Joseph J. Ellis
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The committee convened shortly after it was appointed on June 11. (Besides Adams and Jefferson, it included Benjamin Franklin, Robert Livingston and Roger Sherman.) The rest of the committee delegated the drafting to Adams and Jefferson. At this point one can reasonably ask why Adams did not write it himself. This was a question Adams raised with himself countless times over the ensuing years, as the significance of the Declaration grew in the popular imagination and Jefferson’s authorship became his major ticket into the American pantheon. In his autobiography Adams recalled that he delegated the task to Jefferson for several reasons, among them his sense that his own prominence as a leader of the radical faction in Congress for the past two years would subject the draft to greater scrutiny and criticism. But such latter-day recollections only tend to obscure the more elemental fact that no one at the time regarded the drafting of the Declaration as a major responsibility or honor. Adams, like Lee, would be needed to lead the debate on the floor. That was considered the crucial arena. Jefferson was asked to draft the Declaration of Independence, then, in great part because the other eligible authors had more important things to do.47
Context is absolutely crucial. For all intents and purposes, the decision to declare independence had already been made. Thomas Paine’s Common Sense, published in January, had swept through the colonies like a firestorm, destroying any final vestige of loyalty to the British crown. In May the Congress had charged each colony to draft new state constitutions, an explicit act of political independence that Adams always regarded as the decisive move. Most important, the war itself had been raging for more than a year. The bulk of the Congress’s time in fact was occupied with wartime planning and military decisions, as the British fleet was sighted off the coasts of New York and South Carolina and an American expeditionary force to Canada met with humiliating defeat. (One more debacle or major military blunder, and the American war for independence might have been over before the delegates in Philadelphia got around to declaring it started.) Nothing about the scene permitted much confidence or the opportunity to be contemplative. It did not seem to be a propitious moment for literary craftsmanship.
But whether they knew it or not—and there was no earthly way they could have known—the members of the Continental Congress had placed the ideal instrument in the perfect position at precisely the right moment. Throughout the remainder of his long career Jefferson never again experienced a challenge better suited to call forth his best creative energies. The work had to be done alone, isolated from the public debates. It needed to possess an elevated quality that linked American independence to grand and great forces that transcended the immediate political crisis and swept the imagination upward toward a purer and more principled world. Finally, it needed to paint the scene in bright, contrasting colors of truth and falsehood, right and wrong, “ought” and “is” without any of the intermediate hues or lingering doubts. It is difficult to imagine anyone in America better equipped, by disposition and experience, to perform the task as well.
Jefferson wrote the Declaration of Independence in a matter of a few days—Adams later remembered it took him only “a day or two”—and then showed the draft to Adams and Franklin, later recalling that “they were the two members of whose judgments and amendments I wished most to have the benefit.” They suggested a few minor revisions (i.e., replacing “sacred & undeniable truths” with “self-evident truths”); then the committee placed the document before the Continental Congress on June 28. After Lee’s resolution was debated and passed (July 1–2), the Congress took up the wording of the Declaration; it made several major changes and excised about one-quarter of the text. During the debate Jefferson sat silently and sullenly, regarding each proposed revision as another defacement. Franklin sat next to him and tried to soothe his obvious pain with the story of a sign painter commissioned by a hatter, who kept requesting more concise language for his sign until nothing was left on the sign but a picture of a hat. On July 4 the Congress approved its revised version and the Declaration of Independence was sent to the printer for publication. Jefferson later recalled that it was signed by the members of Congress on that day, but that is almost surely not correct. The parchment copy was signed by most members on August 2.48
Most of the debate in the Congress and most of the revisions of Jefferson’s draft of the Declaration focused on the long bill of indictment against George III, the section that modern readers care about least. When Jefferson much later insisted that he was not striving for “originality of principle or sentiment” but was seeking only to provide an “expression of the American mind,” he was probably referring to this section, which was intended to sum up the past twelve years of colonial opposition to British policy in language designed to make the king responsible for all the trouble. Jefferson had been practicing this list of grievances for more than two years, first in Summary View, then in Causes and Necessities and then in his drafts of the Virginia constitution. “I expected you had… exhausted the Subject of Complaint against Geo. 3d. and was at a loss to discover what the Congress would do for one to their Declaration of Independence without copying,” wrote Edmund Pendleton when he first saw the official version, “but find that you have acquitted yourselves very well on that score.”49
As an elegant, if decidedly one-sided, version of recent Anglo-American history, this section of the Declaration has certainly stood the test of time, providing students of the American Revolution with a concise summary of the constitutional crisis from the colonists’ perspective at the propitious moment. As a reflection of Jefferson’s thinking, however, it is missing three distinctive and distinctively Jeffersonian perspectives on the conflict. When Jefferson wrote back to friends in Virginia, complaining that critics in the Congress had, as one friend put it, “mangled… the Manuscript,” these were the three major revisions he most regretted.50
First, as we noticed earlier, the Congress deleted the long passage blaming George III for waging “cruel war against human nature itself” by establishing slavery in North America; Jefferson also accused the king of blocking colonial efforts to end the slave trade, then “exciting those very people to rise in arms against us… by murdering the people on whom he has also obtruded them.” Several complicated and even tortured ideas are struggling for supremacy here. One can surmise that the members of Congress decided to delete it out of sheer bewilderment, since the passage mixes together an implicit moral condemnation of slavery with an explicit condemnation of the British monarch for both starting it and trying to end it.
In his own notes on the debate in Congress Jefferson claimed that the opposition was wholly political. Several southern delegations, especially those of South Carolina and Georgia, opposed any restraint on the importation of slaves, he reported, adding that their “Northern brethren also I believe felt a little tender under those censures; for tho’ their people have very few slaves themselves, yet they had been pretty considerable carriers of them to others.” Jefferson’s clear implication is that he was trying to take a principled stand against both slavery and the slave trade but that a majority of delegates were unprepared to go along with him.51
The truth was much messier. With regard to the trade, Jefferson knew from his experience in the House of Burgesses that many established slaveowners in the Tidewater region favored an end of imports because their own plantations were already well stocked and new arrivals only reduced the value of their own slave populations. Ending the trade in Virginia, in short, was not at all synonymous with ending slavery. With regard to slavery itself, Jefferson’s formulation made great polemic sense but historical and intellectual nonsense. It absolved slaveowners like himself from any responsibility or complicity in the establishment of an institution that was clearly at odds with the values on which the newly independent America was based. Slavery was another one of those vestiges of feudalism foisted upon the liberty-loving colonists by the evil heir to the Norman Conquest. This was complete fiction, of course, but also completely in a
ccord with Jefferson’s urge to preserve the purity of his moral dichotomies and his romantic view of America’s uncontaminated origins. Slavery was the serpent in the garden sent there by a satanic king. But the moral message conveyed by this depiction was not emancipation so much as commiseration. Since the colonists had nothing to do with establishing slavery—they were the unfortunate victims of English barbarism—they could not be blamed for its continuance. This was less a clarion call to end slavery than an invitation to wash one’s hands of the matter.52
Second, Jefferson tried once again, as he had tried before in Causes and Necessities, to insert his favorite theory of expatriation, claiming that the first settlers came over at their own expense and initiative “unassisted by the wealth or the strength of Great Britain.” His obsessive insistence on this theme derived from his devotion to the Saxon myth, which allowed for the neat separation of Whiggish colonists and feudal or absolutist English ministers. The tangled history of imperial relations did not fit very well into these political categories, but Jefferson found it much easier to revise the history (i.e., claiming there had never been any colonial recognition of royal or parliamentary authority) than give up his moral dichotomies. Once again his colleagues in the Continental Congress found his argument excessive.53
Third, the last excision came toward the very end of Jefferson’s draft. It was a rousingly emotional passage with decidedly sentimental overtones that condemned “our British brethren” for sending over “not only souldiers of our common blood, but Scotch & foreign mercenaries to invade and destroy us.” It went on: “These facts have given the last stab to agonizing affection, and manly spirit bids us to renounce for ever these unfeeling brethren. We must endeavor to forget our former love for them, and to hold them as we hold the rest of mankind, enemies in war, in peace friends; but a communication of grandeur & of freedom it seems is below their dignity. Be it so, since they will have it. The road to happiness & to glory is open to us too. We will tread it apart from them… .” This was a remarkable piece of rhetoric that Jefferson apparently regarded as one of his better creations. Even at the end of his life he was bitter about its deletion. “The pusillanimous idea that we had friends in England worth keeping terms with, still haunted the minds of many,” he recalled, and therefore “those passages which conveyed censures on the people of England were struck out, lest they should give them offence.”54
What strikes the modern reader is not the timidity of the Continental Congress for excising the passage so much as the melodramatic sentimentalism of Jefferson in composing it. As with the expatriation theory, Jefferson was anxious to depict the separation of the colonies from the British Empire as a decision forced upon the colonists, who are passive victims rather than active agents of revolution. But here the broken bonds are more affective than political. A relationship based on love and trust has been violated, and the betrayed partner, the colonists, is bravely moving forward in life, wounded by the rejection but ready to face alone a glorious future that might otherwise have been shared together. This is a highly idealized and starkly sentimental rendering of how and why emotional separations happen, a projection onto the imperial crisis of the romantic innocence Jefferson had displayed in his adolescent encounters with young women, an all-or-nothing-at-all mentality that the other delegates found inappropriate for a state paper purporting to convey more sense than sensibility.
AMERICAN CREED, AMERICAN DREAM
THE MOST FAMOUS section of the Declaration, which has become the most quoted statement of human rights in recorded history as well as the most eloquent justification of revolution on behalf of them, went through the Continental Congress without comment and with only one very minor change. These are, in all probability, the best-known fifty-eight words in American history: “We hold these truths to be self evident; that all men are created equal; that they are endowed by their Creator with certain [inherent and] inalienable Rights; that among these are life, liberty & the pursuit of happiness; that to secure these rights, governments are instituted among men, deriving their just powers from the consent of the governed.” This is the seminal statement of the American Creed, the closest approximation to political poetry every produced in American culture. In the nineteenth century Abraham Lincoln, who also knew how to change history with words, articulated with characteristic eloquence the quasi-religious view of Jefferson as the original American oracle: “All honor to Jefferson—to the man who, in the concrete pressure of a struggle for national independence by a single people, had the coolness, forecaste, and capacity to introduce into a merely revolutionary document, an abstract truth, and so to embalm it there, that today and in all coming days, it shall be a rebuke and a stumbling block to the very harbingers of reappearing tyranny and oppression.” The entire history of liberal reform in America can be written as a process of discovery, within Jefferson’s words, of a spiritually sanctioned mandate for ending slavery, providing the rights of citizenship to blacks and women, justifying welfare programs for the poor and expanding individual freedoms.55
No serious student of either Jefferson or the Declaration of Independence has ever claimed that he foresaw all or even most of the ideological consequences of what he wrote. But the effort to explain what was in his head has spawned almost as many interpretations as the words themselves have generated political movements. Jefferson himself was accused of plagiarism by enemies or jealous friends on so many occasions throughout his career that he developed a standard reply. “Neither aiming at originality of principle or sentiment, nor yet copied from any particular and previous writing,” he explained, he drew his ideas from “the harmonizing sentiments of the day, whether expressed in letters, printed essays or in the elementary books of public right, as Aristotle, Cicero, Locke, Sidney, etc.”56
This is an ingeniously double-edged explanation, for it simultaneously disavows any claims to originality and yet insists that he depended upon no specific texts or sources. The image it conjures up is that of a medium, sitting alone at the writing desk and making himself into an instrument for the accumulated wisdom and “harmonizing sentiments” of the ages. It is only a short step from this image to Lincoln’s vision of Jefferson as oracle or prophet, receiving the message from the gods and sending it on to us and then to the ages. Given the creedal character of the natural rights section of the Declaration, several generations of American interpreters have felt the irresistible impulse to bathe the scene in speckled light and cloudy mist, thereby implying that efforts to dispel the veil of mystery represent some vague combination of sacrilege and treason.
Any serious attempt to pierce through this veil must begin by recovering the specific conditions inside that room on Market and Seventh streets in June 1776. Even if we take Jefferson at his word, that he did not copy sections of the Declaration from any particular books, he almost surely had with him copies of his own previous writings, to include Summary View, Causes and Necessities and his three drafts of the Virginia constitution. This is not to accuse him of plagiarism, unless one wishes to argue that an author can plagiarize himself. It is to say that virtually all the ideas found in the Declaration and much of the specific language, especially the grievances against George III, had already found expression in those earlier writings.
Recall the context. The Congress is being overwhelmed with military reports of imminent American defeat in New York and Canada. The full Congress is in session six days a week, and committees are meeting throughout the evenings. The obvious practical course for Jefferson to take was to rework his previous drafts on the same general theme. While it seems almost sacrilegious to suggest that the creative process that produced the Declaration was a cut-and-paste job, it strains credulity and common sense to the breaking point to believe that Jefferson did not have these items at his elbow and draw liberally from them when drafting the Declaration.
His obvious preoccupation with the ongoing events at the Virginia convention, which was drafting the Virginia constitution at just this time,
is also crucial to remember. Throughout late May and early June couriers moved back and forth between Williamsburg and Philadelphia, carrying Jefferson’s drafts for a new constitution to the convention and reports on the debate there to the Continental Congress. On June 12 the Virginians unanimously adopted a preamble drafted by George Mason that contained these words: “All men are created equally free and independent and have certain inherent and natural rights… , among which are the enjoyment of life and liberty, with the means of acquiring and possessing property, and pursuing and obtaining happiness and safety.” The Pennsylvania Gazette published Mason’s words the same day they were adopted in Williamsburg. Since Jefferson’s version of the same thought was drafted sometime that following week, and since we know that he regarded the unfolding events in Virginia as more significant than what was occurring in Philadelphia and that he was being kept abreast by courier, it also strains credulity to deny the influence of Mason’s language on his own.57
While that explains the felicitous phrase “pursuit of happiness,” which Mason himself could have picked up from several English and American sources, it does not explain Jefferson’s much-debated deletion of “property,” the conventional third right memorialized in Locke’s Second Treatise on Government. He made that choice on his own. He was probably aware that Mason’s language had generated spirited opposition from a segment of the planter class in Virginia who worried that it implied a repudiation of slavery; they insisted on an amendment that excluded slaves by adding the qualifying clause “when they enter into a state of society.” All this suggests that Jefferson was probably aware of the contradiction between his own version of the natural rights philosophy and the institution of slavery. By dropping any reference to “property” he blurred that contradiction. This helps answer the intriguing question of why no debate over the issue occurred in the Continental Congress, as it did in the Virginia convention. Perhaps the debate over the slave trade provision also served that purpose.58