Anita Blake 11 - Cerulean Sins

by Laurell K. Hamilton

  "Is he just in a bad mood today, or for the last few days, what?"

  "The last few days have been worse, but two murders in one night have sort of given him a reason to be grumpy, and he's taking full advantage of it."

  "Great, just great," I said. My anger helped me stomp off towards the bank of windows that took up most of the other wall. I stood there and stared off at the amazing view. Nothing but hills, trees, it did look as if the house sat in the middle of some vast wilderness.

  Zerbrowski came to stand beside me. "Nice view, huh?"

  "Whoever did this had to have scouted the house." I motioned at the windows. "They had to know for sure that there was no neighbor out there that could see what they were doing. Shooting him, you might take your chances, but putting him up on the wall, and all the symbols, no, they had to be sure they wouldn't be seen."

  "That's pretty organized for a wacko," Zerbrowski said.

  "Not if it's really someone wanting you to think they're a wacko."

  "What do you mean?"

  "Don't tell me that you and Dolph haven't thought of that."

  "What?"

  "That it's someone near and dear to the dead man, someone who stands to inherit all this." I looked around at the living room, which was as large as the entire downstairs of my house. "I was too sick to really notice when I came in, but if the rest of the house is as impressive as this, then there's money to be had."

  "You haven't seen the pool yet, have ya?"

  "Pool?"

  "Indoors, with a Jacuzzi big enough for twelve."

  I sighed. "Like I said, money. Follow the money, find out who stands to gain. The ritual is only window dressing, a smoke screen that the murderers hope will throw you off."

  He stood staring off at the beautiful view, hands behind his back, sort of rocking on his heels. "You're right, that's exactly what Dolph thought once Reynolds said there was no magic to it."

  "I'm not going over to the other scene just to check her work again, am I? Because if that's the case, I'm headed home. I may not always like Detective Tammy, but she's pretty good at what she does."

  "You just don't like that she's dating Larry Kirkland, your animator in training."

  "No, I don't like that she and Larry are dating. She's his first serious girlfriend, so forgive me, but I felt protective."

  "Funny, I don't feel protective of Reynolds at all."

  "That's because you're weird, Zerbrowski."

  "No," he said, "it's because I see the way Reynolds and Kirkland look at each other. They are dead gone, Anita, in L-O-V-E."

  I sighed. "Maybe."

  "If you haven't noticed, it's because you didn't want to see it."

  "Maybe I've been busy."

  For once Zerbrowski stayed quiet.

  I looked at him. "You never answered my first question, am I going to the next murder scene to check Tammy's work?"

  He stopped rocking on his heels and stood quiet, face serious. "I don't know, probably some."

  "I'm going home then."

  He touched my arm. "Go to the second scene, Anita, please. Don't give Dolph any more reason to be more pissy."

  "That is not my problem, Zerbrowski. Dolph is making his own life hard on this one."

  "I know, but the couple officers that have been at both scenes say the second one is a bad one. More up your alley than Reynolds's."

  "Up my alley, how?"

  "Violent, real violent. Dolph doesn't want to know if it's magic, he wants to know if something that wasn't human did it."

  "Dolph's a fanatic about not giving details away to his people before they've seen a crime scene, Zerbrowski. What you've just told me would piss him off mightily."

  "I was afraid you wouldn't go, if I didn't… add a little."

  "Why do you care if Dolph and I are feuding?"

  "We're here to solve crimes, Anita, not fight each other. I don't know what's eating Dolph, but one of you has to be the grown-up." He smiled. "Yeah. I know things have come to a sorry state when you're the one, but there it is."

  I shook my head and slapped his arm. "You are such a pain in the ass, Zerbrowski."

  "It's good to be appreciated," he said.

  The anger was fading, and with it the spurt of energy. I leaned my head against his shoulder. "Get me outside before I start feeling bad again. I'll go see the second crime scene."

  He put his arm around my shoulders and gave me half a hug. "That's my little federal marshal."

  I raised my head. "Don't push it, Zerbrowski."

  "Can't help myself, sorry."

  I sighed. "You're right, you can't help yourself. Forget I said anything, keep saying witty irritating things as you walk me back to Jason."

  He started me across the room, arm still across my shoulders. "How did you end up with a werewolf stripper as your driver for the day?"

  "Just lucky I guess."

  19

  The second scene was in Chesterfield, which had been a hot address for the up-and-comers before most of the money moved even farther out to Wildwood and beyond. The neighborhood that Jason drove us through was a sharp contrast to the big isolated houses we'd just seen. This was middle-class, middle America, backbone of the nation kind of neighborhood. There are thousands of subdivisions exactly like it. Except in this one, not all the houses were identical. They were still too close together and had a sameness about them, as if a hive mind had designed them all, but some were two-story, some only one, some brick, some not. Only the garage seemed to be the same on all of them, as if the architect wasn't willing to compromise on that one feature.

  There were medium sized trees in the yards, which meant the area was over ten years old. It takes time to grow trees.

  I saw the giant antenna of the news van before I saw the police cars. "Shit."

  "What?" Jason asked.

  "The reporters are already here."

  He glanced up. "How do you know?"

  "Have you never seen a news van with one of those big antennas?"

  "I guess not."

  "Lucky you," I said.

  Probably because of the news van, the police had blocked the street. When someone had time, they'd probably bring up those official-looking sawhorses. Right now they had a police cruiser, a uniformed officer leaning against it, and yellow do-not-cross tape strung from mailbox to mailbox across the entire street.

  There were two local news vans and a handful of print media. You can always tell print, because they have the still cameras and no microphones. Though they will shove tape recorders in your face.

  We had to park about half a block away because of them. When the engine shut off, Jason asked, "How did they hear about it so quickly?"

  "One of the neighbors called it in, or one of the news vans was close for something else. Once something hits the police scanners, the reporters know about it."

  "Why weren't there reporters at the first scene?"

  "The first one was more isolated, harder to get to, and still make your deadline. Or there could be a local celebrity involved here, or it's just better copy."

  "Better copy?" he asked.

  "More sensational." In my own head, I wondered how you could get much more sensational than having someone nailed to their living room wall, but of course, those kinds of details weren't released to the media, not if it could be kept under wraps.

  I undid my seat belt and put a hand on the door handle. "Getting through the press is going to be the first hurdle here. I'm something of a local celebrity now, myself, whether I like it or not."

  "The Master of the City's lady love," Jason said, smiling.

  "I don't think anyone's been that polite," I said, "but, yeah. Though today they'll be more interested in the murder. They'll be asking me questions about that, not Jean-Claude."

  "You seem to be feeling some better," Jason said.

  "I am, not sure why."

  "Maybe whatever caused the bad reaction is fading."

  I nodded. "Maybe."

&
nbsp; "Are we going to get out of the car, or are we going to watch from here?"

  I sighed. "Getting out, getting out."

  Jason opened his door and was around to my side before I could get more than one foot on the ground. Today I let him help me. I was feeling better, but I still wasn't at my best. I'd hate to refuse help and then fall flat on my face. I was really trying to tone down the machismo today. Mine, not Jason's.

  I put my hand on Jason's arm, and we started down the sidewalk towards the crowd. There were lots of people, and most of them weren't reporters. The first murder scene had been isolated, no neighbors close enough to walk out their doors and see the show. But this neighborhood was thick with houses, so we had a crowd.

  I had my badge around my neck on its little cord, I hadn't taken it off from the last scene. Now that I was feeling better, it occurred to me that Jason's arm was in the way if I had to go for the gun under my left arm. I didn't want him on my right side, because that was my gun hand, but even on my left he was in the way, a little at least.

  I was feeling better if I could be worrying this much over my gun. Good to know. Feeling bad sucks, and nausea is one of the great evils of the universe.

  I think because I had Jason on my arm it took the reporters longer to realize who I was, and that we weren't just part of the growing crowd of gawkers. We were actually working our way through the crowd, almost to the yellow tape before one of the reporters spotted me.

  The tape recorder was shoved at me, "Ms. Blake, why are you here, was the murdered woman a vampire victim?"

  Fuck, if I just said, no comment, they'd be printing possible vampire kill all over this one. "I'm called in on a lot of preternaturally related crime, Mr. Miller, isn't it? Not just vampires."

  He was happy I'd remembered his name. Most people love to have you remember their names. "So it wasn't a vampire kill."

  Shit. "I haven't been up to the crime scene yet, Mr. Miller, I don't know any more than you do."

  The reporters closed like a fist around me. There was a big shoulder cam on us now. We'd make the noon news if nothing more exciting happened.

  The questions came from all directions, "Is it a vampire kill? What kind of monster is it? Do you think they'll be more victims?" One woman got in so close that only a death grip on Jason's hand kept us from being separated. "Anita, is this your new boyfriend? Have you dumped Jean-Claude?"

  That a reporter would ask that question with a fresh body only yards away said just how bad the media interest in Jean-Claude's personal life had gotten.

  Once the question was raised, several more asked similar questions. I did not understand why my personal life was more interesting, or even as interesting, as a murder. It made no sense to me.

  If I said Jason was a friend, they'd misconstrue it. If I said he was a bodyguard, they'd plaster the fact that I needed a bodyguard all over the papers. I finally stopped trying to answer questions and held my badge up so the uniformed officer could see it.

  He raised the tape to let us inside and then had to push back the press of bodies that tried to follow us through. We walked towards the house to a hail of questions that I ignored. God knew what they'd do with the few things I'd said. It could be anything from the Executioner says, vampire attack, to the Executioner says not a vampire, to my love life. I'd stopped reading the papers, or watching the news, if I thought I might be on. First I hate to watch myself on a moving camera. Second, it always pissed me off. I was not free to discuss an ongoing police investigation, no one was, so the press were left to speculate on what few facts they had. And if Jean-Claude and our love life was the topic of choice, I never wanted to see, or read the coverage.

  For some reason being caught in the media feeding frenzy had made me feel shaky again. Not as bad as earlier, but not as good as I'd felt when I first got out of the Jeep. Great, just great.

  There were fewer cops here, and most of them were faces I recognized, members of RPIT. No one questioned my right to be at the scene, or Jason's presence. They trusted me. The uniform on the door looked pale, his dark eyes flashing too much white. "Lieutenant Storr is expecting you, Ms. Blake." I didn't correct the title to marshal. Marshal Blake made me feel like I should have been guest-starring on Gunsmoke.

  The uniform opened the door for us because he was wearing rubber gloves. I'd left my crime scene kit at home, because when I raised a zombie for the higher-end clients, Bert liked me to not be covered in a baggy overall. He said it didn't look professional. Once he'd agreed to reimburse me for all dry cleaning incurred from this little rule, I'd agreed.

  I told Jason, "Don't touch anything until I get us some gloves."

  "Gloves?"

  "Surgical gloves, that way if they find a latent print, they won't get all excited and then find out it was yours, or mine."

  We were standing in a narrow entryway with stairs leading straight up from the door, a living room to the left, and an opening to the right that led into what looked like a dining room. There was an opening beyond that where I caught a glimpse of countertop and sink.

  I couldn't see the color scheme clearly because I was still wearing sunglasses. I debated whether taking them off would make the headache come back. I slipped them off, slowly. I was left blinking painfully, but after a few seconds, it was okay. If I could stay out of direct sunlight I'd probably be all right.

  It was Detective Merlioni who walked into the living room and saw us first. "Blake, thought you'd chickened out."

  I looked up at the tall man with his curling gray hair cut short. The neck of his white long-sleeved shirt was unbuttoned, his tie tugged down crooked, as if he'd loosened everything without caring what it looked like. Merlioni hated ties, but he usually tried to be neater than this.

  "It must be a bad one," I said.

  He frowned at me. "What makes you say that?"

  "You've tugged your tie all crooked like you needed air, and you haven't called me girlie or chickie, yet."

  He grinned flashing white teeth. "It's early days, chickie."

  I shook my head. "Do you have some gloves we can borrow? I wasn't expecting to do a crime scene today."

  He glanced at Jason then, as if seeing him for the first time, but I knew he'd seen him. Cops see almost everything around a crime scene. "Who's this?"

  "My driver for the day."

  He raised eyebrows at that. "Driver, woo-woo, coming up in the world."

  I frowned at him. "Dolph knew I was too shaky to drive, so he gave me permission to bring a driver with me. If there weren't enough press outside to cover an entire city block I'd have had him leave me at the door, but I don't want him going back out in that. They'll never believe he's not involved in the investigation."

  Merlioni stepped to the big picture window in the living room and lifted the edge of the drape enough to peek out. "They are damned persistent today."

  "How'd they get here so quick?"

  "Neighbor called them probably. Everyone wants to be on fucking television these days." He turned back to us. "What's your driver's name?"

  "Jason Schulyer."

  He shook his head. "Name doesn't mean anything to me."

  "I don't know who you are either," Jason said, with a smile.

  I frowned. "You know Merlioni, I don't know your first name. I can't introduce you."

  He flashed those pearly whites at me. "Rob, Rob Merlioni."

  "You don't look like a Rob."

  "My mama doesn't think so either, she's always after me—Roberto, I give you such a nice name, you should use it."

  "Roberto Merlioni, I like it." I introduced them more formally than I think I'd ever introduced anyone to anyone at a crime scene. Merlioni was stalling, he didn't want to go back inside.

  "There's a box of gloves in the kitchen, on the counter, help yourself. I'm going outside for a smoke."

  "I didn't know you smoked," I said.

  "I just started." He looked at me, and his eyes were haunted. "I've seen worse, Blake, hell we've waded
through worse together, you and me, but I'm tired today. Maybe I'm gettin' old."

  "Not you, Merlioni, never you."

  He smiled, but not like he meant it. "I'll be back in a few." Then the smile widened. "Don't let Dolph know I didn't make your driver wait outside."

  "Mum's the word," I said.

  He went out, closing the door softly behind him. The house was very quiet, only the rushing hush of the air conditioning. It was too quiet for a fresh murder scene, and too still. There should have been people all over the place. Instead we stood in the small entryway in a well of silence so thick you could almost hear the blood in your own ears, thrumming, filling the silence with something, anything.

  The hair at the back of my neck stood at attention, and I turned to Jason. He was standing there in his baby blue T-shirt, his peaceful face behind the mirrored shades, but the energy trickled off of him, raised the skin along my arms in a nervous creep.

  He looked so harmless, pleasant. But if you had the ability to sense what he was, he was suddenly not harmless, or pleasant.

  "What's with you?" I whispered.

  "Don't you smell it?" his voice was a hoarse whisper.

  "Smell what?"

  "Meat, blood."

  Shit. "No," I said, but of course his creeping energy along my skin raised my own beast, like a ghost in my gut. That phantom shape stretched inside me like some great cat waking from a long nap, and I did smell it. Not just blood, Jason was right, meat. Blood smells sort of sweet and metallic like old pennies, or nickels, but a lot of blood smells like hamburger. You know it's going to be bad, really bad, when a human being is reduced to the smell of so much ground meat.

  My head lifted, and I sniffed the air, drew in a great breath of air and tested it. My foot was on the bottom step of the stairs before I came to myself. "It's upstairs." I whispered it.

  "Yes," Jason said, and there was the thinnest edge of growl to his voice. If someone didn't know what they were listening to, they'd have thought his voice was just deeper than normal. But I knew what I was hearing.

  "What's happening?" I asked, and I was still whispering, I think because I didn't want to be overheard. Maybe that was why Jason was whispering, or maybe not. I didn't ask. If he was fighting the urge to run upstairs and roll around in the murder scene, I did not want to know.