Compleat Crow

by Brian Lumley

  'All is understood,' the vicar nodded, holding up his hand. And: 'Are they waiting?'

  'Indeed they are — just arrived. I told them you'd be along directly.'

  `I'm sure you did,' the vicar nodded again. 'Well, I'd best be seeing to it then.'

  A moment later the churchyard was in view, and there up, the path between old headstones, just inside the arched, impressive entrance, where the massive doors stood open, the couple themselves and a handful of friends. They saw the vicar hurrying, came to greet him; the normal pleasantries were exchanged; the party entered the towering old building. The vicar had brought the books with him and all preliminaries and signatures and counter-signatures were quickly completed; the little ceremony commenced without a hitch.

  Finally the vicar took the crucifix from around his neck and hung it from the hook over the font, held out his arms for the child. He'd done it all a thousand times before, so that it was difficult these days to get any real meaning into the words; but of course they had meaning anyway, and in any case he tried.

  And at last all was done. The vicar dipped his hand into the water, sprinkled droplets, made the sign — and the church seemed to hold its breath...

  But only for an instant.

  Then the five-sided room came alive in a glow like burnished gold (the sun, of course, moving out from behind a cloud, burning on the old windows), and smiling, the vicar passed the child in his christening-gown to his father.

  `So there we have you, said the proud, handsome man, his voice deep and strong; and he showed the child to his mother.

  A rose of a woman, she gazed with love on the infant, kissed his brow 'Those eyes, she said, 'with so much still to see. And that little mind, with so much still to fill it. Look at his face — see how it glows!'

  'It's the light in here,' said the vicar. 'It turns the skin to roses! Ah, but indeed a beautiful child.'

  'Oh, he is!' said the mother, taking him and holding him up. 'He is! So pure, so innocent. Our little Titus. Our little Titus Crow.. .'

  LORD OF THE WORMS

  IF I HAD to choose the definitive Titus Crow story, it would have to be Lord of the Worms. It had been 'writing itself' for something like a year, between other stories and novels, when I first mentioned it to Paul Ganley. The way I remember it, he wanted to see it at once. Which meant I had to finish it at once. I think it took me about three weeks to get all the bits together and type it up, following which it was too long and too fresh in my mind for me to read objectively. So I simply sent it to Paul. He found one basic error and corrected it, and the story appeared in the next Weirdbook. And I breathed a sigh of relief when finally I read it.

  I think this novelette says a lot about the difference between H. R. Lovecraft's 'heroes' and mine. Crow doesn't faint and he doesn't run away. In fact, I didn't even allow him a single gibber in his unrelenting battle with the monstrous

  Lord of the Worms.

  Twenty-two is the Number of the Master! A 22 may only be described in glowing terms, for he is the Great Man. Respected, admired by all who know him, he has the Intellect and the Power and he has the Magic! Aye, he is the Master Magician. But a word of warning: just as there are Day and Night, so are there two sorts of Magic — White, and Black!

  Grossmann's Numerology,

  Vienna, 1776.

  I

  The war was well over, Christmas 1945 had gone by and the New Year festivities were still simmering, and Titus Crow was out of a job. A young man whose bent for the dark and mysterious side of life had early steeped him in obscure occult and esoteric matters, his work for the War Department had- moved in two seemingly unconnected, highly secretive directions. On the one hand he had advised the Ministry in respect of certain of Der Fuhrer's supernatural interests, and on the other he had used the skills of the numerologist and cryptographer to crack the codes of his goose-stepping war machine. In both endeavours there had been a deal of success, but now the thing was finished and Titus Crow's talents were superfluous.

  Now he was at a loss how best to employ himself. Not yet known as one of the world's foremost occultists, nor even suspecting the brilliance he was yet to achieve in many diverse fields of study and learning — and yet fully conscious of the fact that there was much to be done and a course to be run — for the moment he felt without a purpose, a feeling not much to his liking. And this after living and working in bomb-ravaged London through the war years, with the fever and stress of that conflict still bottled inside him.

  For these reasons he was delighted when Julian Carstairs — the so-called 'Modern Magus, or 'Lord of the Worms, an eccentric cult- or coven-leader — accepted his agreeable response to an advertisement for a young man to undertake a course of secretarial duties at Carstairs' country home, the tenure of the position not to exceed three months. The money seemed good (though that was not of prime importance), and part of the work would consist of cataloguing Carstairs' enviable occult library. Other than this the advertisement had not been very specific; but Titus Crow had little doubt but that he would find much of interest in the work and eagerly awaited the day of his first meeting with Carstairs, a man he assumed to be more eccentric than necromantic.

  Wednesday 9th January 1946, was that day, and Crow found the address, 'The Barrows,' — a name which immediately conjured mental pictures of tumuli and cromlechs — at the end of a wooded, winding private road not far from the quaint and picturesque town of Haslemere in Surrey. A large, two-storey house surrounded by a high stone wall and expansive gardens of dark shrubbery, overgrown paths and gaunt-limbed oaks weighed down with festoons of unchecked ivy, the place stood quite apart from any comparable habitation.

  That the house had at one time been a residence of great beauty seemed indisputable; but equally obvious was the fact that recently, possibly due to the hostilities, it had been greatly neglected. And quite apart from this air of neglect and the generally drear appearance of any country property in England during the first few weeks of the year, there was also a gloominess about The Barrows. Something inherent in its grimy upper windows, in the oak-shaded brickwork and shrouding shrubbery; so that Crow's pace grew measured and just a trifle hesitant as he entered the grounds through a creaking iron gate and followed first the drive, then a briar-tangled path to the front door.

  And then, seeming to come too close on the heels of Crow's ringing of the bell, there was the sudden opening of the great door and the almost spectral face and figure of Julian Carstairs himself, whose appearance the young applicant saw from the start was not in accordance with his preconceptions. Indeed, such were Carstairs' looks that what little remained of Crow's restrained but ever-present exuberance was immediately extinguished. The man's aspect was positively dismal.

  Without introduction, without even offering his hand, Carstairs led him through the gloomy interior to the living-room — a room sombre with shadows which seemed almost painted into the dark oak panelling. There, switching on lighting so subdued that it did absolutely nothing to dispel the drabness of the place or its fungus taint of dryrot, finally Carstairs introduced himself and bade his visitor be seated. But still he did not offer his hand.

  Now, despite the poor light, Crow was able to take in something of the aspect of this man who was to be, however temporarily, his employer; and what he saw was not especially reassuring. Extremely tall and thin almost to the point of emaciation, with a broad forehead, thick dark hair and bushy eyebrows, Carstairs' pallor was one with the house. With sunken cheeks and slightly stooped shoulders, he could have been any age between seventy and eighty-five, perhaps even older. Indeed there was that aura about him, hinting of a delayed or altered process of aging, which one usually associates with mummies in their museum alcoves.

  Looking yet more closely at his face (but guardedly and as unobtrusively as possible), Crow discovered the pocks, cracks and wrinkles of years without number; as if Carstairs had either lived well beyond his time, or had packed far too much into a single lifespan. And again th
e younger man found himself comparing his host to a sere and dusty mummy.

  And yet there was also a wisdom in those dark eyes, which at least redeemed for the moment an otherwise chill and almost alien visage. While Crow could in no wise appreciate the outer shell of the man, he believed that he might yet find virtue in his knowledge, the occult erudition with which it was alleged Carstairs had become endowed through a life of remote travels and obscure delvings. And certainly there was that of the scholar about him, or at least of the passionate devotee.

  There was a hidden strength there, too, which seemed to belie the supposed age-lines graven in his face and bony hands and as soon as he commenced to speak, in a voice at once liquid and sonorous, Crow was aware that

  He was up against a man of great power. At length, after a brief period of apparently haphazard questioning and trivial discourse, Carstairs abruptly asked him the date of his birth. Having spoken he grew silent, his eyes sharp as he watched Crow's reaction and waited for his answer.

  Caught off guard for a moment, Crow felt a chill strike him from nowhere, as if a door had suddenly opened on a cold and hostile place; and some sixth sense warned him against all logic that Carstairs' question was fraught with danger, like the muzzle of a loaded pistol placed to his temple. And again illogically, almost without thinking, he supplied a fictitious answer which added four whole years to his actual age:

  'Why, 2nd December, 1912,' he answered with a half-nervous smile. 'Why do you ask?'

  For a moment Carstairs eyes were hooded, but then they opened in a beaming if cadaverous smile. He issued a sigh, almost of relief, saying: 'I was merely confirming my suspicion, astrologically speaking, that perhaps you were a Saggitarian — which of course you are. You see, the sidereal science is a consuming hobby of mine, as are a great many of the so-called "abstruse arts". I take it you are aware of my reputation? That my name is linked with all manner of unspeakable rites and dark practices? That according to at least one daily newspaper I am, or believe myself to be, the very antichrist?' And he nodded and mockingly smiled. 'Of course you are. Well, the truth is far less damning, I assure you. I dabble a little, certainly — mainly to entertain my friends with certain trivial talents, one of which happens to be astrology — but as for necromancy and the like .. I ask you, Mr Crow — in this day and age?' And again he offered his skull-like smile.

  Before the younger man could make any sort of comment to fill the silence fallen over the room, his host spoke again, asking, 'And what are your interests, Mr Crow?'

  'My interests? Why, I—' But at the last moment, even as Crow teetered on the point of revealing that he, too, was a student of the esoteric and occult – though a white as opposed to a black magician – so he once more felt that chill as of outer immensities and, shaking himself from a curious lethargy, noticed how large and bright the other's eyes had grown. And at that moment Crow knew how close he had come to falling under Carstairs' spell, which must be a sort of hypnosis. He quickly gathered his wits and feigned a yawn.

  'You really must excuse me, sir,' he said then, 'for my unpardonable boorishness. I don't know what's come over me that I should feel so tired. I fear I was almost asleep just then.'

  Then, fearing that Carstairs' smile had grown more than a little forced – thwarted, almost – and that his nod was just a fraction too curt, he quickly continued: 'My interests are common enough. A little archaeology, paleontology ...'

  'Common, indeed!' answered Carstairs with a snort. 'Not so, for such interests show an enquiring nature, albeit for things long passed away. No, no, those are admirable pastimes for such a young man.' And he pursed his thin lips and fingered his chin a little before asking:

  'But surely, what with the war and all, archaeological work has suffered greatly. Not much of recent interest there?'

  'On the contrary,' Crow answered at once. '1939 was an exceptional year. The rock-art of Hoggar and the excavations at Brek in Syria; the Nigerian If e bronzes; Bleger's discoveries at Pylos and Wace's at Mycenae; Sir Leonard Woolley and the Hittites ... Myself, I was greatly interested in the Oriental Institute's work at Megiddo in Palestine. That was in '37. Only a bout of ill health held me back from accompanying my father out to the site.'

  'Ah! — your interest is inherited then? Well, do not concern yourself that you missed the trip. Megiddo was not especially productive. Our inscrutable oriental friends might have found more success to the north-east, a mere twenty-five or thirty miles.'

  'On the shores of Galilee?' Crow was mildly amused at the other's assumed knowledge of one of his pet subjects.

  'Indeed,' answered Carstairs, his tone bone dry. 'The sands of time have buried many interesting towns and cities on the shores of Galilee. But tell me: what are your thoughts on the Lascaux cave-paintings, discovered er, '38?'

  'No, in 1940,' Crow's smile disappeared as he suddenly realised he was being tested, that Carstairs' knowledge of archaeology — certainly recent digs and discoveries — was at least the equal of his own. 'September, 1940. They are without question the work of Cro-Magnon man, some 20 — 25,000 years old.'

  'Good!' Carstairs beamed again, and Crow suspected that he had passed the test.

  Now his gaunt host stood up to tower abnormally tall even over his tall visitor. 'Very well, I think you will do nicely, Mr Crow. Come then, and I'll show you my library. It's there you will spend most of your time, after all, and you'll doubtless be pleased to note that the room has a deal more natural light than the rest of the house. Plenty of windows. Barred windows, for of course many of my books are quite priceless.'

  Leading the way through gloomy and mazy corridors, he mused: 'Of course, the absence of light suits me admirably. I am hemeralopic. You may have noticed how large and dark my eyes are in the gloom? Yes, and that is why there are so few strong electric lights in the house. I hope that does not bother you?'

  'Not at all,' Crow answered, while in reality he felt utterly hemmed in, taken prisoner by the mustiness of dryrot and endless, stifling corridors.

  'And you're a rock-hound, too, are you?' Carstairs continued. 'That is interesting. Did you know that fossil lampshells, of the sort common here in the south, were once believed to be the devil's cast-off toenails?' He laughed a mirthless, baying laugh. 'Ah, what it is to live in an age enlightened by science, eh?'

  II

  Using a key to unlock the library door, he ushered Crow into a large room, then stooped slightly to enter beneath a lintel uncomfortably shallow for a man of his height. 'And here we are,' he unnecessarily stated, staggering slightly and holding up a hand to ward off the weak light from barred windows. 'My eyes,' he offered by way of an explanation. 'I'm sure you will understand .

  Quickly crossing the carpeted floor, he drew shades until the room stood in sombre shadows. 'The lights are here,' he said, pointing to switches on the wall. 'You are welcome to use them when I am not present. Very well, Mr Crow, this is where you are to work. Oh, and by the way: I agree to your request as stated in your letter of introduction, that you be allowed your freedom at weekends. That suits me perfectly well, since weekends are really the only suitable time for our get-togethers — that is to say, when I entertain a few friends.

  'During the week, however, you would oblige me by staying here. Behind the curtains in the far wall is a lighted alcove, which I have made comfortable with a bed, a small table and a chair. I assure you that you will not be disturbed. I will respect your privacy — on the understanding, of course, that you will respect mine; with regard to which there are certain house rules, as it were. You are not to have guests or visitors up to the house under any circumstances — The Barrows is forbidden to all outsiders. And the cellar is quite out of bounds. As for the rest of the house: with the sole exception of my study, it is yours to wander or explore as you will — though I suspect you'll have little enough time for that. In any case, the place is quite empty. And that is how I like it.

  'You do understand that I can only employ you for three months? Goo
d. You shall be paid monthly, in advance, and to ensure fair play and good will on both sides I shall require you to sign a legally binding contract. I do not want you walking out on me with the job only half completed.

  'As for the work: that should be simple enough for anyone with the patience of the archaeologist, and I will leave the system entirely up to you. Basically, I require that all my books should be put in order, first by category, then by author, and alphabetically in the various categories. Again, the breakdown will be entirely your concern. All of the work must, however, be cross-referenced; and finally I shall require a complete listing of books by title, and once again alphabetically. Now, are you up to it?'

  Crow glanced around the room, at its high shelves and dusty, book-littered tables. Books seemed to be piled everywhere. There must be close on seven or eight thousand volumes here! Three months no longer seemed such a great length of time. On the other hand, from what little he had seen of the titles of some of these tomes . .

  'I am sure,' he finally answered, 'that my work will be to your complete satisfaction.'

  'Good!' Carstairs nodded. 'Then today being three-quarters done, I suggest we now retire to the dining-room for our evening meal, following which you may return here if you so desire and begin to acquaint yourself with my books. Tomorrow, Thursday, you begin your work proper, and I shall only disturb you on those rare occasions when I myself visit the library, or perhaps periodically to see how well or ill you are progressing. Agreed?'