A Case of Crime
Page 17
It was an audacious crime, but one in which he had carelessly neglected to remove his fingerprints from the title sheet of the story, and the man had been shattered when told that Cyril Antony had already unleashed it on an unsuspecting public in e-book form and that, furthermore, there was nothing he could do about it at all. Once self-published, it stayed published, unless the author unpublished it.
DI Streeter, of course, took all the credit, and just referred to the sudden and unexpected solution to it as ‘acting on information received from an unnamed source’. But it still rankled when he thought of the identity of that unnamed source, and the credit he’d received soured in his mouth.
Holmes and Garden, meanwhile, had put it behind them, after a couple of mutual pats on the back, and were interesting themselves in ways to disguise the human face and form. That was much more fun. Maybe they’d get to try it out soon, on their next case. Garden had really been a trail-blazer with his portrayal of Joanne, although he decided he may have to make himself a little less attractive on his next venture out in that persona. He didn’t want to be ravished by some macho man who was out for a good time. The poor fellow would end up in therapy.
THE END
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Published by Accent Press Ltd 2014
ISBN 9781783752829
No Second Chance
Copyright © Bill Kitson 2014
Libby Sarjeant and the Mystery of the Errant Emeralds
Copyright © Lesley Cookman 2014
Goodbye, My Darling
Copyright © Cara Cooper 2014
Old Bones
Copyright © J.J. Campbell 2014
Meteors and Myths
Copyright © Marsali Taylor 2014
The Adventure of the Dead Wild Bore
Copyright © Andrea Frazer 2014
The right of Bill Kitson, Lesley Cookman, Cara Cooper, J.J. Campbell, Marsali Taylor, and Andrea Frazer are to be identified as the authors of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.
The story contained within this book is a work of fiction. Names and characters are the product of the author’s imagination and any resemblance to actual persons, living or dead, is entirely coincidental.
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