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Magpies, Squirrels and Thieves

Page 42

by Jacqueline Yallop


  his collection 76, 113–16, 119–20, 121

  on collectors 68–69

  a connoisseur 24, 68, 81, 91

  and country-house collections 57

  criticism of South Kensington 70, 111–12

  curator at South Kensington Museum 2, 12, 64–65, 67–68, 88, 91, 98

  death (1913) 113, 119, 376

  dismissal from art referee post 90–92, 106, 108

  his estate 119–20

  financial matters 72–76, 79, 80, 86, 87, 97–100

  Fine Arts Club 12, 71, 81, 82–84, 97

  forgeries issue 298–301, 303–4, 307, 310, 311

  and Franks 94, 95, 96, 148–49

  ill-health 86

  in Italy 62–64, 76, 78, 79, 81, 86, 109

  knighted (1887) 114

  looks for homes for his pieces 115–16

  and Marks 275

  and Newton Manor 100–102, 104, 110, 119, 197, 376

  in Paris 52–56, 58–62, 166

  personality 51, 52–53, 86, 91, 99, 105, 292

  and Pierpont Morgan 283

  relationship with Cole 22, 68, 74, 80, 81, 85–93, 96, 111

  relationship with the museum after Cole’s retirement 107–12

  and Renaissance 2, 53, 58–59, 103, 246

  sells part of his collection 76, 119

  Skinner’s attitude to 116, 118

  and Special Exhibition 12–14, 19, 24, 41, 47, 81–82, 228–29

  Surveyor of Queen’s Pictures 113–14, 119

  talent for rewriting the past to his advantage 109

  townhouse in York Place 73, 100

  Robinson, Marian Elizabeth (née Newton) 73

  Rolfe, W. H. 206–7

  Romantic movement 23

  Rome 78, 79, 148

  Römisch-Germanisches Zentralmuseum, Mainz 302

  Rosetta Stone 42, 222

  Rossetti, Dante Gabriel 251, 257–61, 263, 264, 266, 267, 269, 273, 274, 281, 284, 285, 375, 376

  Rossetti, Elizabeth 260

  Rossetti, William 258–59

  Rothschild family 305, 306

  Rotterdam 147, 163, 169, 170, 173

  Rouen Museum, Normandy 172

  Royal Academy, London 30, 43, 44, 53, 58, 107, 155, 272, 277

  Royal Archaeological Institute of Great Britain 155

  Royal Botanic Gardens, Kew, Surrey 348

  Royal Collection 103–4

  Royal College of Art: ‘Female School’ 155

  Royal Commissions 42, 46

  Royal Geographical Society 196, 257

  Royal Institution, Liverpool 196, 219

  Royal Mersey Yacht Club 236

  Royal Museum, Berlin 220

  Royal Navy 327

  Royal Society 196, 200, 257

  Royal Society of Arts (previously Society for the Encouragement of Arts, Manufactures and Commerce) 15

  Royal Society of Painters and Etchers 120

  Royal Society of Painters in Water-colours 156

  Rubens, Peter Paul 104, 230, 309

  Rudolph II, Holy Roman Emperor 27

  Ruskin, Effie 245

  Ruskin, John 24, 37, 45, 56–57, 82–83, 118, 234, 245, 264

  and the Sheffield museum 39–40, 41, 227

  Seven Lamps of Architecture 63

  The Stones of Venice 63, 266, 370

  ‘The Two Paths’ (lecture) 36

  Russell, Lord John 17

  Saffron Walden Museum 200

  St Mark’s Cathedral, Venice 63

  Salisbury, Earls of 137

  Salt, Henry 221

  Salt, Titus 235

  Saltaire, near Bradford 252

  Salting, George 357, 366, 367

  Sams, Joseph 220

  Sargent, John Singer 262

  Saturday Review 175

  Sauvageot, Charles 60–61

  Saxe-Weimar, Grand Duke of 78

  Scharf, George 234

  Schinkel, Karl Friedrich 238

  Schools of Design 20–21, 46–47, 57, 60, 84, 88

  Schopenhauer, Arthur 263

  Schreiber, Colonel Charles (‘Charley’) 125–28, 144–45, 160, 215

  Art Treasures Exhibition 234

  ceramic collecting 158, 162, 166

  death 183

  family background and education 144

  Fine Arts Club 156, 181

  gourd-shaped bottle story 168–74

  ill-health 127, 147, 168, 182–83

  marries Charlotte 144–45

  parliamentary role 169

  personality 145

  solo trip to Holland 168, 169–70

  statistics of trips 165

  tutors Charlotte’s son Ivor 144, 145

  Schreiber, Lady Charlotte Elizabeth (née Bertie) 195, 223, 281, 308

  achievements of 186

  appearance 131–32

  and Art Treasures Exhibition 234

  at ‘van Galen’s’ 269

  on Bock’s ‘sad story’ 280

  childhood 133

  a close friend of Franks 163

  collecting interests 2, 128, 130–31, 141, 156–57, 158, 179–80, 373–74

  death 185, 374

  donation to South Kensington Museum 131, 183–85, 371

  family background 132–33

  and Fine Arts Club 156

  first marriage to John Guest 135–40

  forgery issue 298, 303

  gourd-shaped bottle story 168–74, 177

  helps other women collectors 162–63

  ill-health 168

  an intrepid traveller 2, 126–28

  and John’s death 143–44

  and Joseph Joel Duveen 147–48, 150, 152–53

  late enthusiasm for collecting 132, 146, 153–54

  and Layard’s excavations in Mesopotamia 222

  Manchester Art Treasures Exhibition 229

  and Marks 275

  marries Charles Schreiber 144–45

  and Mayer 196

  meets and marries John Guest 134–35

  respected as a collector 164, 177, 184

  scholarship 177–80

  statistics of trips 165

  translates The Mabinogion 140–41

  visits the Great Exhibition 142–43

  Scott, Sir Walter 197, 205, 335

  The Antiquary 191–92, 197

  Second Afghan War (1878–80) 340

  Second Opium War (1855–60) 321, 355

  Second Republic (France) 56

  Settled Land Act (1882) 29

  Shangdu, Inner Mongolia 324

  Shanghai 318–21, 350, 368

  Shaw, Richard Norman 270–71, 278

  Sheffield 36, 47, 218, 238

  museum 39–40, 41, 227

  Sickert, Walter 275

  Sierra Leone 333–34

  ‘Silverpen’ see Meteyard, Elizabeth

  Skinner, Arthur Banks 116, 117

  Smith, Major Robert Murdoch 328

  Smith, Admiral William Henry 257

  Snyders, Frans: Dead Game and Fruit 103

  Soane, Sir John 42, 377

  Society for the Encouragement of Arts, Manufactures and Commerce (known as the Society of Arts; later Royal Society of Arts) 7, 15, 20, 23, 43

  ‘Ancient and Medieval Art’ exhibition (1850) 23

  Society for the Encouragement of the Fine Arts 58

  Society for the Protection of Ancient Buildings 120

  Society of Antiquaries 120, 155, 196–200, 204, 222, 302, 310

  Society of Chemical Industry 199

  Society of Dilettanti 43

  Sotheby’s auctioneers 120, 174, 209, 221, 237, 307, 376

  Soulages, Jules 231

  South Kensington, London 7

  South Kensington Museum (later Victoria and Albert Museum), London 2, 227, 356

  Brompton Boilers 75, 238

  and Bushell 340, 347, 348–49, 366–67

  ceramics displays 158

  Chinese displays 340, 346

  Cole as first Director 18, 19–20

  collecting Japanese
objects 340

  Colonial and Indian Exhibition (1886) 338

  described 9–10

  forgery issue 297, 300, 311

  Franks catalogues Japanese ceramics 327

  identity of the collection 96

  Indian material 339

  international objects 324–25, 329–30, 331–32

  loan exhibitions 46, 47

  Magdala Treasure 223

  range of objects bequeathed 372–73

  relocation from Marlborough House to South Kensington 69–72

  renamed (1899) 120

  rivalry with the British Museum 149

  Robinson as Curator 2, 12, 64–65, 67–68, 88, 98, 148

  Robinson offers pieces from his collection 115–16, 120

  role of 22, 68, 84–85, 231

  Ruskin attacks 24

  Schreiber collection 183–85

  ‘Special Exhibition of Works of Art of the Medieval, Renaissance, and more Recent Periods, on loan at the South Kensington Museum’ (1862) 10–12, 19, 24, 41, 47, 81–82

  Catalogue of Chinese Objects 346

  Speke Hall, Liverpool 284

  Spencer, Herbert: Principles of Biology 337

  Spenser, Earl 109

  Sphinx, Giza 221

  Spitzer, Frédéric 306

  Staffe, Baroness 132

  Stafford, Marquess of 43

  Standard, The 249, 252

  Stanley, Henry Morton 316

  Stansted Park, West Sussex 174

  Stanwick Park, Yorkshire 198

  Stein, Sir Aurel 363

  Sterling, Edward 251

  Stoa, Athens 238

  Stobart, Henry 220

  Stone, Marcus 271

  Stotesbury, Edward 288

  Stowe House, Buckingham 29

  Strutt, Joseph 252

  Suez Canal 221

  Sullivan, Sir Arthur 333

  Sunderland 36

  museum 40–41

  ‘Sunderland Library, The’ 29–30

  Sunderland Museum and Library 33

  Sung dynasty (960–1279) 342

  Sweden: national gallery of art 57

  Swinburne, Algernon 260

  Tangiers, Morocco 131

  Tarragona 163

  Tate Gallery, London 53, 150

  Temple Club, Strand, London 328–29

  ‘Ten Thousand Chinese Things’ exhibition (Hyde Park, London, 1841) 345

  Teniers, David, the Younger 27

  Tennyson, Alfred, Lord 23, 234

  Theatre Royal, Drury Lane, London 247

  Thebes 221, 222

  Thirty Years War (1614–48) 27

  Thomas, Edward 251

  Thompson, Sir Henry 82, 276–78, 280, 287

  exhibition opening 278, 279

  Thomson, John 345

  Tiffany & Co. 283, 298

  Times Literary Supplement 311

  Times, The 20, 29, 104, 107, 112, 264, 276, 292, 293

  Tippoo’s Tiger 338, 339

  Tipu, Sultan of Mysore 338

  Titian 53, 230

  Townsend, Henry 333–34

  Tradescant, John 225–26

  Trafalgar, Battle of (1805) 250

  Transactions of the Historical Society of Lancashire and Cheshire 248

  Trapnell, Alfred 363

  Treasury 90, 204, 231

  Treaty of Peace and Amity (Treaty of Kanagawa) (1854) 332–33

  Treck, Jan 268

  Tunstall, Marmaduke 35

  Turner, James Aspinall 232

  Turner, J. M. W. 39, 44, 113, 230, 257

  Uffington House, Lincolnshire 133, 134, 135

  University of Oxford 335, 377

  University of Vienna 117

  Utrecht 147, 167, 171

  Museum 163

  Valentia, George Annesley, Viscount 220

  Valladolid, Spain 127

  Van Houtum (dealer in Amsterdam) 165

  Van Huckelm, Monsieur 163

  Vasters, Reinhold 304–5, 306

  Veitch, John Gould 336

  Venice 62–63

  Verona 62

  Versailles 54

  Victoria, Kaiserin (Princess Vicky) 103–4, 293

  Victoria, Queen 82, 103–4, 114, 119, 142, 154, 223, 226, 229, 234, 276, 315, 334, 340

  Victoria and Albert Museum, London (previously South Kensington Museum) 66, 120, 372

  and Bushell 371

  English ceramics collection 162, 168–69

  and Marks’ bequest 376

  redesign of the galleries 373

  value of gifts and bequests 372

  and Vasters 304–5, 305

  Vienna Museum of Applied Arts 77

  Vienna School of Art History 117

  Villanueva, Juan de 238

  Von Bode, Wilhelm 103, 285, 290, 291–92, 294–95, 296, 308

  Waagen, Gustav 32, 35–36, 44, 117, 118, 233–34, 236–37

  Walmsley, Sir Joshua 190

  Walpole, Horace 31, 43

  Walters, William Thompson 357–60, 361, 362

  War of Austrian Succession (1740–48) 185

  Ward, Robert Plumer 134

  Ward, William Hayes 283

  Warrington, Cheshire 36

  Wedderburne, Mr 210–12, 215

  Wedderburne, Mrs 210

  Wedgwood 169, 177–78, 193, 210–15, 224, 225, 236

  showrooms 272

  Wedgwood, Josiah 211, 213, 243

  Wedgwood family 243

  Weininger, Salomon 310

  Wellington, Duke of 138, 234

  Wertheimer, Asher 262–63

  Whistler, James McNeill 257, 264, 267, 273, 278, 281, 282, 284–87, 333, 376

  Art and Money; or, The Story of the Room 286

  La Princesse du pays de la porcelaine 285

  White, Gilbert 241

  The Natural History and Antiquities of Selborne 241

  Whitemarsh Hall, Pennsylvania 288

  Whitworth, Sir Joseph 115, 232

  Whitworth Art Gallery, Manchester 115, 232

  Whitworth Institute, Manchester 115, 119

  Wilde, Oscar 24, 267

  Wilhelm II, Kaiser 293

  Williams, Penry 229

  Wilson, Arthur 288

  Winchester 198

  Woche, Die 295

  Wölfflin, Heinrich 117–18

  Wolverhampton 36

  Women’s Trade Union League 176

  Wordley, James 193–94

  Wordley, Mary 241

  Worshipful Company of London Fan Makers 185

  Wortley Montagu, Edmund 220

  Wortley Montagu, Lady Mary 220

  Wren, Sir Christopher 66

  Wright, Thomas 205

  Wu Men market, Peking 322–23

  Wunderkammer (cabinet of curiosities) 27, 39, 60, 70

  Wycliffe Hall, near Bernard Castle, County Durham 35

  Yuan dynasty (1271–1368) 267

  Zoological Society, London 348

  A view of one half of the South Court at the South Kensington Museum, filled with the packed cases of the 1862 loan exhibition. This wood engraving appeared in the Illustrated London News on 6 December 1862, towards the end of the show.

  John Charles Robinson in middle age, probably around the time he left the South Kensington Museum. The oil painting is by J. J. Napier and is in the collection of the National Portrait Gallery.

  This photograph of a small corner of Newton Manor shows part of Robinson’s extensive and varied collection in the domestic setting.

  Charlotte Schreiber, around the time of her second marriage in 1855. The drawing is by George Frederic Watts, one of the most influential and renowned Victorian portrait painters.

  Charles Schreiber possibly sat for this portrait on his election as MP for Cheltenham in 1865, ten years after his marriage to Charlotte. It is also by Watts.

  The gourd-shaped bottle that tormented the Schreibers during 1873 and 1874.

  Dante Gabriel Rossetti’s collection in the sitting room of 16 Cheyne Walk in 1882. Rossetti is reading to the poet a
nd critic Theodore Watts-Dunton.

  The Peacock Room in the house of Frederick Richards Leyland, decorated by James Whistler in 1877. The photograph shows Whistler’s portrait of ‘La princesse du pays de la porcelaine’ and some of the blue-and-white collection assembled by Murray Marks.

  Murray Marks in his London home. The photograph shows Rossetti’s characteristic portrait of Marks’ wife, as well as some choice pieces from Marks’ collection of blue-and-white on the mantlepiece.

  Murray Marks’ distinctive trade card, designed as a result of a collaboration between Whistler, Rossetti and William Morris.

  Joseph Mayer’s first portrait, painted around 1840 by William Daniels, shows Mayer at the heart of his growing collection.

  A view of the ‘Mummy Room’ in Mayer’s Egyptian Museum in Liverpool, complete with stuffed crocodile.

  Stephen Wootton Bushell’s visiting card with a portrait photograph taken shortly after his arrival in China in 1868.

  The semi-ruined Bronze Pavilion at the Imperial Summer Palace in Peking. This picture was taken by the pioneering Scottish photographer, John Thomson, on a trip to the city in 1871–2, during which he almost certainly worked with Stephen Wootton Bushell to document historical sites. Bushell owned an album of Thomson’s photographs.

  This pair of engravings by George du Maurier appeared in the Punch Almanack in December 1875. They present collectors as obsessive and strange, physically frail and emotionally incapable of interacting with family and friends around them.

  The architect Aston Webb was chosen to create a new complex of buildings on the South Kensington site in 1891; it finally opened in June 1909. The intervening years saw Webb modify many of his ideas, moving towards the finished buildings we recognize today as the Victoria and Albert Museum.

  An exterior view of the domed glass palace at Old Trafford, Manchester, that housed the Art Treasures Exhibition in 1857. This picture appeared in an illustrated weekly periodical, the Art-Treasures Examiner: A Pictorial, Critical and Historical Record of the Art-Treasures Exhibition, which was published especially for the duration of the exhibition.

 

 

 


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