Bleeding Out lf-1

by Baxter Clare

  "Why don't you hang up. I'll call you back."

  "Why do you suppose that is?"

  "I'm sure I couldn't tell you."

  "So how late are you working?"

  Frank glanced at the clock. "I'm done."

  "What? It's not even two yet. Since when have you ever left the office before quitting time?"

  Frank heard the excitement in Kennedy's voice and regretted she wasn't deserving of it. But she'd try. She'd put in the effort to give Kennedy a nice Christmas.

  "Since it's Christmas Eve and I have a delicious dinner to cook. I've got to stop and get groceries, then I'll be home."

  "Excellent! I'm still at work, then I'm going home and change. See ya around six?"

  "Good," Frank said, about to hang up, but Kennedy asked, "Can I bring anything?"

  "I got it covered."

  Replacing the receiver, she heard a phone ringing in the squad room. Ike and Diego were catching tonight, but they were out. Frank knew no one else would answer it at 1:45 on Christmas Eve. As she was mulling that over, Noah stepped into the room and threw a little box at her.

  "Tracey saw that the other day. It reminded her of you."

  As she unwrapped the present, Noah asked when she was leaving.

  "Soon as I open this."

  "Good. You look like shit. Go home and get some rest."

  "Easier said than done. How you been sleeping lately?"

  "Like a baby."

  Inside the box was a plastic figurine of a hula dancer. Frank pressed under the base and the dancer's knees and waist buckled and her arms waved about.

  "Reminded you guys of me, huh?"

  Noah laughed. "Hey, that's an antique, man. They don't make those anymore."

  "I see," Frank said, slipping into her coat. "That's what reminded you of me?" Noah laughed again.

  "We just thought you'd have fun playing with her. Next time Fubar traps you in here, just take that Honolulu honey out and start flapping her around."

  Frank forced a sparse smile as she walked out with her detective. "You going down to Tracey's folks?"

  "Yep, for rubber turkey and more neckties. How 'bout you? Whatcha gonna do?"

  "Just hang at home."

  "Why don't you come over tonight, have dinner, read Christmas stories with us."

  "Nah."

  "Come on! Come over, Trace'll love it. So will the kids."

  "I can't."

  Frank shook her head, and Noah stepped in front of her.

  "Why not?"

  "I can't."

  "Why?"

  Frank said dismissively, "I'm making dinner for Kennedy."

  Noah lifted both eyebrows. "Now that's chummy."

  "Whatever."

  Frank moved around him and he followed her down the stairs.

  "Are you two spending a lot of time together?"

  "Christ, you are such an old auntie."

  He laughed and pressed, "Well? Are you?"

  "No, we're not. She doesn't have any family and invited herself over for dinner. And I let her. It's that simple."

  "Okay. If you say so."

  Frank loved Noah, but he really was an old nanny.

  "Give Trace and the kids a hug for me. Have fun in San Diego."

  Noah wiggled his eyes and gently punched Frank's shoulder. "You have fun with Gidget."

  34

  Frank looked at the fireplace. She hadn't used it in years. Mag had loved tires, and whenever the temperature dropped below seventy she'd build a raging one. Frank would curse and open all the windows, but after she'd realized the fat rug in front of it was one of Mag's favorite places to make love, she hadn't objected anymore.

  "Probably start a chimney fire," Frank muttered, stuffing in wadded paper and pseudo-logs from the grocery store. In the low-forties and damp, it was cold by L.A. standards. Frank cranked the heat up. When Kennedy knocked and let herself in, Frank was standing at the sink dressing a standing rib roast.

  "Hey, girl, this is a dangerous city. Pretty ‘lil thang like you oughta keep her doors locked. Good God on a mountain! What are you cookin', a whole calf?"

  "Heard you Texans like things big."

  "Dang! What army's coming over for dinner?"

  "The way you eat we'll be lucky to have the bones left. You like your meat medium, right?"

  "That's right. Damn, that's some impressive sum-bitch. You gonna put those curly little white hats on the ends?"

  "Nope, no hats. Only Yorkshire pudding and peas with pearl onions in a green peppercorn sauce."

  "Jesus...what's Yorkshire pudding?"

  "You never had that?" Frank asked, poking garlic slices into the fat.

  "Uh-uh."

  "It's kinda of like a popover. You ever had them?"

  "Uh-uh."

  "Well, it's kind of a greasy bread. You make a dough and bake it with the drippings. It's good."

  "I've never had anything from your kitchen that wasn't. I didn't know what you were making so I got you a bottle of red and one of white."

  Frank glanced up at the bottles Kennedy put on the bar and hefted them appreciatively.

  "This is some primo wine, sport."

  "The guy at the wine store said they were topnotch."

  "Must have set you back a pretty penny."

  "What the hell, it's Christmas."

  "Let's check this red out," Frank said, cutting a circle in the protective foil. "Thanks."

  "You're welcome. 'Sides, it's the least I can do seeing as you're doing all the cookin' again."

  "My pleasure," Frank lied. All she wanted to do was sink down on the couch with the TV blasting some inane show and sleep for twenty-four hours, a deep and solid amnesiac sleep. She poured a glass of the wine, then pushed it aside and drank from the glass she already had going.

  "Aren't you gonna try it?"

  "Have to let it sit, let some of the alcohol burn off so you get a truer taste. Smells great, though."

  Frank shoved the roast into the oven and mixed the pudding batter while Kennedy told her a story about the narc surveillance she was on. Frank listened diligently, tweaking out a smile at the funny parts, but she didn't get past Kennedy's watchful eye.

  "Somethin' on your mind, Lieutenant?"

  "No, ma'am." Frank said, drying her hands on a dishtowel.

  "You wouldn't tell me if there was, would you?"

  "Just tired," Frank said to the towel. "Lots of work to catch up on. Delamore got me all behind, there's the usual end-of-the-year panic meetings, just a bunch of stuff. So, I hear you're going to whip my ass at gin."

  Frank's attempt at levity sounded hollow even to her, and a blind person couldn't miss the flatness in her eyes. They were pinched and tight, like she had a bad headache, and the slump in her carriage was completely out of character with her typical square-shouldered stance.

  "Why don't you take a nap?" Kennedy said. "Just tell me when to put the batter in and I'll take care of it. 'A little nipper,' as my dad used to say. I won't let you sleep more than twenty minutes."

  It was tempting, but Frank shook her head. "I'd rather kick your ass at gin."

  She was relieved when Kennedy went along with the con, answering, "Oh, so you're going to kick my ass? A month ago you didn't even know how to spell gin and now you're talking about kickin' my ass, you ingrate."

  "Wha-wha. You going to whine or play?"

  They played while the roast burbled and steamed out smells that made Kennedy sigh and drool. Frank actually managed to win a couple of hands, more through luck than skill. As she finished the kitchen details, Kennedy set the table. Then she surprised Frank by going to her truck and producing a bouquet for the centerpiece.

  Dinner was outstanding. The beef was tender, the outer pieces pink for Kennedy, the inner ones deep red for Frank. The pudding had a golden crust with a soft, buttery underbelly, and the peas popped sweetly between Frank's teeth in a creamy, peppery sauce. Kennedy raved, but Frank didn't taste much. She took little bites and spent a lot of time rearra
nging what was on her plate. Frank knew it was good. She was pleased that Kennedy thought so, too.

  Drinking the excellent wine, watching it glow like liquid ruby against the fire, Frank knew that Kennedy was carrying the evening. She was lively and animated, chatting about Christmas in Texas, telling stories about being a female cop in Corpus Christi. Frank responded with vague smiles and tried to ask questions that would keep Kennedy talking, but half the time she wasn't hearing what Kennedy said.

  At length, Kennedy groaned and stretched away from the table. She started clearing their plates while Frank stared into her jeweled wine. A cello suite played softly in the background. The fire popped and flickered warmly. It was a lovely Christmas Eve, and Frank was intensely detached from all of it. She felt like she was living the night from inside a plastic bubble. She could see and hear everything around her, and seemed to respond to it appropriately, but she couldn't feel any of it. It was like watching herself in a dream. She started to wonder if maybe she was asleep. Maybe she'd taken that nap after all and was just dreaming all this. When she woke up she'd taste the food and laugh at Kennedy's stories and be grateful for all that she had tonight.

  Frank realized Kennedy had said something to her, had knelt next to her chair.

  "I'm sorry. What'd did you say?"

  "I said, 'Where are you?' You're a million miles away."

  "Sorry."

  "It's okay. Just tell me where you are."

  Kennedy's face was compassionate and concerned. Frank wanted to ease her worry but didn't know how. It was an effort just breathing around the cold heaviness in her chest, no less speaking.

  "Sorry I've been such a drag tonight."

  "You haven't been a drag. It's just obvious you're not all here."

  Frank reassured Kennedy it wasn't anything to do with her.

  "You sure? 'Cause I can go home. It's no big deal, it's still early."

  "No. Stay."

  "You sure? I feel like I've been in your hair all night."

  "No."

  Frank looked at the shiny hair, remembered how she'd wanted to touch it that night. The feeling seemed distant.

  "I'm glad you're here, sport. I've just got to.. .I don't know.. .get some sleep."

  "Tell you what. I'm gonna go for a walk. Why don't you head on to bed? Get a good night's sleep."

  Facing the night alone and so early was the last thing Frank wanted to do.

  "I might go read in the den for a while."

  '"Kay," Kennedy said, rising, "I'll try to work some of this food off."

  "Hey." Frank took Kennedy's hand. She wanted to explain where she was but she didn't know. She studied the young face as if a clue might be there. Finding no answer and no words she finally said, "Be careful, huh?"

  Kennedy chuckled. "As always, mother."

  Emptying the wine bottle, Frank paced slowly in front of the fireplace. She was restless but exhausted, tired but not sleepy. Pausing in front of an old marble-topped desk that had belonged to Maggie's grandmother, she wondered about her folks, how they were doing, how old they were now. She shook her head, definitely not wanting to go down that road. Frank moved in front of the fire. She wondered what pressed logs were made of that made them flicker blue and green. She hoped Kennedy was safe. A sigh did nothing to ease the weight in her chest. Frank meandered into the den. The Bach had grown wearisome, and she flipped it off.

  The fire crackled in the living room. Frank closed her eyes and saw Maggie on the floor, glistening and sated, her breath slowing to normal. Frank remembered feeling sure her heart had to burst because it couldn't possibly hold that much love.

  She held the wine up in front of her. Red. Like the blood in all her dreams. Frank's life story was written in blood. Suddenly, the house was too quiet. Frank searched through her CDs. Plopping Donizetti into the CD tray, she cued it to "Una Furtiva Lagrima." She listened to the music sitting on the couch, and when it ended she played it again.

  Frank had laughed when Maggie'd lovingly unpacked all her opera tapes, but before long she found herself walking to class whistling a love song from Turandot or Tosca. After she'd died, Frank had put all her tapes into a box and stored them in the hall closet, planning to get rid of them eventually. Then, almost two years to the date of Mag's funeral, Frank heard the "Flower Song" on the radio. She'd been driving home from work on Manchester and had to stop in a U-Auto-Do-It parking lot to listen to the music. Cranking the Honda's creaky stereo up as high as it would go, she'd let the music wash over her, cleansing her. She'd been glad it was dark and that no one had seen her wiping her face.

  Yet here she was, years later, hoping that another opera could force the tears. Frank was even willing to cry to rid herself of the hollowness inside her. At least then Frank had had a good reason to cry. Now she had none, and that was even more maddening. Her life was good—she was a lieutenant with the LAPD; she'd found a serial killer, the largest coup of her career, even if she hadn't gotten any credit; she was healthy, physically at her peak; she was financially secure. She didn't have Mag but she'd learned to live with that. It was okay.

  So what's your problem? Frank asked herself. She promptly assured herself with another sip of wine that there was no problem, she was probably just getting her period. Relax, she told herself, don't worry about this. Listen to the music.

  She'd self-medicated for so long she really believed that arias and alcohol could cure anything. So she drank and let the music cry for her. Picking out each tremulous note and haunting chord, Frank gave herself up to the opera. She regretfully turned it off when she heard Kennedy close the front door. The silence flooded back into her like cold, gray river water. When Kennedy popped into the den, Frank stared at her. In the handsome young face, brown again from sun, Frank saw happiness and confidence, optimism and courage—all the things that Frank had lost. She felt broken, and wanted to push Kennedy away.

  "Why don't you go home?" she asked quietly.

  "Do you want me to?"

  "You should be out having a good time, dancing and laughing with someone your own age instead of nursemaiding a broken-down old cop."

  "I am having a good time. I had an incredible dinner with a wonderful woman and I'm gonna go to bed and sleep without an alarm clock and have wonderful dreams."

  "I hope you do."

  "Are you sure nothing's wrong?"

  "Very. You get to bed, sport. Have those sweet dreams you're talking about."

  "You too. Go to bed soon."

  Frank nodded, aware of the soft breeze Kennedy left behind. Now there was nothing left to do but stare down the night.

  Kennedy wasn't surprised when she woke up thirsty; Frank was a great cook, but heavy on the salt. Throwing the covers back she heard music playing in the den and saw the lights on. Frank had probably fallen asleep in there. Kennedy popped a Coke and downed half the can. She put the rest back in the fridge and tiptoed quickly to the den, the tile like ice against her feet. Peering around the doorway, she was surprised to see Frank awake and sitting on the edge of the couch.

  "Hey, girl, you're supposed to be asleep."

  When Frank didn't respond, Kennedy walked into the room. She stood right in front of her, but Frank wouldn't look up. Kennedy bent over, her face just above Frank's, and said her name. She still didn't respond. Kennedy felt the first cold fingers of alarm. Kneeling, so she could see into Frank's face, she said her name, sharply and loudly.

  Frank's eyes flickered toward hers, and Kennedy reflexively checked their reaction time. The pupils were normal and bright, but Frank stared at her like she was a stranger.

  "Frank, what's the matter? Are you sick?"

  Frank didn't answer. Kennedy was beginning to wonder if she'd had a stroke, maybe some sort of seizure. She grabbed Frank's shoulders and shook her.

  "Frank, say something or I'm calling a fuckin' ambulance!"

  Slack-jawed, Frank struggled to focus on the face in front of her. She saw Kennedy's fear and heard it, but she felt too far away t
o respond. She'd found a place inside her that was deep and dark and quiet, and she didn't know if she wanted to leave it. When Kennedy rattled her, snapping her head back, Frank tentatively reached for her. Her fingers found Kenndy's face. They landed lightly, but Frank was too far away to feel the soft skin beneath them.

  She heard someone asking, "Did you have a bad dream? Is that it?"

  Frank struggled to understand the question. She whispered, "I dream all the time. I can't stop dreaming."

  Kennedy opened her palm against Frank's face, and Frank felt like she was falling, falling, falling. Kennedy pulled Frank against her. Frank gave in easily, without resistance. She felt an arm around her back and another on her head. Then she was rocking back and forth, back and forth, and someone just kept saying, "Shhh, shhh," even though Frank hadn't made a sound. Frank pressed her face tighter into Kennedy's neck.

  "I can't sleep," she whispered, the words warm and damp and secret. "I'm so tired and I can't sleep. There's so much blood. Every time I close my eyes there's so much blood."

  "Shhh, you're okay. There's no blood here. It's all gone. It's all gone."

  And then the arms were tighter around her, and Frank felt her own arms come up, grabbing at Kennedy, clutching her shirt in her fingers, kneading it in hard bunches, and the still rational part of Frank's brain wondered if she could burrow any deeper into Kennedy's shoulder without breaking bone. But Kennedy just rocked and shushed, rocked and shushed.

  Frank held on while Pavarotti cried for her, while she tried breathing around the chasm in her lungs where the nightman stalked with all his demons and henchmen. She squeezed Kennedy to her, wondering how she couldn't be crushing her, but not caring, knowing this was her last hope. That this tender young woman was all there was to keep her from falling into the hole where death and dying swirled redly, hungrily.

  She gulped air jaggedly and unevenly, praying, Please God, don't let me fall in there, please don't let me fall in. There was no light in that hole. In it whirled sucking chest wounds and spattered brain matter. Dead green babies with gonorrhea sores in their gaping mouths clawed at her, and twelve-year olds giving high-fives over the bodies of friends they'd just shot. And always blood flowing, dripping down the walls of the chasm, pooling on the floor, streaking hands and faces. Lucifer's own blood.