Paper

by Ian Sansom

  Hughes, Sukey, Washi: The World of Japanese Paper (Tokyo: Kodansha International, 1978).

  Klotz, Heinrich, ed., Paper Architecture: New Projects from the Soviet Union (New York: Rizzoli, 1990).

  Krasny, Elke, The Force Is in the Mind: The Making of Architecture (Basel: Birkhäuser, 2008).

  Lynn, Greg, Animate Form (New York: Princeton Architectural Press, rev. edn., 2011).

  Neuman, Eckhard, ed., Bauhaus and Bauhaus People: Personal Opinions and Recollections of Former Bauhaus Members and Their Contemporaries, trans. Eva Richter and Alba Norman (New York: Van Nostrand Reinhold, 1970).

  Robbins, Edward, Why Architects Draw (Cambridge, Mass.: MIT Press, 1994).

  Steegmuller, Francis, Flaubert and Madame Bovary: A Double Portrait (London: Robert Hale, 1939).

  Sugden, A.V., and J.L. Edmondson, A History of English Wallpaper 1509–1914 (London: Batsford, 1925).

  Tanizaki, Junichirō, In Praise of Shadows (1933–34), trans. Thomas J. Harper and Edward G. Seidensticker (London: Jonathan Cape, 1991).

  Toller, Jane, Papier-mâché in Great Britain and America (London: G. Bell & Sons, 1962).

  Vitruvius, Ten Books on Architecture, trans. Morris Hicky Morgan (Cambridge, Mass.: Harvard University Press, 1914).

  Whorton, James C., The Arsenic Century: How Victorian Britain Was Poisoned at Home, Work, and Play (Oxford: Oxford University Press, 2010).

  Wick, Rainer K., Teaching at the Bauhaus (Ostfildern-Ruit: Hatje Cantz, 2000).

  Wolfe, Tom, From Bahaus to Our House (New York: Farrar, Straus & Giroux, 1981).

  8: THE SECRET IS THE PAPER

  Baldassari, Anne, Picasso Working on Paper, trans. George Collins (London: Merrell, 2000).

  Barr, Alfred H., Matisse: His Art and His Public (New York: Museum of Modern Art, 1951).

  Bashō, On Love and Barley—Haiku of Bashō, trans. Lucien Stryk (Harmondsworth: Penguin, 1985).

  Berger, John, The Success and Failure of Picasso (New York: Pantheon Books, rev. edn., 1989).

  Bermingham, Ann, Learning to Draw: Studies in the Cultural History of a Polite and Useful Art (New Haven: Yale University Press, 2000).

  Beuys, Joseph, The Multiples, ed. Jörg Schellmann (New York: Edition Schellmann, 1997).

  Blunt, Anthony, The Drawings of Poussin (New Haven: Yale University Press, 1979).

  Collings, Matthew, Blimey!: From Bohemia to Britpop: The London Artworld from Francis Bacon to Damien Hirst (London: 21 Publishing, 1997).

  Cowling, Elizabeth, et al., Matisse Picasso (London: Tate Publishing, 2002).

  Da Vinci, Leonardo, Notebooks, ed. Thereza Wells (Oxford: Oxford University Press, 2008).

  Dietrich, Dorothea, The Collages of Kurt Schwitters: Tradition and Innovation (Cambridge: Cambridge University Press, 1993).

  Dupin, Jacques, Miró (Paris: Flammarion, 2004).

  Elderfield, John, Matisse in the Collection of the Museum of Modern Art (New York: Museum of Modern Art, 1978).

  Elsen, Albert, J. Kirk and T. Varnedoe, The Drawings of Rodin (London: Elek, 1972).

  Gilot, Françoise, Life with Picasso (New York: Anchor, 1964).

  Glaubinger, Jane, Paper Now: Bent, Molded and Manipulated (Cleveland: Cleveland Museum of Art, 1986).

  Gombrich, E.H., Norm and Form (London: Phaidon, 1966).

  Gowing, Lawrence, Matisse (London: Thames and Hudson, 1979).

  Greenberg, Clement, The Collected Essays and Criticism,Volume 4: Modernism with a Vengeance, 1957–1969, ed. John O’Brian (Chicago: University of Chicago Press, 1993).

  Greer, Germaine, “Making Pictures from Strips of Cloth Isn’t Art at All—but It Mocks Art’s Pretensions to the Core,” The Guardian, August 13, 2007.

  Hilton, Timothy, Picasso (London: Thames and Hudson, 1975).

  Hockney, David, Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters (London: Thames and Hudson, 2001).

  Hughes, Robert, Nothing if Not Critical: Selected Essays on Art and Artists (London: Harvill, 1990).

  Hughes, Robert, The Shock of the New: Art and the Century of Change (London: BBC Books, 1980).

  Kemp, Martin, The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat (New Haven: Yale University Press, 1990).

  Krill, John, English Artists’ Paper: Renaissance to Regency (Delaware: Oak Knoll Press, 2nd edn., 2001).

  McFadden, David Revere, ed., Slash: Paper Under the Knife (Milan: Museum of Arts and Design/5 Continents, 2009).

  MacPhee, Josh, Paper Politics: Socially Engaged Printmaking Today (Oakland, Cal.: PM Press, 2009).

  Peacock, Molly, The Paper Garden: Mrs Delany (Begins Her Life’s Work) at 72 (London: Bloomsbury, 2011).

  Poggi, Christine, In Defiance of Painting: Cubism, Futurism, and the Invention of Collage (New Haven: Yale University Press, 1992).

  Spurling, Hilary, Matisse the Master: A Life of Henri Matisse, Volume 2: The Conquest of Colour, 1909–1954 (London: Hamish Hamilton, 2005).

  Spurling, Hilary, The Unknown Matisse: A Life of Henri Matisse, Volume 1: 1869–1908 (London: Hamish Hamilton, 1998).

  Thomas, Jane, and Paul Jackson, On Paper: New Paper Art (London: Merrell, 2001).

  Willetts, William, Foundations of Chinese Art: from Neolithic Pottery to Modern Architecture (London: Thames and Hudson, 1965).

  Williams, Nancy, More Paperwork: Exploring the Potential of Paper in Design (London: Phaidon, 2005).

  Williams, Nancy, Paperwork: The Potential of Paper in Graphic Design (London: Phaidon, 1993).

  Zwijnenberg, Robert, The Writing and Drawings of Leonardo da Vinci: Order and Chaos in Early Modern Thought (Cambridge: Cambridge University Press, 1999).

  9: THE SQUIGGLE GAME

  Benjamin, Walter, “The Cultural History of Toys,” “Old Toys: The Toy Exhibition at the Märkisches Museum,” “Toys and Play: Marginal Notes on a Monumental Work,” in Walter Benjamin: Selected Writings, Volume 2, Part 1: 1927–1930, ed. Michael Jennings et al. (Cambridge: Belknap Press, 2005).

  Bowen, Elizabeth, “Children’s Play,” in Collected Impressions (New York: Alfred A. Knopf, 1950).

  Chesteron, G.K., “The Toy Theatre,” in Tremendous Trifles (London: Methuen, 8th edn., 1925).

  Croall, Jonathan, Gielgud: A Theatrical Life (London: Methuen, 2001).

  Culin, Stewart, Korean Games (Philadelphia: Pennsylvania University Press, 1895).

  Dickens, Charles, A Christmas Carol and Other Christmas Stories, ed. Robert Douglas Fairhurst (Oxford: Oxford University Press, 2006).

  Dostoevsky, Fyodor, The Gambler (1867), trans. Richard Pevear and Larissa Volokonsky (New York: Everyman’s, 2005).

  Ferguson, Andy, Tracking Bodhidharma: A Journey to the Heart of Chinese Culture (Berkeley: Counterpoint, 2012).

  Foulkes, Richard, Lewis Carroll and the Victorian Stage: Theatricals in a Quiet Life (Aldershot: Ashgate, 2005).

  Freud, Sigmund, “Dostoevsky and Parricide” (1928), in The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. XXI (1927–31), trans. James Strachey (London: Hogarth Press, 1961).

  Hannas, Linda, The English Jigsaw Puzzle 1760–1890 (London: Wayland, 1972).

  Hargrave, Catherine Perry, A History of Playing Cards and a Bibliography of Cards and Gaming (New York: Houghton Mifflin, 1930).

  Hofer, Margaret K., The Games We Played: The Golden Age of Board and Table Games (New York: Princeton Architectural Press, 2003).

  Hoffmann, Detlef, trans. C.S.V. Salt, The Playing Card: An Illustrated History (Greenwich, Conn.: New York Graphic Society, 1973).

  Houdini, Harry, Paper Magic: The Whole Art of Performing with Paper, Including Paper Tearing, Paper Folding and Paper Puzzles (New York: E.P. Dutton, 1922).

  Houseman, Lorna, The House That Thomas Built: The Story of De La Rue (London: Chatto & Windus, 1968).

  Ishigaki, Komaku, Japanese Paper Dolls, trans. John Clark (Osaka: Hoikusha Books, 1976).

  Marx, Ursula, and Gudrun Schwartz, Michael Schwartz and Erdmut Wizisla, Walter Benj
amin’s Archive: Images, Texts, Signs, trans. Esther Leslie (London: Verso, 2007).

  Moncrief-Scott, Ian, De la Rue: Straw Hats to Global Securities (York: Imagination, 1999).

  Murray, H.J.R., A History of Board-Games Other Than Chess (Oxford: Oxford University Press, 1952).

  Nesbit, E., The Railway Children (London: Wells Gardner, Darton & Co., 1906).

  Norcia, Megan A., “Puzzling Empire: Early Puzzles and Dissected Maps as Imperial Heuristics,” Children’s Literature, 37 (June 2009).

  Parlett, David, The Oxford History of Board Games (Oxford: Oxford University Press, 1999).

  Parlett, David, The Oxford Guide to Card Games (Oxford: Oxford University Press, 1990).

  Speaight, George, Juvenile Drama: The History of the English Toy Theatre (London: Macdonald & Co., Ltd., 1946).

  Stevenson, Robert Louis, “A Penny Plain and Twopence Coloured,” in Memories and Portraits (London: T. Nelson & Sons, 1887).

  Tilley, Roger, A History of Playing Cards (London: Studio Vista, 1973).

  Whitehouse, F.R.B., Table Games of Georgian and Victorian Days (London: Peter Garnett, 1951).

  Williams, Anne D., The Jigsaw Puzzle: Piecing Together a History (New York: Berkeley Publishing, 2004).

  Winnicott, D.W., “The Squiggle Game” (1968), in Psychoanalytic Explorations, ed. Clare Winnicott, Ray Shepherd and Madeleine Davis (London: Karnac Books, 1989).

  Wowk, Kathleen, Playing Cards of the World: A Collector’s Guide (Guildford: Lutterworth, 1983).

  10: A WONDERFUL MENTAL AND PHYSICAL THERAPY

  Boehn, M. von, Miniatures and Silhouettes (London: J.M. Dent, 1928).

  Brottman, Mikita, Funny Peculiar: Gershon Legman and the Psychopathology of Humor (Hillsdale, N.J.: Analytic Press, 2004).

  Brust, Beth Wagner, The Amazing Paper Cuttings of Hans Christian Andersen (Boston: Houghton Mifflin, 1994).

  Coke, Desmond, The Art of Silhouette (London: Martin Secker, 1913).

  Feng, Diane, Chinese Paper Cutting (Kenthurst, NSW: Kangaroo Press, 1996).

  Harbin, Robert, Origami: The Art of Paper-Folding (London: Teach Yourself Books, 1968).

  Harbin, Robert, Origami 3: The Art of Paper-Folding (London: Coronet, 1972).

  Harbin, Robert, Paper Magic (London: Oldbourne Book Company, 1956).

  Harbin, Robert, Secrets of Origami (London: Oldbourne Book Company, 1963).

  Hickman, Peggy, Silhouettes: A Living Art (Newton Abbot: David and Charles, 1975).

  Holmes, John Clellan, Nothing More to Declare (New York: E.P. Dutton, 1967).

  Jackson, E.N., Silhouettes: Notes and Dictionary (New York: Charles Scribner’s, 1938).

  Kenneway, Eric, Complete Origami: An A-Z of Facts and Folds (New York: St. Martin’s Press, 1987).

  Lang, Robert, The Complete Book of Origami (New York: Dover Publications, 1989).

  Leslie, H., Silhouettes and Scissor-Cutting (London: John Lane, 1939).

  Lister, David, “The Lister List,” accessed at www.britishorigami.info.

  Piper, David, Shades: An Essay on English Portrait Silhouettes (Cambridge: Rampant Lions Press, 1970).

  Randlett, Samuel, The Art of Origami (New York: E.P. Dutton, 1966).

  Rutherford, Emma, Silhouette (New York: Rizzoli, 2009).

  Swannell, M., Paper Silhouettes (London: George Philip and Son, 1929).

  Warner, John, Chinese Papercuts (Hong Kong: John Warner Publications, 1978).

  Zipes, Jack, Hans Christian Andersen: The Misunderstood Storyteller (New York: Routledge, 2005).

  11: LEGITIMATIONSPAPIERE

  Allan, Kate, ed., Paper Wars: Access to Information in South Africa (Johannesburg: Wits University Press, 2009).

  Aly, Götz, and Karl-Heinz Roth, The Nazi Census: Identification and Control in the Third Reich, trans. Edwin Black (Philadelphia: Temple University Press, 2004).

  Anderson, Martin, “Tourism and the Development of the Modern British Passport, 1814–1858,” Journal of British Studies 49 (April 2010).

  Berger, John, About Looking (New York: Pantheon, 1980).

  Bullock, Alan, Hitler: A Study in Tyranny (London: Odhams, 1952).

  Caplan, Jane, and John Torpey, Documenting Individual Identity: The Development of State Practices in the Modern World (Princeton: Princeton University Press, 2000).

  Clanchy, Michael, From Memory to Written Record: England 1066–1307 (Oxford: Blackwell, 1993).

  Darwish, Mahmoud, Selected Poems, trans. Ian Wedde and Fawwaz Tuqan (Cheadle Hulme: Carcanet, 1973).

  Derrida, Jacques, Archive Fever: A Freudian Impression, trans. Eric Prenowitz (Chicago: University of Chicago Press, 1995).

  Dudley, Leonard M., The Word and the Sword: How Techniques of Information and Violence Have Shaped Our World (Cambridge, Mass.: Basil Blackwell, 1991).

  Dutton, David, Neville Chamberlain (London: Arnold, 2001).

  Falling Leaf (Quarterly Magazine of the Psywar Society), ed. R.G. Auckland, (1958–).

  The Falling Leaf: Aerial Dropped Propaganda 1914–1968, catalogue to accompany exhibition at The Museum of Modern Art, Oxford, 1978 (Oxford: Holywell Press, 1978).

  Feiling, Keith, The Life of Neville Chamberlain (London: Macmillan, 1946).

  Fothergill, Robert A., Private Chronicles: A Study of English Diaries (London: Oxford University Press, 1974).

  Funder, Anna, Stasiland: Stories from Behind the Berlin Wall (London: Granta, 2003).

  Fussell, Paul, Abroad: British Literary Traveling Between the Wars (New York: Oxford University Press, 1980).

  Giddens, Anthony, Modernity and Self-Identity: Self and Society in the Late Modern Age (Cambridge: Polity Press, 1991).

  Giddens, Anthony, The Nation-State and Violence (Berkeley: University of California Press, 1987).

  Kershaw, Ian, Hitler 1936–45: Nemesis (New York: W.W. Norton & Co., 2000).

  Lau, Estelle T., Paper Families: Identity, Immigration Administration, and Chinese Exclusion (Durham, N.C.: Duke University Press, 2006).

  Levi, Primo, If This Is a Man (1947), trans. Stuart Woolf (New York: Orion Press, 1959).

  Levi, Primo, The Periodic Table (1975), trans. Raymond Rosenthal (New York: Schocken Books, 1984).

  Levi, Primo, The Truce (1963), trans. Stuart Woolf (London: Bodley Head, 1965).

  Longman, Timothy, “Identity Cards, Ethnic Self-Perception, and Genocide in Rwanda,” in Jane Caplan and John Torpey, eds., Documenting Individual Identity: The Development of State Practices in the Modern World (Princeton: Princeton University Press, 2000).

  Lyon, David, The Electronic Eye: The Rise of Surveillance Society (Minneapolis: University of Minnesota Press, 1994).

  Marrus, Michael, The Unwanted: European Refugees in the Twentieth Century (New York: Oxford University Press, 1985).

  Montale, Eugenio, New Poems, trans. G. Singh (London: Chatto & Windus, 1976).

  Parker, R.A.C., Chamberlain and Appeasement: British Policy and the Coming of the Second World War (Basingstoke: Macmillan, 1993).

  Reale, Egidio, Le régime des passeports et la société des nations (Paris: Librairie A. Rousseau, 1930).

  Ripka, Hubert, Munich: Before and After, trans. Ida Šindelková and Edgar P. Young (London: Gollancz, 1939).

  Self, Robert, Neville Chamberlain: A Biography (Aldershot: Ashgate, 2006).

  Sen, Amartya, Identity and Violence: The Illusion of Destiny (London: Allen Lane, 2006).

  Smart, Nick, Neville Chamberlain (London: Routledge, 2010).

  Spotts, Frederic, Hitler and the Power of Aesthetics (Woodstock: The Overlook Press, 2003).

  Torpey, John, The Invention of the Passport: Surveillance, Citizenship and the State (Cambridge: Cambridge University Press, 2000).

  Walker Bynum, Caroline, Metamorphosis and Identity (New York: Zone Books, 2001).

  Weber, Therese, The Language of Paper: A History of 2000 Years (Bangkok: Orchid Press, 2007).

  12: FIVE LEAVES LEFT

  Adburgham, Alison, Shops and Shopping, 1800–1914: Where and in What Manner the Well-Dre
ssed Englishwoman Bought Her Clothes (London: Allen & Unwin, 1981).

  Ashbery, John, Wakefulness (Manchester: Carcanet, 1998).

  Batchen, Geoffrey, William Henry Fox Talbot (London: Phaidon, 2008).

  Behlmer, Rudy, ed., Memo from David Selznick (New York: Viking Press, 1972).

  Berger, John, About Looking (New York: Pantheon Books, 1980).

  Berman, Patricia G., “Edvard Munch’s Self-Portrait with Cigarette: Smoking and the Bohemian Persona,” The Art Bulletin, 75:4 (December 1993).

  Bower, Peter, “The White Art: The Importance of Interpretation in the Analysis of Paper,” in John Slavin, et al., eds., Looking at Paper: Evidence & Interpretation (Toronto: Symposium Proceedings, Royal Ontario Museum and Art Gallery of Ontario, May 13–16, 1999).

  Canemaker, John, Paper Dreams: The Art and Artists of Disney Storyboards (New York: Hyperion, 1999).

  Cave, Roderick, Chinese Paper Offerings (Hong Kong: Oxford University Press, 1998).

  Daves, Jessica, Ready-Made Miracle: The Story of Fashion for the Millions (London: Putnam, 1967).

  Davies, Hywel, Fashion Designers’ Sketchbooks (London: Laurence King, 2010).

  De Landa, Manuel, War in the Age of Intelligent Machines (New York: Swerve, 1991).

  Doctorow, E.L., Homer & Langley (New York: Random House, 2009).

  Domínguez, Carlos María, The Paper House, trans. Nick Caistor (London: Harvill Secker, 2005).

  Fuller, Buckminster, with Kiyoshi Kuromiya, Critical Path (New York: St. Martin’s Press, 1981).

  Holmes, Frederic Lawrence, Investigative Pathways: Patterns and Stages in the Careers of Experimental Scientists (New Haven: Yale University Press, 2004).

  Holmes, Frederic Lawrence, et al., eds., Reworking the Bench: Research Notebooks in the History of Science (Dordrecht: Kluwer Academic, 2003).

  Jessup, Harley, “Graphite and Pixels: Drawing at Pixar,” in Marc Treib, ed., Drawing/Thinking: Confronting an Electronic Age (Taylor & Francis, 2008).

  Livingstone, David N., Putting Science in its Place: Geographies of Scientific Knowledge (Chicago: University of Chicago Press, 2003).

  Livingstone, David N., Science, Space and Hermeneutics, Hettner Lectures 5 (Heidelberg: University of Heidelberg, 2002).

  Mayhew, Henry, London Labour and the London Poor (1861), ed. Robert Douglas-Fairhurst (Oxford: Oxford University Press, 2012).