V.

by Thomas Pynchon

  Himself, he could have been happy in that new corporative life; could have made a career out of construction work, except for one of his concubines, a Hereto child named Sarah. She brought his discontent to a focus; perhaps even became one reason finally why he quit it all and headed inland to try to regain a little of the luxury and abundance that had vanished (he feared) with von Trotha.

  He found her first a mile out in the Atlantic, on a breakwater they were building of sleek dark rocks that the women carried out by hand, deep-sixed and slowly, painfully stacked into a tentacle crawling along the sea. That day gray sheets were tacked to the sky, and a black cloud remained all day at the western horizon. It was her eyes he saw first, whites reflecting something of the sea’s slow turbulence; then her back, beaded with old sjambok scars. He supposed it was simple lust that made him go over and motion to her to put down the rock she’d begun to lift: scribble and give her a note for her compound supervisor. “Give it to him,” he warned her, “or—” and he made the sjambok whistle in the salt wind. In earlier days you hadn’t had to warn them: somehow, because of that “operational sympathy,” they always delivered notes, even when they knew the note might well be a death warrant.

  She looked at the chit, then at him. Clouds moved across those eyes; whether reflected or transmitted he’d never know. Brine slapped at their feet, carrion birds wheeled in the sky. The breakwater stretched behind them back to land and safety; but it could take only a word; any, the most inconsequential, to implant in each of them the perverse notion that their own path lay the other way, on the invisible mole not yet built; as if the sea were pavement for them, as for our Redeemer.

  Here was another like the woman pinned under the rail, another piece of those soldiering days. He knew he didn’t want to share this girl; he was feeling again the pleasure of making a choice whose consequences, even the most terrible, he could ignore.

  He asked her name, she answered Sarah, eyes never having left him. A squall, cold as Antarctica, came rushing across the water, drenched them, continued on toward the north, though it would die without ever seeing the Congo’s mouth or the Bight of Benin. She shivered, his hand in apparent reflex went to touch her but she avoided it and stooped to pick up the rock. He tapped her lightly on the rear with his sjambok and the moment, whatever it had meant, was over.

  That night she didn’t come. Next morning he caught her on the breakwater, made her kneel, placed his boot on her nape and pushed her head under the sea until his sense of timing told him to let her up for air. He noticed then how long and snakelike her thighs were; how clearly the musculature of her hips stood under the skin, skin with a certain glow, but finely striated because of her long fast in the bush. That day he’d sjambok her on any least pretense. At dusk he wrote out another chit and handed it to her. “You have an hour.” She watched him, nothing about her at all of the animal he’d seen in other nigger women. Only eyes giving back the red sun, and the white stalks of fog that had already begun to rise off the water.

  He didn’t eat supper. He waited alone in his house near the barbed-wire compound, listening to the drunks selecting their mates for the night. He couldn’t stay off his feet and perhaps he’d caught a chill. The hour passed; she didn’t come. He walked out without a coat into low clouds and made his way to her thorn compound. It was pitch-black out. Wet gusts slapped his cheeks, he stumbled. Once at the enclosure he took up a torch and went looking for her. Perhaps they thought he was mad, perhaps he was. He didn’t know how long he looked. He couldn’t find her. They all looked alike.

  The next morning she appeared as usual. He chose two strong women, bent her back over a rock and while they held her he first sjamboked, then took her. She lay in a cold rigor; and when it was over he was astonished to find that at some point during it the women had, like good-natured duennas, released her and gone about their morning’s labor.

  And that night, long after he’d turned in, she came to his house and slid into the bed next to him. Woman’s perversity! She was his.

  Yet how long could he have had her to himself? During the day he manacled her to the bed, and he continued to use the woman-pool at night so he wouldn’t arouse suspicion. Sarah might have cooked, cleaned, comforted, been the closest thing to a wife he’d ever had. But on that foggy, sweating, sterile coast there were no owners, nothing owned. Community may have been the only solution possible against such an assertion of the Inanimate. Soon enough his neighbor the pederast had discovered her and become enchanted. He requested Sarah; this was answered by the lie that she’d come from the pool and the pederast could wait his turn. But it could only get them a reprieve. The neighbor visited his house during the day, found her manacled and helpless, took her his own way and then decided, like a thoughtful sergeant, to share this good fortune with his platoon. Between noon and suppertime, as the fog’s glare shifted in the sky, they took out an abnormal distribution of sexual preferences on her, poor Sarah, “his” Sarah only in a way that poisonous strand could never support.

  He came home to find her drooling, her eyes drained for good of all weather. Not thinking, probably not having taken it all in, he unlocked her shackles and it was as if like a spring she’d been storing the additive force that convivial platoon had expended in amusing themselves; for with an incredible strength she broke out of his embrace and fled, and that was how he saw her, alive, for the last time.

  The next day her body was washed up on the beach. She had perished in a sea they would perhaps never succeed in calming any part of. Jackals had eaten her breasts. It seemed then that something had at last been brought to consummation since his arrival centuries ago on the troop ship Habicht, that had only as obviousness and immediacy to do with the sergeant-pederast’s preference as to women or that old bubonic plague injection. If it were parable (which he doubted) it probably went to illustrate the progress of appetite or evolution of indulgence, both in a direction he found unpleasant to contemplate. If a season like the Great Rebellion ever came to him again, he feared, it could never be in that same personal, random array of picaresque acts he was to recall and celebrate in later years at best furious and nostalgic; but rather with a logic that chilled the comfortable perversity of the heart, that substituted capability for character, deliberate scheme for political epiphany (so incomparably African); and for Sarah, the sjambok, the dances of death between Warmbad and Keetmanshoop, the taut haunches of his Firelily, the black corpse impaled on a thorn tree in a river swollen with sudden rain, for these the dearest canvases in his soul’s gallery, it was to substitute the bleak, abstracted and for him rather meaningless hanging on which he now turned his back, but which was to backdrop his retreat until he reached the Other Wall, the engineering design for a world he knew with numb leeriness nothing could now keep from becoming reality, a world whose full despair he, at the vantage of eighteen years later, couldn’t even find adequate parables for, but a design whose first fumbling sketches he thought must have been done the year after Jacob Marengo died, on that terrible coast, where the beach between Lüderitzbucht and the cemetery was actually littered each morning with a score of identical female corpses, an agglomeration no more substantial-looking than seaweed against the unhealthy yellow sand; where the soul’s passage was more a mass migration across that choppy fetch of Atlantic the wind never left alone, from an island of low cloud, like an anchored prison ship, to simple integration with the unimaginable mass of their continent; where the single line of track still edged toward a Keetmanshoop that could in no conceivable iconology be any part of the Kingdom of Death; where, finally, humanity was reduced, out of a necessity which in his loonier moments he could almost believe was only Deutsch-Südwest-afrika’s (actually he knew better), out of a confrontation the young of one’s contemporaries, God help them, had yet to make, humanity was reduced to a nervous, disquieted, forever inadequate but indissoluble Popular Front against deceptively unpolitical and apparently minor enemies, enemies
that would be with him to the grave: a sun with no shape, a beach alien as the moon’s antarctic, restless concubines in barbed wire, salt mists, alkaline earth, the Benguela Current that would never cease bringing sand to raise the harbor floor, the inertia of rock, the frailty of flesh, the structural unreliability of thorns; the unheard whimper of a dying woman; the frightening but necessary cry of the strand wolf in the fog.

  IV

  “Kurt, why do you never kiss me anymore?”

  “How long have I been sleeping,” he wanted to know. Heavy blue drapes had at some point been drawn across the window.

  “It’s night.”

  He grew aware of an absence in the room: located this eventually as an absence of background noise from the loudspeaker, and was off the bed and tottering toward his receivers before realizing he’d recovered enough to be walking at all. His mouth tasted vile but his joints no longer ached, gums no longer felt as sore or spongy. The purple spots on his legs had gone.

  Hedwig giggled. “They made you look like a hyena.”

  The mirror had nothing encouraging to show him. He batted his eyes at himself and the lashes of the left one promptly stuck together.

  “Don’t squint, darling.” She had a toe pointed toward the ceiling and was adjusting a stocking. Mondaugen leered at her crookedly and began trouble-shooting his equipment. Behind him he heard someone enter the room and Hedwig begin to moan. Chains tinkled in the heavy sickroom air, something whistled and impacted with a loud report against what might have been flesh. Satin tore, silk hissed, French heels beat a tattoo against the parquetry. Had the scurvy changed him from voyeur to écouteur, or was it deeper and part of a general change of heart? The trouble was a burned-out tube in the power amplifier. He replaced it with a spare and turned and saw that Hedwig had vanished.

  Mondaugen stayed alone in the turret for a few dozen visitations from the sferics, this being the only link remaining with the kind of time that continued to pass outside Foppl’s. He was awakened from a light sleep by the sound of explosions to the east. When he finally decided to climb out the stained-glass window to investigate, he found that everyone had rushed to the roof. A battle, a real one, was in progress across the ravine. Such was their elevation that they could see everything spread out in panorama, as if for their amusement. A small group of Bondels huddled among some rocks: men, women, children and a few starved-looking goats. Hedwig inched her way across the roof’s shallow slope to Mondaugen and held his hand. “How exciting,” she whispered, eyes huger than he’d ever seen them, blood crusted on her wrists and ankles. Declining sunlight stained the bodies of the Bondels to a certain orange. Thin wisps of cirrus floated diaphanous in a late afternoon sky. But soon the sun had turned them blinding white.

  Surrounding the besieged Bondels, in a ragged noose, were whites, closing, mostly volunteer except for a cadre of Union officers and non-coms. They exchanged occasional gunfire with the natives, who seemed to have only half-a-dozen rifles among them. Doubtless there were human voices down there, uttering cries of command, triumph, pain; but at this distance only the tiny pop-pop of gunshots could be heard. To one side was a singed area, streaked with the gray of pulverized rock and littered with bodies and parts of bodies which had once belonged to Bondels.

  “Bombs,” Foppl commented. “That’s what woke us up.” Someone had come up from below with wine and glasses, and cigars. The accordionist had brought his instrument, but after a few bars was silenced: no one on the roof wanted to miss any sound of death that should reach them. They leaned toward the battle: cords of the neck drawn tense, eyes sleep-puffed, hair in disarray and dotted with dandruff, fingers with dirty nails clutching like talons the sun-reddened stems of their wine goblets; lips blackened with yesterday’s wine, nicotine, blood and drawn back from the tartared teeth so that the original hue only showed in cracks. Aging women shifted their legs frequently, makeup they’d not cleaned away clinging in blotches to pore-riddled cheeks.

  Over the horizon from the direction of the Union came two biplanes, flying low and lazy, like birds wandered away from a flock. “That’s where the bombs came from,” announced Foppl to his company. So excited now that he slopped wine on the roof. Mondaugen watched it flow in twin streams all the way to the eaves. It reminded him somehow of his first morning at Foppl’s, and the two streaks of blood (when had he begun to call it blood?) in the courtyard. A kite lit lower down on the roof and began to peck at the wine. Soon it took wing again. When had he begun to call it blood?

  The planes looked as if they would come no nearer, only hang forever in the sky. The sun was going down. The clouds had been blown terribly thin, and begun to glow red, and seemed to ribbon the sky its entire length, filmy and splendid, as if it were they that held it all together. One of the Bondels suddenly appeared to run amok: stood upright, waving a spear, and began to run toward the nearest part of the advancing cordon. The whites there bunched together and fired at him in a flurry of pops, echoed by the pop of corks on Foppl’s roof. He had almost reached them before he fell.

  Now the planes could be heard: a snarling, intermittent sound. They swooped clumsy in a dive toward the Bondelswaartz position: the sun caught suddenly the three canisters dropped from each, turned them to six drops of orange fire. They seemed to take a century to fall. But soon, two bracketing the rocks, two among the Bondels and two in the area where the corpses lay, there bloomed at last six explosions, sending earth, stone and flesh cascading toward the nearly black sky with its scarlet overlay of cloud. Seconds later the loud, coughing blasts, overlapping, reached the roof. How the watchers cheered. The cordon moved rapidly then, through what was now a pall of thin smoke, killing the still-active and wounded, sending bullets into corpses, into women and children, even into the one goat that had survived. Then abruptly the crescendo of cork-pops ceased and night fell. And after a few minutes someone lit a campfire out on the battlefield. The watchers on the roof retired inside for a night of more than usually riotous celebration.

  Had a new phase of the siege party begun with that dusk’s intrusion from the present year, 1922, or was the change internal and Mondaugen’s: a shift in the configuration of sights and sounds he was now filtering out, choosing not to notice? No way to tell; no one to say. Whatever it arose from, health returning or simple impatience with the hermetic, he was starting to feel those first tentative glandular pressures that one day develop into moral outrage. At least he was to experience a for him rare Achphenomenon: the discovery that his voyeurism had been determined purely by events seen, and not by any deliberate choice, or preexisting set of personal psychic needs.

  No one saw any more battles. From time to time a body of horse-soldiers might be noted in the distance, tearing desperate across the plateau, raising a little dust; there would be explosions, miles away in the direction of the Karas mountains. And they heard a Bondel one night, lost in the dark, scream the name of Abraham Morris as he stumbled and fell into a ravine. In the last weeks of Mondaugen’s stay everyone remained in the house, getting only a few hours’ sleep per twenty-four-hour period. Easily a third of their number were bedridden: several, besides Foppl’s Bondels, had died. It had become an amusement to visit an invalid each night to feed him wine and arouse him sexually.

  Mondaugen remained up in his turret, working diligently at his code, taking occasional breaks to stand out alone on the roof and wonder if he would ever escape a curse that seemed to have been put on him one Fasching: to become surrounded by decadence no matter what exotic region, north or south, he wandered into. It couldn’t be only Munich, he decided at some point: nor even the fact of economic depression. This was a soul-depression which must surely infest Europe as it infested this house.

  One night he was awakened by a disheveled Weissmann, who could scarcely stand still for excitement. “Look, look,” he cried, waving a sheet of paper under Mondaugen’s slowly blinking eyes. Mondaugen read:

 
DIGEWOELDTIMSTEALALENSWTASNDEURFUALRLIKST

  “So,” he yawned.

  “It’s your code. I’ve broken it. See: I remove every third letter and obtain: GODMEANTNUURK. This rearranged spells Kurt Mondaugen.”

  “Well, then,” Mondaugen snarled. “And who the hell told you you could read my mail.”

  “The remainder of the message,” Weissmann continued, “now reads: DIEWELTISTALLESWASDERFALLIST.”

  “The world is all that the case is,” Mondaugen said. “I’ve heard that somewhere before.” A smile began to spread. “Weissmann, for shame. Resign your commission, you’re in the wrong line of work. You’d make a fine engineer: you’ve been finagling.”

  “I swear,” Weissmann protested, hurt.

  Later on, finding the turret oppressive, Mondaugen exited through the window and wandered the gables, corridors and stairways of the villa till the moon was down. Early in the morning, with only the nacreous beginnings of a dawn visible out over the Kalahari, he came around a brick wall and entered a small hopyard. Hanging over the rows, each wrist attached to a different stringing-wire, feet dangling over young hops already sick with downy mildew, was another Bondel, perhaps Foppl’s last. Below, dancing about the body and flicking its buttocks with a sjambok, was old Godolphin. Vera Meroving stood by his side and they appeared to have exchanged clothing. Godolphin, keeping time with the sjambok, launched quaveringly into a reprise of “Down by the Summertime Sea.”

  Mondaugen this time withdrew, preferring at last neither to watch nor to listen. Instead he returned to the turret and gathered up his log books, oscillograms and a small knapsack of clothing and toilet articles. He sneaked downstairs and went out by a French window; located a long plank at the rear of the house and dragged it to the ravine. Foppl and guests had been somehow alerted to his departure. They crowded the windows; some sat out on the balconies and roof, some came to the veranda to watch. With a final grunt Mondaugen dropped the plank across a narrow part of the ravine. As he was working his way gingerly across, trying not to look down at the tiny stream two hundred feet below, the accordion began a slow sad tango, as if piping him ashore. This soon modulated into a rousing valediction, which they all sang in chorus: