the unwell is discontinuous and unpredictable. Things just come out of nowhere. People try but mostly do a lousy job of taking care of you.

  It Is Good, 2009

  (Painting by Mark Vonnegut)

  chapter 2

  Raised by Wolves

  The biggest gift of being unambiguously mentally ill is the time I’ve saved myself trying to be normal.

  I grew up on Cape Cod. The vine forest a couple hundred yards from our house was two and a half acres of trees being wrestled down and killed by honeysuckle vines and wild grapes. There were flesh-tearing bull briars throughout the lower level. There was one path that got you into the vine forest and out the other side, where the abandoned apple orchard and old foundation were. I could hit that wall of green at a full run with a knife and fishing rod and disappear. I doubt anyone could have followed me even if they saw where I went in. I built wolf dens in the vine forest next to the pond and imagined I could live there if I had to. My mother was storing canned goods and water in the crawlspace under the house in case of nuclear war.

  I was mostly left alone to figure things out. If I’d been raised by wolves, I would have known a little less, but not much less, about how normal people did things. My notions about how to brush my teeth, what could be left out of the refrigerator for how long, and where knives and forks and spoons went were odd. Having been raised by wolves would have given me an excuse. But I just had beautiful, slightly broken, self-absorbed parents like a lot of other people. One of the things I couldn’t figure out was why I had such lousy handwriting and why I couldn’t spell.

  I fought at school almost every day during grades three, four, and five. I won most fights and was never mad or emotional about it. It was just the way it was.

  What I liked best about the stories of children raised by wolves was that everyone snuggled in together in a nice warm den. And then there was the part when the people find you and teach you how to talk and wear clothes.

  I had a rich, full, and seemingly complete world before I knew much. My father tried to explain about sex to me when I said “Fuck you” after a chess game. I said it in a perfectly cordial way; it was something I had heard and was trying to use in a sentence. Kurt told me something about going to the bathroom in the same toilet that sounded highly improbable.

  When I knocked a few dozen bricks out of a partitioning halfwall under the barn and started making a bomb shelter, it was meant as a present to my father. It was something I thought he would have gotten around to eventually. I was surprised that he wasn’t more pleased. He thought that knocking those bricks out made it more likely that the already wobbly barn would fall over.

  At this time in my life, my father was a proudly antisocial man who spent most of his time at a typewriter, reflecting negatively on his neighbors and society, throwing in things like “Goddamn it, you’ve got to be kind.” The emphasis was on the Goddamn it. He was proud of the fact that I had no friends.

  Later, I could never get used to him dressing nicely and talking nicely and smoothly navigating social situations with people he had taught me to hate. I thought, and still think, he taught me to play chess partly to make sure I didn’t fit in with the locals my age.

  When I was ten I told my mother I wanted to kill myself. I was failing at school and sports and fighting every day and had been studying poisons. My mother told me that bright young idealistic people like myself were going to save the world. It was a successful play for time. Before I killed myself I should at least join forces with all the other suicidal ten-year-olds and give saving the world a try. When the sixties came around and there didn’t seem to be any adult plans worth much, I thought my mother’s solution was coming to pass. Making the world a place worth saving was up to the outcasts. Who would have guessed in the fifties that there would be such a thing as hippies?

  When I had three psychotic breaks in three months and I didn’t think getting better was possible, my childhood looked particularly
dark and dismal. Now, not so bad.

  I liked to take my fishing rod and my bike and go through the woods looking for hidden ponds, which I imagined had never been fished before except maybe by Indians a long time ago. Dense rings of brambles and underbrush protected the ponds and fish.

  One bright sunny August afternoon I was cruising the dirt back roads that ran along the spine of the Cape and went straight instead of taking the usual left to Hathaway’s Pond. Twenty yards ahead I found myself at a dead end, facing a chain-link fence. At the top there was a two-foot-wide chain-link lip slanted back away from me at a forty-five-degree angle. I threw my bike over the fence. I expected Hathaway’s or some other pond to be more or less ahead of me.

  Hathaway’s was one of the town’s bigger ponds and one of the few that had anything like a sandy beach. Toward the end of my childhood, the powers that be decided to poison the pond so that they could get rid of the pickerel and bass and horned pout and turtles and stock it with trout. I had bad dreams about grown-ups killing all the pickerel in Hathaway’s Pond—it was death on an unimaginable scale. It would have broken my heart to see the fish I had been trying to catch strewn around dead.

  Why were trout better than pickerel and horned pout?

  I stumbled up onto a divided four-lane highway. I couldn’t have been any more surprised if I had found China. It had to be over a hundred degrees up there, at least twenty degrees hotter than it had been on the sandy, pine-shaded dirt road. A maintenance crew was spraying thick, hot oil on the shoulder, probably to keep the weeds down. Turning left would have brought me to the Barnstable Road overpass and familiarity within a hundred yards or less, but I chose to go right. Maybe it was to go with the traffic instead of having to face it.

  The oil was awful. I checked the chain-link fence every so often, hoping for a break. I tried to ride my bike, but it was all gummed up with oil. I had to push it. Maybe I should have left it there and come back for it. I was going through the spit-warm water in my canteen quickly. Vacationers streamed off the Cape past the quaint ten-year-old boy with a fishing rod bent over his bike pushing it through the oil and dirt in the hundred-plus-degree heat. No one in his right mind would have stopped to let this dirty little boy and his bike into their car. I existed without an explanation. I was out of water.

  I pushed my gummed-up bike along the burning shoulder of a divided limited-access highway for 2.7 miles before I saw Howard Johnson’s and the Route 132 exit. The Howard Johnson’s was the only place we went out to eat as a family, and that had only happened once. It didn’t go well. I ordered a 3-D burger, a two-patty triple-decker precursor to the Big Mac. I can’t remember exactly what went wrong, but I might have been stuttering or laughing or chewing gum when the waitress asked me what I wanted, or maybe it was something one of my sisters did. We left under a cloud. My father went stiff and red whenever there was a hint of public humiliation.

  Pushing my gummed-up bike was by far the hardest thing I had ever had to do. Swimming home across the pond worrying about snapping turtles after my boat sank moved into second place. I was relieved when I made it to the exit and the shoulder wasn’t oiled. I was able to ride the bike a bit, pop into the woods, and follow the path to the house of my only friend, Carl, where we cleaned most of the oil off the bike and myself with kerosene. Carl didn’t ask any questions, and I didn’t try to explain anything.

  Twenty years later I would take care of two brothers at the Shriner Burn Institute who caught fire when they were washing tar off their bikes with kerosene somewhere in Texas. One of them had no hands or face left.

  I rode my bike home, and it was like nothing had happened. Once I was oriented again it was hard to believe that I really hadn’t known where I was, and I would have been embarrassed to admit it.

  When I was twelve years old Kurt took me with him to a science-fiction writers’ convention in New Milford, Pennsylvania, at a camp on the Delaware River. It was just the two of us. A mean-looking judge ran the motel and diner where we stayed.

  “I’d hate to come up in front of him,” said Kurt, who’d gotten some virus and was throwing up bile on the side of the road. “Will you look at that? It just keeps coming. There’s nothing down there, and it keeps coming. Will you look at that?”

  There was nowhere else to look.

  There was a woman with scraggly, greasy, gray-black hair at the conference who said, “Get that kid out of here,” talking about me. I guess she had something important to say to her fellow science-fiction writers that she didn’t want a twelve-year-old to hear. I got up and went down to the Delaware River to fish.

  I cast my red-and-white spoon lure out toward a twenty-five- to thirty-foot-long serpent, but it was much too far out. My twelve-pound test line would have just snapped anyway. I knew right away that I could never tell anybody about this and wondered if maybe Kurt and some of the other writers, maybe the one with the damp, scraggly hair, could have or would have set something like this up to see what a twelve-year-old boy would make of a twenty-five- to thirty-foot-long serpent swimming down the Delaware. I fixed them by saying nothing.

  We also met a guy who owned a waterfall and made a living showing it to people.

  When Kurt tried to sell Saabs, he usually did the test drive with the prospective customer in the passenger seat. I tried to tell him to not go around corners so fast, especially if the customers were middle-aged or older, but he thought it was the best way to explain front-wheel drive. Some of them were shaken and green. He didn’t sell a lot of cars.

  “Maybe you should just let them drive,” I suggested.

  When I was ten Kurt asked if he could borrow the three hundred dollars I had saved up from my paper route. Ten years later he went from being poor to being famous and rich in the blink of an eye. No one, except him, ever quite got used to it. He felt that rightful order was being restored.

  I grew up thinking everything would be perfect if we just had a little more money. Instead the money just blew everything apart. Humans will money themselves to death the same way some dogs and fish will eat themselves to death. If the rich were truly so productive and useful, they wouldn’t have so many hired-gun talking heads with talking points, foundations, and institutes. Eventually most kings come to believe in the divine right of kings.

  Once he was famous, people gathered around my father like hungry guppies around a piece of bread. There was never enough Kurt to go around.

  Toward the end of his life he told me that he was glad he had been able to restore the family fortune. It surprised me that such a thing mattered to him. It didn’t seem like an important enough goal for him to worry about. But he had grown up living in a nice house with a cook who taught him how to read, in a nice neighborhood with an architect father doing what he liked and being well paid for it. All that had ended abruptly with the Depression and his parents losing their savings to a stock scam.

  The thing I’ve always loved about my troubled paternal grandmother—who I imagine as not yet troubled back then—was that when informed by her husband that they were broke she said, “Okay. Let’s spend the summer in Europe.”

  And they did.

  At some point in my childhood, my father gave us all code names. He was Boraseesee. My mother was Mullerstay. I was Kindo. If we were ever trapped or captured and wanted to let one another know that it was really us, we could use these names. It was a long shot, but when I was locked up, Kindo tried hard as hell to get word out to Boraseesee and Mullerstay.

  We all want to believe that we’re in a sheltered workshop with grown-ups nearby.

  When my father came to see me the first time I went crazy, I was sure it wasn’t him. My father was taller and thinner than the stand-in they sent, and he used a fake name to order a cab. I played along, figuring the trip to see me was too dangerous for Kurt to be able to make it. Crossing time zones wasn’t the half of it.

  I was twenty-one when Slaughterhouse-Five was published. I mostly didn’t live at home anymore, so it was like watc
hing from afar when the money hit. My sisters grew up as the children of a famous writer. I did not.

  The people who lived around us on the Cape had more money than we did. What my father saw as a brief period of wrongful relative poverty was my childhood, to which I was firmly attached and of which I was and remain intensely proud.

  After the Coming of the Orphans.

  I am on the far right.

  (Vonnegut family photo)

  chapter 3

  The Coming of the Orphans

  When I was a boy

  There was reason to believe

  That people did good things for good reasons.

  Why would a couple in their early thirties with only two children and another on the way buy a sixteen-room house? Living in a house so much bigger than a family with three kids needed became a part of my mother’s religion. We had all the standard rooms plus a porch big enough to play Ping-Pong on, a study for my father, a study for my mother, seven bedrooms, and a secret stairway leading to a room we didn’t know what to call. There was a spacious attic with windows looking out over a pond and the marsh and a barn to fix up someday. It was a glorious magical house because my mother made it so, at least partly to force her nuttiness and the world to coexist.

  The year before my aunt and uncle died my mother would get up at night and stockpile blankets and food in the attic. When my father asked her what she was doing she replied that the refugees were coming. She was getting messages from license plates and traffic lights. The refugees are coming.

 

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